{"title":"Music Releases 06\/17\/2016","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNew music releases at Vibin’ Vinyl on 06\/17\/2016\u003c\/span\u003e\u003c\/p\u003e","products":[{"product_id":"the-killers-hot-fuss","title":"Hot Fuss","description":"\u003cp\u003eThere are so many garage rock\/dance-rock tunes perfectly stylized and glamorous for the pop kids in the city and in the suburbs of new-millennium America. What's nice about these the bands producing these songs is how they strive so desperately to individualize themselves. On a commercial level, they do quite well in delivering catchy pop hooks. When it comes to having actual talent, a select few actually do possess attention-worthy integrity. But there are others who don't, and they disappear from the American consciousness after a brief flirtation with success. Such theories, however, are left up to the individual music fan, so let's put that aside for a moment to experience the decadent pop world of the Killers. The Las Vegas foursome introduce a perfectly tailored new wave-induced art rock sound on their debut, Hot Fuss. They wooed MTV audiences and modern rock followers with the success of \"Somebody Told Me\" during summer 2004. This chunky-riffed single loaded with androgynous mystery and a dalliance with new romantic energy captures the infectious delivery of the Killers as a band. Vocalist\/keyboardist Brandon Flowers does his best Simon LeBon imitation; the sex appeal and the boyish charm are perfectly in place as the rest of the band accents his rich, red-hotness just so. \"Jenny Was a Friend of Mine\" and \"Mr. Brightside\" are equally as foxy as the album's first single, affirming that a formula is indeed in motion. It's hard to deny the sparkle of Depeche Mode beats and the sensual allure of Duran Duran. After 25 years, those sounds still hold up; by 2004, however, it's an incredible task to pull this kind of thing off without selling yourself to the tastes of the masses. Interpol and the Walkmen have pulled it off; Franz Ferdinand and Hot Hot Heat have potential. The difference with the Killers is that the dynamic doesn't firmly hold together. The gospel\/rock jaunt of \"All These Things That I've Done\" doesn't quit fit around the Cure-inspired synth reveries of \"Everything Will Be Alright\" and \"Believe Me Natalie.\" \"Midnight Show,\" as much as it plucks from Duran Duran's \"Planet Earth\" and \"Is There Something I Should Know?,\" does show promise for the Killers. Hot Fuss came at the right time because the pop kids needed something to savor the summer with, and \"Somebody Told Me\" served that purpose. Now pull out your Duran Duran records and dance like no one is watching. [Hot Fuss was re-released on LP in 2016.] ~ MacKenzie Wilson\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 06\/17\/2016\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"The Killers","offers":[{"title":"Default Title","offer_id":43691707891945,"sku":"VHA8IG-IYSF-00","price":31.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/The-Killers-Hot-Fuss_TvTfF.jpg?v=1748618177"},{"product_id":"mitski-puberty-2","title":"PUBERTY 2","description":"Photographer: Patrick Hyland.\nBased in Brooklyn but with an unsettled background that called over a dozen countries on multiple continents home before she reached her twenties, Mitski Miyawaki makes her Dead Oceans debut with her fourth album, Puberty 2. Her background is not irrelevant here, as the album reflects her own, very personal -- and intentional or not, her generation's -- crisis of belonging as she recounts stories of navigating young adulthood in the City. A visceral work that shares the immediacy of classic punk and confessional singer\/songwriter fare at once, Puberty 2 takes listeners behind closed doors with the kind of no-holds-barred lyrics that are likely to leave a lasting impression. The opener \"Happy\" is full of bite and irony as she describes a hook-up and his stealthy exit in a context of grooving rhythms, a catchy melody, and poppy saxophone solos. Through it all in the background -- though it's brought to the fore in the intro and outro -- is the relentless pounding of a drum. Understated guitar and synths mark the infectious \"Fireworks,\" which has Mitski predict, almost deadpan, \"One morning this sadness will fossilize\/And I will forget how to cry.\" As the song builds momentum, many listeners will catch themselves bobbing heads in time despite its despondent lyrics. The fuzzier \"Your Best American Girl\" plays more like a power ballad as the singer, whose mother's side of the family is Japanese, laments the end of a relationship with an \"All-American boy.\" The break-up is at least partly due to the predicted disapproval of his mother. A two-minute punk anthem for the nation's youth and beyond, \"My Body's Made of Crushed Little Stars\" frets \"I wanna see the whole world\/I don't know how I'm gonna pay rent.\" Here her voice lets loose, shouting and gasping, in sharp contrast to the deliberate self-control of some of the other tracks. Fearless and affecting from beginning to end, Puberty 2, while certainly individualistic, has the potential for far-reaching relatability. ~ Marcy Donelson\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eRSD Date: n\/a\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 06\/17\/2016\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Mitski","offers":[{"title":"Default Title","offer_id":44562328846569,"sku":"EITQUQ-B15E-00","price":21.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Mitski-PUBERTY-2_1itQi.jpg?v=1740709531"},{"product_id":"converge-you-fail-me-redux","title":"YOU FAIL ME REDUX","description":"Personnel: Kurt Ballou (vocals, guitar, keyboards, percussion); Nate Newton, Jacob Bannon (vocals); Ben Koller (drums, percussion).\nAudio Remasterer: Alan Douches.\nAudio Remixer: Kurt Ballou.\nRecording information: Godcity, Magpie,; Witch Doctor.\nYou Fail Me marks the first taste of large-scale commercial success for a band long lauded by many in the know as one of the most important underground acts on the metal-minded hardcore scene. Luckily, Converge changed little after signing to Epitaph, retaining its trademark mix of half-screamed\/half-grunted vocals, brutal guitars, and stop-start rhythms. The production is exquisitely raw and immediate, providing the listener with an impression of sitting in the group's warehouse rehearsal space, ears near the speakers.\nDespite its brief running time of around 35 minutes, the album manages to hit all the right emotional highs and lows. On the title track and the dirgy, Swans-like \"In Her Shadow,\" Converge trump the competition with a mastery of dynamics and pure rock energy; there's as much Melvins as metal here. In addition, vocalist Jacob Bannon's cathartic howls never seem put on, but rather a genuine expression of rage fueled by real-life experience. You Fail Me is a visceral and bracing blend of metal and old-school, CBGB-worthy gutter hardcore, and challenging enough to satisfy even the most intellectual Dillinger Escape Plan fan. ~ Rovi Staff\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 06\/17\/2016\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Converge","offers":[{"title":"Default Title","offer_id":44562502910185,"sku":"29UCO8-ACWT-00","price":26.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Converge-YOU-FAIL-ME-REDUX_0HZFX.jpg?v=1759373231"},{"product_id":"radiohead-a-moon-shaped-pool-digital-download-card-2-lps","title":"| A Moon Shaped Pool (2LP)","description":"\u003cp\u003e\u003cspan style=\"font-size:12px;\"\u003e\u003cspan style=\"font-family:Arial,Helvetica,sans-serif;\"\u003eA Moon Shaped Pool is the ninth studio album from Radiohead, featuring “Burn The Witch,” “Daydreaming” and “True Love Waits.”\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:12px;\"\u003e\u003cspan style=\"font-family:Arial,Helvetica,sans-serif;\"\u003eA cursory glance at A Moon Shaped Pool may suggest a certain measure of indifference on the part of Radiohead. Its 11 songs are sequenced in alphabetical order -- a stunt befitting a Pixies concert or perhaps a Frank Black box set, not a proper album -- and many of these tunes are of an older vintage: the group began work on the opening \"Burn the Witch\" at the turn of the century, while the closing \"True Love Waits\" first appeared in concerts way back in 1995. These are the elements of a clearinghouse, but with Radiohead appearances are always deceiving. A Moon Shaped Pool doesn't play like an ill-considered collection of leftovers; it unfurls with understated ease, each silvery song shimmering into the next. The pulse rarely quickens and the arrangements seldom agitate, yet the album never quite feels monochromatic. Sly, dissonant strings grace some cuts, acoustic guitars provide a pastoral counterpoint to an electronic pulse, Thom Yorke's voice floats through the music, often functioning as nothing more than an element of a mix; what he's saying matters not as much as how he murmurs. Such subtle, shifting textures emphasize Radiohead's musicianship, a point underscored when this version of \"True Love Waits\" is compared to its 2001 incarnation. There, Yorke accompanied himself with a simple acoustic guitar and he seemed earnest and yearning, but here, supported by piano and strings, he sounds weary and weathered, a man who has lost his innocence. What he and Radiohead have gained, however, is some measure of maturity, and with this, their music has deepened. Certainly, sections of A Moon Shaped Pool contain an eerie, disconcerting glimmer, usually attained through power kept in reserve -- nothing stabs as hard as the sawing fanfare of \"Burn the Witch,\" while the winding, intersecting guitars that conclude \"Identikit\" provide the noisiest element -- yet the album as a whole doesn't feel unsettling. Instead, there's a melancholic comfort to its ebb and flow, a gentle rocking motion that feels comforting; it's a tonic to the cloistered, scattered King of Limbs and even the sleek alienation of Kid A. Radiohead are recognizably the same band that made that pioneering piece of electronica-rock but they're older and wiser on A Moon Shaped Pool, deciding not to push at the borders of their sound but rather settle into the territory they've marked as their own. This may not result in a radical shift in sound but rather a welcome change in tone: for the first time Radiohead feel comfortable in their own skin.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr\u003e\r\n\u003cspan style=\"font-size:12px;\"\u003e\u003cspan style=\"font-family:Arial,Helvetica,sans-serif;\"\u003eTracklist\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:12px;\"\u003e\u003cspan style=\"font-family:Arial,Helvetica,sans-serif;\"\u003eA1        Burn The Witch    \u003cbr\u003e\r\nA2        Daydreaming\u003cbr\u003e\r\nB1        Decks Dark\u003cbr\u003e\r\nB2        Desert Island Disk\u003cbr\u003e\r\nB3        Ful Stop\u003cbr\u003e\r\nC1        Glass Eyes\u003cbr\u003e\r\nC2        Identikit\u003cbr\u003e\r\nC3        The Numbers\u003cbr\u003e\r\nD1        Present Tense\u003cbr\u003e\r\nD2        Tinker Tailor Soldier Sailor Rich Man Poor Man Beggar Man Thief\u003cbr\u003e\r\nD3        True Love Waits\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr\u003e\r\n\u003cspan style=\"font-size:12px;\"\u003e\u003cspan style=\"font-family:Arial,Helvetica,sans-serif;\"\u003e*Audio and\/or tracklist may vary slightly from the vinyl version.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:12px;\"\u003e\u003cspan style=\"font-family:Arial,Helvetica,sans-serif;\"\u003eLabel: ‎‎XL Recordings\u003cbr\u003e\r\nRel. Date: 06\/17\/2016\u003cbr\u003e\r\nUPC: 634904079017\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003ciframe allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\" height=\"152\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/2ix8vWvvSp2Yo7rKMiWpkg?utm_source=generator\" style=\"border-radius:12px\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eHandling Note: **Please allow an additional 72 hours for this item's shipment.**\u003c\/li\u003e\n\u003cli\u003eFormat Detail: 2LP standard Jacket\u003c\/li\u003e\n\u003cli\u003eGenre: Alternative\u003c\/li\u003e\n\u003cli\u003eRSD Date: n\/a\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eInternal ID: JITRE\u003c\/li\u003e\n\u003cli\u003eReleased: 06\/17\/2016\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Radiohead","offers":[{"title":"Default Title","offer_id":44581443240169,"sku":"ATUVAI-7EKW-00","price":42.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/radiohead-a-moon-shaped-pool-digital-download-card-2-lps_hwt90.jpg?v=1742020981"},{"product_id":"stone-roses-the-very-best-of-the-stone-roses-import-2-lps","title":"The Very Best Of The Stone Roses [Import] (2 Lp's)","description":"\u003cp\u003eThe Stone Roses: Ian Brown, John Squire, Reni, Mani. Producers: John Leckie, Simon Dawson. Compilation producer: Silvertone Records. Includes liner notes by John McCready. A career-spanning retrospective, THE VERY BEST OF THE STONE ROSES includes the UK band's earliest singles (\"Sally Cinnamon,\" \"Elephant Stone\") and the most revered tunes from their canonized 1989 eponymous debut (\"She Bangs the Drums,\" \"Fool's Gold,\" etc.). The collection also features a '90 single (\"One Love\") and the best tracks from their oft-maligned sophomore album, SECOND COMING (\"Love Spreads,\" \"Ten Storey Love Song\"). Generally considered the progenitors of Manchester's late-'80s\/early-'90s rock-meets-acid-house scene (AKA the \"Madchester scene\"), the Stone Roses blended swirling guitars, dancey beats, and chimey '60s-influenced pop hooks with thick washes of reverb and distortion. Serving as a definitive singles collection, this aptly titled compilation presents the very best of the results--an eminently groovy mix that recalls British Invasion-era songcraft while simultaneously commanding the body to move.\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 06\/17\/2016\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Stone Roses","offers":[{"title":"Default Title","offer_id":44581498454249,"sku":"3CRA38-UZBP-00","price":44.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/stone-roses-the-very-best-of-the-stone-roses-import-2-lps_egAF3_896ba6a8-cf93-4926-805c-01ac30a169af.jpg?v=1742227715"},{"product_id":"heart-dreamboat-annie-gatefold-lp-jacket","title":"Dreamboat Annie (Gatefold LP Jacket)","description":"Personnel: Ann Wilson (vocals, flute); Nancy Wilson (6-, 12-string acoustic guitars, electric guitar, background vocals); Roger Fisher (acoustic, electric \u0026amp; lap steel guitars); Howard Leese (guitar, synthesizer, bells); \"Before Dawn\" Geoff Foubert (banjo, background vocals); Rob Deans (piano, synthesizer); Steve Fossen, Brian Newcombe (bass); Dave Wilson, Kat Hendrikse, Mike Derosier, Duris Maxwell (drums); Ray Ayotte, Mike Flicker (percussion); Tessie Bensussen, Jim Hill (background vocals).\r\nRecorded at Can-Base Studios, Vancouver, Canada.\r\nPersonnel: Ann Wilson (vocals, flute), Nancy Wilson (6- \u0026amp; 12-string acoustic guitars, electric guitar, background vocals), Roger Fisher (acoustic, electric \u0026amp; lap steel guitars), Howard Leese (guitar, synthesizer, bells), \"Before Dawn\" Geoff Foubert (banjo, background vocals), Rob Deans (piano, synthesizer), Steve Fossen, Brian Newcombe (bass), Dave Wilson, Kat Hendrikse, Mike Derosier, Duris Maxwell (drums), Ray Ayotte, Mike Flicker (percussion), Tessie Bensussen, Jim Hill (background vocals).\r\nRecorded at Can-Base Studios, Vancouver, Canada.\r\nAll songs written or co-written by Ann Wilson and Nancy Wilson.\r\nThis is a limited edition \"Album Replica\" CD of DREAMBOAT ANNIE specially packaged to simulate the original LP design with gatefold sleeve.\r\nPersonnel: Ann Wilson (vocals, acoustic guitar, flute); Nancy Wilson (6- \u0026amp; 12-string acoustic guitars, electric guitar, background vocals); Roger Fisher (acoustic, electric \u0026amp; lap steel guitars); Howard Leese (acoustic \u0026amp; electric guitars, synthesizer, bells, background vocals); Geoff Foubert (banjo, background vocals); Rob Deans (piano, synthesizer); Steve Fossen, Brian Newcombe (bass); Dave Wilson, Kat Hendrikse, Mike Derosier, Duris Maxwell (drums); Mike Flicker (timpani); Ray Ayotte (congas, percussion); Tessie Bensussen, Jim Hill (background vocals).\r\nRecorded at Can-Base Studios, Vancouver, Canada.\r\nHeart's 1976 album, DREAMBOAT ANNIE, is easily one of the '70s best rock debuts. Led by two sisters, singer Ann and guitarist Nancy Wilson, who combined the mystical folk of Joni Mitchell with the heavy metal stomp of Led Zeppelin, the album spawned several hits that have become classic rock radio staples over the years.\r\nBoth \"Magic Man\" and \"Crazy on You\" are red hot rockers (the former is an autobiographical tale from Ann), while the title track is more subdued. DREAMBOAT ANNIE showed the largely male-dominated '70s rock world that the Wilson sisters could rock every bit as hard as their macho peers.\u003cul\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003cli\u003eRSD Date: n\/a\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 06\/17\/2016\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Heart","offers":[{"title":"Default Title","offer_id":44581770985705,"sku":"GPNNK2-DDZ1-00","price":35.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/heart-dreamboat-annie-gatefold-lp-jacket_8U3GZ.jpg?v=1745964237"},{"product_id":"david-bowie-ziggy-stardust-and-the-spiders-from-mars-original-motion-pictue-soundtrack-2-lps","title":"Ziggy Stardust And The Spiders From Mars (Original Motion Pictue Soundtrack) (2 Lp's)","description":"Recorded at the Hammersmith Odeon, London, England in 1973. Includes liner notes by D.A. Pennebaker.\r\nWhen David Bowie killed off his fatalistic rock-star character Ziggy Stardust, he also announced his retirement from live performance. His \"final\" concert was filmed and the soundtrack sat on a shelf for a decade before its release in 1983. ZIGGY STARDUST -THE MOTION PICTURE is an interesting audio snapshot that represents the Ziggy Stardust arc and incorporates a few different facets of Bowie's career up to that point. Starting with the ragged, garage-rock meter of \"Hang on to Yourself,\" Bowie introduces his beloved alien (\"Ziggy Stardust\"), and flirts with his flamboyant side (the medley of \"Wild Eyed Boy From Freecloud\/All The Young Dudes\/Oh! You Pretty Things\").\r\nFrom here, Ziggy's transition (\"Changes\") into messianic figure takes him through a host of rock-star realities (\"Let's Spend The Night Together,\" \"White Light\/White Heat\") before his meteoric rise gets snuffed out in a flash (\"Rock 'N' Roll Suicide\"). Throughout the performance, it is easy to see how Bowie's combination of solid rock \u0026amp; roll aesthetics and over-the-top theatricality eventually spawned and shaped everything from glam-rock to later developments such as punk and Madonna. This is one of Bowie's best and most underrated live performances.\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eRSD Date: DDD\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 06\/17\/2016\u003c\/li\u003e\n\u003cli\u003eBest Sellers: Overstock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"David Bowie","offers":[{"title":"Default Title","offer_id":44581980438761,"sku":"PZHH83-G2YW-00","price":48.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/david-bowie-ziggy-stardust-and-the-spiders-from-mars-original-motion-pictue-soundtrack-2-lps_Ucpuv.jpg?v=1740584688"},{"product_id":"the-tragically-hip-man-machine-poemex","title":"MAN MACHINE POEM(EX)","description":"Just prior to the June 2016 release of Man Machine Poem, the Tragically Hip announced that frontman Gord Downie was diagnosed with brain cancer. Given this news, it's hard not to listen to the album through the prism of mortality, even though the album was completed prior to his illness. Nevertheless, Man Machine Poem does contain an undercurrent of contemplation, darkly pulsing to understated rhythms and playing to muted arenas. Sometimes the tempos quicken, Downie's singing grows impassioned, but usually the album is quietly roiling, sometimes drifting toward the meditative (as on the otherwise profane \"Tired as F***\"), yet always circling back to fierce, searching spiritual rock. \"Machine\" ends the album on something of a positive note -- it's not only one of the faster numbers, it's expansive where the rest of the record recedes -- but what lasts is that hunger for answers, a sentiment that suits a band facing a middle age but also could act as a fitting farewell for the Tragically Hip. ~ Stephen Thomas Erlewine\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 06\/17\/2016\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"The Tragically Hip","offers":[{"title":"Default Title","offer_id":44583644889321,"sku":"WG1SUN-PN9T-00","price":30.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/the-tragically-hip-man-machine-poemex_AiJ30.jpg?v=1759447322"},{"product_id":"saosin-along-the-shadow-black-vinyl-digital-download-card","title":"Along The Shadow (Black Vinyl, Digital Download Card)","description":"Vinyl LP pressing includes digital download. Reunions are a beautiful thing, and for Saosin it's been a long time coming. After a successful run of reunion concerts in 2010, the band have been working on the idea of recording together and it has finally come to pass. Saosin formed and released their first EP, Translating the Name, in 2003. Anthony Green parted ways with the band after they signed with a major label, and vocalist Cove Reber stepped in as front man. The band went on to release two major label albums without Green, Saosin (2006), and In Search of Solid Ground (2009). Green has been a part of the band Circa Survive since leaving Saosin. Bassist Chris Sorenson explains the synthesis of Along The Shadow: \"We have known Brett Gurewitz\/Epitaph was interested since our second show in 2003 but the timing wasn't right. I am stoked to see our almost 13 year courtship come full circle in 2016. We've been working on the idea of recording a new Saosin record with Anthony since 2010. It's great to be back, playing gigs, and writing the music we never had the chance to write from the beginning.\"\u003cul\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 06\/17\/2016\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Saosin","offers":[{"title":"Default Title","offer_id":44583799685353,"sku":"PJT5DE-L9WI-00","price":30.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Saosin-Along-The-Shadow-Black-Vinyl-Digital-Download-Card_Jn0o9.jpg?v=1741120947"},{"product_id":"swans-the-glowing-man-gatefold-lp-jacket-poster","title":"The Glowing Man (Gatefold LP Jacket, Poster)","description":"Vinyl LP pressing. \"In 2009 when I made the decision to restart my musical group, Swans, I had no idea where it would lead. I knew that if I took the road of mining the past or revisiting the catalog, that it would be fruitless and stultifying. After much thought about how to make this an adventure that would instead led the music forward into unexpected terrain, I chose the five people with whom to work that I believed would most ably provide a sense of surprise, and even uncertainty, while simultaneously embodying the strength and confidence to ride the river of intention that flows from the heart of the sound wherever it would lead us - and what's the intention? Love! \"And so finally this Love has now led us, with the release of the new and final recording from this configuration of Swans, The Glowing Man, through four albums (three of which contain more complexity, nuance and scope than I would have ever dreamed possible), several live releases, various fundraiser projects, countless and seemingly endless tours and rehearsals, and a generally exhausting regimen that has left us stunned but still invigorated and thrilled to see this thing through to it's conclusion. I hereby thank my brothers and collaborators for their commitment to whatever truth lies at the center of the sound.\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 06\/17\/2016\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Swans","offers":[{"title":"Default Title","offer_id":44584185102569,"sku":"YJF5A6-FAZM-00","price":36.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Swans-The-Glowing-Man-Gatefold-LP-Jacket-Poster_vLCUu.jpg?v=1758789218"},{"product_id":"russo-jeff-fargo-year-2-score-tv-o-s-t-ltd-ogv","title":"Fargo: Year 2 (Score) \/ Tv O.S.T. (Ltd) (Ogv)","description":"\u003cp\u003eFargo: Year 2 (Score) \/ Tv O.S.T. (Ltd) (Ogv) is a Records \u0026amp; LPs from Russo,Jeff\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGenre: Soundtracks\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 06\/17\/2016\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Russo,Jeff","offers":[{"title":"Default Title","offer_id":44584764014825,"sku":"77KY4P-KKPS-00","price":50.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/russojeff-fargo-year-2-score-tv-ost-ltd-ogv_SsKCl.jpg?v=1758922987"},{"product_id":"t-bone-walker-sings-the-blues-4-bonus-tracks","title":"Sings The Blues + 4 Bonus Tracks","description":"These early-'50s Imperial sides find the Texas guitar pioneer in top form. ~ Bill Dahl\u003cul\u003e\n\u003cli\u003eGenre: Blues\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 06\/17\/2016\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"T-bone Walker","offers":[{"title":"Default Title","offer_id":44585599238377,"sku":"V1UMNQ-U328-00","price":26.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/t-bone-walker-sings-the-blues-4-bonus-tracks_BWTsk.jpg?v=1759060609"},{"product_id":"various-artists-eccentric-soul-sitting-in-the-park","title":"Eccentric Soul: Sitting In The Park","description":"Vinyl LP pressing. Hear the document of one man's passion crossing over into obsession. Chicago radio disc jockey and soul archivist Bob Abrahamian was deeply devoted to celebrating and documenting unknown Chicagoland group harmony music. Upon his untimely passing in 2014, he left behind hundreds of radio programs and a daunting collection of 35,000 carefully-selected 45s. Numero's collection borrows it's title from Abrahamian's long-running and acclaimed WHPK radio show, and it spins a tale that's cautionary, inspiring, and set to the sounds of the impossible-to-find tracks that made Bob Abrahamian's on-air playlist and animated the radio programs that were his life's work. Collected here are 12 artists featured on Sitting In The Park, in their own words and through the lens of our friend Bob. A decade into it's limitless ambitions, Numero's flagship Eccentric Soul series is effectively remapping the American soul diaspora. Each compilation explores, in exacting detail, another US city's smallest time hooks and would-be world beaters tossed into the glutted big-hole record sea of the 1960s and '70s. In Eccentric Soul's alternate universe are motley and mishandled Motowns beyond number, and the unforgettable records that could have, and should have, and never did. Find their stories here, retold for the first time.\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 06\/17\/2016\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Various Artists","offers":[{"title":"Default Title","offer_id":44586117595369,"sku":"7DAN7L-F88B-00","price":32.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Various-Artists-Eccentric-Soul-Sitting-In-The-Park_VD1rj.jpg?v=1759395871"},{"product_id":"the-ventures-walk-dont-run-4-bonus-tracks","title":"Walk Don'T Run + 4 Bonus Tracks","description":"This debut album by the Ventures is surprisingly good, considering that it was recorded in a huge rush during an era when all concerned couldn't help but know that rock \u0026amp; roll albums (apart from those by Elvis Presley) generally didn't sell very well; indeed, the fact that this is so good speaks volumes about the class and talent of the group at this early point in their history. With a sudden and totally unexpected number two national hit in \"Walk, Don't Run\" and a burgeoning demand for live performances, the quartet went in and recorded the best 11 tracks they knew to get a long player together, all done in such a hurry that the members themselves couldn't stay around long enough to be photographed for the cover (those are stand-ins). The result is surprisingly sophisticated in its use of stereo (then still relatively unusual in rock \u0026amp; roll, stereo LPs only debuted three years earlier and were largely confined to classical recordings), dividing the sound of the band quite neatly on two sides, thus giving LP purchasers a treat that owners of the single \"Walk, Don't Run\" would miss -- not only the sound separation that was so prized by audiophiles of the era, but crisp presentation of each instrument, dividing the two guitars very neatly. Thus, the casual listener could play with the speaker settings and balances, and the serious fans could get in close on the actual playing. The material is a mix of originals and hits drawn from every category, including earlier rock \u0026amp; roll instrumentals (\"Raunchy\"), R\u0026amp;B \"Night Train,\" and even film music (\"My Own True Love [Tara's Theme]\") -- one can just make out the familiar Max Steiner Gone with the Wind motif on the latter, and it is a fairly inventive approach to an old musical chestnut, rebuilding it from the ground up. The material all has a lean jauntiness, most unexpectedly \"Night Train,\" which sounds closer in spirit to Chet Atkins than to Buddy Morrow or King Curtis. The originals were no filler, either, \"The McCoy\" being a hot piece of surf guitar showcasing all concerned. ~ Bruce Eder\u003cul\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 06\/17\/2016\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"The Ventures","offers":[{"title":"Default Title","offer_id":44586616684777,"sku":"2LYD59-G0D0-00","price":26.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/the-ventures-walk-dont-run-4-bonus-tracks_lh0dF.jpg?v=1759086367"},{"product_id":"nina-simone-sings-duke-ellington","title":"SINGS DUKE ELLINGTON","description":"Nina Simone was on her way to becoming a major name by 1962, with her protest and civil rights songs granting her acclaim and recognition far beyond the jazz world. Sings Ellington is a change of pace for the singer\/pianist, who is heard performing 11 songs written by Duke Ellington and\/or Billy Strayhorn. Backed by an unidentified string orchestra (the accompaniment is often sparse) and the Malcolm Dodds Singers, she not only revives the usual Duke hits but such obscurities as \"Hey, Buddy Bolden,\" \"Merry Mending,\" and \"You Better Know It.\" None of these performances sound like a typical treatment of Ellington material, with \"I Got It Bad\" having a gospel feel, \"Something to Live For\" being brief but heartfelt, \"I Like the Sunrise\" sounding like a big production number, and \"Satin Doll\" being taken as an instrumental. Though short in length, what is here is quite intriguing and original. ~ Scott Yanow\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 06\/17\/2016\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Nina Simone","offers":[{"title":"Default Title","offer_id":44586778165481,"sku":"KBJYNV-KOLB-00","price":26.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/nina-simone-sings-duke-ellington_PmWDA.jpg?v=1759060730"},{"product_id":"cannonball-adderley-bohemia-after-dark","title":"BOHEMIA AFTER DARK (","description":"\u003cp\u003eBOHEMIA AFTER DARK ( is a Records \u0026amp; LPs from Cannonball Adderley\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 06\/17\/2016\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Cannonball Adderley","offers":[{"title":"Default Title","offer_id":44586828497129,"sku":"KVO7ZV-4XB5-00","price":26.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/cannonball-adderley-bohemia-after-dark-_vMnUH_e7425b22-0530-4d44-98eb-39d2b94919e3.jpg?v=1759260027"},{"product_id":"james-brown-the-amazing-james-brown-4-bonus-tracks","title":"The Amazing James Brown + 4 Bonus Tracks","description":"\u003cp\u003eThe Amazing James Brown + 4 Bonus Tracks is a Records \u0026amp; LPs from James Brown\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 06\/17\/2016\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"James Brown","offers":[{"title":"Default Title","offer_id":44586986373353,"sku":"QC07C8-CIT7-00","price":26.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/james-brown-the-amazing-james-brown-4-bonus-tracks_LCThC.jpg?v=1759041618"},{"product_id":"nails-you-will-never-be-one-of-us","title":"YOU WILL NEVER BE ONE OF US","description":"The third studio full-length from the Oxnard, California-based powerviolence\/grindcore unit, You Will Never Be One of Us clocks in at just under 22 minutes. Their longest outing to date, the ten-track set would be less of a marathon were it not for the epic eight-minute closer \"They Come Crawling Back,\" a doomy, thrashy, and relentlessly brutal bit of business that boasts the album's lone fade-out; it actually exhausts itself. The rest of You Will Never Be One of Us closely mirrors Nails' previous offerings, delivering forehead-melting blastbeats, whammy bar-induced audio grand mal seizures, and lyrics that target the sickly sweet spot between apoplectic and hopeless. In short, it's another vital and punishing set of high-caliber hardcore ragers that celebrate the worst that humanity has to offer. It's also the group's most polished -- if shiny razors are your thing -- effort to date, due in large part to some pithy production work from Converge guitarist Kurt Ballou. Still, it's an unrelenting black mass of vengeance, with meatier bits like \"Violence Is Forever,\" \"Savage Intolerance,\" and the punitive title track boasting a boomy, pit-of-your-stomach throb that helps to balance out some of the shriller tones that accompany the intermittent air-raid siren noodling. It's lethal stuff, and too much of it would likely kill you, which is why, in looking ahead to future endeavors, they should probably steer clear of the 35-minute mark. The band's devotion to unadulterated sonic malevolence remains unchanged. They know that the darkest corners of the human psyche have deep closets, and they would like to show you what's in them. ~ James Christopher Monger\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 06\/17\/2016\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Nails","offers":[{"title":"Default Title","offer_id":44587467145449,"sku":"FGOD2L-SH9W-00","price":25.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/nails-you-will-never-be-one-of-us_ogZlj.jpg?v=1759379223"},{"product_id":"steve-miller-joker-live","title":"JOKER LIVE","description":"Personnel: Jacob Petersen, Steve Miller (vocals, guitar); Joseph Wooten (vocals, keyboards); Sonny Charles, Kenny Lee Lewis (vocals); Tyler Lockett, Gary Mallaber, Gordon Knudtson (drums).\nAudio Mixers: Kent Hertz; Jamie R. Carter III.\nDirector: Rob Roth.\nSteve Miller celebrated the 40th anniversary of his breakthrough 1973 album The Joker by releasing a brand-new live recording of the entire album as The Joker Live in Concert in 2014. Cut with his touring band of the mid-2000s -- an outfit featuring bassist Kenny Lee Lewis, drummer Gordy Knudtson, keyboardist Joseph Wooten, guitarist Jacob Petersen, and vocalist Sonny Charles -- The Joker Live in Concert does indeed contain all nine songs from The Joker, but the running order is shuffled so the tunes work as a concert experience: it opens with the steady-rolling blues of \"Come on in My Kitchen\" and builds to the closing sequence of \"Your Cash Ain't Nothin' But Trash,\" \"Sugar Babe,\" and \"The Joker,\" the latter originally opening the album's second side but nevertheless an obvious choice for a closing selection. Some of the 1973 album's period production flair is missed -- those studio grace notes are part of the flair -- but by stripping the arrangements down to the blues basics, Miller reveals how sturdy and enduring the songs are while additionally showing that he was supported by a fine band in 2014. ~ Stephen Thomas Erlewine\u003cul\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 06\/17\/2016\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Steve Miller","offers":[{"title":"Default Title","offer_id":44587699732713,"sku":"RINCE0-2K2T-00","price":16.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/steve-miller-joker-live_zu1Kf.jpg?v=1758953096"},{"product_id":"i-see-stars-treehouse","title":"TREEHOUSE","description":"Personnel: Nick Scott (guitar); Christian Koo (piano); Luke Holland (drums).\nOn Treehouse (Sumerian), the genre-smashing fifth LP from I See Stars, electronic, metalcore, pop, and even hip-hop join forces to create one of the most interesting sounds of 2016. Debuting in the Top 10 of the Hard Rock, Alternative, and Independent charts, Treehouse is also the first album without screamer Zach Johnson or guitarist Jimmy Gregerson. Boasting solid hooks, tight focus, and their best production yet, Treehouse impresses with moments of pure beauty and feral aggression on tracks that feature drum'n'bass breakdowns, synth attacks, dubstep, soaring choruses, and even some rapping. ~ Neil Z. Yeung\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 06\/17\/2016\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"I See Stars","offers":[{"title":"Default Title","offer_id":44588612583657,"sku":"8PQSX7-G1YN-00","price":18.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/i-see-stars-treehouse_1r0oU.jpg?v=1759209319"},{"product_id":"pentagram-first-daze-here-too","title":"FIRST DAZE HERE TOO","description":"Personnel: Bobby Liebling (vocals); Vince McAllister (guitar); Geof O'Keefe (drums).\nRecording information: Live, National Sound Warehouse, Springfield, VA (06\/05\/1974-06\/14\/1974); Silver Spring, MD (06\/05\/1974-06\/14\/1974); The American Mailing Warehouse, Alexandria, VA (06\/05\/1974-06\/14\/1974); Underground Sound, Largo, MD (06\/05\/1974-06\/14\/1974); Live, National Sound Warehouse, Springfield, VA (09\/08\/1974); Silver Spring, MD (09\/08\/1974); The American Mailing Warehouse, Alexandria, VA (09\/08\/1974); Underground Sound, Largo, MD (09\/08\/1974); Live, National Sound Warehouse, Springfield, VA (1973); Silver Spring, MD (1973); The American Mailing Warehouse, Alexandria, VA (1973); Underground Sound, Largo, MD (1973); Live, National Sound Warehouse, Springfield, VA (1976-09-04_1976-09-12_1976-); Silver Spring, MD (1976-09-04_1976-09-12_1976-); The American Mailing Warehouse, Alexandria, VA (1976-09-04_1976-09-12_1976-); Underground Sound, Largo, MD (1976-09-04_1976-09-12_1976-).\nPhotographers: Geof O'Keefe; Cameron Davidson.\nBlack Sabbath are usually heralded as the creator of \"doom metal,\" yet Ozzy and company certainly had their allies early on, who also contributed to the cause -- especially Virginia's own Pentagram. Despite being long admired by the metal underground, Pentagram never recorded for a major label, and never recorded a full-length release during their peak '70s period. But the good folks at Relapse assembled a fine compilation, First Daze Here: The Vintage Collection, in 2002, and four years later issued a follow-up double-disc set, First Daze Here Too: The Vintage Collection. All of the material on First Daze Here Too comes from the '70s -- the seven-track first disc focuses on demos, rehearsals, and a recording session circa 1974 and 1976, while the 15-track second disc is comprised strictly of rehearsal tapes from 1972 and 1974. Although nothing here scales the same heights as say, \"Iron Man\" or \"Sweet Leaf,\" there are plenty of riff-heavy nuggets that will surely appeal to fans of retro metal, including \"When the Screams Come\" and \"Much Too Young to Know.\" That said, several tracks come close to \"bar band territory,\" especially \"Teaser\" and a cover of the Stones' \"Under My Thumb.\" With only odds and ends left behind by the band, First Daze Here Too: The Vintage Collection is a solid follow-up purchase for bell-bottomed headbangers who bought the first set. ~ Greg Prato\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eRSD Date: n\/a\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 06\/17\/2016\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Pentagram","offers":[{"title":"Default Title","offer_id":44589038534889,"sku":"CAQ5B5-27PT-00","price":21.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/pentagram-first-daze-here-too_KZTcZ.jpg?v=1741076583"},{"product_id":"bruce-hornsby-the-rehab-reunion","title":"REHAB REUNION","description":"Personnel: Bruce Hornsby (vocals, dulcimer); Gibb Droll (acoustic guitar, electric guitar); Ross Holmes (mandolin, fiddle); John \"J.T.\" Thomas (organ); Sonny Emory (drums, washboard).\nAudio Mixers: Wayne Pooley; Bruce Hornsby.\nRecording information: April Base Studios, Fall Creek, WI; Chicago Recording Company, Fall Creek, WI; Tossington Sound.\nPhotographer: Kathy Hornsby.\n2016's Rehab Reunion is Bruce Hornsby's first studio album with his longtime backing back the Noisemakers since 2009's Levitate. It follows their sprawling 2011 live double-album, Bride of the Noisemakers, and features Hornsby largely on the lap dulcimer rather than his primary instrument, the piano. Mini dulcimer-led sets have become a staple of latter day Noisemakers tours and this new album expands on this unique aspect of the band's sound. ~ Timothy Monger\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 06\/17\/2016\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Bruce Hornsby \/ The","offers":[{"title":"Default Title","offer_id":44589463077097,"sku":"DUHFQG-9H7E-00","price":22.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/bruce-hornsby-the-rehab-reunion_SQEII_7f7f1e4c-ffa2-4453-8bb8-22c41891cc97.jpg?v=1759314276"},{"product_id":"converge-you-fail-me-redux-2","title":"You Fail Me (Redux)","description":"Personnel: Mad Lion (vocals).\nAudio Mixers: Donovan Sound; Harold English; Ice Cube; Robert Rebeck; Sir Jinx.\nLiner Note Author: KRS-One.\nBack in 1988, KRS-One founded the Stop the Violence Movement to address the violence that was plaguing parts of the hip-hop world at the time. Sadly, that violence only escalated -- and in the mid-'90s, things became downright tragic with the well-publicized East Coast\/West Coast feud that involved the Notorious B.I.G., Sean \"Puff Daddy\" Combs, and Bad Boy Entertainment on one side and Tupac Shakur, Death Row Records, and the infamous Suge Knight on the other. Hip-hop has always had feuds -- LL Cool J versus Kool Moe Dee, the Juice Crew versus Boogie Down Productions -- but when Biggie and 2Pac were both killed in drive-by shootings, the East Coast\/West Coast rivalry became more than a war of words; it became a war of actual bullets. Hip-hop's many feuds are the focus of the documentary Beef, and this soundtrack often captures the intense bitterness that has characterized some of them. The soundtrack opens on an extremely bitter note with \"No Vaseline,\" Ice Cube's scathing 1991 attack on Eazy-E and others he knew from N.W.A -- and the CD maintains a harsh, angry tone with other previously released songs (including N.W.A's \"Fuck tha Police\") and new material by, among others, KRS, Jayo Felony, and Poverty (a seriously talented white MC from Portland, OR). Not all of the tunes are actually about feuds among rappers; \"Fuck tha Police\" is a commentary on police brutality. However, those feuds are a recurring theme, and KRS engages in a little feuding of his own when he gives St. Louis pop-rapper Nelly a serious tongue-lashing on \"You Don't Really Want It.\" Of course, KRS has long had a sense of what is and isn't crossing the line; he understands that while verbal aggression is one thing, committing actual violence against fellow MCs is totally unacceptable. Sadly, he fears that some rappers don't understand that, which is one of the reasons why Beef desperately needed to be made. Not everything on this soundtrack is great; some of the tunes are excellent, while others are merely competent. But at its best, the Beef soundtrack sheds some light on a disheartening hip-hop crisis that has stubbornly refused to go away. ~ Alex Henderson\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eRSD Date: n\/a\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 06\/17\/2016\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Converge","offers":[{"title":"Default Title","offer_id":44590096646377,"sku":"5PQBXL-G028-00","price":28.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/converge-you-fail-me-redux_jKhiW.jpg?v=1741084320"},{"product_id":"red-hot-chili-peppers-the-getaway-2-lps","title":"The Getaway (2 Lp's)","description":"The Red Hot Chili Peppers' 11th studio album, 2016's The Getaway, is a sophisticated work of dark-hued maturity that finds the long-running California outfit expanding their sound into nuanced, '70s-style orchestral soul and funky psychedelia. The album follows the equally adventurous I'm with You (2011) and once again showcases guitarist Josh Klinghoffer, who replaced John Frusciante in 2009. A major difference, however, between I'm with You and The Getaway was the band's choice to work with producer\/instrumentalist Brian Burton (aka Danger Mouse). This makes The Getaway the first album the Red Hot Chili Peppers have recorded without longtime collaborator Rick Rubin, who has helmed each of the band's albums since 1991's Blood Sugar Sex Magik. While the choice helps differentiate The Getaway on a spiritual level, sonically it feels as if the band and Klinghoffer have finally gelled as a complete creative unit. Maybe that's due to having I'm with You under their belt, or perhaps it's due to Kiedis having purportedly gone through a painful break-up. Either way, the result is a subtle yet significant advance from I'm with You that feels just that much more focused. Cuts like the disco-inflected title track and the '80s electro-infused \"Go Robot\" reveal the band's knack for coloring their sound in surprising ways. Others, like \"We Turn Red\" and \"This Ticonderoga,\" are athletic funk-punk jams. Elsewhere, their chance-taking nature pays dividends, as on the Elton John collaboration \"Sick Love.\" A laid-back groover featuring John on piano with lyrics by Bernie Taupin, the song is an album standout, bringing to mind '70s-era Isley Brothers. Similarly, tracks like the flowing \"The Longest Wave\" and the densely layered \"Feasting on the Flowers,\" have a melodic, psychedelic quality that feels inspired by the Beatles' late-'60s period. However, it's the sprawling, hypnotic album closer, \"Dreams of a Samurai,\" that seems to pull all of The Getaway's disparate themes together in a bold, anthemic, fever dream of a song. Beginning with a minor-key piano intro, the song evolves into a roiling cinematic epic with Kiedis' yearning baritone framed in Klinghoffer's sweltering layers of wet, echoey guitars, Flea's rounded, circular basslines, and drummer Chad Smith's frenetic rhythms. They even make room for a soaring choir in the background that adds to the song's often malevolent, dream-like atmosphere. At once transformative and self-critical, the song finds Kiedis in a philosophical mood, painting himself as a lonely \"metamorphosis samurai\" singing, \"I've lost myself out on the range.\" While none of the songs on The Getaway play out as literal stories of Kiedis' relationship, there is an underlying sense of heartbreak at the core of many of his lyrics. On \"Dark Necessities,\" he sings, \"Spinning knot that is on my heart is like a bit of light in a touch of dark\/You got sneak attack from the zodiac\/But I see your fire spark.\" Ultimately, The Getaway is a nuanced album, rife with journeyman craft and poetry, that proves the Red Hot Chili Peppers still have plenty of their own creative fire. ~ Matt Collar\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eRSD Date: n\/a\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 06\/17\/2016\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Red Hot Chili Peppers","offers":[{"title":"Default Title","offer_id":44590237352169,"sku":"7ZXHJN-15LP-00","price":41.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Red-Hot-Chili-Peppers--The-Getaway-2-Lps_gJnyx.jpg?v=1740584383"},{"product_id":"mitski-puberty-3","title":"Puberty 2","description":"TracksCredits\r\n- Disc 1 -\r\n1 Happy\r\n2 Dan the Dancer\r\n3 Once More to See You\r\n4 Fireworks\r\n5 Your Best American Girl\r\n- Disc 2 -\r\n1 I Bet on Losing Dogs\r\n2 My Body's Made of Crushed Little Stars\r\n3 Thursday Girl\r\n4 A Loving Feeling\r\n5 Crack Baby\r\n6 A Burning Hill\u003cul\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 06\/17\/2016\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Mitski","offers":[{"title":"Default Title","offer_id":44590292467945,"sku":"SCMQ3M-L4VY-00","price":31.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/mitski-puberty-2_Ifpff.jpg?v=1742224938"},{"product_id":"mf-doom-special-blends-vol-1-2","title":"SPECIAL BLENDS VOL. 1 \u0026 2","description":"\u003cp\u003eSPECIAL BLENDS VOL. 1 \u0026amp; 2 is a Records \u0026amp; LPs from Mf Doom\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 06\/17\/2016\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Mf Doom","offers":[{"title":"Default Title","offer_id":44594520948969,"sku":"0N5B7B-BH0X-00","price":36.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/mf-doom-special-blends-vol-1-2_EzC3q.jpg?v=1758844538"},{"product_id":"art-pepper-surf-ride-lp","title":"SURF RIDE (LP)","description":"Personnel: Art Pepper (alto saxophone), Jack Montrose (tenor saxophone), Russ Freeman, Hampton Hawes, Claude Williamson (piano), Bob Whitlock, Joe Mondragon, Monte Budwig (bass), Bobby White, Larry Bunker (drums).\nOriginally released on Savoy (MG 12089). Includes original release liner notes by Alan Stein.\nPersonnel includes: Art Pepper; Jack Montrose (tenor saxophone).\nThis issue of SURF RIDE contains four alternate take bonus tracks.\nThe music on this Savoy LP is quite brilliant, but the packaging leaves something to be desired. The recording dates are all incorrect and there are only 12 performances included (around 37 minutes). There are quartet outings with either Russ Freeman or Hampton Hawes on piano and tracks from a classic session with tenor saxophonist Jack Montrose. The somewhat random nature of this set is unfortunate, for Pepper is in superior form throughout, with highlights including \"Tickle Toe,\" \"The Way You Look Tonight,\" and his earliest recordings of such originals as \"Susie the Poodle,\" \"Straight Life,\" and \"Surf Ride.\" ~ Scott Yanow\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 06\/17\/2016\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Art Pepper","offers":[{"title":"Default Title","offer_id":44594741379305,"sku":"MYSIOF-QDB3-00","price":26.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/art-pepper-surf-ride-lp_k0GUT.jpg?v=1759396637"},{"product_id":"funkadelic-america-eats-its-young","title":"AMERICA EATS ITS YOUNG","description":"Funkadelic: Eddie Hazel, Gary Shider, Harold Beane, Phelps Collins (vocals, guitar); Randy Wallace (vocals, alto saxophone); Clayton Gunnels, Ronnie Greenway (vocals, trumpet); Bernie Worrell (vocals, keyboards, melodica); William \"Bootsy\" Collins, Prakash John (vocals, bass); Frank Waddy (vocals, percussion); George Clinton, Diane Brooks, Steve Kennedy (vocals); Ollie Strong (steel guitar); Albert Pratz, Bill Richards, Victoria Polley, Joe Sera (violin); Stanley Solomon, Walter Babiuk (viola); Peter Schenkman, Ronald Laurie (cello); Robert McCulloch (tenor saxophone); Bruce Cassidy, Arnie Chyciski, Al Stanwyck (trumpet); Cordell Mosson (bass); Tyrone Lampkin, Zachary Frazier, Tiki Fulwood, James Wesley Jackson (percussion).\nRecorded at Manta, R.C.A., Toronto Sound Studios, Toronto, Canada and Olympic Studios, London, England.\nA double album and worth every minute of it, America Eats Its Young makes for a freaky, funky, and aware good time. Compared to the endless slabs of double-album dreck that came out around the same time from all sources, here Funkadelic brought life, soul, and much more to the party. With George Clinton credited only for arranging and producing, here the mad cast he brought together went all out. Bernie Worrell in particular now had a new importance, credited as co-arranger with Clinton as well as handling string and horn charts on a number of songs. His surging, never-stop keyboards, meanwhile, took control from the start, with his magnificent lead break on the opening \"You Hit the Nail on the Head\" making for one of the best performances ever on Hammond organ. Bootsy Collins (credited as William) is also somewhere in the crowd on bass and vocals, while old favorites like Eddie Hazel and Tiki Fulwood, among many others, can be found. Perhaps to fill in the time, a few numbers from the first Parliament album, Osmium, two years before cropped up, namely \"Loose Booty\" and the hilariously sleazy \"I Call My Baby Pussycat,\" here performed with a noticeably slower, dirty groove. The straightforward social call to arms appears throughout, with one song title saying it all -- \"If You Don't Like the Effects, Don't Produce the Cause.\" Other winners include the vicious title track, combining everything from mysterious, doom-laden voices and weeping wails to slow, sad music, and the concluding \"Wake Up,\" while \"Everybody Is Going to Make It This Time\" is a lovely, gospel-informed ballad that heads for the skies and hearts. There are more mundane concerns as well, such as \"There Was My Girl,\" a quirky weeper, and the weird if smoothly delivered \"Miss Lucifer's Love,\" with more than one target in mind. ~ Ned Raggett\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 06\/17\/2016\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Funkadelic","offers":[{"title":"Default Title","offer_id":44594954797289,"sku":"KBCRGY-TBNA-00","price":36.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/funkadelic-america-eats-its-young_b8WA9.jpg?v=1759258572"},{"product_id":"mumford-sons-johannesburg-extended-play-10-inch-vinyl","title":"Johannesburg (Extended Play, 10-Inch Vinyl)","description":"It'll come as no surprise that an EP called Johannesburg carries a considerable South African undercurrent to its rhythms and productions. It's a musical element heretofore unheard of in Mumford \u0026amp; Sons' music but it's not an uncomfortable fit, even if Johannesburg often brings to mind both Paul Simon's pioneering Graceland and, especially, the light lilt of Vampire Weekend. Unlike Simon, who built songs upon existing rhythms, Mumford \u0026amp; Sons collaborate with Baaba Maal, Beatenberg, and the Very Best, and this give and take brings the group closer to the globally minded urban pop of Vampire Weekend: despite all the African inflections, it sounds recognizably Mumford \u0026amp; Sons. Tellingly, it feels like a close cousin to the arena-filling moodiness of Wilder Mind but the songwriting is tighter and livelier and the band doesn't amble: Mumford \u0026amp; Sons proceed with intention, making this into a listen that's not only more compelling than their 2015 full-length, but one that suggests ways they could grow. ~ Stephen Thomas Erlewine\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 06\/17\/2016\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Mumford \u0026 Sons","offers":[{"title":"Default Title","offer_id":44594969247977,"sku":"BDSQN6-OUI2-00","price":19.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/mumford-sons-johannesburg-extended-play-10-inch-vinyl_NlHVE.jpg?v=1758907897"},{"product_id":"electric-light-orchestra-all-over-the-world-the-very-best-of-import-2-lps","title":"All Over The World: The Very Best Of [Import] (2 Lp's)","description":"Although there's no shortage of Electric Light Orchestra collections on the market, 2005's ALL OVER THE WORLD finds the middle ground between 1995's extensive two-disc STRANGE MAGIC set and 2003's THE ESSENTIAL ELO. Except for the baffling omission of \"Can't Get It Out of My Head,\" the majority of the British band's majestic 1970s pop hits are here. This disc's real service, however, is its inclusion of lesser-known selections, including \"The Diary of Horace Wimp\" (from 1979's DISCOVERY)--which is, along with the epic \"Mr. Blue Sky,\" one of the group's finest Beatlesque tunes--and the soaring title song (from the XANADU soundtrack).\r\nThroughout the compilation, bandleader Jeff Lynne's brilliantly layered production and keen sense of popcraft are more than evident, particularly on the deft, unbelievably catchy disco\/rock hybrids \"Evil Woman,\" \"Turn to Stone,\" and \"Shine a Little Love.\" The non-chronological order and lack of individual song dates here can be frustrating, but ALL OVER THE WORLD attempts to make up for this by featuring liner notes by Lynne himself. In most respects, this 20-track collection trumps THE ESSENTIAL ELO, making it an excellent starting point for newcomers to the glorious pop sounds of Electric Light Orchestra.\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 06\/17\/2016\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Electric Light Orchestra","offers":[{"title":"Default Title","offer_id":44595158843625,"sku":"XX1QHB-T9IQ-00","price":44.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/electric-light-orchestra-all-over-the-world-the-very-best-of-import-2-lps_SBsxf.jpg?v=1743611213"},{"product_id":"sonic-youth-spinhead-sessions","title":"SPINHEAD SESSIONS","description":"Like Smart Bar: Chicago 1985, Spinhead Sessions is another fascinating document from the years between Sonic Youth's no wave beginnings and their time as college and alt-rock titans. Named for the studio in which they were recorded, Spinhead Sessions collects 1986 rehearsals for their music for Ken Friedman's dark, cross-country road movie Made in USA. They're markedly different from the finished score, which was released in 1994 by Rhino Records. The band embarked on this project after releasing the haunting EVOL, and while Made in USA nodded to that album, it often felt curtailed and slick, sending up budding indie rock clich?s with an irony the band used more artfully on its '90s albums. By contrast, Spinhead Sessions goes deeper into EVOL's sullen mix of chaos and dead calm: the lumbering beat and brittle guitar harmonics on \"Theme with Noise\" could be the mirror twin of \"Tom Violence.\" However, Sonic Youth uses a more limited palette than they did on either EVOL or Made in USA to conjure the promise and menace of the open road on these dark, expansive tracks. On songs such as the nearly 17-minute-long opener \"Ambient Guitar \u0026amp; Dreamy Theme,\" feedback, drones, and wind chimes evoke the faint but persistent smoke of Centralia, Pennsylvania, where a coal mine fire has burned for decades and the film's journey begins. The band allows these elements to float, sink, and collide at will throughout Spinhead Sessions: \"High Mesa,\" for example, begins with a tumbling rhythm, then quickens into what could be the backdrop for a chase scene before coalescing into low-slung rock. Even shorter tracks such as the implosive \"Scalping\" and \"Unknown Theme\" and lighter cuts like \"Wolf\" and \"Theme 1 [Take 4]\" maintain this shadowy, searching quality, and take the experiments of this era to a logical extreme. As hypnotic as Spinhead Sessions is, its tracks may have been too attention-getting in their own right to be used as a film score. Nevertheless, it's something of a gold mine for fans of Sonic Youth's mid-'80s output, which was some of the most challenging and beautiful music of their career. ~ Heather Phares\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eRSD Date: DDD\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 06\/17\/2016\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sonic Youth","offers":[{"title":"Default Title","offer_id":44597930295529,"sku":"DXGAQA-SZDZ-00","price":27.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/sonic-youth-spinhead-sessions_gYiIK.jpg?v=1741307866"},{"product_id":"gojira-magma-digital-download-card","title":"Magma (Digital Download Card)","description":"\u003cp\u003eThis sixth album by the French extreme metallers is a bold step forward into new territory. Having already cemented their place as one of the best technical death metal bands in history, here they broaden their horizons considerably, experimenting with melody, groove, shorter songs, more straightforward structures, and actual singing. This shift from complexity toward accessibility has seen Magma draw comparisons with Metallica's black album, which Gojira have welcomed. Although they have toned down the complexity a bit, the music is still incredibly heavy, and there are still more ideas in this album than most bands manage in an entire career -- from the Middle Eastern soloing of \"Silvera\" through the brutal, syncopated drum tattoo that drives \"The Cell\" to the almost liturgical, monastic vocals on the title track and the incredibly harsh, shrieking, industrial guitar effect that shows up periodically. Opener \"The Shooting Star\" sets the stage for the rest of the album with a sludgy midtempo groove, multi-tracked vocals, a minor-key melody, clean singing, and a veritable wall of guitar. The title track is one of the most progressive on the record, harking back to the band's old-school days with at least five different sections, and is followed up immediately by the one-two punch of a couple of the album's heaviest tracks -- \"Pray,\" blasting along with grinding, djent-inspired riffage, and \"Only Pain,\" where Joe Duplantier roars into the void over a cyclical maelstrom of guitar. But there's almost a pop feel to some of the material here. Both the music and Duplantier's singing style have a '90s vibe, and the chorus on \"Stranded\" could almost have come off something by one of the sludgier grunge bands, like Alice in Chains or Tad (who were, incidentally, once described by a British music journalist as \"the Metallica it's OK to like\"). The album ends in stately near-silence with the acoustic instrumental outro \"Liberation.\" The bulk of the lyrics are inspired by the untimely passing of the Duplantier brothers' mother, a subject that has obviously been the cause of much pain but is also handled with grace, sensitivity, and good taste. This album is not going to give Gojira any big pop radio hits, but it will certainly broaden their appeal outside of the death metal ghetto to more general fans of metal and hard rock. ~ John D. Buchanan\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eRSD Date: n\/a\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 06\/17\/2016\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Gojira","offers":[{"title":"Default Title","offer_id":44598486434025,"sku":"1WX47X-MQOZ-00","price":31.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/gojira-magma-digital-download-card_Pnq8J.jpg?v=1740708751"},{"product_id":"rival-sons-hollow-bones-1","title":"Hollow Bones","description":"\u003cp\u003eHollow Bones is a Records \u0026amp; LPs from RIVAL SONS\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 06\/17\/2016\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"RIVAL SONS","offers":[{"title":"Default Title","offer_id":44598488170729,"sku":"M0P92O-8QR4-00","price":26.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/rival-sons-hollow-bones_3jlUk.jpg?v=1759077829"},{"product_id":"moondog-moondog-cvnl-ltd","title":"Moondog (Cvnl) (Ltd)","description":"Recorded in New York, New York in 1956. Originally released on Prestige (7042).\nAll tracks have been digitally remastered from original analog master tapes.\nMoondog's 1956 debut album clocks in at just 31 minutes, but what a passionately resonant and bracingly inventive half-hour it is! Moondog was known at the time as a blind street musician on the streets of New York City, but these compositions show him to be much more than that. They're melodically alluring, mixing a modernist's propensities with a classicist's love of grounded tradition.\n\"Surf Session\" is a three-part suite that utilizes a quartet along with the recorded sounds of waves washing ashore. \"Dance Rehearsal\" finds Moondog accompanying a dance teacher and her pupil, with the sound of spoken instructions mixing in with the playing. \"Trees Against the Sky\" features Moondog's own voice recorded twice, over his percussion. It utilizes the round form, which Moondog explored for much of his career. \"Tap Dance\" has Ray Malone ad libbing to Moondog's drumming, and \"Street Scene\" is three-and-a-half minutes of drumming and dialogue against a backdrop of Manhattan traffic sounds. This music is friendly and engaging from beginning to end.\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 06\/17\/2016\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Moondog","offers":[{"title":"Default Title","offer_id":44598976151785,"sku":"UOFGTA-Y1MK-00","price":31.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/moondog-moondog-cvnl-ltd_rj6yF.jpg?v=1759431627"},{"product_id":"the-who-polydr-sgl-1975-2015","title":"POLYDR SGL 1975-2015","description":"\u003cp\u003ePOLYDR SGL 1975-2015 is a Records \u0026amp; LPs from The Who\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 06\/17\/2016\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"The Who","offers":[{"title":"Default Title","offer_id":44599029858537,"sku":"BVBXL4-81IO-00","price":181.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/the-who-polydr-sgl-1975-2015_ckQxs.jpg?v=1759356243"},{"product_id":"david-bowie-live-santa-monica-72-2-lps","title":"Live Santa Monica '72 (2 Lp's)","description":"\u003cp\u003ePersonnel: David Bowie (vocals, guitar); Mick Ronson (guitar, bass, background vocals); Mike Garson (keyboards); Trevor Bolder (bass); Mick \"Woody\" Woodmansey (drums). Recorded live at the Santa Monica Civic Auditorium, Santa Monica, California on October 20, 1972. Only available in bootleg versions before this 2008 EMI release, LIVE SANTA MONICA '72 presents David Bowie in full glam-rock grandeur completely inhabiting his outlandish Ziggy Stardust persona as he leads his Spiders from Mars through a fierce set that draws heavily from HUNKY DORY and, not surprisingly, THE RISE \u0026amp; FALL OF ZIGGY STARDUST. In addition to cherry-picking many of the finest tunes from Bowie's early era (most notably a thunderous extended version of \"The Width of a Circle\"), the set also finds the erstwhile Davy Jones covering Jacques Brel (a wistful take on \"My Death\" that nods to key Bowie influence Scott Walker) and the Velvet Underground (a faithful version of \"Waiting for the Man\"). Easily one of the best Bowie concert albums available, LIVE SANTA MONICA '72 is ideal for Ziggy acolytes and glam disciples.\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eRSD Date: DDD\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 06\/17\/2016\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"David Bowie","offers":[{"title":"Default Title","offer_id":44599166796009,"sku":"MX9BRL-AB8J-00","price":48.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/david-bowie-live-santa-monica-72-2-lps_YXEjf.jpg?v=1740711423"},{"product_id":"james-brown-its-a-mans-mans-mans-world-1","title":"It's A Man's Man's Man's World","description":"Recorded in New York, New York in 1980.\r\nTo truly experience the magic and soul of James Brown, one must do so in a live setting. Running constantly on all cylinders, the Godfather of Soul's infectious grooves and potent performances are elevated to a whole other level few others can dream of reaching. It's a Man's Man's Man's World captures one of those impassioned performances from the later stages of Brown's career, and finds him still in fine form. All of the classics are represented in this session, including an over the top version of the album's title track. While the performances are stellar and the quality of the record palatable, this is by no means an essential release except for die-hard Brown collectors and fans. 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