{"title":"Music Releases 11\/06\/2015","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNew music releases at Vibin’ Vinyl on 11\/06\/2015\u003c\/span\u003e\u003c\/p\u003e","products":[{"product_id":"bob-dylan-cutting-edge-1965-1966-the-bootleg-series-12","title":"Cutting Edge 1965-1966: The Bootleg Series 12","description":"\u003cp\u003eCutting Edge 1965-1966: The Bootleg Series 12 is a Music CDs from Bob Dylan\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 11\/06\/2015\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Bob Dylan","offers":[{"title":"Default Title","offer_id":44562673205481,"sku":"3KYJ1D-0A3M-00","price":156.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Bob-Dylan-Cutting-Edge-1965-1966-The-Bootleg-Series-12_M0Xgf_bb096926-50f9-433c-8469-f6e0679d9340.jpg?v=1759313899"},{"product_id":"natalie-merchant-paradise-is-there-the-new-tigerlily-recordings","title":"PARADISE IS THERE: THE NEW TIGERLILY RECORDINGS","description":"Personnel: Natalie Merchant (vocals); Simi Stone (vocals); Gabriel Gordon (acoustic guitar, electric guitar, background vocals); Scott Moore , Shawn Moore (violin); Marandi Hostetter (viola); Stanley Moore (cello); Uri Sharlin (accordion, piano); Sharel Cassity (tenor saxophone); Jesse Murphy (acoustic bass, electric bass); Allison Miller (drums, percussion).\nAudio Mixer: Eli Walker.\nLiner Note Author: Natalie Merchant.\nDirector: Mike \"Hitman\" Wilson.\nEditors: Eli Walker; Chris Rahm.\nPhotographer: John Huba.\nAs its title suggests, Paradise Is There: The New Tigerlily Recordings is made up of completely new versions of the songs that comprised Natalie Merchant's 1995 debut solo effort, Tigerlily, which went on to sell over five-million copies globally. Merchant self-produced these new recordings. The arrangements offer portraits of the songs' natural evolution after two decades of live performances (several remain at the core of her concert appearances). Merchant is joined by her longtime live ensemble (including drummer Allison Miller), a string quartet, and backing vocalists Simi Stone, Gail Ann Dorsey, and Elizabeth Mitchell. The album is accompanied by a documentary DVD that features live performances, interviews, and archival footage that underscore the legacy and continuing influence of Tigerlily on fans, musicians, and friends. ~ Thom Jurek\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 11\/06\/2015\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Natalie Merchant","offers":[{"title":"Default Title","offer_id":44563790561513,"sku":"KFJFG2-SV8D-00","price":31.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Natalie-Merchant-PARADISE-IS-THERE-THE-NEW-TIGERLILY-RECORDINGS_Pop9W_400ab4dd-c084-4f30-8efd-1713f082c53b.jpg?v=1758902246"},{"product_id":"9th-wonder-talib-kweli-indie-500","title":"INDIE 500","description":"Audio Mixer: Khrysis.\nIf his 2013 album Gravitas felt like a return to form that was crafted for established fans, Indie 500 is a more welcoming yet still weighty return for Talib Kweli, and one that deserves the \"collaborative album\" tag as all production comes from supreme beatmaker 9th Wonder. The underground producer earns his top billing with a cohesive set of beats that contrast sharp bass with high-flying soul up top, some of it looped and chopped together into impossible music and some of it hanging loose, as if these songs came from a live band. Talib, who often gets words like \"preachy\" thrown at him, ends up a wonderful combination of uncompromising and attractive, pulling the listener in with witty punch lines like \"I've been pimpin' poems like I'm Blowfly\" (\"Lo-Fi\") and then barking out the revolutionary talk like he was wearing Professor Griff's uniform with \"Your silence is unappreciated\" and \"It's completely up to you\/Whether or not we get the upper hand\" (both from the fantastic opener, \"Which Side Are You On\"). There are no Nelly appearances like before but the necessary levity comes when \"Prego\" soars with bright production as Talib, Pharoahe Monch, and Slug party and flex around the pool, while the midtempo empowerment cut \"Life Ahead of Me\" proves a man can be both an optimist and a realist, dropping \"I'm connected, it's my specialty\" then \"I judge a man by their enemies.\" Play it after waking up and \"Great Day in the Mourning\" becomes an aptly titled highlight where the MC gives up the rude and aware \"You say you love hip-hop, but are still involved?\/Some of this real-life shit, it don't appeal to blogs.\" Giving the finger to the establishment and their stable of sellouts while standing tall and puffing out its chest, Indie 500 is all about reaping the rewards of your own pride and earning that positive sense of self. That this message comes with a funky backbeat makes it all the better. ~ David Jeffries\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 11\/06\/2015\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"9th Wonder \/ Talib Kweli","offers":[{"title":"Default Title","offer_id":44563900793065,"sku":"K0D1SM-4N4E-00","price":23.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/9th-Wonder-Talib-Kweli-INDIE-500_RqVpL_0e3a9236-0024-46be-a704-b765bd1c67eb.jpg?v=1759006299"},{"product_id":"travis-scott-rodeo-explicit-content-150-gram-vinyl-download-insert-2-lps","title":"| Rodeo (LP)","description":"\u003cp\u003e\u003cspan style=\"font-size:12px;\"\u003e\u003cspan style=\"font-family:Arial,Helvetica,sans-serif;\"\u003e2015 debut album from the Houston-based rapper and record producer. He released his first official full-length project, a mixtape titled Owl Pharaoh, on May 21, 2013. He then released his second mixtape Days Before Rodeo on the 18th of August 2014. The buzz has grown, making way for this highly anticipated release. (2 X Vinyl LP)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:12px;\"\u003e\u003cspan style=\"font-family:Arial,Helvetica,sans-serif;\"\u003eWhile Lady Gaga was working the avant side of pop, hip-hop was doing the same thing without a true figurehead. Artists from Kid Cudi to A$AP Mob were coming at the genre from all sorts of new angles, but with their feet firmly in the rap camp; then producer Travis Scott came along, sounding like Chief Keef but with a much broader brush, offering an attractive version of acid rap that landed him on Kanye West's GOOD Music label with a debut album that's so 2015 it features the ultra-hip trifecta of Future, the Weeknd, and Justin Bieber. Make those three a Venn diagram and Scott is the man in the middle, wonderfully weird and as stylish-sounding as the first two, and yet with a slick appeal that crosses over like Bieber, which is the biggest problem for detractors: it's all for show with no filling. Still, with lines like \"Always kept my city on me like it was a Swatch\" and \"My dick longer than a Pringle box\" over beats that honor and match edgy acts like Death Grips (the raw \"Piss on Your Grave\" featuring Kanye West) and Future (who appears alongside 2 Chainz on the sprawling highlight \"3500\"), Rodeo is an absurd wonder that thankfully works. That's up to and including Bieber, Young Thug, and Scott's bedroom brain-burner \"Maria I'm Drunk,\" which is the ultra sheen of Taylor Swift with the lust of Miguel experienced via shrooms. \"Wasted\" sounds like Juicy J did an album for Stones Throw, \"Flying High\" with Toro y Moi borrows some of Slave's \"Slide\" so the indie party people get an anthem, then the very big \"90210\" travels across decades' worth of film soundtrack styles while sampling the late Pimp C as T.I. narrates. Weird that T.I. doesn't rap, and weirder still that Scott barely produces on this album, handing it over to returning and like-minded collaborators like Metro Boomin, Ultra$ound, and Mike Dean. His executive producer credit, however, is on point as the aesthetics of his early work are all here, and with \"We designed our love, around these drugs\" being the album's most profound lyrical moment, he may not be Nas, but he may be Warhol. As Kanye and Gaga try to bridge the gap between pop and art, this artist thrives in the chasm. Like Warhol said, \"I love plastic, I want to be plastic,\" and with Rodeo, Travis Scott becomes a designer drug.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:12px;\"\u003e\u003cspan style=\"font-family:Arial,Helvetica,sans-serif;\"\u003eTracklist\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:12px;\"\u003e\u003cspan style=\"font-family:Arial,Helvetica,sans-serif;\"\u003eA1        Pornography\u003cbr\u003e\r\nA2        Oh My Dis Side\u003cbr\u003e\r\nA3        3500\u003cbr\u003e\r\nB1        Wasted\u003cbr\u003e\r\nB2        90210\u003cbr\u003e\r\nB3        Pray 4 Love\u003cbr\u003e\r\nC1        Nightcrawler\u003cbr\u003e\r\nC2        Piss On Your Grave\u003cbr\u003e\r\nC3        Antidote\u003cbr\u003e\r\nC4        Impossible\u003cbr\u003e\r\nD1        Maria I'm Drunk\u003cbr\u003e\r\nD2        Flying High\u003cbr\u003e\r\nD3        I Can Tell\u003cbr\u003e\r\nD4        Apple Pie\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr\u003e\r\n\u003cspan style=\"font-size:12px;\"\u003e\u003cspan style=\"font-family:Arial,Helvetica,sans-serif;\"\u003e*Audio and\/or tracklist may vary slightly from the vinyl version.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:12px;\"\u003e\u003cspan style=\"font-family:Arial,Helvetica,sans-serif;\"\u003eLabel: EPIC\u003cbr\u003e\r\nRel. Date: 11\/06\/2015\u003cbr\u003e\r\nUPC: 888750652010\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003ciframe allow=\"autoplay *; encrypted-media *; fullscreen *; clipboard-write\" frameborder=\"0\" height=\"450\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-storage-access-by-user-activation allow-top-navigation-by-user-activation\" src=\"https:\/\/embed.music.apple.com\/us\/album\/rodeo\/1456176981\" style=\"width:100%;max-width:660px;overflow:hidden;border-radius:10px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eFormat Detail: LP\u003c\/li\u003e\n\u003cli\u003eGenre: Rap\u003c\/li\u003e\n\u003cli\u003eRSD Date: n\/a\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 11\/06\/2015\u003c\/li\u003e\n\u003cli\u003eBest Sellers: Top Seller\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Travis Scott","offers":[{"title":"Default Title","offer_id":44581502419177,"sku":"AE20KL-QE3C-00","price":37.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/travis-scott-rodeo-explicit-content-150-gram-vinyl-download-insert-2-lps_IUUBf.jpg?v=1741728992"},{"product_id":"elvis-presley-at-the-movies-red-vinyl","title":"At The Movies (Red Vinyl)","description":"\u003cp\u003eAt The Movies (Red Vinyl) is a Records \u0026amp; LPs from ELVIS PRESLEY\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 11\/6\/2015\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"ELVIS PRESLEY","offers":[{"title":"Default Title","offer_id":44581991973097,"sku":"0YI45O-LUU5-00","price":39.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/ELVIS-PRESLEY-At-The-Movies-Red-Vinyl_6757H.jpg?v=1759002195"},{"product_id":"elvis-costello-this-years-model-180-gram-vinyl","title":"This Year's Model (180 Gram Vinyl)","description":"THIS YEAR'S MODEL is packaged with a 28-page booklet that includes rare photos and printed song lyrics.\r\nElvis Costello \u0026amp; The Attractions: Elvis Costello (vocals, guitar); Steve Nieve (keyboards); Bruce Thomas (bass); Pete Thomas (drums).\r\nAdditional personnel: Mick Jones (guitar); Davey Payne (saxophone).\r\nProducer: Nick Lowe.\r\nReissue producers: Gary Stewart, Val Jennings.\r\nRecorded between August 1977 and October 1978. Originally released on Columbia (35331). Includes liner notes by Elvis Costello.\r\nAll tracks have been digitally remastered.\r\nFor his second album, Elvis Costello fine-tuned his aesthetic by abandoning the California studio cat accompanists of his debut for the more aggressive, quirky and very British Attractions, who would define EC's sound over the next several years. Where MY AIM IS TRUE highlighted Costello's rootsy influences (the Band, etc.), THIS YEAR'S MODEL wholeheartedly embraces the \"new wave\" out-with-the-old mindset, favoring tightly wound ferocity over back-porch-isms.\r\nIrresistibly catchy, in a twitchy, neurotic, white-knuckled way, THIS YEAR'S MODEL is Costello at his edgiest. The classic \"Pump It Up\" pummels the listener with garage-band organ, pounding drums, and HIGHWAY 61 REVISITED-style ranting. \"Radio, Radio\" turned into something of an anti-authoritarian anthem for Costello. The snaky guitar and reggae-tinged drums of \"I Don't Want to Go to Chelsea\" complement his verge-of-a-nervous-breakdown vocal performance nicely. Come to think of it, so does nearly everything else here.\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 11\/06\/2015\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Elvis Costello","offers":[{"title":"Default Title","offer_id":44582969868521,"sku":"Q5DIWM-DV74-00","price":31.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/elvis-costello-this-years-model-180-gram-vinyl_Vo95O_9f1a7eb7-915a-4364-aaa2-ae9e19655659.jpg?v=1758920045"},{"product_id":"elvis-costello-almost-blue-lp","title":"ALMOST BLUE (LP)","description":"Personnel: Elvis Costello (vocals, guitar); John McFee (guitar, pedal steel); Tommy Millar (fiddle); Steve Nieve (piano, organ); Bruce Thomas (bass); Pete Thomas (drums); Nashville Edition (background vocals).\nRecorded at CBS Studios, Nashville, Tennessee in May, 1981; live at the Mean Machine, Aberdeen, Scotland on July 30, 1981; live at The Palomino Club, North Hollywood, California on February 16, 1979; live at The Royal Albert Hall, London, England on January 7, 1982. Includes liner notes by Elvis Costello.\nThis is where Costello began to display the chameleonic tendencies that would serve him so well throughout his career. Abandoning snappy, \"new wave\"-associated rock for the first time, Elvis decided to visit Nashville and record his take on the country classics he loved so much. Enlisting the services of George Jones producer Billy Sherrill, Costello cloaked himself and the Attractions in countrypolitan trappings (including lush strings) for some distinctive version of country evergreens like \"Tonight the Bottle Let Me Down\" and \"Sweet Dreams.\" Only the punk-derived fervor of \"Why Don't You Love Me Like You Used To Do\" and the bar-room raunch of \"Honey Hush\" interrupt the elegant, emotional balladry. Costello also pays tribute to a more recent generation on aching covers of Gram Parsons' \"I'm Your Toy\" and \"How Much I Lied.\" Ryko's bonus cuts sweeten the pot considerably, especially the live version of Leon Payne's self-explanatory \"Psycho.\"\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 11\/06\/2015\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Elvis Costello","offers":[{"title":"Default Title","offer_id":44582977044713,"sku":"LV80RN-UHM7-00","price":31.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/elvis-costello-almost-blue-lp_lw2oE_8ab5853a-52ae-44c9-9ce3-0c2a6893878a.jpg?v=1759156221"},{"product_id":"elvis-costello-armed-forces-2015","title":"ARMED FORCES (2015)","description":"Expanding their sound from the tightly wound new wave rock of THIS YEAR'S MODEL, Elvis Costello \u0026amp; the Attractions returned with the lyrically bilious but musically expansive ARMED FORCES. A key album in Costello's development for the way it branched off into the ABBA-influenced pure pop of \"Accidents Will Happen\" and \"Oliver's Army,\" the sunny Beatlesque melodies of \"Busy Bodies,\" and the soulful ballad \"Party Girl,\" ARMED FORCES is consistently rated among the finest works in the singer-songwriter's canon.\nThe two-disc ARMED FORCES: DELUXE EDITION contains all the songs from the expanded Rykodisc CD from the early 1990s, which featured key b-sides such as the sprightly \"Talking in the Dark\" and the previously vinyl-only LIVE AT HOLLYWOOD HIGH EP. This set then adds five more live songs recorded during the same concert, and alternate takes of the album tracks \"Chemistry Class,\" \"Big Boys\" and \"Busy Bodies.\" Similarly, Costello's wry, self-deprecating liner notes are longer and more detailed for this release.\u003cul\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 11\/06\/2015\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Elvis Costello","offers":[{"title":"Default Title","offer_id":44582978388201,"sku":"DPPN7C-F9N0-00","price":31.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/elvis-costello-armed-forces-2015_s38UD_e50a9216-d35c-4617-b238-6fb7f08b6565.jpg?v=1759331933"},{"product_id":"dinah-washington-what-a-difference-a-day-makes","title":"What A Difference A Day Makes","description":"\u003cp\u003eWhat A Difference A Day Makes is a Records \u0026amp; LPs from DINAH WASHINGTON\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 11\/6\/2015\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DINAH WASHINGTON","offers":[{"title":"Default Title","offer_id":44583651016937,"sku":"XVV6I9-SBBE-00","price":31.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/DINAH-WASHINGTON-What-A-Difference-A-Day-Makes_mLcui.jpg?v=1759374417"},{"product_id":"elvis-costello-punch-the-clock-lp","title":"PUNCH THE CLOCK (LP)","description":"Perhaps frustrated by the lack of commercial success Imperial Bedroom encountered, Elvis Costello enlisted British hitmakers Clive Langer and Alan Winstanley to produce its follow-up, Punch the Clock. The difference between the two records is immediately noticeable. Punch the Clock has a slick, glossy surface, complete with layered synthesizers, horns, studio effects, and the backup vocals of Afrodiziak. The approach isn't necessarily a misguided one, since Costello is as much a pop musician as he is a singer\/songwriter and many of the best moments on the record -- \"Everyday I Write the Book,\" \"Let Them All Talk\" -- work well as shiny pop singles. However, the problem with Punch the Clock is that Costello is entering a fallow songwriting period; it is his least consistent set of original songs to date. The best moments, the antiwar ballad \"Shipbuilding\" and the eerie pseudo-rap \"Pills and Soap,\" are as articulate and effective as any of his past work, but frequently Costello falls short of meeting his standards, particularly when he's trying to write a song in the style of his older songs. Nevertheless, the sheen of the Langer and Winstanley production makes Punch the Clock a pleasurable listen. Costello's uneven writing means that only portions of the album are memorable. ~ Stephen Thomas Erlewine\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 11\/06\/2015\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Elvis Costello","offers":[{"title":"Default Title","offer_id":44583816462569,"sku":"EM1S33-35OO-00","price":31.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/elvis-costello-punch-the-clock-lp_ZFa45.jpg?v=1753824032"},{"product_id":"9th-wonder-talib-kweli-indie-501","title":"Indie 500","description":"If his 2013 album Gravitas felt like a return to form that was crafted for established fans, Indie 500 is a more welcoming yet still weighty return for Talib Kweli, and one that deserves the \"collaborative album\" tag as all production comes from supreme beatmaker 9th Wonder. The underground producer earns his top billing with a cohesive set of beats that contrast sharp bass with high-flying soul up top, some of it looped and chopped together into impossible music and some of it hanging loose, as if these songs came from a live band. Talib, who often gets words like \"preachy\" thrown at him, ends up a wonderful combination of uncompromising and attractive, pulling the listener in with witty punch lines like \"I've been pimpin' poems like I'm Blowfly\" (\"Lo-Fi\") and then barking out the revolutionary talk like he was wearing Professor Griff's uniform with \"Your silence is unappreciated\" and \"It's completely up to you\/Whether or not we get the upper hand\" (both from the fantastic opener, \"Which Side Are You On\"). There are no Nelly appearances like before but the necessary levity comes when \"Prego\" soars with bright production as Talib, Pharoahe Monch, and Slug party and flex around the pool, while the midtempo empowerment cut \"Life Ahead of Me\" proves a man can be both an optimist and a realist, dropping \"I'm connected, it's my specialty\" then \"I judge a man by their enemies.\" Play it after waking up and \"Great Day in the Mourning\" becomes an aptly titled highlight where the MC gives up the rude and aware \"You say you love hip-hop, but are still involved?\/Some of this real-life shit, it don't appeal to blogs.\" Giving the finger to the establishment and their stable of sellouts while standing tall and puffing out its chest, Indie 500 is all about reaping the rewards of your own pride and earning that positive sense of self. That this message comes with a funky backbeat makes it all the better. ~ David Jeffries\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 11\/6\/2015\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"9th Wonder \/ Talib Kweli","offers":[{"title":"Default Title","offer_id":44584175304937,"sku":"QKMULL-07SV-00","price":33.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/9th-wonder-talib-kweli-indie-500_dGEkC.jpg?v=1759005155"},{"product_id":"bob-dylan-the-best-of-the-cutting-edge-1965-1966","title":"THE BEST OF THE CUTTING EDGE 1965-1966:","description":"\"I'll do this one more time and if I can't do it, we'll do another song. I'll do any song as good as I can do it the first time.\"\nBob Dylan says these words once his first solo take of \"Love Minus Zero\/No Limit\" breaks down after a minute. Dylan's definition of \"good\" is fluid, of course. Sometimes, a first take satisfied him -- \"Maggie's Farm\" and \"Gates of Eden\" are two prime examples -- but often he'd find he could do a song better or at least do it differently, swapping out words, speeding up the tempo, and changing the feel, occasionally radically transforming his song. Sometimes, these radical transformations are the versions that found their way to the finished record, so they're now seen as etched in stone but The Cutting Edge 1965-1966, the 12th volume of The Bootleg Series, shows Dylan didn't enter the studio with posterity in mind when he went to cut Bringing It All Back Home, Highway 61 Revisited, and Blonde on Blonde: he was making music of and for the moment.\nFamiliarity hasn't necessarily dulled the impact of these three records, all written and recorded within a span of 14 months -- a period of time when Dylan also filmed Don't Look Back, electrified the Newport Folk Festival, and was declared a Judas at the Royal Albert Hall -- but they have made them seem inevitable, works carved out of granite whose fates were preordained. The gift of The Cutting Edge is that it makes this, the greatest run of creativity in Dylan's career and perhaps in rock \u0026amp; roll in general, once again seems wild, nervy, and quicksilver, upending expectations and undercutting conventions. Within one of the three sets of liner notes, Bill Flanagan calls these six discs of outtakes, alternates, and rehearsals \"work tapes,\" which is technically true, but undersells how this music crackles as it shape-shifts, sometimes soaring, sometimes stumbling, but always feeling fiercely alive. If it's difficult to claim that a solo \"Bob Dylan's 115th Dream\" and a locomotive \"Visions of Johanna\" recorded with the Band are superior to the versions on Home and Blonde, they're nevertheless magnificent in their own right while also shedding light on how Dylan worked; with producer Tom Wilson, the singer\/songwriter wasted no time, while Bob Johnston allowed Bob to twist and test his songs, letting him discover the soul that lay within. Along the way, Dylan was truly fearless -- he'd goose a tempo to see if it gave a ballad life, he'd let Mike Bloomfield and Robbie Robertson run wild; the fact that he abandoned a song as wonderful as \"She's Your Lover Now,\" possibly because it never quite withstood such stress tests, speaks volumes -- and among the many gifts The Cutting Edge has to offer is that it illuminates these three great records while also illustrating that they were just mere snapshots in time. By breaking down the barriers that separated these three albums, The Cutting Edge shows how for Dylan during this blinding, brilliant peak his music was a living thing, evolving from song to song, take to take, where the quest itself was as transcendent as the final destination. ~ Stephen Thomas Erlewine\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 11\/06\/2015\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Bob Dylan","offers":[{"title":"Default Title","offer_id":44584636055785,"sku":"MXV7IQ-B138-00","price":106.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/bob-dylan-the-best-of-the-cutting-edge-1965-1966_RDqFz.jpg?v=1759176316"},{"product_id":"gong-access-all-areas","title":"ACCESS ALL AREAS","description":"\u003cp\u003eACCESS ALL AREAS is a Records \u0026amp; LPs from Gong\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 11\/06\/2015\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Gong","offers":[{"title":"Default Title","offer_id":44586627596521,"sku":"RAVG13-1VX0-00","price":33.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/gong-access-all-areas_ffWOg.jpg?v=1758784424"},{"product_id":"guy-garvey-courting-the-squall","title":"COURTING THE SQUALL","description":"\u003cp\u003eCOURTING THE SQUALL is a Records \u0026amp; LPs from Guy Garvey\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 11\/06\/2015\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Guy Garvey","offers":[{"title":"Default Title","offer_id":44586635854057,"sku":"D9LIMU-7XXE-00","price":46.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/guy-garvey-courting-the-squall_hLyUY.jpg?v=1758785273"},{"product_id":"77-nothings-gonna-stop-us-uk","title":"Nothing'S Gonna Stop Us (Uk)","description":"There's a long-running joke that AC\/DC have been making the same album over and over again since 1975 (\"But it's a great album!\"), and one could make a case that Spanish hard rockers '77 are making a career out of covering that same AC\/DC album every few years. Lead singer Armand Valeta clearly worships at the altar of the late great Bon Scott, and he and his brother LG Valeta have carefully studied the push and pull between guitarists Angus and Malcolm Young, coming up with a reasonable approximation of their tough but limber riff-heavy attack. But if '77 are a bit short on originality (well, more than a bit), there's no arguing that they're good at what they do, and their fourth album, 2015's Nothing's Gonna Stop Us, is a big, fun blast of hard-stomping rock \u0026amp; roll with a side order of boogie. Bursting out of the gate with \"It's Alright,\" the sort of song that seems to dare you to see how fast you can drive between the stoplights, Nothing's Gonna Stop Us is amps-up-to-ten '70s-style rock with sweat, attitude, and a fierce commitment to moving the crowd. Bassist Guillem Martinez and drummer Andy Cobo hit hard with just a dash of swing, and keep the songs grooving and shaking from first track to last, and if the lyrics don't always have much to say (especially since Armand's English-language vocals have the right sound but often don't scan terribly well), the music consistently hits the bull's-eye, and there are too few bands delivering this sort of unabashed fist-pumping hard rock with this level of commitment in the 21st century. When '77 close out Nothing's Gonna Stop Us with \"We Want More Rock and Roll,\" there's no question they absolutely mean it, and if you feel the same way, then this album will deliver what you need. ~ Mark Deming\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 11\/6\/2015\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"77","offers":[{"title":"Default Title","offer_id":44586637525225,"sku":"T5MTZW-YDA7-00","price":36.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/77-nothings-gonna-stop-us-uk_Kmk0o.jpg?v=1758901188"},{"product_id":"angie-stone-dream","title":"DREAM","description":"Recording information: Conway Recording Studios, Los Angeles, CA; Lair Studios L.A, CA; Penn Station Recording, Lithia Springs, GA; The Heavyweights Studios; The Writers Room, Atlanta, GA.\nPhotographer: Breyona Holt.\nFrom her solo R\u0026amp;B debut in 1999 through the release of her sixth album in 2012, Angie Stone issued a new studio set every two or three years. Despite being as occupied as ever on-stage and on the big and small screens, the singer kept her recording routine intact with her seventh album. Not even a bumpy reality TV experience and a domestic aggravated assault charge -- the result of an altercation with her daughter -- threw her off her routine, though she did consider ending her three-decade music career. Following short stints with the Stax and Saguaro Road labels, she fell in with Shanachie, a stable haven for R\u0026amp;B artists of her caliber, through an alliance with supporter and Stone Love collaborator Walter Millsap III. Millsap and Stone co-wrote the majority of these ten songs with a core group that included Candice Nelson, Balewa Muhammad, and Teak Underdue, among others. While it doesn't sound as big-budgeted as her earlier releases, Dream is very much in line with Stone's discography, neither straight retro-soul nor pop-oriented contemporary R\u0026amp;B, though it does lean closer to the former. Flirty opener \"Dollar Bill\" coasts on a boogie groove reminiscent of Slave's \"Watching You\" (and therefore Odyssey's \"Inside Out\"), and it sets the tone for a concise album where the singer covers a lot of ground, batting her eyelashes, declaring devotion, seeking affirmation, repairing a relationship, and scolding an immature lover. The songs on which she and Nelson make like a mid-'60s soul-pop duo help the album stand out, while the contemporary \"Begin Again,\" featuring Dave Hollister, is one of the year's finest duets. ~ Andy Kellman\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 11\/06\/2015\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Angie Stone","offers":[{"title":"Default Title","offer_id":44586946920681,"sku":"Z2XO7O-7K1T-00","price":25.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/angie-stone-dream_cjA9X.jpg?v=1758848120"},{"product_id":"natalie-merchant-paradise-is-there-the-new-tigerlily-recordings-1","title":"PARADISE IS THERE: THE NEW TIGERLILY RECORDINGS","description":"Personnel: Natalie Merchant (vocals); Simi Stone (vocals); Gabriel Gordon (acoustic guitar, electric guitar, background vocals); Scott Moore , Shawn Moore (violin); Marandi Hostetter (viola); Stanley Moore (cello); Uri Sharlin (accordion, piano); Sharel Cassity (tenor saxophone); Jesse Murphy (acoustic bass, electric bass); Allison Miller (drums, percussion).\nAudio Mixer: Eli Walker.\nLiner Note Author: Natalie Merchant.\nRecording information: The Clubhouse, Rhinebeck, NY.\nEditor: Eli Walker.\nPhotographer: John Huba.\nAs its title suggests, Paradise Is There: The New Tigerlily Recordings is made up of completely new versions of the songs that comprised Natalie Merchant's 1995 debut solo effort, Tigerlily, which went on to sell over five-million copies globally. Merchant self-produced these new recordings. The arrangements offer portraits of the songs' natural evolution after two decades of live performances (several remain at the core of her concert appearances). Merchant is joined by her longtime live ensemble (including drummer Allison Miller), a string quartet, and backing vocalists Simi Stone, Gail Ann Dorsey, and Elizabeth Mitchell. The album is accompanied by a documentary DVD that features live performances, interviews, and archival footage that underscore the legacy and continuing influence of Tigerlily on fans, musicians, and friends. ~ Thom Jurek\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eRSD Date: n\/a\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 11\/06\/2015\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Natalie Merchant","offers":[{"title":"Default Title","offer_id":44586947150057,"sku":"JH79FF-116P-00","price":25.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/natalie-merchant-paradise-is-there-the-new-tigerlily-recordings_mmLlv.jpg?v=1740709371"},{"product_id":"elvis-costello-king-of-america-lp","title":"KING OF AMERICA (LP)","description":"Personnel: Elvis Costello (vocals, acoustic \u0026amp; electric guitars, mandolin); James Burton (acoustic \u0026amp; electric guitars, dobro); T-Bone Wolk (electric guitar, accordion, keyboards, electric bass); T-Bone Burnett (electric guitar); Jo-El Sonnier (French accordion); Mitchell Froom (piano, harpsichord, organ, Hammond organ); Tom Canning (piano); Michael Blair (marimba); Jerry Scheff (acoustic \u0026amp; electric basses); Ray Brown (acoustic bass); Earl Palmer, Ron Tutt, Jim Keltner, Mickey Curry (drums); David Hidalgo (background vocals).\nThe Attractions: Steve Nieve (piano, Hammond organ); Bruce Thomas (electric bass); Pete Thomas (drums).\nProducers: T-Bone Burnett, Elvis Costello, Larry Hirsch, The Coward Brothers.\nRecorded at Ocean Way, Sunset Sound Studio and The Sound Factory, Los Angeles, California in 1985. Originally released on Columbia (40173). Includes liner notes by Declan Patrick Aloysius \"Elvis Costello\" MacManus.\nOn KING OF AMERICA, the ever-restless Costello reinvented himself yet again, using his Christian name (Declan MacManus) in the credits, and employing the other Elvis' old backing band (as well as Ray Brown and Earl Palmer) for his most reflective, mature-sounding album thus far. The overall sound here is closer to Costello's folk-rock roots (The Band, the Grateful Dead) than he'd ever dared come before, and the songs trade elliptical wordplay for considered emotional statements.Though the Attractions appear only on \"Suit of Lights,\" their influence is felt on the album's poppiest tune \"Lovable.\" Elsewhere, Costello offers poignant country ballads (\"Indoor FIreworks,\" also expertly covered by Nick Lowe), jazz\/blues torch songs (\"Poisoned Rose\") and even a bit of '60s Britbeat (an effective recasting of \"Don't Let Me Be Misunderstood\"). In short, KING OF AMERICA contains some of Costello's finest, most understated work.\u003cul\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 11\/06\/2015\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Elvis Costello","offers":[{"title":"Default Title","offer_id":44587463934185,"sku":"TGTWTO-9TV2-00","price":31.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/elvis-costello-king-of-america-lp_JSd1i_5d6a24b3-dcc7-452b-9fa3-bf2ded447800.jpg?v=1759340091"},{"product_id":"elvis-costello-get-happy-2lp_2015","title":"GET HAPPY (2LP)_2015","description":"Get Happy!! was born as much from sincere love for soul as it was for Elvis Costello's desire to distance himself from an unfortunate verbal faux pas where he insulted Ray Charles in an attempt to get Stephen Stills' goat. Either way, it resulted in a 20-song blue-eyed soul tour de force, where Costello doesn't just want to prove his love, he wants to prove his knowledge. So, he tries everything, starting with Motown and Northern soul, then touching on smooth uptown ballads and gritty Southern soul, even finding common ground between the two by recasting Sam \u0026amp; Dave's \"I Can't Stand Up (For Falling Down)\" as a careening stomper. What's remarkable is that this approach dovetails with the pop carnival essayed by Armed Forces, standing as a full-fledged Costello record instead of a genre exercise. As it furiously flits through 20 songs, Costello's cynicisms, rage, humor, and misanthropic sensibility gel remarkably well. Some songs may not quite hit their targets, but that's part of the album's charm -- it moves so fast that its lesser songs rush by on the way to such full-fledged masterpieces as \"New Amsterdam,\" \"High Fidelity,\" and \"Riot Act.\" Get Happy!! bursts with energy and invention, standing as a testament to how Costello, the pop encyclopedia, can reinvent the past in his own image. [The Japanese edition includes bonus material.] ~ Stephen Thomas Erlewine\u003cul\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 11\/06\/2015\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Elvis Costello","offers":[{"title":"Default Title","offer_id":44587485528297,"sku":"OX0OA6-72CA-00","price":41.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/elvis-costello-get-happy-2lp2015_jdNof_44499519-1946-4ded-8ec3-f09ba48a7401.jpg?v=1747138756"},{"product_id":"buzzcocks-access-all-areas","title":"ACCESS ALL AREAS","description":"\u003cp\u003eACCESS ALL AREAS is a Records \u0026amp; LPs from Buzzcocks\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 11\/06\/2015\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Buzzcocks","offers":[{"title":"Default Title","offer_id":44588069388521,"sku":"XND78J-1YF1-00","price":33.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/buzzcocks-access-all-areas_Bfer5.jpg?v=1758793451"},{"product_id":"elvis-costello-taking-libertieslp","title":"TAKING LIBERTIES(LP)","description":"Personnel: Elvis Costello (vocals, guitar); Mick Jones (guitar);\nSteve Nieve (keyboards); Bruce Thomas (bass); Pete Thomas (drums).\nThis is a collection of non-LP singles \u0026amp; B-sides. It also features rarities such as \"(I Don't Want To Go To) Chelsea\" and the anti-fascist \"Night Rally\" (which were replaced by \"Radio Radio\" on the American version of THIS YEAR'S MODEL).\n\"Clean Money,\" is an early version of \"Love For Tender\" (which appeared on GET HAPPY!, along with a different versions of \"Clowntime Is Over\" and \"Black \u0026amp; White World\").\nElvis Costello's early productivity was a bit more than most American rock fans were used to in the one-album-every-18-months 1970s; not only had Costello released four studio albums between 1977 and 1980, there were a number of compilation tracks, EPs, and non-LP B-sides that had found release in Europe but not the United States, while the U.K. editions of This Year's Model and Armed Forces both featured tunes that were stripped from American releases. Soon, import distributors had built a cottage industry out of helping loyal Costello fans complete their collections, and in 1980, Columbia Records, Costello's U.S. label at the time, finally made an effort at closing the gap between his American and European catalogs with Taking Liberties. Compiling 20 songs that had never appeared on a Costello album in the States, Taking Liberties was not only a boon for completists (it tacked on a few otherwise unreleased songs so even the most avid import buyer would get something new), it gave a surprisingly clear picture of the many musical avenues Costello had traveled in his first four years -- hard-edged pop\/punk (\"Clean Money,\" \"Crawling to the USA\"), lean power pop (\"Big Tears,\" \"I Don't Want to Go to Chelsea\"), tough R\u0026amp;B (\"Getting Might Crowded\"), country weepers (\"Radio Sweetheart,\" \"Stranger in the House\"), Tin Pan Alley favorites (\"My Funny Valentine\"), and a few items that defied any classification but \"Elvis Costello\" (\"Ghost Train,\" \"Hoover Factory\"). When Costello's American back catalog was reissued by Rykodisc in the 1990s, the various tracks on Taking Liberties were added to other Costello releases as bonus tracks, and the album went out of print. However, its British counterpart, Ten Bloody Marys \u0026amp; Ten How's Your Fathers (originally compiled as a cassette-only U.K. release to give folks with tape decks access to tracks unreleased in the format), which features many of the same tracks, remains in print in Europe. By the way, fans of the album A Gene Vincent Record Date might find that Gregg Geller's liner notes sound rather familiar. ~ Mark Deming\u003cul\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 11\/06\/2015\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Elvis Costello","offers":[{"title":"Default Title","offer_id":44588101271785,"sku":"CF02U1-YRT1-00","price":31.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/elvis-costello-taking-libertieslp_FQZi5_7fb808e0-45d4-45d9-af52-9c9727cdd96b.jpg?v=1753824039"},{"product_id":"elvis-costello-goodbye-cruel-worlp","title":"GOODBYE CRUEL WOR(LP","description":"Full performer name: Elvis Costello \u0026amp; The Attractions.\nElvis Costello \u0026amp; The Attractions: Elvis Costello (vocals, guitar, anvil); Steve Nieve (keyboards, synthesizer); Bruce Thomas (bass); Pete Thomas (drums).\nAdditional personnel: Nick Lowe, Daryl Hall, Green (vocals); Gary Barnacle (saxophone, electric saxophone); Jim Paterson (trombone); Luis Jardim (percussion); Maurice Worm.\nProducers: Clive Langer, Alan Winstanley, Nick Lowe, Elvis Costello, Bassman.\nPrincipally recorded at Sarm West Studios, London, England in 1984. Originally released on Columbia (39429). Includes liner notes by Elvis Costello.\nDon't believe the hype. Critics (and Costello himself) generally regard this as Elvis' worst album, but that's far from true. For one thing, it's hard to dispute the overblown MIGHTY LIKE A ROSE's claim to said title. For another, there are too many damn good songs to permit GOODBYE CRUEL WORLD to be overlooked. There may be a lack of focus in the production and arrangements, but any album that opens with the pop-soul artistry of \"The Only Flame in Town\" and closes with the stirring anthem \"Peace In Our Time\" has plenty going for it. In between, there's media satire (\"Worthless Thing\"), classic Costello neurosis (\"Inch by Inch\") and effective R\u0026amp;B reverence (\"I Wanna Be Loved\"). Not a good starting point for neophytes, but recommended to true EC fans.\u003cul\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 11\/06\/2015\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Elvis Costello","offers":[{"title":"Default Title","offer_id":44588335825129,"sku":"FIY83K-CQS0-00","price":31.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/elvis-costello-goodbye-cruel-worlp_DLBCe.jpg?v=1747136313"},{"product_id":"little-mix-get-weird-deluxe","title":"GET WEIRD (DELUXE)","description":"Recording information: Blue Box Studios, London; Dean Street Stuios, London; Electric Studios, London; MyStyle Studio, London; Phrased Differently, London; Poinsettia Place, Los Angeles; Rokstone Studios, London; SARM West, London; Swinghouse ATX, Los Angeles; The Bridge Studios, London; The Music Shed, London; Well Done Stuios, London.\nPhotographer: Cobrasnake.\nThe third album from Britain's Little Mix, 2015's Get Weird finds the former X-Factor champions delivering a set of bright, robustly produced songs that straddle the line between '80s synth pop and cutting-edge, contemporary R\u0026amp;B. Once again featured in Little Mix are singers Perrie Edwards, Jesy Nelson, Leigh-Anne Pinnock, and Jade Thirlwall. Rather than being a homogenous group centered around one stand-out vocalist, Little Mix are all vivacious performers blessed with highly resonant voices that are well-matched to each other. Complementing their abilities this time out are a handful producers including Electric, Nathan Duvall, and Maegan Cottone. Having such a large cadre of producers\/songwriters behind the scenes on a big pop album isn't too surprising. What is surprising, however, is just how ear-poppingly catchy Get Weird is. There's a kinetic energy to many of the tracks on Get Weird that brings to mind the arty '80s dance-pop of bands like Yello crossed with the crisp, bluesy soulfulness of Robert Palmer. In fact, cuts like \"Black Magic\" and \"Weird People,\" with their foot-pounding beats, Day-Glo synths, and crystalline vocal production, sound pleasingly like they could have been recorded by Stock, Aitken \u0026amp; Waterman in 1986. Similarly, even when Little Mix move in a more hip-hop-style direction, they do it with a decade-smashing sense of adventure. To these ends, \"Hair\" sounds like Beyonce backed by Japanese Kodo drummers and the saucy \"OMG,\" brings to mind Rihanna fronting '80s synth pop duo Soft Cell. Elsewhere, Little Mix borrow a bit of pop zeitgeist from Meghan Trainor and jump even further back in time, referencing the \"All About That Bass\" singer's '60s girl group sound for \"Love Me Like You Do\" and \"A.D.I.D.A.S.\" Ultimately, Little Mix's stylish, decade-blending synergy works, and Get Weird ends up being a lot of fun. ~ Matt Collar\u003cul\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 11\/06\/2015\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Little Mix","offers":[{"title":"Default Title","offer_id":44588771246313,"sku":"OBZQ5O-SLA6-00","price":20.96,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/little-mix-get-weird-deluxe_UMGro.jpg?v=1759442308"},{"product_id":"ellie-goulding-delirium","title":"Delirium","description":"\u003cp\u003eDelirium is a Music CDs from Ellie Goulding\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 11\/6\/2015\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Ellie Goulding","offers":[{"title":"Default Title","offer_id":44589009666281,"sku":"5Q2S4L-QNGV-00","price":20.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/ellie-goulding-delirium_XHZer.jpg?v=1759040024"},{"product_id":"alan-jackson-genuine-the-alan-jackson-story","title":"Genuine: The Alan Jackson Story","description":"There have been plenty of Alan Jackson compilations -- some, like 2010's double-disc 34 Number Ones, have been quite extensive -- but there's never been an Alan Jackson box until 2015's Genuine: The Alan Jackson Story, a triple-disc set covering his long run at Arista Records. Genuine opens 1989's \"Blue Blooded Woman\" and closes with his duet with the Zac Brown Band, \"As She's Walking Away,\" a 2010 hit that arrived two years after his last Top 10 country hit -- either for Arista or, as of this 2015 writing, in general -- \"Sissy's Song.\" He's made good records for EMI in the 2010s -- as a rule, Alan Jackson doesn't make bad records -- but this set unquestionably covers his popular heyday, featuring every one of his enduring hits and a good selection of deep cuts to boot. The eight unreleased tracks, none of which come with specific recording details, touch upon many of Jackson's signatures, ranging from straight-ahead traditionalist country (\"Born Too Late,\" \"If Tears Could Talk\"), soft-focused '70s singer\/songwriter (a live cover of Steve Young's \"Seven Bridges Road\"), balladry (\"Wings\"), south-of-the border fiestas (\"Seguro Que Hell Yes\"), love of country (\"The Star-Spangled Banner\"), a chipper twanging neo-novelty (\"Love Is Hard\"), and rocking country (\"Ain't Just a Southern Thing\"). Every one of these are solid, worthwhile fan bait for the hardcore, and they do nothing to diminish a box set that accurately exemplifies one of the great careers in country music. ~ Stephen Thomas Erlewine\u003cul\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 11\/06\/2015\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Alan Jackson","offers":[{"title":"Default Title","offer_id":44589099942121,"sku":"NNYFEB-OCJH-00","price":32.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/alan-jackson-genuine-the-alan-jackson-story_i71xH_15e545c5-1624-410d-8b5b-c9de6e12e3be.jpg?v=1759355993"},{"product_id":"sara-bareilles-whats-inside-songs-from-waitress","title":"WHAT'S INSIDE: SONGS FROM WAITRESS","description":"Personnel: Jared Scharff (guitar); Kallie Ciechomski (violin); Yair Evnine (viola); Neal Avron (cello).\nAudio Mixer: Neal Avron.\nRecording information: Electric Lady Studios, NY; The Casita, Hollywood, CA.\nPhotographer: Shervin Lainey.\nOf all the pop singer\/songwriters who surfaced in the 21st century, Sara Bareilles may be uniquely qualified to write the songs for a Broadway musical. Indebted to tradition without being beholden to it, Bareilles always favors songs so exquisitely sculpted that their craft is never noticed, only felt, so she's a natural fit for Diane Paulus' adaptation of Adrienne Shelly's 2007 indie comedy-drama Waitress. What's Inside: Songs from Waitress isn't a cast album, it's Bareilles' recording of 12 songs from the production, and the highest compliment that can be paid is that it simultaneously plays as drama and as a sequel to her Grammy-nominated 2013 album The Blessed Unrest. Bright and open, What's Inside does feel of a piece with her 2010 album Kaleidoscope Heart -- the presence of that album's producer Neal Avron, who sat out The Blessed Unrest, is apparent -- and that warm, colorful sheen is enough to make the album play as pop: simply judged on its surface, it provides tangible pleasures. The nifty trick Bareilles pulls off on What's Inside is how the songs also contain a double-edge, serving the drama of the story while also playing as pure pop. Sure, there are flourishes that are pure musical theater -- there's the opening fanfare of \"What's Inside.\" \"Never Ever Getting Rid of Me\" is Gilbert \u0026amp; Sullivan by way of Todd Rundgren and the show-stopping ballad \"She Used to Be Mine\" almost seems to conjure a lonely spotlight -- but never once do the songs on What's Inside feel in mere service to a plot. Taken on their own, they're lively, clever, and bold, and further evidence of Bareilles' versatility, elegance, and wit. ~ Stephen Thomas Erlewine\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 11\/06\/2015\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sara Bareilles","offers":[{"title":"Default Title","offer_id":44589437616361,"sku":"I3RNP1-4GQ1-00","price":16.96,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/sara-bareilles-whats-inside-songs-from-waitress_tKKiW.jpg?v=1759382927"},{"product_id":"elvis-costello-my-aim-is-true-180-gram-vinyl","title":"My Aim Is True (180 Gram Vinyl)","description":"The 2001 edition of MY AIM IS TRUE comes with a bonus disc of rare material including demos and alternative versions of songs.\r\nPersonnel: Elvis Costello (vocals, guitar, piano); John McFee (guitar, pedal steel); Alex Call (guitar); Sean Hopper (piano, organ, background vocals); Steve Nieve (piano, organ); Nick Lowe (piano, bass, background vocals); Stan Shaw (organ); John Ciambotti (bass, background vocals); Bruce Thomas, Andrew Bodnar (bass); Michael Shine, Steve Goulding, Malcolm Dennis, Ian Powling (drums); Dickie Faulkner (percussion).\r\nRecorded at Pathway Studios, Islington, United Kingdom from 1976 to 1977. Originally released on Stiff (UK SEEZ 3)\/Columbia (US 35037). Includes liner notes by Elvis Costello.\r\nWhen MY AIM IS TRUE was released in 1977, no one knew that the character on the cover, with coke-bottle glasses, ill-fitting clothes, and Jerry Lewis posture would become a pop-culture icon. Elvis Costello arrived as the uber-geek, hell-bent on blowing away years of macho rock posturing with his revenge-of-the-nerds image and sharp, snappy sound, instantly defining New Wave. In retrospect, the songs--with echoes of everything from the Band (\"Blame It on Cain\") to the Byrds (\"[The Angels Wanna Wear My] Red Shoes\")--owed more to rootsy pub-rock than it did to punk, but it was still miles beyond the hairy-chested blues-rock theatrics bogging down the airwaves in the mid-'70s.\r\nWhile Elvis hadn't hooked up with the Attractions yet, he's ably backed on most of the album by Californian pub-rockers Clover (who would eventually become--shhh--Huey Lewis \u0026amp; the News), and crucially, on the white-reggae \"Watching the Detectives,\" by Steve Goulding and Andrew Bodnar, on loan from key Costello influence Graham Parker. None of this would have mattered had Costello's melodic knack not been so crafty and his lyrics so trenchant, immediately establishing him as the premier singer\/songwriter of the post-hippie era.\u003cul\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003cli\u003eRSD Date: n\/a\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 11\/06\/2015\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Elvis Costello","offers":[{"title":"Default Title","offer_id":44589820084457,"sku":"HZNOWJ-AP9J-00","price":31.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/elvis-costello-my-aim-is-true-180-gram-vinyl_AhLYj.jpg?v=1741732745"},{"product_id":"van-morrison-astral-weeks-180-gram-vinyl-import","title":"Astral Weeks (180 Gram Vinyl) [Import]","description":"Personnel includes: Van Morrison (vocals, acoustic guitar); Larry Fallon (arranger); Jay Berliner (guitar); John Payne (flute, soprano saxophone); Warren Smith, Jr. (vibraphone, percussion); Richard Davis (bass); Connie Kay (drums).\r\nRecorded in New York.\r\nIncludes liner notes by Van Morrison.\u003cul\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003cli\u003eRSD Date: n\/a\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 11\/06\/2015\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Van Morrison","offers":[{"title":"Default Title","offer_id":44589931528425,"sku":"5P3D6A-62MV-00","price":33.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Van-Morrison-Astral-Weeks-180-Gram-Vinyl-Import_6b1Yr.jpg?v=1740168979"},{"product_id":"elvis-costello-imperial-bedroomlp","title":"IMPERIAL BEDROOM(LP)","description":"With his seventh album, IMPERIAL BEDROOM, Elvis Costello was hailed as being more than just a New Wave rocker. With intricate, Beatlesque arrangements and unusual, sophisticated song structures, Costello emerged as full-blown master craftsman. Some of the more excitable critics of the day declared him a modern Cole Porter. Indeed, it's possible to imagine some 1940s torch singer crooning the slinky \"The Long Honeymoon\" or the mournful \"Kid About It,\" but the free-associative, polyrhythmic likes of \"Beyond Belief\" and \"Shabby Doll\" had never been heard anywhere in pop music before.\nUndeniably one of Costello's finest hours as a tunesmith, IMPERIAL BEDROOM shows several sides of his musical personality. He's roots-conscious enough to pen a perfect jazz ballad (\"Almost Blue,\" later covered by Chet Baker), but adventurous enough to push the lyrical and harmonic envelope even farther than on his rococo masterpiece, ARMED FORCES.\u003cul\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 11\/06\/2015\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Elvis Costello","offers":[{"title":"Default Title","offer_id":44590335885545,"sku":"U0Q6GT-BRSE-00","price":31.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/elvis-costello-imperial-bedroomlp_UerSp.jpg?v=1758187403"},{"product_id":"elvis-costello-blood-and-choc2015","title":"BLOOD AND CHOC(2015)","description":"Following 1985's KING OF AMERICA, Elvis Costello temporarily reunited with the Attractions and producer Nick Lowe for one last album before their final split. (Though two albums were released with the Attractions in the 1990s, bassist Bruce Thomas--then on the outs with his bandmates due to a dishy tell-all roman ? clef novel he'd written in the interim--had a significantly reduced role in those.) It's quite a farewell: BLOOD AND CHOCOLATE may stand as the hardest rocking and most lyrically vituperative album in Costello's oeuvre, even more so than early scorchers like THIS YEAR'S MODEL. Even the ballads, like the stark, ominous \"I Want You\" and the dizzying \"Poor Napoleon,\" fairly seethe with venomous malice, and rockers like the throbbing opener \"Uncomplicated\" and the simply brutal kiss-off \"I Hope You're Happy Now\" are Costello at his most savage.\u003cul\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 11\/06\/2015\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Elvis Costello","offers":[{"title":"Default Title","offer_id":44590671200489,"sku":"ACJ9O5-4WGP-00","price":31.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/elvis-costello-blood-and-choc2015_fz3DB.jpg?v=1758961017"},{"product_id":"billy-gibbons-and-th-perfectamundo-lp","title":"PERFECTAMUNDO (LP)","description":"ZZ Top's 2012 album La Futura -- their first in nearly a decade -- was widely acclaimed for bringing back the group's grimy '70s boogie, so what did Billy Gibbons choose to do for a follow-up? Naturally, he decided to leave his little old band behind so he could record Perfectamundo with a new group called the BFG's. Perfectamundo allows Gibbons to not only indulge a newfound love of Cuban rhythms -- an infatuation assisted by pianist Martin Guigui, who provides an anchor in the BFG's -- but also all the studio trickery he left behind as he worked with Rick Rubin on La Futura. Certainly, percolating Cuban rhythms lie at the foundation of Perfectamundo, but Gibbons can't resist setting everything to tightly controlled drum machines, then hauling out a bunch of studio effects, including a vocoder that pushes his gravelly croak into something slippery and sly. All this flair is a welcome reminder that, for all his vaunted blues purism, Gibbons remains something of a futurist, happily blurring the lines between the present and past along with obliterating the lines between cultures. True, some of this playfulness can result in moments that are decidedly dorky, like the opening gambit of oldies covers (\"Got Love if You Want It,\" \"Treat Her Right\"), which feel stiff. \"Hombre Sin Nombre\" seems constructed to house every synthesized sound Gibbons ever imagined, \"Quiero Mas Dinero\" boasts a rap that would've seemed old-fashioned in 1989, and the chants of \"baby shake that ass\" on the title track are the furthest thing from sexy -- but this isn't a bug, it's a feature.\nAs good as it was, La Futura felt somewhat constrained by the concept of ZZ Top's classicism, whereas this record thrives on freedom, including the freedom to be ridiculous. The very fact that Perfectamundo gets silly makes it appealing: Gibbons enjoys playing with this Cuban-blues hybrid so much, he lets down his guard, allowing himself to spin out some slick, greasy solos, ride out some infectious vamps, and act like the cheerful dirty old man he is. ~ Stephen Thomas Erlewine\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 11\/06\/2015\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Billy Gibbons And Th","offers":[{"title":"Default Title","offer_id":44594645237993,"sku":"ZZODRA-KJEF-00","price":30.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/billy-gibbons-and-th-perfectamundo-lp_D2Ulg.jpg?v=1759076343"},{"product_id":"stradlin-izzy-117-degrees","title":"117 Degrees","description":"\u003cp\u003e117 Degrees is a Records \u0026amp; LPs from Stradlin, Izzy\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 11\/6\/2015\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Stradlin, Izzy","offers":[{"title":"Default Title","offer_id":44598053667049,"sku":"GMQT52-1J41-00","price":35.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/stradlin-izzy-117-degrees_Jw2iJ.jpg?v=1759007107"},{"product_id":"rush-test-for-echo","title":"Rush Test For Echo","description":"\u003cp\u003eRush: Geddy Lee (vocals, synthesizer, bass); Alex Lifeson (acoustic \u0026amp; electric guitars, mandola); Neil Peart (drums, hammered dulcimer).\u003cbr\u003eRecorded at Bearsville Studios, Bearsville, New York and Reaction Studios, Toronto, Canada from January to March 1996.\u003cbr\u003eIn 20-plus years together, Rush has rarely varied from its basic formula--two parts musical chops, one part lyrical smarts, and one more part musical chops. This power trio knows its strengths. Drummer Neil Peart writes intelligent lyrics here about global subjects ranging from the Internet (\"Virtuality\") to comparative religion (\"Totem\"). But it keeps coming back to the trio's musical interplay, and Rush's ever-ready willingness to experiment with it. Alex Lifeson adds a nice touch to \"Half The World\" with a mandola, while Geddy Lee's synthesizer flourishes and off-kilter rhythm on \"Time And Motion\" are vintage Rush.\u003cbr\u003eThe most exciting demonstration of Rush's group synchronicity is on the instrumental \"Limbo.\" It starts with the sounds of clinking chains and a bubbling cauldron, before charging forward--occasionally soaring--on waves of guitar, synth and disembodied voices (including a sample from \"The Monster Mash\"). This is the sound of an intellectual band smart enough not to take itself too seriously.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eReleased: 11\/06\/2015\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Rush","offers":[{"title":"Default Title","offer_id":44598069854441,"sku":"7QQX8Y-TVO6-00","price":46.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/products\/rush-test-for-echo_oUqiJ.jpg?v=1737649130"},{"product_id":"b-b-king-ladies-and-gentlemen-mr-b-b-king-2-lps","title":"Ladies And Gentlemen... Mr. B.B. King [2 Lp's]","description":"DESCRIPTION\r\nLimited double 180 gram vinyl LP pressing that celebrates the life and work of the great B.B. King. A selection of the best tracks from the already available 10CD and 4CD sets, Ladies and Gentlemen... chronicles his amazing career. B.B. King was an American blues singer, songwriter, and guitarist. Rolling Stone ranked King #6 on it's 2011 list of the 100 greatest guitarists of all time. King introduced a sophisticated style of soloing based on fluid string bending and shimmering vibrato that influenced many later electric blues guitarists. King was inducted into the Rock and Roll Hall of Fame in 1987 and is considered one of the most influential blues musicians of all time, earning the nickname \"The King of the Blues\", and one of the \"Three Kings of the Blues Guitar\" along with Albert and Freddie.\r\n\r\n \r\nTracksCredits\r\n- Disc 1 -\r\n1 How Blue Can You Get?\r\n2 I Wonder Why\r\n3 Think It Over\r\n4 The Thrill Is Gone\r\n5 Chains and Things\r\n- Disc 2 -\r\n1 Worry, Worry, Worry\r\n2 Sweet Sixteen\r\n3 Ghetto Woman\r\n- Disc 3 -\r\n1 There Must Be a Better World Somewhere\r\n2 When Love Comes to Town\r\n3 Stormy Monday Blues\r\n4 Blues Man\r\n- Disc 4 -\r\n1 Caldonia\r\n2 You Have a Way\r\n3 Key to the Highway\r\n4 Get These Blues Off Me\r\n5 See That My Grave Is Kept Clean\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 11\/6\/2015\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"B.B. King","offers":[{"title":"Default Title","offer_id":44598196437225,"sku":"V7X9R2-XC6E-00","price":41.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/bb-king-ladies-and-gentlemen-mr-bb-king-2-lps_EitZu.jpg?v=1758837868"},{"product_id":"def-leppard-def-leppard","title":"DEF LEPPARD","description":"There are two ways to look at an eponymous album by a band well into its fourth decade of existence: it's either a rebirth or a summation. In the case of Def Leppard's 2015 album -- their eleventh studio set, arriving a full seven years after Songs from the Sparkle Lounge -- the record is most certainly the latter, a nifty encapsulation of the group's range, obsessions, and ambitions. At 55 minutes, Def Leppard feels nearly as sprawling as the hour-plus Hysteria -- one of the first albums to ever feel specifically designed to fill out the confines of a CD -- but where that 1987 classic pulsates with the arrogance of a band hungering to conquer the world, this 2015 set is distinguished by the casual authority of a band who remain a band solely for the love of it. Unlike many groups with decades of experience under their belts, Def Leppard aren't particularly concerned with maturity, at least not in the conventional sense where they turn in fuzz guitars and heavy-booted stomps for sepia-toned reflections. They're still pledging allegiance to glam and heavy metal, favoring arena-sized riffs, and slathering their productions with vocal harmonies and guitars. While this self-production lacks some of the finesse Mutt Lange brought to the twin towers of Pyromania and Hysteria -- both are titans of the golden age of big-budget studios, while this is a relatively scrappy 21st century digital production -- this record can still dazzle with its pyramid of overdubs, intricate details that never sound fussy. Most of Def Leppard stays firmly within the band's wheelhouse -- muscular descendants of glitter alternating with power ballads -- and the group is confident enough to flirt with disco (\"Man Enough,\" where Joe Elliott asks his object of affection if she's man enough to be his girl) and electronic beats (\"Energized\"), which is just enough to give this record an appealingly modern kick. This is a summation of where the band is now: they love the past, both their own and their inspirations, but they're not looking back, they're loving the life they live. ~ Stephen Thomas Erlewine\u003cul\u003e\n\u003cli\u003eGenre: Rock and Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 11\/06\/2015\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Def Leppard","offers":[{"title":"Default Title","offer_id":44598551150825,"sku":"JAD1QK-D558-00","price":44.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/def-leppard-def-leppard_yWVVY.jpg?v=1758854512"},{"product_id":"all-time-low-nothing-personal","title":"NOTHING PERSONAL","description":"In the video for All Time Low's \"Weightless\" there is a humorous scene where Mark Hoppus from Blink 182 laments that not only does ATL rip off Fall Out Boy, but both groups rip off his own band. This kind of refinement of a basic style is, of course, what makes music change and develop; on NOTHING PERSONAL All Time Low incorporates the best elements of all the pop-punk and emo that came before, matching irreverence, introspection, and tight, solidly rocking ensemble playing with bubblegum-catchy melodies. \"Damned If I Do Ya\" reaches back even further, its hooky guitar riff and \"oh oh oh\"'s recalling classic heavy pop of the Cheap Trick\/Rick Springfield variety, while on the abovementioned \"Weightless\" vocalist Alex Gaskarth slyly acknowledges his place in the ongoing process as he laments, at age 20, that he's \"over getting older.\" Throughout, All Time Low eschews self-indulgence and cleverness for its own sake in the service of sharp, direct songwriting, making NOTHING PERSONAL a standout among emo-tinged pop-punk releases.\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eRSD Date: n\/a\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 11\/06\/2015\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"All Time Low","offers":[{"title":"Default Title","offer_id":44598870769897,"sku":"ERCQUY-0LPO-00","price":25.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/all-time-low-nothing-personal_ndHLU.jpg?v=1741020505"},{"product_id":"rush-counterparts","title":"Rush COUNTERPARTS","description":"\u003cp\u003eRush: Geddy Lee (vocals, bass, synthesizer); Alex Lifeson (acoustic \u0026amp; electric guitars); Neil Peart (drums, electronic percussion).\u003cbr\u003eAdditional personnel: Michael Kamen (conductor); John Webster (keyboards).\u003cbr\u003ePrincipally recorded at McClear Pathe, Toronto, Canada from April to June 1993.\u003cbr\u003e\"Leave That Thing Alone\" was nominated for a 1995 Grammy Award for Best Rock Instrumental Performance.\u003cbr\u003eReuniting with POWER WINDOWS\/HOLD YOUR FIRE producer Peter Collins, Rush released their fifteenth studio album (and nineteenth overall). During its recording, guitarist Alex Lifeson wanted the album to be more hard rock-oriented, while bassist Geddy Lee was content with their recent excursions in melodic pop. Lifeson must have won the battle, because COUNTERPARTS is a harder-rocking affair than Rush's previous several albums. It's also the strongest and most consistent set of songs the band had composed in a while, with a grittier feel (an element sorely missed by fans of the band's 1970s work).\u003cbr\u003eCOUNTERPARTS contains at least one track that deals with a topical issue (as in 1989's anti-suicide \"The Pass,\" etc.)--\"Nobody's Hero\" is Rush's analysis of the AIDS situation. But not all of the tracks were conceived as lyrical epics; the opening \"Animate\" and \"Stick It Out\" delight in the strength of the band's re-discovered hard rock chops. And while the sheer force of \"Cut To the Chase\" serves as the track's catalyst, the band's pop sensibilities come back into play on the album's closer, \"Everyday Glory.\" COUNTERPARTS is Rush's greatest work of the '90s.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eReleased: 11\/06\/2015\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Rush","offers":[{"title":"Default Title","offer_id":44599148413161,"sku":"L22JNS-AJCI-00","price":41.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/products\/rush-counterparts_7hW4B.jpg?v=1737933772"},{"product_id":"andre-hazes-hazes","title":"HAZES","description":"\u003cp\u003eHAZES is a Records \u0026amp; LPs from Andre Hazes\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 11\/06\/2015\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Andre Hazes","offers":[{"title":"Default Title","offer_id":44599448240361,"sku":"J27YR0-R408-00","price":42.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/andre-hazes-hazes_m4fet.jpg?v=1759156763"},{"product_id":"thomas-rhett-tangled-up","title":"TANGLED UP","description":"Thomas Rhett had hits off his 2013 debut It Goes Like This, but Tangled Up, its 2015 successor, feels like the album where the singer\/songwriter comes into his own by borrowing moves from fellow country bros Florida Georgia Line and Sam Hunt. Rhett wrote for FGL -- specifically, the hit \"Round Here\" -- but Tangled Up is by no means as aggressively macho as that duo. It capitalizes on Rhett's soulful streak -- strip away the 21st century consumerism and \"Die a Happy Man\" easily could've come out of Muscle Shoals in the late '60s -- and also his humor and his allegiance to good times that don't necessarily come from either a honky tonk or a sports bar. Rhett displays an omnivorous cultural appetite that shows he's a millennial: underneath his acoustic guitars are lightly looped beats, but he's also just as likely to push disco to the forefront, as he does on \"I Feel Good\" and a title track that's happily a glitter ball throwback. Rhett may switch on a Totally '80s Flashback weekend when he's chilling out, but he's a modern guy, dropping passing allusions to Guns N' Roses and Third Eye Blind, hoisting Solo cups filled with Bud Light Lime and splashes of liquor in coconut water, aware that his excursions in neo-disco may bring Michael Jackson to mind but they also sound a bit like Sam Hunt or the Weeknd. 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There were threads of other groups in the sound -- Pantera's wrenching power, Slipknot, the ill-lighted parlor games of Tool -- but Disturbed held their own from the start. If 2002's Believe downplayed Draiman's guttural responses a little, that tact's long gone for 2005's Ten Thousand Fists. From Todd McFarlane's evocative wronged misfits artwork -- Suicide Girls stand fists upraised next to ghoulish fiends and disenfranchised truckers -- to the rousing staccato of the title track and the \"Sickness\" rewrite \"Stricken,\" Disturbed solidify their stance as the black knights of gaming-console rock. Creepy electronics slither behind Dan Donegan's guitar, and he mostly forsakes soloing to concentrate on the visceral groove. When he's not hacking like a chained-up pit bull, Draiman emotes from the valley of reverb (that's next to the valley of death), and his moments of epic roar make the songs' choppier parts more effective. Now, \"Overburdened\" takes the epic stuff a little too far. Draiman starts off the song in narration, muttering \"Fate is so unkind\" like a monster who's been given the power to feel. But even in its swirling pretentiousness, you can't deny his intensity. Luckily the majority of Fists sticks to mid-tempo punishers that pound back anger-gritted teeth and no anesthesia. (Remember, Disturbed's tours are underwritten by J?germeister, the black licorice firewater that punches Saturday night in the face.) \"Deify\" rails against blind devotion to political leaders and \"Sons of Plunder\" stalks at a faster, more aggressive faster heart rate, while \"Decadence\" and \"Sacred Lie\" drop into the rhythmic grip that by mid- to late album is almost comfortable in its gloomy thump. (Disturbed's ill-advised cover of Genesis' \"Land of Confusion\"? No comment.) Ten Thousand Fists does start to sound the same after a while. But those bloody zombies aren't going to stop pouring though the doorway, so it's a good thing it has at least 12 burly alt-metal rockers. Fire! 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And the single \"Creep\" is a \"Dark End Of The Street\" for the '90s, a cheating song that walks a tightrope between young love and revenge.\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 11\/06\/2015\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Tlc","offers":[{"title":"Default Title","offer_id":44600102256873,"sku":"94LUAF-U77Y-00","price":44.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/tlc-crazysexycool_WkJ9n.jpg?v=1758981232"},{"product_id":"jackie-wilson-30-greatest-hits","title":"30 GREATEST HITS","description":"\u003cp\u003eBrand New Sealed | Jackie Wilson | 30 Greatest Hits | Vinyl | Release Date: 11\/06\/2015\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 11\/06\/2015\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Jackie Wilson","offers":[{"title":"Default Title","offer_id":44605662101737,"sku":"F0X0JL-531C-00","price":41.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/jackie-wilson-30-greatest-hits_NvPKN.jpg?v=1759156885"},{"product_id":"ian-gillan-access-all-areas","title":"ACCESS ALL AREAS","description":"\u003cp\u003eBrand New Sealed | Ian Gillan | Access All Areas | Vinyl | Release Date: 11\/06\/2015\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 11\/06\/2015\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Ian Gillan","offers":[{"title":"Default Title","offer_id":44605680681193,"sku":"GLZIY7-L0DL-00","price":33.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/ian-gillan-access-all-areas_GGnbS.jpg?v=1758795027"},{"product_id":"chris-cornell-higher-truth-2lp","title":"HIGHER TRUTH (2LP)","description":"Chris Cornell flew toward the sun with 2009's Scream but he got burned. The Timbaland-produced album marked a sudden shift toward electronic pop, a move that did not sit well with either critics or Cornell's audience, but he didn't react swiftly to the derision. He moved slowly, revisiting his catalog on 2011's Songbook and then reuniting with Soundgarden before releasing Higher Truth some six years after Scream. Hiring producer Brendan O'Brien, a fellow veteran of the grunge wars of the '90s, suggests Cornell is backpedaling from the chilly electro surfaces of his last solo album, but Higher Truth isn't quite a retreat. Cornell possess an easy, quiet confidence throughout this handsome, burnished record, an album that occasionally recalls the breaking twilight of Euphoria Mourning but feels warmer and looser than that 1999 solo debut. Despite the ornate accouterments of the opener \"Nearly Forgot My Broken Heart\" -- a pop single so stately it's almost Baroque -- Higher Truth isn't especially dramatic. O'Brien favors subtle shading over bombast, so even when the tracks are built up with pianos, strings, harmonies, and fuzz guitars, it feels intimate, almost acoustic. This illusion persists because there are a fair share of spare, delicate solo numbers here, interwoven among those bolder but still quiet pop tunes. While Higher Truth never seems as self-consciously confessional as Euphoria Mourning, this mellow simplicity is an attribute: a relaxed Cornell creates a comforting mood piece that's enveloping in its warmth. ~ Stephen Thomas Erlewine\u003cul\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 11\/06\/2015\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Chris Cornell","offers":[{"title":"Default Title","offer_id":44605763387625,"sku":"VO6BW8-5S90-00","price":42.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/chris-cornell-higher-truth-2lp_KpYdo.jpg?v=1741980688"},{"product_id":"elvis-presley-if-i-can-dream-elvis-presley-with-the-royal-philharmonic-orchestra-180-gram-vinyl-2-lps","title":"If I Can Dream: Elvis Presley with the Royal Philharmonic Orchestra (180 Gram Vinyl) (2 Lp's)","description":"\u003cp\u003eTracksCredits - Disc 1 - 1 Burning Love 3:29 2 It's Now or Never 3:15 3 Love Me Tender 3:25 4 Fever Elvis Presley Feat. Michael Bublé 4:23 - Disc 2 - 1 Bridge Over Troubled Water 4:36 2 And the Grass Won't Pay No Mind 3:40 3 You've Lost That Lovin' Feelin' 3:57 - Disc 3 - 1 There's Always Me 2:20 2 Can't Help Falling in Love 3:18 3 In the Ghetto 3:11 4 How Great Thou Art 3:06 - Disc 4 - 1 Steamroller Blues 3:08 2 An American Trilogy 4:32 3 If I Can Dream 3:11\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 11\/6\/2015\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Elvis Presley","offers":[{"title":"Default Title","offer_id":45658725482729,"sku":"SKK1HI-988O-00","price":37.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/elvis-presley-if-i-can-dream-elvis-presley-with-the-royal-philharmonic-orchestra-180-gram-vinyl-2-lps_XXq1Z.jpg?v=1755292095"},{"product_id":"wild-heart","title":"Wild Heart","description":"Description\r\nWild Heart - Samantha Fish \/ Ruf Records recording artist singer-guitarist Samantha Fish, raises eyebrows with her third studio release, Wild Heart, produced by Luther Dickinson (The North Mississippi Allstars\/Black Crowes). Having Samantha on guitars and Luther on various stringed instruments, they rounded out the lineup with Grammy Award-winning Brady Blade (Emmylou Harris\/Bob Dylan) on drums. Special guests include Lightnin Malcolm (guitar), Sharde Thomas (drums) and Memphis session singers Shontelle Norman-Beatty and Risse Norman. The result is a stunning representation of Americana roots music. Wild Heart was recorded in three different studios, as they trekked the back-roads from Louisiana to Mississippi in the fall of 2014. Starting at Brady Blade s Shreveport, Louisiana studio, they laid the basic rhythm tracks and vocals. Luther and Samantha then hightailed it to his Zebra Ranch Studios in Hernando, Mississippi where they had a traditional Hill Country Blues session. Then, finally, all roads lead to Memphis where the duo put the final touches at both Willie Mitchell s Royal Studios and the legendary Ardent studios.\r\n\r\n \r\nTracks\r\n- Disc 1 -\r\n1 Road Runner\r\n2 Place to Fall\r\n3 Blame It on the Moon\r\n4 Highway's Holding Me Now\r\n5 Go Home\r\n6 Jim Lee Blues Pt. 1\r\n- Disc 2 -\r\n1 Turn It Up\r\n2 Show Me\r\n3 Lost Myself\r\n4 Wild Heart\r\n5 Bitch on the Run\r\n6 I'm in Love with You\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 11\/06\/2015\u003c\/li\u003e\n\u003cli\u003eGenre: Blues\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 11\/06\/2015\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Samantha Fish","offers":[{"title":"Default Title","offer_id":48424297562345,"sku":"AM30ZS-SRWU-FG","price":27.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/samantha-fish-wild-heart_EoJrm.jpg?v=1747667162"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/collections\/IMG-0098.png?v=1729842851","url":"https:\/\/www.vibinvinyl.com\/collections\/11-06-2015.oembed","provider":"Vibin' Vinyl","version":"1.0","type":"link"}