{"title":"Blues","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp\u003eBlues\u003cspan\u003e is a \u003c\/span\u003emusic genre \u003cspan\u003eand \u003c\/span\u003emusical form\u003cspan\u003e that originated in the \u003c\/span\u003eDeep South\u003cspan\u003e of the United States around the 1860s. \u003c\/span\u003e\u003cspan\u003eBlues incorporated \u003c\/span\u003espirituals\u003cspan\u003e, \u003c\/span\u003ework songs\u003cspan\u003e, \u003c\/span\u003efield hollers\u003cspan\u003e, \u003c\/span\u003eshouts\u003cspan\u003e, \u003c\/span\u003echants\u003cspan\u003e, and rhymed simple narrative \u003c\/span\u003eballads\u003cspan\u003e from the \u003c\/span\u003eAfrican-American culture\u003cspan\u003e. The blues form is ubiquitous in \u003c\/span\u003ejazz\u003cspan\u003e, \u003c\/span\u003erhythm and blues\u003cspan\u003e, and \u003c\/span\u003erock and roll\u003cspan\u003e, and is characterized by the \u003c\/span\u003ecall-and-response\u003cspan\u003e pattern, the \u003c\/span\u003eblues scale\u003cspan\u003e, and specific \u003c\/span\u003echord progressions\u003cspan\u003e, of which the \u003c\/span\u003etwelve-bar blues\u003cspan\u003e is the most common. \u003c\/span\u003eBlue notes\u003cspan\u003e (or \"worried notes\"), usually thirds, fifths or sevenths flattened in \u003c\/span\u003epitch\u003cspan\u003e, are also an essential part of the sound. Blues \u003c\/span\u003eshuffles\u003cspan\u003e or \u003c\/span\u003ewalking bass\u003cspan\u003e reinforce the trance-like rhythm and form a repetitive effect known as the \u003c\/span\u003egroove\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp\u003eOne of the first wholly American styles of music to gain traction and recognition across the world was blues music, developed in the American South by African slaves, many of whom were Muslim. An estimated 30% of African slaves brought to America were Muslim. Blues music is heavily influenced by \"field holler\" songs, sung by the slaves as they worked in the fields.\u003cspan style=\"font-size: 12.499999px;\"\u003e \u003c\/span\u003eThe Muslim slaves added their own flair to their field holler songs, with African diaspora historian Sylviane Douf describing the way they sang \"words that seem to quiver and shake\" as very reminiscent of the Adh\u003ci\u003ean\u003c\/i\u003e, or Islamic call to prayer.\u003c\/p\u003e\n\u003cp\u003e\"The Blues\" is also characterized by its lyrics, bass lines, and instrumentation. Early traditional blues verses consisted of a single line repeated four times. It was only in the first decades of the 20th century that the most common current structure became standard: the AAB pattern, consisting of a line sung over the four first bars, its repetition over the next four, and then a longer concluding line over the last bars. Early blues frequently took the form of a loose narrative, often relating the racial discrimination and other challenges experienced by African-Americans.\u003c\/p\u003e\n\u003cp\u003eMany elements, such as the call-and-response format and the use of blue notes, can be traced back to the music of Africa. The origins of the blues are also closely related to the religious music of the Afro-American community, the spirituals. The first appearance of the blues is often dated to after the ending of slavery. Later, the development of juke joints. It is associated with the newly acquired freedom of the former slaves. Chroniclers began to report about blues music at the dawn of the 20th century. The first publication of blues sheet music was in 1908. Blues has since evolved from unaccompanied vocal music and oral traditions of slaves into a wide variety of styles and subgenres. Blues subgenres include country blues, Delta blues and Piedmont blues, as well as urban blues styles such as Chicago blues and West Coast blues. World War II marked the transition from acoustic to electric blues and the progressive opening of blues music to a wider audience, especially white listeners. In the 1960s and 1970s, a hybrid form called blues rock developed, which blended blues styles with rock music.\u003c\/p\u003e","products":[{"product_id":"chuck-berry-sings-the-blues","title":"Sings The Blues","description":"\u003cp\u003eSings The Blues is a Records \u0026amp; LPs from CHUCK BERRY\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGenre: Blues\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 2\/26\/2016\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"CHUCK BERRY","offers":[{"title":"Default Title","offer_id":43664469328105,"sku":"0K2TJV-4VWC-00","price":31.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/CHUCK-BERRY-Sings-The-Blues_HVhCi.jpg?v=1746896144"},{"product_id":"fleetwood-mac-peter-greens-fleetwood-mac","title":"Peter Green's Fleetwood Mac","description":"\u003cp\u003ePeter Green's Fleetwood Mac is a Records \u0026amp; LPs from Fleetwood Mac\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGenre: Blues\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 02\/26\/2021\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Fleetwood Mac","offers":[{"title":"Default Title","offer_id":43693285703913,"sku":"UY6P3W-HC0C-00","price":31.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Fleetwood-Mac-Peter-Greens-Fleetwood-Mac_Yx13B.jpg?v=1740154469"},{"product_id":"john-mayall-the-bluesbreakers-a-hard-road-bonus-tracks-2-lps","title":"John Mayall \u0026 The Bluesbreakers A Hard Road (Bonus Tracks) (2 Lp's)","description":"\u003cp\u003eTracksCredits\u003cbr\u003e- Disc 1 -\u003cbr\u003e1 A Hard Road\u003cbr\u003e2 It's Over\u003cbr\u003e3 You Don't Love Me\u003cbr\u003e4 The Stumble\u003cbr\u003e5 Another Kinda Love\u003cbr\u003e6 Hit the Highway\u003cbr\u003e7 Leaping Christine\u003cbr\u003e8 Looking Back\u003cbr\u003e9 Dust My Blues\u003cbr\u003e- Disc 2 -\u003cbr\u003e1 There's Always Work\u003cbr\u003e2 The Same Way\u003cbr\u003e3 The Super-Natural\u003cbr\u003e4 Top of the Hill\u003cbr\u003e5 Someday After a While (You'll Be Sorry)\u003cbr\u003e6 Living Alone\u003cbr\u003e7 So Many Roads\u003cbr\u003e8 Mama, Talk to Your Daughter\u003cbr\u003e- Disc 3 -\u003cbr\u003e1 Out of Reach\u003cbr\u003e2 Alabama Blues\u003cbr\u003e3 Sitting in the Rain\u003cbr\u003e4 Greeny\u003cbr\u003e5 Missing You\u003cbr\u003e6 Curly\u003cbr\u003e7 Rubber Duck\u003cbr\u003e- Disc 4 -\u003cbr\u003e1 Please Don't Tell\u003cbr\u003e2 Your Funeral and My Trial\u003cbr\u003e3 It Hurts Me Too\u003cbr\u003e4 Double Trouble\u003cbr\u003e5 Jenny\u003cbr\u003e6 Picture on the Wall\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGenre: Blues\u003c\/li\u003e\n\u003cli\u003eFormat Detail: 2LP\u003c\/li\u003e\n\u003cli\u003eReleased: 04\/7\/2017\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"John Mayall \u0026 The Bluesbreakers","offers":[{"title":"Default Title","offer_id":43696404005097,"sku":"0YRR28-ARFI-00","price":41.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/John-Mayall-The-Bluesbreakers--A-Hard-Road-Bonus-Tracks-2-Lps_42OA2.jpg?v=1737589621"},{"product_id":"eric-clapton-a-kind-of-blues-vol-1","title":"A Kind Of Blues Vol.1","description":"\u003cp\u003eA Kind Of Blues Vol.1 is a Records \u0026amp; LPs from Eric Clapton\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGenre: Blues\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 04\/30\/2021\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Eric Clapton","offers":[{"title":"Default Title","offer_id":43723909103849,"sku":"RAAB4Y-LUZK-00","price":39.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Eric-Clapton-A-Kind-Of-Blues-Vol1_ycOOq.jpg?v=1759049302"},{"product_id":"eric-clapton-nothing-but-the-blues","title":"Nothing But the Blues","description":"\u003cp\u003eNothing But the Blues is a Records \u0026amp; LPs from Eric Clapton\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGenre: Blues\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 07\/29\/2022\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Eric Clapton","offers":[{"title":"Default Title","offer_id":43723909136617,"sku":"RG7V07-05IR-00","price":41.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Eric-Clapton-Nothing-But-the-Blues_OWlxk.jpg?v=1740734790"},{"product_id":"eric-clapton-nothing-but-the-blues-1","title":"Nothing But the Blues","description":"\u003cp\u003eNothing But the Blues is a Records \u0026amp; LPs from Eric Clapton\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGenre: Blues\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 6\/24\/2022\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Eric Clapton","offers":[{"title":"Default Title","offer_id":43723909267689,"sku":"2W1O48-ECDI-00","price":239.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Eric-Clapton-Nothing-But-the-Blues_yph15.jpg?v=1740733400"},{"product_id":"john-mayall-blues-breakers-with-eric-clapton-special-edition-light-blue-vinyl-import","title":"Blues Breakers With Eric Clapton (Special Edition, Light Blue Vinyl) [Import]","description":"\u003cp\u003eBlues Breakers With Eric Clapton (Special Edition, Light Blue Vinyl) [Import] is a Records \u0026amp; LPs from John Mayall \u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat Detail: LP\u003c\/li\u003e\n\u003cli\u003eGenre: Blues\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 11\/30\/2018\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"John Mayall","offers":[{"title":"Default Title","offer_id":43723909333225,"sku":"0NT37M-6N4L-00","price":39.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/John-Mayall--Blues-Breakers-With-Eric-Clapton-Special-Edition-Light-Blue-Vinyl-Import_Rq1ex.jpg?v=1755729704"},{"product_id":"john-mayall-the-bluesbreakers-blues-for-the-lost-days-limited-edition-180-gram-vinyl-colored-vinyl-green-marbled-import","title":"Blues For The Lost Days (Limited Edition, 180 Gram Vinyl, Colored Vinyl, Green Marbled) [Import]","description":"\r\nSIDE A\r\n1. DEAD CITY\r\n2. STONE COLD DEAL\r\n3. ALL THOSE HEROES\r\n4. BLUES FOR THE LOST DAYS\r\n5. TRENCHES\r\n6. ONE IN A MILLION\t\r\nSIDE B\r\n1. HOW CAN YOU LIVE LIKE THAT\r\n2. SOME OTHER DAY\r\n3. I DON'T MIND\r\n4. IT AIN'T SAFE\r\n5. SEN-SAY-SHUN\r\n6. 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LONG WAY FROM HOME\r\n2. TICK TOCK\r\n3. TELEPHONE SONG\r\n4. BABOOM\/MAMA SAID\r\n5. 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LPs from Sister Rosetta Tharpe\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGenre: Blues\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 02\/16\/2018\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sister Rosetta Tharpe","offers":[{"title":"Default Title","offer_id":44471027269865,"sku":"PI8KIH-IOP8-00","price":29.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Sister-Rosetta-Tharpe-Rhythm-N-Gospel-Import_XXxQ7.jpg?v=1758781020"},{"product_id":"muddy-waters-the-r-b-hits-import","title":"The R\u0026B Hits [Import]","description":"\u003cp\u003eThe R\u0026amp;B Hits [Import] is a Records \u0026amp; LPs from Muddy Waters\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGenre: Blues\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 02\/08\/2019\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Muddy Waters","offers":[{"title":"Default Title","offer_id":44561152245993,"sku":"6XTHD1-VIED-00","price":23.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Muddy-Waters-The-RB-Hits-Import_C42O0.jpg?v=1759193093"},{"product_id":"b-b-king-deuces-wild","title":"DEUCES WILD","description":"Personnel includes: B.B. King (guitar); Sid Page (conductor); Paul Carrack (vocals, keyboards, Hammond B-3 organ); Bonnie Raitt, Eric Clapton, Marty Stuart (vocals, guitar, David Gilmour); Van Morrison, Tracy Chapman, Mick Hucknall, Dr. John, D'Angelo, Joe Cocker, Heavy D, Mick Jagger, Willie Nelson (vocals); Keith Richards, Ron Wood (guitar); Bruce Dukov, Armen Garabedian, Berj Garabedian, Norman Hughes, Tamara Hatwan, Kenneth Yerke, Andrea Byers (violins); Robert Becker (viola); Larry Colbert, Marston Smith, Dane Little, Martin Tillman, Miles Tackett (cello); Joe Sublett (tenor saxophone); Brian Murray (trumpet); Jools Holland (piano); Leon Pendarvis (keyboards); Tommy Eyre (keyboards); Pino Palladino (bass); Andy Newmark, Charlie Watts (drums).\nDEUCES WILD was nominated for a 1999 Grammy for Best Contemporary Blues Album.\nPersonnel: B.B. King (guitar); Mick Jagger (vocals, harmonica); Paul Carrack (vocals, keyboards); David Gilmour, Dean Parks, Eric Clapton, Hugh McCracken, Lee Schell, Johnny Lee Schell, Keith Richards, Marty Stuart, Michael Landau, Neil Hubbard, Randy Jacobs, Ron Wood, Bonnie Raitt (guitar); Ken Yerke, Tamara Hatwan , Andrea Byers, Norm Hughes, Sid Page, Bruce Dukov, Armen Garabedian, Berj Garabedian (violin); Robert Becker (viola); Larry Colbert, Martin Tillman, Dane Little, Marston Smith, Miles Om Tackett (cello); Mickey Rafael (harmonica); Joe Saulsbury, Jr., Joe Sublett (tenor saxophone); Carl Blouin (baritone saxophone); Brian Murray, Darrell Leonard, Jamil Sharif (trumpet); Daniel Kelley , Yvonne S. Moriarty, Kurt Snyder, Daniel Kelly (French horn); Tommy Eyre (piano, Wurlitzer organ, keyboards); Jon Cleary (piano, Wurlitzer organ); Chris Stainton (piano, keyboards); Jools Holland (piano); Leon Pendarvis (organ); D'Angelo, Bill Payne (keyboards); Tony Braunagel (drums, percussion); Steve Jordan , Jim Keltner, Kenny Aronoff , Andy Newmark, Charlie Watts (drums); Lenny Castro, Paulinho Da Costa (percussion); Simon Climie, Paul Waller (programming); Terrence Forsythe, Vincent Bonham, Sir Harry Bowens (background vocals).\nAudio Mixers: Chris Lord-Alge; Joe McGrath.\nRecording information: Cherokee Rec; Cherokee Recording St; Conway Studio, Hollywood, CA; Conway Studios, Hollywood, CA; Sound Castle Studios, Silverlake, CA; Westside Studios, London, England.\nPhotographers: Chris Taylor; Ron Keith; Daniel Root; Michael Wilson ; Kevin Mazur; Kevin Westenberg; Paul Cox; Timothy Duffy.\nUnknown Contributor Role: Tisha Fein.\nArrangers: Darrell Leonard; Phillip Marshall; Wardell Quezergue.\nYou can't move an inch without tripping over a superstar on this album of celebrity duets. On DEUCES WILD, B. B. looks beyond the blues world to collaborate with such unlikely folks as Willie Nelson, Pink Floyd guitarist David Gilmour, and even rapper Heavy D. On newly recorded versions of classic B.B. numbers such as \"The Thrill Is Gone\" (with Tracy Chapman) and \"Paying The Cost To Be The Boss\" (with the Rolling Stones), the legendary blues guitarslinger reinvents his own material to accommodate his famous pals, whose respect for King and enthusiasm for this project are apparent on each track. Most effective are the tunes that find B.B. paired up with veteran blues belters like Joe Cocker (\"Dangerous Mood\") and Van Morrison (\"If You Love Me\").\u003cul\u003e\n\u003cli\u003eGenre: Blues\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 11\/4\/1997\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"B.B. King","offers":[{"title":"Default Title","offer_id":44562215534825,"sku":"A813K5-46J2-00","price":16.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/BB-King-DEUCES-WILD_RbMhS.jpg?v=1759261324"},{"product_id":"lightnin-hopkins-essential-recordings","title":"Essential Recordings","description":"Includes liner notes by Athan Maroulis.\nLiner Note Author: Athan Maroulis.\u003cul\u003e\n\u003cli\u003eGenre: Blues\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 1\/1\/1980\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Lightnin Hopkins","offers":[{"title":"Default Title","offer_id":44562217697513,"sku":"53UJT5-1EMI-00","price":14.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Lightnin-Hopkins-Essential-Recordings_kbhbM.jpg?v=1758841692"},{"product_id":"bobby-bland-best-of-20th-century","title":"BEST OF\/20TH CENTURY","description":"Includes liner notes by Joseph F. Laredo.\nDigitally remastered by Eric Labson (MCA Music Media Studios, North Hollywood, California).\n20th Century Masters - The Millennium Collection: The Best of Bobby \"Blue\" Bland collects a dozen of his definitive performances, including \"I Pity the Fool,\" \"Stormy Monday Blues,\" and \"Who Will the Next Fool Be?\" Within a dozen songs, the collection spans Bland's most aching, plaintive moments, such as \"I'm Too Far Gone (To Turn Around),\" as well as more up-tempo fare like \"That's the Way Love Is\" and \"Ain't Nothing You Can Do.\" While this collection can't compete with more complete best-ofs like Greatest Hits, Vol. 1 or The Anthology, The Millennium Collection is still a decent introduction to Bland's powerful, influential style. ~ Heather Phares\u003cul\u003e\n\u003cli\u003eGenre: Blues\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 1\/25\/2000\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Bobby Bland","offers":[{"title":"Default Title","offer_id":44562219172073,"sku":"RMKRO9-F4UF-00","price":16.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Bobby-Bland-BEST-OF20TH-CENTURY_Ohr8Y.jpg?v=1759045784"},{"product_id":"eric-johnson-yesterday-meets-today","title":"Yesterday Meets Today","description":"\u003cp\u003eYesterday Meets Today is a Music CDs from Eric Johnson\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGenre: Blues\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 07\/29\/2022\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Eric Johnson","offers":[{"title":"Default Title","offer_id":44562409554153,"sku":"P35MSP-QR5V-00","price":22.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Eric-Johnson-Yesterday-Meets-Today_yshcl.jpg?v=1741140362"},{"product_id":"john-lee-hooker-and-canned-heat-hooker-n-heat-2-cds","title":"Hooker 'N Heat (2 Cd's)","description":"TracksCredits\r\n- Disc 1 -\r\n1 Messin' with the Hook\r\n2 The Feelin' Is Gone\r\n3 Send Me Your Pillow\r\n4 Sittin' Here Thinkin'\r\n5 Meet Me in the Bottom\r\n6 Alimonia Blues\r\n7 Drifter\r\n8 You Talk Too Much\r\n9 Burning Hell\r\n10 Bottle Up and Go\r\n- Disc 2 -\r\n1 The World Today\r\n2 I Got My Eyes on You\r\n3 Whiskey and Wimmen'\r\n4 Just You and Me\r\n5 Let's Make It\r\n6 Peavine\r\n7 Boogie Chillen No. 2\u003cul\u003e\n\u003cli\u003eGenre: Blues\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 11\/5\/1991\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"John Lee Hooker and Canned Heat","offers":[{"title":"Default Title","offer_id":44562514837737,"sku":"MLQBOC-0UME-00","price":26.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/John-Lee-Hooker-and-Canned-Heat--Hooker-N-Heat-2-Cds_BpmBb.jpg?v=1759218188"},{"product_id":"lightnin-hopkins-hello-central-the-best-of","title":"HELLO CENTRAL: THE BEST OF","description":"Personnel: Lightnin' Hopkins (vocals, guitar); Donald Cooks (bass instrument).\nLiner Note Author: Bill Dahl.\nSam \"Lightnin'\" Hopkins (1912-1982) was a pivotal figure in the evolution of blues--along with John Lee Hooker and a few others, he was a link between acoustic country blues and electrified urban blues styles. Hopkins played electric guitar (though later in his career, during the 1960s folk boom, he'd return to the acoustic) in an improvisational manner, not restricted to the usual 12-bar structure (making it notoriously difficult for most musicians to accompany him). He had a spacious, always-midnight guitar sound that could lunge and bite like a coiled snake, and his voice was an unpolished stray-cat yowl that could be wise, ominous, and\/or joyous.\nHELLO CENTRAL collects songs, either solo or accompanied by a bassist, recorded in Houston and New York in 1950 and '51, and previously released on the Mainstream label. These recordings capture Hopkins at a peak period, a set of rough gems that anticipates both R\u0026amp;B and rock \u0026amp; roll (the rollicking \"Tap Dance Boogie\") and conveys the lonesome moan of despair (the baleful \"Broken Hearted Blues\" and the stark, dissonant \"Freight Train Blues\"). A fine introduction for neophytes, HELLO CENTRAL is a must for Hopkins fans.\u003cul\u003e\n\u003cli\u003eGenre: Blues\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 02\/01\/2008\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Lightnin Hopkins","offers":[{"title":"Default Title","offer_id":44562561728745,"sku":"2IVNSA-6ZTZ-00","price":14.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Lightnin-Hopkins-HELLO-CENTRAL-THE-BEST-OF_BEUzV.jpg?v=1759399398"},{"product_id":"freddie-king-burglar","title":"BURGLAR","description":"Personnel includes: Freddie King (vocals, guitar); Chris Mercer, Mick Eves, Steve Gregory (tenor saxophone); Bud Beadle (baritone saxophone); Roy Davies (elctric piano, Clavinet); Brian Auger (organ); DeLisle Harper (bass); Steve Ferrone (drums); Pat Arnold, Misty Browning (background vocals).\nEngineers include: Barry Hammond, Tom Dowd, Steve Klein.\nRecorded at the Chipping Norton Studios, Oxfordshire, England and Criteria Studios, Miami, Florida.\nAll tracks have been digitally remastered.\nProduced in part by Mike Vernon, who worked on The Legendary Christine Perfect Album, this is an entertaining and concise package of ten songs performed by the late Freddie King and a slew of guests. Opening with Gonzalez Chandler's \"Pack It Up,\" featuring the Gonzalez Horn Section, the youthful legend was only 40 years of age when he cut this career LP two years before his death. Though no songs went up the charts like his Top Five hit in 1961, \"Hide Away,\" Burglar is one of those gems that journeymen can put together in their sleep. Tom Dowd produced \"Sugar Sweet\" at Criteria Studios in Miami, FL, featuring Jamie Oldaker on drums, Carl Radle on bass, and guitarists Eric Clapton and George Terry, which, of course, makes this album highly collectable in the Clapton circles. The sound doesn't deviate much from the rest of the disc's Mike Vernon production work; it is pure Freddy King, like on the final track, E. King's \"Come On (Let the Good Times Roll),\" where his guitar bursts through the horns and party atmosphere, creating a fusion of the pure blues found on \"Sugar Sweet\" and the rock that fans of Grand Funk grooved to when he opened for that group and was immortalized in their 1973 number one hit \"We're an American Band\" a year after this record's release. Sylistically, Freddie King is from the same school as Buddy Guy, two men instrumental in bringing this art form to a mass audience. King stretches those sounds with great fervor on the Hayes\/Porter number \"I Had a Dream,\" containing the strength Mark Farner said the blues artist displayed in concert, which could snap a guitar neck. The voice of Freddie King is what drives J.J. Cale's \"I Got the Same Old Blues,\" the horns and the guitar battling between verses and uniting to ooze under the guitarist's vocal expression. Rhythm guitarist Bob Tench, producer Mike Vernon, bassist DeLisle Harper, drummer Steve Ferrone, and pianist Roy Davies all co-write \"Texas Flyer\" with Freddie King, a prime example of the modern blues this artist was developing. With Brian Auger and Pete Wingfield contributing to the title track, Jerry Ragovoy's \"She's a Burglar,\" this project stands as a solid representation of an important musician which is as enjoyable as it is historic. ~ Joe Viglione\u003cul\u003e\n\u003cli\u003eGenre: Blues\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 7\/17\/2001\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Freddie King","offers":[{"title":"Default Title","offer_id":44562639749353,"sku":"BFX59C-GMPP-00","price":13.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Freddie-King-BURGLAR_YWEMO_a6253019-ddc3-43eb-8b49-82a3e4cfcb21.jpg?v=1742354015"},{"product_id":"the-yardbirds-heart-full-of-soul-the-best-of-import-2-cds","title":"Heart Full Of Soul: The Best Of [Import] (2 Cd's)","description":"TracksCredits\r\n- Disc 1 -\r\n1 Too Much Monkey Business (Live at the Marquee Club, 1964)\r\n2 I Got Love If You Want It (Live at the Marquee Club, 1964)\r\n3 Smokestack Lightnin' (Live at the Marquee Club, 1964)\r\n4 Here 'Tis (Live at the Marquee Club, 1964)\r\n5 I Wish You Would\r\n6 A Certain Girl\r\n7 Good Morning, Little School Girl\r\n8 I Ain't Got You\r\n9 For Your Love\r\n10 I Ain't Done Wrong\r\n11 I'm Not Talking\r\n12 Heart Full of Soul\r\n13 Still I'm Sad\r\n14 Evil Hearted You\r\n15 I'm a Man\r\n16 You're a Better Man Than I\r\n17 The Train Kept A-Rollin'\r\n18 New York City Blues\r\n19 Shapes of Things\r\n- Disc 2 -\r\n1 Over, Under, Sideways, Down\r\n2 Jeff's Boogie\r\n3 Lost Women\r\n4 Rack My Mind\r\n5 He's Always There\r\n6 Turn Into Earth\r\n7 What Do You Want\r\n8 Happenings Ten Years Time Ago\r\n9 Psycho Daisies\r\n10 Little Games\r\n11 Puzzles\r\n12 No Excess Baggage\r\n13 Drinking Muddy Water\r\n14 White Summer\r\n15 Glimpses\r\n16 Only the Black Rose\r\n17 Ha! Ha! Said the Clown\r\n18 Ten Little Indians\r\n19 Goodnight Sweet Josephine\r\n20 Think About It\u003cul\u003e\n\u003cli\u003eGenre: Blues\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 08\/12\/2022\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"The Yardbirds","offers":[{"title":"Default Title","offer_id":44562653610217,"sku":"OPLMAK-4KRE-00","price":29.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/The-Yardbirds-Heart-Full-Of-Soul-The-Best-Of-Import-2-Cds_C81wB.jpg?v=1745344179"},{"product_id":"rory-gallagher-defender","title":"Rory Gallagher DEFENDER","description":"\u003cp\u003ePersonnel: Rory Gallagher (vocals, acoustic \u0026amp; electric guitars, harmonica); Mark Feltham (harmonica); Lou Martin, Bob Andrews (piano); John Cooke (keyboards); Gerry McAvoy (bass); Brendan O'Neill (drums).\u003cbr\u003eRecorded at The Point, Olympic, West Three, Music Works, and Redan Studios, London, England. Includes liner notes by Donal Gallagher.\u003cbr\u003eDigitally remastered by Giovanni Scatola (1999 Masterpiece).\u003cbr\u003ePersonnel: Rory Gallagher (vocals, acoustic guitar, electric guitar, harmonica); John Cooke (keyboards); Brendan O'Neill (drums).\u003cbr\u003eAudio Remasterer: Giovanni Scatola.\u003cbr\u003eLiner Note Author: D?nal Gallagher.\u003cbr\u003eRecording information: Music Works \u0026amp; Redam Studio, London, England; Olympic Studio, London, England; The Point Studio, London, England; West Three Studio, London, England.\u003cbr\u003eReleased five years after his last effort (an eternity for the prolific Irish blues guitar slinger who had been churning out at least an album a year throughout the '70s), Defender is another quality blues-rock offering. Although Gallagher is in fine tough form here and it was his debut release for his own indie label, there is little difference between this and some of his less stellar '70s albums like Top Priority and Photo-Finish. The pounding, guitar-heavy opener \"Kickback City\" sounds more like hairy rockers Bad Company than anything approaching the deep Chicago and country blues Gallagher dearly loved. The quality picks up substantially as the volume subsides on \"Loanshark Blues,\" but by-the-books crunch-rockers like \"Failsafe Day\" and the unfortunately titled \"Road to Hell\" don't bode well for Gallagher moving out from an increasingly formulaic pigeonhole. There are a few corkers here like \"Continental Op,\" a blazing riff that stands with Gallagher's best work and revisits his familiar cloak-and-dagger theme. The swampy, less abrasive \"I Ain't No Saint\" also pushes the quality up a few notches, as does his gritty version of Sonny Boy Williamson's \"Don't Start Me to Talking,\" the bluesiest song on the disc and one of the few times he pulls out his greasy slide. \"Seven Days\" is the lone acoustic track and it's a good one, with piano and harp accompaniment and Gallagher singing like he means it as he takes the part of a criminal fleeing from the electric chair. The 2000 reissue adds a pair of rugged bonus tracks (along with a cleaner sound mix), which are actually better, or certainly as good as the best cuts on the rest of this competent but hardly essential Rory Gallagher disc. ~ Hal Horowitz\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eGenre: Blues\u003c\/li\u003e\n\u003cli\u003eReleased: 8\/16\/2011\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Rory Gallagher","offers":[{"title":"Default Title","offer_id":44562702860521,"sku":"02KPKL-ES8P-00","price":20.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Rory-Gallagher-DEFENDER_DNdZO.jpg?v=1737566167"},{"product_id":"savoy-brown-getting-to-the-point","title":"GETTING TO THE POINT","description":"Personnel: Chris Youlden (vocals); Kim Simmonds (guitar, harmonica); Lonesome Dave Peverett (guitar); Bob Hall (piano); Rivers Jobe (bass guitar); Roger Earle, Roger Earl (drums).\nLiner Note Author: Neil Slaven.\nGetting to the Point marks the debut of a vastly different lineup, still led by Simmonds but now fronted by new vocalist Chris Youlden. The pair got off to a good start by writing or co-writing most of the album. The playing is solid blues revival, and though Youlden's vocals are often overly imitative of B.B. King and Muddy Waters, he has a confident voice and frontman persona. Originals like \"Flood in Houston\" and \"Mr. Downchild\" provide the highlights. ~ Keith Farley\u003cul\u003e\n\u003cli\u003eGenre: Blues\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 4\/16\/1995\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Savoy Brown","offers":[{"title":"Default Title","offer_id":44562870010089,"sku":"VX982P-5TI4-00","price":12.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Savoy-Brown-GETTING-TO-THE-POINT_5bRaO_bff4015d-689e-424a-8a6a-a9bbe37c513a.jpg?v=1758747007"},{"product_id":"buddy-guy-best-of-20th-century","title":"BEST OF\/20TH CENTURY","description":"Personnel includes: Buddy Guy (vocals, guitar); Junior Wells (vocals, harmonica); Matt Murphy, Left Bates (guitar); Jarrett Gibson, Bob Neely (tenor saxophone); Donald Hankins (baritone saxophone); Leonard Caston (piano, organ); Little Brother Montgomery, Otis Spann (piano); Lafayette Leake (organ); Jack Meyers, Leroy Stewart, Phil Upchurch, Reggie Boyd (bass); Fred Below, Phil Thomas, Charles Stepney, Clifton James (drums).\nRecorded between 1960 and 1970. Includes liner notes by Bill Dahl.\nDigitally remastered by Erick Labson (Universal Mastering-West, Hollywood, California)..\nPersonnel: Lefty Bates (guitar); Junior Wells (harmonica); Jarrett Gibson, Bob Neely, A.C. Reed, Milton Bland (tenor saxophone); Donald Hankins (baritone saxophone); Little Brother Montgomery, Otis Spann (piano); Lafayette Leake, Leonard Caston (organ); Fred Below, Phil Thomas, Charles Stepney (drums).\nLiner Note Authors: Joseph Sia; Lee Tanner; Bill Dahl.\n20th Century Masters - The Millennium Collection: The Best of Buddy Guy collects the highlights of his work for Chess during the '60s, including \"First Time I Met the Blues,\" \"Let Me Love You Baby,\" and \"She Suits Me to a Tee.\" Tracks like \"When My Left Eye Jumps,\" \"Stone Crazy,\" and \"Leave My Girl Alone\" also display the blazing, passionate style that quickly made Guy a force to be reckoned with in the blues world. Though this compilation clearly isn't meant to be a comprehensive look at his work, many would argue that it focuses on one of the highest points in his career, which makes it a good introduction to his music from that era. ~ Heather Phares\u003cul\u003e\n\u003cli\u003eGenre: Blues\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 11\/20\/2001\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Buddy Guy","offers":[{"title":"Default Title","offer_id":44562920571113,"sku":"NX49IV-NFHL-00","price":16.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Buddy-Guy-BEST-OF20TH-CENTURY_FI4Vx_adcbe8cf-c697-42e9-8f0c-f6e6dbc181f2.jpg?v=1742350730"},{"product_id":"stevie-ray-vaughan-real-deal-greatest-hits-2","title":"REAL DEAL: GREATEST HITS 2","description":"\u0026amp; Double Trouble.\nPersonnel includes: Stevie Ray Vaughan (vocals, guitar); Tommy Shannon (bass); Chris Layton (drums).\nProducers include: Stevie Ray Vaughan, Richard Mullen, Double Trouble, Jim Capfer, Nile Rodgers.\nCompilation producer: Bob Irwin.\nIncludes liner notes by Scott Jordan.\nDigitally remastered by Vic Anesini (Sony Music Studios, New York, New York).\nDuring the seven years he recorded (1983-1990), Stevie Ray Vaughan's mixture of blues, jazz and soul influences revitalized modern blues at a time when its popularity was sagging considerably. Be it shuffles (\"Empty Arms\"), Grant Green-flavored instrumentals (\"Riviera Paradise\") or wah-wah driven funk played with his equally gifted sibling Jimmie (\"Telephone Song\"), Vaughan's musical range makes calling him \"a blues guitarist\" the equivalent of calling Mt. Everest a small hill.\nVaughan was always quick to acknowledge his influences by way of his covering their material. When he wasn't paying homage to blues giants like Howlin' Wolf (\"Shake For Me\") and Buddy Guy (\"Leave My Girl Alone\"), Vaughan wandered farther afield in tipping his hat to less obvious heroes like Dick Dale (\"Pipeline\"), Stevie Wonder (\"Superstition\") and legend Hank Ballard (\"Look At Little Sister\"). Like his hero Jimi Hendrix (who Vaughan acknowledges with a devastating cover of \"Voodoo Chile [Slight Return]\"), the fleet-fingered Texan was as fluid playing rhythm (\"Wall Of Denial,\" \"Love Struck Baby\") as he was tearing into a fat-toned solo (\"Scuttle Buttin'\").\u003cul\u003e\n\u003cli\u003eGenre: Blues\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 05\/26\/2015\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Stevie Ray Vaughan","offers":[{"title":"Default Title","offer_id":44563071172841,"sku":"D665IR-XW8K-00","price":14.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Stevie-Ray-Vaughan-REAL-DEAL-GREATEST-HITS-2_FBkRY.jpg?v=1759002450"},{"product_id":"elmore-james-shake-your-moneymaker-the-fire-sessions","title":"SHAKE YOUR MONEYMAKER: THE FIRE SESSIONS","description":"Personnel includes: Elmore James (vocals, guitar); Jimmy Spruill, Riff Ruffin (guitar); Sam Myers (harmonica); J.T. Brown (tenor saxophone); Paul Williams (baritone saxophone); Danny Moore (trumpet); Johnny \"Big Moose\" Walker, Johnny Jones, Johnny Acey (piano); Sammy Lee Bully, Homesick James (bass); King Mose, Belton Evans, Johnny Williams, Odie Payne (drums).\nProducer: Bobby Robinson.\nCompilation producers: Rob Santos, John Broven.\nRecorded between 1959 \u0026amp; 1961. Includes liner notes by John Broven.\nDigitally remastered by Elliott Federman (SAJE Sound, New York, New York).\nPersonnel: Elmore James (vocals, guitar); Riff Ruffin, Wild Jimmy Spruill (guitar); Sam Myers (harmonica); J.T. Brown (tenor saxophone); Paul \"Hucklebuck\" Williams (baritone saxophone); Danny Moore (trumpet); Johnny \"Big Moose\" Walker, Johnny Acey (piano); King Mose, Johnny Williams , Odie Payne, Jr., Belton Evans (drums).\nLiner Note Author: Jon Broven.\nRecording information: Beltone Studios, New York, NY (11\/1959-??\/1961); Chicago, IL (11\/1959-??\/1961); J\u0026amp;M Studios, New Orleans, LA (11\/1959-??\/1961).\nPhotographers: Jon Broven; George Adins.\nSHAKE YOUR MONEYMAKER brings together the best tracks Elmore James cut for Fire Records. James did a lot of label-hopping in his 12-year recording career (tragically, he died of a heart attack at 45), but his tenure at Fire (during 1959-'61) yielded some of his finest work. Two Robert Johnson tunes, \"Standing at the Crossroads\" and \"Dust My Broom,\" were essential to James's repertoire, and were cut in superb versions for Fire. (The Fire version of \"Dust My Broom,\" a tune he recorded numerous times throughout his career, is characterized by a thunderous, bass-heavy pounding.)\nOne of the most influential slide-guitar players ever, James employed slashing, wiry lines that can sound like a cattle prod jammed in an electric toaster (in the best possible way). His yelping tenor is desperate, poignant, and often sounds on the verge of breaking. In both playing and singing, James is passionately intense on slow blues (\"The Sky Is Crying\"), rolling groovers (\"Fine Little Mama\"), and dance-oriented shuffle boogies (\"Stranger Blues\"). SHAKE YOUR MONEYMAKER works well as a sampler of James's Fire work, and as an introduction to his blues artistry.\u003cul\u003e\n\u003cli\u003eGenre: Blues\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 3\/20\/2001\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Elmore James","offers":[{"title":"Default Title","offer_id":44563124584681,"sku":"WX7OSX-IJOS-00","price":14.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Elmore-James-SHAKE-YOUR-MONEYMAKER-THE-FIRE-SESSIONS_GZtqJ.jpg?v=1758812628"},{"product_id":"rory-gallagher-fresh-evidence","title":"Rory Gallagher FRESH EVIDENCE","description":"\u003cp\u003ePersonnel: Rory Gallagher (vocals, acoustic \u0026amp; electric guitars, dulcimer, mandola, electric sitar); Mark Feltham (harmonica); Geraint Watkins (accordion); John Earle (tenor \u0026amp; baritone saxophones); Ray Beavis (tenor saxophone); Dick Hanson (trumpet); Lou Martin (piano); John Cooke (keyboards); Gerry McAvoy (bass); Brendon O'Neil (drums).\u003cbr\u003eRecorded in 1990. Includes liner notes by Shu Tomioka \u0026amp; Charles Stanford.\u003cbr\u003eDigitally remastered by Tony Arnold (Courthouse Facilities, Dorset, England).\u003cbr\u003ePersonnel: Rory Gallagher (vocals, acoustic guitar, electric guitar, dulcimer, mandola, electric sitar); Mark Feltham (harmonica); Geraint Watkins (accordion); John Earle (tenor saxophone, baritone saxophone); Ray Beavis (tenor saxophone); Dick Hanson (trumpet); Lou Martin (piano); John Cooke (keyboards); Brendan O'Neill (drums).\u003cbr\u003eAudio Remasterer: Tony Arnold .\u003cbr\u003eLiner Note Authors: Charlie Stanford; Shu Tomioka.\u003cbr\u003eRecording information: Audio One; Maison Rouge; Redan Recorders Music Station.\u003cbr\u003ePhotographers: Phil Smee; Dave Peabody.\u003cbr\u003eThere was no way that Rory Gallagher could have known that Fresh Evidence would be his last recording, but in retrospect, it is a good summary of all that is fine and some that is frustrating about his work. The first few tracks are competent but less than perfect; \"'Kid' Gloves\" is yet another weak song that is based on his well-known love of crime fiction, and \"The King of Zydeco\" shows that Gallagher may have liked zydeco music a lot, but he doesn't sound natural playing it. Things pick up on \"Middle Name,\" which sounds a lot like the Doors' \"The Wasp\" but has some sharp soloing, and things really get rolling on \"Ghost Blues.\" From this point on, it seems that Gallagher wanted to prove his mastery of every style of blues, and amazingly, he succeeds. The Delta blues of \"Heaven's Gate\" shows his mastery of the form, and the jazzy, swinging Chicago blues instrumental \"The Loop\" is a classic track. The very best was saved for last: the thundering \"Slumming Angel.\" Everything is absolutely together here, the distinctive voice belting out a great simple lyric over a hammering rhythm section and a heaping helping of guitar, guitar, guitar. For all that, it starts slow and has a few tracks that sound like filler, albeit tasty filler. Nevertheless, Fresh Evidence showed that even after over 20 years of reinterpreting various strains of blues, there was plenty of spirit and creativity left in the great Irish rocker. ~ Richard Foss\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eGenre: Blues\u003c\/li\u003e\n\u003cli\u003eReleased: 8\/16\/2011\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Rory Gallagher","offers":[{"title":"Default Title","offer_id":44563216728297,"sku":"0832DW-F654-00","price":20.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Rory-Gallagher-FRESH-EVIDENCE_dN3Jf.jpg?v=1737786816"},{"product_id":"matt-schofield-far-as-i-can-see-digipak","title":"Far as I Can See [Digipak]","description":"Personnel: Matt Schofield (vocals, guitar); Jordan John (vocals, drums, percussion); James Morton (alto saxophone); Ruth Hammond (tenor saxophone); Gary Alsebrook (trumpet); Jonny Henderson (piano, organ); Carl Stanbridge (upright bass, electric bass).\nAudio Mixers: Matt Schofield; Simon Law.\nRecording information: Modern World Studios, Tetbury, UK.\nPhotographers: Sam Hare; Jane Paszkiewicz; Simon Law.\u003cul\u003e\n\u003cli\u003eGenre: Blues\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 02\/17\/2014\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Matt Schofield","offers":[{"title":"Default Title","offer_id":44563525796073,"sku":"WL65WV-XUW5-00","price":16.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Matt-Schofield-Far-as-I-Can-See-Digipak_WMjxh.jpg?v=1758890406"},{"product_id":"eric-johnson-the-book-of-making","title":"The Book of Making","description":"TracksCredits\r\n1 Soundtrack Life\r\n2 Floating Through This World\r\n3 Love Will Never Say Goodbye\r\n4 Bigger Than My Life\r\n5 Just to Be with You\r\n6 To Be Alive\r\n7 Another One Like You\r\n8 My Faith in You\r\n9 A Thousand Miles\u003cul\u003e\n\u003cli\u003eGenre: Blues\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 07\/29\/2022\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Eric Johnson","offers":[{"title":"Default Title","offer_id":44563634553065,"sku":"6FI85T-6UAW-00","price":22.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Eric-Johnson-The-Book-of-Making_9ZGhw.jpg?v=1741140405"},{"product_id":"canned-heat-live-at-the-topanga-corral-remaster","title":"Live at the Topanga Corral [Remaster]","description":"This album features six live rock tracks by Canned Heat.\nThis is one of the strongest documents to feature Canned Heat in concert. However, contrary to the title, these performances are not from the Topanga Corral -- where the Heat were the house band off and on during the mid-1960s. Instead, it was later revealed the origins were actually from a Los Angeles club called the Kaleidoscope circa 1968. They most likely hail from the same batch of tapes that yielded the 4-plus-minute epic \"Refried Boogie,\" which spread over Sides Three and Four on the Living the Blues (1968) two-LP package. The personnel includes Alan \"Blind Owl\" Wilson (guitar\/harmonica\/vocals), Larry \"The Mole\" Taylor (bass), Henry \"Sunflower\" Vestine (guitar), Bob \"The Bear\" Hite (vocals), and Aldolfo \"Fito\" de la Parra (drums). Indeed, these recordings were made prior to the rapid drug-related decline and eventual replacement of Vestine -- who is actually in top flight throughout -- with Harvey Mandel in mid-1969. Another factor in the chronology is the soulful interpretation of standard blues numbers, which would be incrementally abandoned for longer and more rambling psychedelic jams by the time of Live in Europe (1970). However, the difference between the early 1970s incarnation and this 'classic' lineup seems to lie primarily in their respective approaches. This seminal aggregate explores more traditional outlets such as the languid approach to B.B. King's \"Sweet Sixteen,\" sporting some incendiary fretwork from the coupling of Wilson's smooth slide and Vestine's sinuous and punctuating leads. The former further exemplifies his bottleneck prowess on a rollicking reading of Elmore James' \"Dust My Broom\" that swings solid from tip to tail. As does the upbeat and slightly Creole-flavored \"I Wish You Would,\" landing somewhere between the Yardbirds' aggressive take and Billy Boy Arnold's original. While interested parties are encouraged to find this set, caveat emptor, as the exact same material exists under a bevy of monikers. Most notable among these are Live at the Kaleidoscope 1969 (2000), Very Best of the Blues Years (2000), and as part of a two-fer with Vintage (1969) on Live at the Topanga Corral\/Vintage (2001) -- which arguably boasts the best sound, having been remastered. ~ Lindsay Planer\u003cul\u003e\n\u003cli\u003eGenre: Blues\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 7\/18\/2006\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Canned Heat","offers":[{"title":"Default Title","offer_id":44563692388585,"sku":"0HE7SZ-WJNY-00","price":22.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Canned-Heat-Live-at-the-Topanga-Corral-Remaster_5zncw.jpg?v=1759134552"},{"product_id":"guy-buddy-the-blues-dont-lie","title":"THE BLUES DON'T LIE","description":"TracksCredits\r\n1 I Let My Guitar Do the Talking\r\n2 Blues Don't Lie\r\n3 The World Needs Love\r\n4 We Go Back (Featuring Mavis Staples)\r\n5 Symptoms of Love (Featuring Elvis Costello)\r\n6 Follow the Money (Featuring James Taylor)\r\n7 Well Enough Alone\r\n8 What's Wrong with That (Featuring Bobby Rush)\r\n9 Gunsmoke Blues (Featuring Jason Isbell)\r\n10 House Party (Featuring Wendy Moten)\r\n11 Sweet Thing\r\n12 Backdoor Scratchin\r\n13 I've Got a Feeling\r\n14 Rabbit Blood\r\n15 Last Call\r\n16 King Bee\u003cul\u003e\n\u003cli\u003eGenre: Blues\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 9\/30\/2022\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"GUY, BUDDY","offers":[{"title":"Default Title","offer_id":44563843743977,"sku":"JM0T94-Q7QY-00","price":19.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/GUY-BUDDY-THE-BLUES-DONT-LIE_brFvI.jpg?v=1754353911"},{"product_id":"howlin-wolf-evil","title":"EVIL","description":"Personnel: Howlin' Wolf (vocals, guitar, harmonica); William Johnson (guitar); Ike Turner (piano); Willie Steel (drums).\nEvil is a terrific vinyl collection of Howlin' Wolf's quintessential Sun and Chess recordings. It remains an excellent summary of his best work. ~ Stephen Thomas Erlewine\u003cul\u003e\n\u003cli\u003eGenre: Blues\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 10\/18\/2017\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Howlin Wolf","offers":[{"title":"Default Title","offer_id":44563908428009,"sku":"HFXVUW-TAI5-00","price":21.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Howlin-Wolf-EVIL_m3JUu_fc798d68-7cba-490a-a1d6-9d501e332ec4.jpg?v=1759162274"},{"product_id":"otis-rush-remastered-essentials-cobra-recordings-1956-1958-180-gram-green-100-recyclable-gvr-sound-injection-mold-pressing","title":"Remastered:Essentials | Cobra Recordings 1956-1958 (180 Gram Green, 100% Recyclable GVR Sound Injection Mold Pressing)","description":"\u003cp\u003eRemastered:Essentials | Cobra Recordings 1956-1958 (180 Gram Green, 100% Recyclable GVR Sound Injection Mold Pressing) is a Records \u0026amp; LPs from Otis Rush\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGenre: Blues\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 05\/13\/2022\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Otis Rush","offers":[{"title":"Default Title","offer_id":44581303255273,"sku":"QY4J0C-7YB8-00","price":36.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Otis-Rush-RemasteredEssentials-Cobra-Recordings-1956-1958-180-Gram-Green-100-Recyclable-GVR-Sound-Injection-Mold-Pres_TQrG3.jpg?v=1741133756"},{"product_id":"knight-curtis-the-squires-the-ppx-sessions-volume-2-rsd-black-friday-11-27-2020","title":"The PPX Sessions Volume 2 (RSD Black Friday 11.27.2020)","description":"Side A: “Gloomy Monday”, “Hush Now”, “No Business”, “Love Love\r\nSide B: “UFO,” “My Best Friend (Takes 3\/4\/5)”, “How Would You Feel [Alternate]”, “Hornet’s Nest”, “I Need You Every Day”, “Suey”, “No Business [Demo]”, “Working All Day [Demo]”\u003cul\u003e\n\u003cli\u003eGenre: Blues\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 11\/27\/2020\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Knight, Curtis \u0026 The Squires","offers":[{"title":"Default Title","offer_id":44581370003689,"sku":"BUCTH3-NRD8-00","price":27.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Knight-Curtis-The-Squires-The-PPX-Sessions-Volume-2-RSD-Black-Friday-11272020_CEQmt.jpg?v=1742429976"},{"product_id":"derek-the-dominos-layla-other-assorted-love-songs-limited-edition-transparent-yellow-180-gram-vinyl-2-lps","title":"Layla \u0026 Other Assorted Love Songs (Limited Edition, Transparent Yellow 180 Gram Vinyl) (2 Lp's)","description":"TracksCredits\r\n1 I Looked Away\r\n2 Bell Bottom Blues\r\n3 Keep on Growing\r\n4 Nobody Knows You When You're Down and Out\r\n5 I Am Yours\r\n6 Anyday\r\n7 Key to the Highway\r\n8 Tell the Truth\r\n9 Why Does Love Got to Be So Bad?\r\n10 Have You Ever Loved a Woman?\r\n11 Little Wing\r\n12 It's Too Late\r\n13 Layla\r\n14 Thorn Tree in the Garden\u003cul\u003e\n\u003cli\u003eGenre: Blues\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 05\/23\/2020\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Derek \u0026 the Dominos","offers":[{"title":"Default Title","offer_id":44581381964009,"sku":"UXVEBP-TNQV-00","price":46.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/derek-the-dominos-layla-other-assorted-love-songs-limited-edition-transparent-yellow-180-gram-vinyl-2-lps_VOP8i.jpg?v=1759007791"},{"product_id":"b-b-king-singin-the-blues-blood-red-vinyl","title":"Singin' The Blues (Blood Red Vinyl)","description":"\u003cp\u003eSingin' The Blues (Blood Red Vinyl) is a Records \u0026amp; LPs from B.B. King\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGenre: Blues\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 03\/26\/2021\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"B.B. King","offers":[{"title":"Default Title","offer_id":44581415190761,"sku":"9EF6MO-D5NA-00","price":31.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/BB-King-Singin-The-Blues-Blood-Red-Vinyl_6wZwY.jpg?v=1759028583"},{"product_id":"stevie-ray-vaughan-texas-flood-import","title":"Texas Flood [Import]","description":"\u003cp\u003eThis 1999 reissue contains five bonus tracks not on the original release. Personnel: Stevie Ray Vaughan (vocals, guitar); Tommy Shannon (bass); Chris Layton (drums). Producers: Richard Mullen, Stevie Ray Vaughan, Double Trouble. Principally recorded at Down Town Studio, Los Angeles, California and Riverside Sound, Austin, Texas. Live tracks recorded at The Palace, Hollywood, California on September 23, 1983. Originally released on Epic (38734). Includes liner notes by Michael Ventura. Quite possibly the only electric blues\/rock guitarist to come near rivalling Jimi Hendrix, Vaughan, who, like Hendrix, died tragically, was so good he was ridiculous. He was lacking in really good material, and his own compositions were mainly guitar workouts, such as \"Rude Mood,\" although he shows great feeling on the instrumental \"Lenny.\" He is much more comfortable singing non-originals, and on this album he covers Buddy Guy's \"Mary Had A Little Lamb\" and Howlin Wolf's \"Tell Me,\" but the listener is still waiting for the bit where the guitar solo comes in. Poor Double Trouble barely get a look in.\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eGenre: Blues\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 03\/10\/2017\u003c\/li\u003e\n\u003cli\u003eBest Sellers: Top Seller\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Stevie Ray Vaughan","offers":[{"title":"Default Title","offer_id":44581420794089,"sku":"KA4UNB-JHMQ-00","price":41.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Stevie-Ray-Vaughan-Texas-Flood-Import_YmoRa.jpg?v=1746544273"},{"product_id":"john-lee-hooker-remastered-from-the-archives-gvr-recyclable-180-gram-blue-exclusive","title":"Remastered From The Archives (GVR\/Recyclable 180 Gram Blue | Exclusive)","description":"\u003cp\u003eBrand New Sealed | John Lee Hooker | Remastered From The Archives | 180 Gram | Pearlized Gold Vinyl | Vinyl | Release Date: 01\/17\/2020 | Record Label: Red Bank Records\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGenre: Blues\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 12\/03\/2021\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"John Lee Hooker","offers":[{"title":"Default Title","offer_id":44581435179241,"sku":"F4AHTE-DISM-00","price":29.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/John-Lee-Hooker-Remastered-From-The-Archives-GVRRecyclable-180-Gram-Blue-Exclusive_FF4Zk.jpg?v=1741098801"},{"product_id":"magic-sam-remastered-essentials-cobra-chief-and-crash-recordings-1957-1966-180-gram-hot-pink-100-recyclable-gvr-sound-injection-mold-pressing","title":"Remastered:Essentials | Cobra, Chief and Crash Recordings 1957-1966 (180 Gram Hot Pink, 100% Recyclable GVR Sound Injection Mold Pressing)","description":"\u003cp\u003eRemastered:Essentials | Cobra, Chief and Crash Recordings 1957-1966 (180 Gram Hot Pink, 100% Recyclable GVR Sound Injection Mold Pressing) is a Records \u0026amp; LPs from Magic Sam\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGenre: Blues\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 05\/13\/2022\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Magic Sam","offers":[{"title":"Default Title","offer_id":44581435375849,"sku":"6GXK6G-C3A6-00","price":36.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Magic-Sam-RemasteredEssentials-Cobra-Chief-and-Crash-Recordings-1957-1966-180-Gram-Hot-Pink-100-Recyclable-GVR-Sound-_nw8IE.jpg?v=1741133590"},{"product_id":"muddy-waters-hard-again-180-gram-vinyl-import","title":"Hard Again (180 Gram Vinyl) [Import]","description":"\r\nSIDE A\r\n1. 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Personnel: Stevie Ray Vaughan (guitar, vocals); Reese Wynans (keyboards); Tommy Shannon (bass); Chris Layton (drums). Producers: Stevie Ray Vaughan, Chris Layton, Tommy Shannon, Richard Mullen, Jim Capfer, Jim Gaines. Recorded at The Power Station, New York, New York in January and February, 1984; The Dallas Sound Lab, Dallas, Texas in March and May, 1985; Kiva Studios, Memphis, Tennessee in February and April, 1989; Sound Castle Studios, Los Angeles, California in April and May, 1989. THE SKY IS CRYING is a collection of 10 previously unreleased studio tracks compiled by Stevie Ray's brother Jimmie Vaughan. Master Sound releases are 24-karat gold CDs remastered from first generation masters. This process utilizes 20-bit technology and Sony's \"Super Bit Mapping\" system. Personnel: Stevie Ray Vaughan (guitar, vocals); Reese Wynans (keyboards); Tommy Shannon (bass); Chris Layton (drums). Producers: Stevie Ray Vaughan, Chris Layton, Tommy Shannon, Richard Mullen, Jim Capfer, Jim Gaines. Reissue producer: Jimmie Vaughn. Recorded at The Power Station, New York, New York from January to February 1984; The Dallas Sound Lab, Dallas, Texas from March to May 1985; Kiva Studios, Memphis, Tennessee from February to April 1989; Sound Castle Studios, Los Angeles, California from April to May 1989. Includes liner notes by Dan Forte. Vaughan's death in August 1990 brought to a tragic end the surging wave of his popularity. The album he had made with his brother Jimmie, FAMILY STYLE, had just been released and this album, prepared by Jimmie from the various album sessions, was not expected to amount to much. In fact, this was at least as good as any of them--and better than LIVE ALIVE. \"Little Wing\" was perhaps his best adaptation of a Jimi Hendrix song. His take on the Elmore James title song was also a fitting tribute to both the writer and the performer. 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This follows an incredible run of global smashes including ‘Dancing with a Stranger’, with Normani which has amassed over 13 million copies and over 2.5 billion streams, became the #1 airplay in the US \u0026amp; UK and has achieved platinum status in 15 countries. ‘How Do You Sleep?’ and the accompanying game-changing video has already reached sales of over 8 million and remained in the Spotify Global Top 20 after 4 months. 2018 also saw Smith release their global hit with Calvin Harris ‘Promises’ which the pair performed at the BRIT Awards; Sam reached 13 million YouTube subscribers – one of only 8 UK artists to achieve this accolade – and they ended 2019 peaking at 8 on the Global Spotify monthly listeners chart. They have over 10 billion total streams on Spotify alone, with 2 singles (Too Good At Goodbyes and Stay With Me) being one of only 100 tracks to ever achieve over 1bn total streams on Spotify. 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