{"title":"Asking Alexandria","description":"","products":[{"product_id":"asking-alexandria-see-whats-on-the-inside-deluxe-edition-180-gram-vinyl-explicit-content","title":"See What's On The Inside (Deluxe Edition, 180 Gram Vinyl) [Explicit Content]","description":"\u003cp\u003eSee What's On The Inside (Deluxe Edition, 180 Gram Vinyl) [Explicit Content] is a Records \u0026amp; LPs from Asking Alexandria\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 04\/8\/2022\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Asking Alexandria","offers":[{"title":"Default Title","offer_id":44581935972585,"sku":"DGOODG-UOBB-00","price":41.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Asking-Alexandria-See-Whats-On-The-Inside-Deluxe-Edition-180-Gram-Vinyl-Explicit-Content_ACC1J.jpg?v=1758496610"},{"product_id":"asking-alexandria-black","title":"BLACK","description":"Personnel: Ben Bruce (vocals, guitar); Denis Stoff (vocals); Cameron Liddell (guitar); James Cassells (drums).\nThere's something to be said about letting go. In 2015, after a period of internal turmoil and divisive creative differences about the band's direction, Asking Alexandria vocalist Danny Worsnop left the band. Founding member Ben Bruce describes it as a dark time -- for both morale and creativity -- that would inform the name of the metalcore quintet's fourth official album, The Black. After recruiting Denis Stoff -- an avowed fan and the former vocalist of Ukrainian band Make Me Famous -- the revived Asking Alexandria got to work on an album that would mark a return to form. Rather than writing a collection of diss tracks to trash a former colleague, the band chose to refocus and tap into the energy of the new creative unit, which resulted in an album that they could all support. Unlike their previous effort -- 2013's From Death to Destiny, an album weighed down by a heavy dose of '80s hair metal influence and a big change in Worsnop's vocal delivery, which rendered the band's signature sound almost unrecognizable -- The Black resurrects the hunger and passion of their debut, as well as the focus of its follow-up, Reckless \u0026amp; Relentless. Much like contemporaneous efforts by Bring Me the Horizon and Hands Like Houses, The Black presents Asking Alexandria at its most streamlined, melodic, and accessible. It also opens up the band's potential and shoots for the arena rafters with the addition of triumphant singalongs and cathartic lyrics (the rousing \"The Lost Souls\" stands out). Sure, the ferocity and energy are still here: explosive album-opener \"Let It Sleep\" bridges the gap between the Worsnop and Stoff periods, calming fan fears with a healthy dose of wild screaming, demonic bellows, and breakneck pacing that pummel like a street fight, while the wild pair of album closers \"Undivided\" and \"Circled by Wolves\" are energetic and breathless. Hints of the drama behind Worsnop's departure are present, but they are whisked away as quickly as they are introduced. So while the cathartic \"Sometimes It Ends\" opens with a scathing confessional from Bruce, it ends with the decision to focus on the band's future with Stoff, rather than dwelling on the past. Indeed, the album artwork -- which features a young girl holding her ground against a looming dark presence -- is Bruce's visualization of facing the scary and overwhelming and forging ahead. That renewed thirst benefits the band on blazing tracks like album highlights \"The Black\" and \"I Won't Give In.\" There are moving moments of beauty here too, like on the plaintive \"Gone,\" the uplifting \"We'll Be Okay,\" and the wistful \"Send Me Home,\" a metalcore millennial version of Seger's road-weary \"Turn the Page.\" At one point, Stoff sings, \"it's time to move on and just walk away.\" For a group who once presciently sang \"the music's dead. let's wake it up,\" the sentiment rings truest on The Black. They've emerged from a quagmire that could have ended the band and ended up writing their tightest album yet. ~ Neil Z. 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Produced by Matt Good (From First To Last), this eponymous return is the group's most polished effort to date, less raw and muscular than past albums. While this evolution might prove divisive to longtime fans, Asking Alexandria remains highly enjoyable, a triumphant offering that benefits as much from familiarity as it does from pure power and Worsnop's inimitable presence. Kicking off with a strong opening run of powerful anthems, Asking Alexandria wastes little time getting back into the groove with Worsnop. The urgent \"Alone In A Room\" highlights some new vocal directions -- perhaps inspired by Worsnop's work during his time away from the band -- which incorporate more '80s arena-rock singing than '00s metalcore screaming. Meanwhile on \"Into the Fire\" (co-produced by Korn's Jonathan Davis), the band reminds listeners that they can still pummel with a brutal grace, combining soaring gang choruses with Worsnop's blood-curdling bellows. \"Eve\" is the closest they come to old-fashioned viciousness, an epic explosion of demonic wails and chugging riffs. Yet, even through that brutality, Worsnop's vocal warmth on the chorus elevates the track to an arena-worthy singalong. Of the potentially contentious inclusions, \"Hopelessly Hopeful\" and \"Rise Up\" feature programming flourish one might find in a Top 40 pop song, reaching a peak on \"When The Lights Come On,\" which could easily be mistaken for the heaviest Fall Out Boy song yet-to-be-written. Despite this mainstream sheen, these songs hit as hard as anything in their catalog; the true winner for most jarring moment comes with \"Empire.\" Featuring Seattle rapper Bingx, this misstep completely pulls listeners from the flow of the album. On any other record, \"Empire\" could be passable, like an unholy alliance of Machine Gun Kelly teaming up with All Time Low. However, inserted at the close of an album that has made a point of throttling listeners with its might, it's an unwelcome and unexpected shift in tone that would have been better as a b-side or inclusion on a soundtrack of mash-up tunes. Overall, Asking Alexandria is a worthy return from the classic lineup, retaining the best aspects of its past and taking steps into its future. Regardless of a stumble or two, Asking Alexandria is well worth a listen. While The Black was a passable offering at a time when it seemed like it would be a permanent arrangement, this reunion simply feels right. ~ Neil Z. 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This special edition is a must-have for collectors and fans alike, featuring high-quality audio and a unique design.\u003c\/p\u003e\u003ch3\u003eHighlights\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e2LP vinyl format\u003c\/li\u003e\n\u003cli\u003eSpecial edition for Record Store Day\u003c\/li\u003e\n\u003cli\u003eHigh-quality audio\u003c\/li\u003e\n\u003cli\u003eUnique design\u003c\/li\u003e\n\u003cli\u003eRelease date: November 28, 2025\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eFormat Details\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eLabel: Rsd\u003c\/li\u003e\n\u003cli\u003eRelease Date: 2025-11-28\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003c\/ul\u003e\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 2025-11-28\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Asking Alexandria","offers":[{"title":"Default Title","offer_id":49978823606505,"sku":"W1ZVP2-8SNG-0H","price":30.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/asking-alexandria-asking-alexandria-2lp-rsd-112825_pYj57.jpg?v=1767428599"}],"url":"https:\/\/www.vibinvinyl.com\/collections\/asking-alexandria.oembed","provider":"Vibin' Vinyl","version":"1.0","type":"link"}