{"title":"Genesis","description":"\u003cp\u003eGenesis was one of the enduring institutions of the rock era, a phrase that doesn't hint at how the band's membership and music were remarkably fluid, encompassing at least three distinct phases, if not more. Genesis emerged from Britain's prog-rock scene of the early 1970s fronted by Peter Gabriel, a singer with a flair for eccentric theatricality and a gift for melody that helped separate his band from the likes of King Crimson and Gentle Giant. After Gabriel's departure, the band eventually evolved into a trio featuring keyboardist Tony Banks, guitarist Mike Rutherford, and Phil Collins, the drummer who doubled as the group's new lead vocalist. By the early 1980s, it was evident that Collins possessed pop instincts that could thrive on mainstream radio and on the emerging MTV. Both platforms embraced Collins, both as a solo act and as a member of Genesis, helping the band become dominant on both sides of the Atlantic until he left the group in the early 1990s. Banks and Rutherford soldiered on through one final record before pulling the plug on Genesis in 2000.\u003c\/p\u003e\n\u003cp\u003eThe roots of Genesis go back to 1965 and a pair of rival groups, the Garden Wall and the Anon, formed by students at the Charterhouse School in Godalming, Surrey. They merged, with the result that 15-year-olds Peter Gabriel, Tony Banks, and Michael Rutherford joined with 14-year-old Anthony Phillips, calling themselves the New Anon and recording a six-song demo featuring songs primarily written by Rutherford and Phillips.\u003c\/p\u003e\n\u003cp\u003eCharterhouse alumnus, recording artist, and producer Jonathan King heard the tape and arranged for the group to continue working in the studio, and it was also King who renamed the band Genesis. In December of 1967 they cut their debut single, \"The Silent Sun,\" a very deliberate Bee Gees-style pastiche -- it was released in February of 1968 without attracting much notice from the public, and a second single, \"A Winter's Tale,\" followed with similar neglect. They also ran through a couple of drummers during this period, Chris Stewart and John Silver. At this time, the group's music was a form of lyrical folk-based progressive pop, built on lush melodies primarily carried on acoustic guitar and piano, with lyrics that tended toward the florid and trippy -- psychedelia was in vogue, and Genesis showed an exceptional facility with poetic content as well as gorgeous melodies. Their debut album, From Genesis to Revelation -- which the group has all but disowned in the decades since -- was released in March of 1969, and passed without too much notice from the music press or the public. The members began thinking about getting on with their lives outside of music, and especially attending college. But they felt strongly enough about their work to try making it as a professional band. The re-formed in 1969 and got their first paying gig in September of that year, and spent the next several months working out new material, with new drummer John Mayhew aboard.\u003c\/p\u003e\n\u003cp\u003eGenesis soon became one of the first groups signed to the fledgling Charisma label, founded by Tony Stratton-Smith, and they recorded their second album, Trespass. That record, released in October of 1970, showed the first signs of the band that Genesis would become. The music was still folk-based, some of the songs couldn't quite carry their length, and they had some way to go in terms of vocal and instrumental finesse, but it had reach if not grasp -- most of the album was comprised of extended pieces, sung with dramatic intensity, and with complex parts for all of the instruments.\u003c\/p\u003e\n\u003cp\u003eGenesis then lost two members. Mayhew left over the unhappiness with aspects of his playing, and was replaced by Phil Collins, a former child actor turned drummer who had previously played with Flaming Youth -- he also added an occasional additional lead vocal to their sound. Much more unsettling was the departure of guitarist Anthony Phillips, who had developed crippling stage fright. For some time afterward, Genesis worked as a four-piece with the guitar parts covered by Banks' keyboards. Finally, just prior to Genesis beginning work on their next album, their lineup was completed with the addition of guitarist Steve Hackett, a former member of Quiet World. The band's next album, Nursery Cryme, was recorded so close to his arrival that Hackett played on it, but some of the guitar parts were written and played by Michael Rutherford, while the centerpiece of the new album, \"The Musical Box,\" used material that Phillips had composed.\u003c\/p\u003e\n\u003cp\u003eThere was hardly a weak moment on the record, and the music was far more exciting -- and witty -- than most of the progressive rock of the period. The heart of the record was \"The Musical Box,\" a song telling a Victorian-era story of children, murder, and ghostly apparitions that was worthy of the classic horror film Dead of Night. And while it might not have become a pop culture phenomenon, the album and the song did find an audience among collegiate listeners. The theatrical attributes of Gabriel's singing fit in well with the group's live performances during this period as he began to make ever more extensive use of masks, makeup, and props in concert, telling the framing stories in order to set up their increasingly complicated songs. Part of the reason for the stories was practical -- it gave the others, especially Hackett, a chance to retune their instruments. When presented amid the group's very strong playing, this aspect of Gabriel's work turned Genesis' performances into multimedia events. And word soon began to spread about Genesis being an act that was worth hearing and, even more so, worth seeing in concert.\u003c\/p\u003e\n\u003cp\u003eFoxtrot, issued in the fall of 1972, was the flash point in Genesis' history. The writing, especially on \"Supper's Ready\" -- a conceptual piece taking up an entire side of the LP -- was as sophisticated as anything in progressive rock, and the lyrics were complex and clever, but the record was never boring, or even less than bracing. It became their first to chart in England, reaching number 12. Genesis' live performances by now were practically legend. Rock music had always contained a theatrical element, which had reached new levels in the late '60s. But Peter Gabriel, with his growing array of costume changes and acting out of roles, far transcended anything seen on a rock stage -- it was true rock theater, and an intense listening experience.\u003c\/p\u003e\n\u003cp\u003eIn early 1973, the band allowed a group of performances to be taped for American radio, and with a live tape on hand and a gap to fill between studio albums, Stratton-Smith convinced the band to let him issue that same performance, in edited form, as the group's first concert album. Genesis Live featured songs from across three of their albums, including \"The Knife,\" \"The Musical Box,\" and \"Watcher of the Skies,\" presented in their most recent and dramatic incarnations. The group's next release, Selling England by the Pound (1973), was also their biggest seller to date, reaching number three in England and number 70 in America. They were still a cult band in the United States, but thanks to a lot more FM radio play, their music was getting heard beyond the ranks of the cultists, and finding new listeners by the thousands, especially on college campuses.\u003c\/p\u003e\n\u003cp\u003eThe release in late 1974 of The Lamb Lies Down on Broadway also marked the culmination of the group's early history. A concept album with a very involved story and a large cast of characters, its composition had been difficult, involving a story outlined and written (along with most of the lyrics) exclusively by Gabriel. A creative split developed between him and the others, however, and the division grew worse during the tour that followed. In May of 1975, Gabriel announced that he was leaving Genesis, at what seemed the very moment of their commercial breakthrough. The Lamb Lies Down on Broadway had been a breakthrough as well, played heavily on progressive FM stations and selling in far greater numbers than anyone expected of a double LP by this group -- it just missed the Top 40 in the United States, while in England it got to number ten.\u003c\/p\u003e\n\u003cp\u003eThe group tried auditioning potential replacements, but it became clear that the remaining members all preferred that Phil Collins -- who had provided some vocals on the group's three prior albums -- take over as lead singer. Genesis returned to the studio as a quartet in October of 1975 to work on their new album, and the resulting Trick of the Tail was not a huge departure from their earlier work -- there were still musically challenging progressive songs on the album. The latter were reined in a bit, however, and there was some effort to make the album and the music as accessible as possible. And it worked, the album reaching number three in England and number 31 in America, their best chart showing up to that time.\u003c\/p\u003e\n\u003cp\u003eTheir 1977 album Wind \u0026amp; Wuthering contained a genuinely appealing pop song, \"Your Own Special Way,\" which helped to loft it to number three in the U.K. and number 26 in the United States. Soon after, Hackett announced that he, too, was leaving -- he was replaced on subsequent concert tours by Daryl Stuermer, but there was no permanent replacement in the studio; instead, Rutherford played all of the guitar parts on their subsequent recordings. In 1978, Genesis released the appropriately titled And Then There Were Three -- with sales driven by the hit single \"Follow You, Follow Me,\" the album got the group its first gold record award. By this time, the group had become a pure pop outfit, and its subsequent albums Duke (1980) and Abacab (1981) both topped the charts in England while brushing near or reaching the Top Ten in America.\u003c\/p\u003e\n\u003cp\u003eIn 1983, the band regrouped for the self-titled Genesis, which furthered the group's record of British chart-toppers and American Top Ten hits, becoming their second million-selling U.S. album. Two years later, the group outdid itself with the release of its most commercially successful album to date, Invisible Touch, which -- driven by a quintet of Top Ten U.S. singles, including a number one chart placement for the title song -- went platinum several times over in America.\u003c\/p\u003e\n\u003cp\u003eIt was seven years before the band released its next album, We Can't Dance, which debuted at number one in England and got to number four in America. During that time off, each of the members had done extensive solo work, and Collins had already become a superstar in his own right. We Can't Dance was Collins' last album with the group, and with him they also lost Chester Thompson and Daryl Stuermer from the touring band. Calling All Stations (1997), featuring new vocalist Ray Wilson, seemed to please neither critics nor fans, and Wilson left the group at the conclusion of the accompanying tour. The group was on hiatus for most of the next decade, which saw the release of a pair of box sets, Genesis Archives, Vol. 1 and Genesis Archives, Vol. 2, covering the Gabriel and Collins eras, respectively. Banks, Rutherford, Hackett, Collins, and Gabriel regrouped for a one-off re-recording of \"The Carpet Crawlers\" for inclusion on the compilation Turn It on Again: The Hits.\u003c\/p\u003e\n\u003cp\u003eGenesis were hardly heard from except in an archival capacity for most of the first decade of the 21st century. A 2007 reunion tour featuring Collins, Banks, and Rutherford got decidedly mixed critical reviews, and yielded a lackluster live CD\/DVD set. But it coincided with a wave of upgraded, double-disc reissues of most of Genesis' catalog and a quartet of box sets covering their history from Trespass forward -- including a complete issue of a legendary 1973 Rainbow Theatre performance -- which have rendered them among the most thoroughly documented groups of their generation. Rumors of a full-fledged reunion continued to circulate but only archival releases materialized, including 2014's triple disc R-Kive which combined Genesis staples with solo cuts from the band's original lineup. Also in 2014, BBC aired the documentary Genesis: Together and Apart.\u003c\/p\u003e\n\u003cp\u003eCollins published his autobiography Not Dead Yet in 2016, supporting its release with a handful of concerts in 2017 where his son Nicolas played drums. These shows sparked Collins reuniting with Banks and Rutherford in 2020 for a farewell stint called The Last Domino? Tour. After being delayed due to COVID-19, The Last Domino? Tour began in September 2012 and finished in March 2022 at London's O2 Arena in March 2022. At the concert, Collins announced from the stage \"It's the last show for Genesis.\" Among the crowd at O2 was Peter Gabriel, who later told Mojo, \"Me going was a rite of passage, really. I'd been part of the creation of Genesis, so I wanted to be there at the end.\" ~ Bruce Eder\u003c\/p\u003e","products":[{"product_id":"genesis-live","title":"LIVE","description":"Genesis: Tony Banks (vocals, guitar, electronic piano, organ, Mellotron); Michael Rutherford (vocals, guitar, bass, bass pedals); Peter Gabriel (vocals, flute, bass drum, tambourine); Phil Collins (vocals, drums, percussion); Steve Hackett (guitar).\nRecorded at The De Montfort Hall, Leicester, England and The Free Trade Hall, Manchester, England in February 1973.\nDigitally remastered by Nick Davis, Geoff Callingham \u0026amp; Chris Blair (The Farm, Abbey Road, England).\nPersonnel: Peter Gabriel (vocals, flute, percussion); Tony Banks (vocals, keyboards); Phil Collins (vocals, drums, percussion); Mike Rutherford , Steve Hackett (guitar).\nAudio Remasterers: Chris Blair; Geoff Callingham; Nick Davis .\nRecording information: De Montfort Hall, Leicester; Free Trade Hall, Manchester, England.\nPhotographer: Bob Gruen.\nUnknown Contributor Roles: Peter Gabriel; Tony Banks.\nAside from a portion of the box set, this is the only commercially available live document of vintage Gabriel-era Genesis. LIVE was recorded at the group's 1973 peak, and features hardcore fans' favorite lineup, including Gabriel and guitarist Steve Hackett. The flawless song selection favors tunes from the beloved albums FOXTROT and TRESPASS. The semi-baroque keyboards of Tony Banks and the whisper-to-a-scream dynamic of Hackett are displayed in all their glory.\nThe songs tend toward the long side (not one is under eight minutes long--prog-rock heaven!), giving the group ample time to work its complex, time signature-shifting, contrapuntal magic. Though we're denied the visual aspect of Gabriel's notoriously elaborate costume changes and onstage antics, the energy of his performance comes through in his urgent vocals, and he delivers some of his most sharply penned lyrics. Subsequent Collins-era live albums serve the legacy well, but this is the Genesis concert album with which to start.\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 1\/1\/2008\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Genesis","offers":[{"title":"Default Title","offer_id":44562327830761,"sku":"K0E48W-32YP-00","price":18.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Genesis-LIVE_2XOI3_368a14dc-5ca8-4956-bb6c-221da1190bc7.jpg?v=1758753488"},{"product_id":"genesis-trespass-import","title":"Trespass [Import]","description":"\u003cp\u003eTrespass [Import] is a Music CDs from Genesis\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 03\/24\/2009\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Genesis","offers":[{"title":"Default Title","offer_id":44562388877545,"sku":"5YYHU8-757G-00","price":20.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Genesis-Trespass-Import_Uft7s.jpg?v=1759218072"},{"product_id":"genesis-a-trick-of-the-tail-remastered","title":"A Trick of the Tail (Remastered)","description":"DESCRIPTION\r\nDigitally remastered and remixed in 2008. Reissue of the 1976 album by the esteemed Prog\/Rock band featuring a new stereo mix of the album. This reissue features the new mix of the album's original tracks (sans bonus tracks) yet adds a new breath of fresh air on these classic recordings. Eight tracks including 'Dance on a Volcano', 'Entangled' and 'Robbery, Assault And Battery'.\r\n\r\n \r\nTracks\/Credits\r\n1 Dance on a Volcano\r\n2 Entangled\r\n3 Squonk\r\n4 Mad Man Moon\r\n5 Robbery, Assault, and Battery\r\n6 Ripples\r\n7 A Trick of the Tail\r\n8 Los Endos\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 02\/17\/2015\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Genesis","offers":[{"title":"Default Title","offer_id":44562554257641,"sku":"QLAOY7-AFET-00","price":18.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Genesis-A-Trick-of-the-Tail-Remastered_yUxE5.jpg?v=1740721081"},{"product_id":"genesis-lamb-lies-down-on-broadway-import-2pc","title":"Lamb Lies Down On Broadway [Import] (2Pc)","description":"\u003cp\u003eLamb Lies Down On Broadway [Import] (2Pc)  is a Music CDs from Genesis\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGenre: Rock and Pop\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 1\/1\/1980\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Genesis","offers":[{"title":"Default Title","offer_id":44562596593897,"sku":"SAM8P6-D0IP-00","price":14.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Genesis-Lamb-Lies-Down-On-Broadway-Import-2Pc-_bhgOt_51e4913f-7900-4bef-8e8b-688c0237f092.jpg?v=1758886352"},{"product_id":"genesis-selling-england-by-the-pound-remastered","title":"Selling England By The Pound (Remastered)","description":"DESCRIPTION\r\nReissue featuring the 2008 mix of this album by Nick Davis and Genesis. Genesis has always been known for their sense of spectacle and their groundbreaking live shows, as much as their ambitious studio albums like SELLING ENGLAND BY THE POUND (1973). Over the last four decades, the group has sold 150 million albums worldwide and has influenced the likes of Elbow, Flaming Lips and Jeff Buckley.\r\n\r\n \r\nTracks\/Credits\r\n1 Dancing with the Moonlit Knight (New Stereo Mix)\r\n2 I Know What I Like (In Your Wardrobe) [New Stereo Mix]\r\n3 Firth of Fifth (New Stereo Mix)\r\n4 More Fool Me (New Stereo Mix)\r\n5 The Battle of Epping Forest (New Stereo Mix)\r\n6 After the Ordeal (New Stereo Mix)\r\n7 The Cinema Show (New Stereo Mix)\r\n8 Aisle of Plenty (New Stereo Mix)\r\n\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 11\/17\/2014\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Genesis","offers":[{"title":"Default Title","offer_id":44563625050345,"sku":"QU8ATT-HHPK-00","price":18.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Genesis-Selling-England-By-The-Pound-Remastered_Xf6Sb_71a2c476-a112-49d6-95ad-bdd38209116a.jpg?v=1740721084"},{"product_id":"genesis-abacab","title":"Abacab","description":"\u003cp\u003eAbacab is a Music CDs from Genesis\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGenre: Rock and Pop\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 1\/1\/1980\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Genesis","offers":[{"title":"Default Title","offer_id":44563888668905,"sku":"Q8SXIZ-D5QO-00","price":14.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Genesis-Abacab_C9RmJ.jpg?v=1758906013"},{"product_id":"genesis-nursery-cryme","title":"Nursery Cryme","description":"\u003cp\u003eGenesis's third album was a far cry from the delicate folk-rock tapestries and chiming 12-string guitars of its predecessor, TRESPASS. The infusion of a semi-classical structural sensibility had become more prevalent. Fragile ballads are at a minimum, replaced by driving classical-rock epics full of heavy guitar, bass lines, and sweeping Mellotron. The sound occasionally recalls the refined but uncompromising instrumental attack of the Nice (particularly in Tony Banks's Keith Emerson-ish blasts of organ bravura). The interlocking guitar arpeggios and folkie moments central to TRESPASS are still present, however, providing contrast to NURSERY CRYME's bolder moments. The group's ambitious compositional style and Gabriel's eccentric lyrics are at their height on \"The Fountain of Salamacis,\" \"The Musical Box,\" and the instrumentally sophisticated \"The Return of the Giant Hogweed,\" making NURSERY CRYME the first Genesis album to truly define their mature style.\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 8\/03\/2018\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Genesis","offers":[{"title":"Default Title","offer_id":44581511790825,"sku":"43MIGG-G9Q6-00","price":43.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Genesis-Nursery-Cryme_R7sgr.jpg?v=1759017925"},{"product_id":"genesis-selling-england-by-the-pound","title":"Selling England By The Pound","description":"\u003cp\u003eSelling England By The Pound is a Records \u0026amp; LPs from Genesis\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 08\/10\/2018\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Genesis","offers":[{"title":"Default Title","offer_id":44581526733033,"sku":"PSM6QE-KOT9-00","price":32.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/genesis-selling-england-by-the-pound_lfBwf.jpg?v=1759429024"},{"product_id":"genesis-and-then-there-were-three","title":"And Then There Were Three","description":"Genesis: Phil Collins (vocals, drums); Mike Rutherford (guitar, bass); Tony Banks (keyboards).\nEngineers: David Hentschel, Pierre Geoffrey Chateau.\nRecorded at Relight Studios, Hilvarenbeek, Holland.\nDigitally remastered by Nick Davis, Geoff Callingham \u0026amp; Chris Blair.\nWhen guitarist Steve Hackett left Genesis for a solo career after touring behind 1977's WIND AND WUTHERING, he was the second major defection the group had suffered in as many years. Instead of helplessly disintegrating, the remaining trio circled the wagons and bounced back with the solid AND THEN THERE WERE THREE.\nRather than employ any outside studio musicians to take up the slack, Tony Banks, Phil Collins, and Mike Rutherford instead played every instrument themselves. Resolutely reflective throughout, this 1978 release finds Genesis populating its songs with a broad range of characters. Among the more memorable ones are the fast-talking record exec on \"Down and Out\" (a song that could be construed as a veiled swipe at the departed Hackett) and the larger-than-life cattle-driving cowpuncher on the synth-soaked \"Ballad of Big.\" Although the songs on this record are more concise than Genesis' earlier, conceptual work, the band still retains the gift of capturing moods. The breathtaking \"Snowbound\" perfectly encompasses the feeling of stepping outside into a freshly minted snowfall. An air of yearning runs through \"Follow You Follow Me,\" a romantic yarn that also became Genesis' first American Top 30 hit.\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 08\/03\/2018\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Genesis","offers":[{"title":"Default Title","offer_id":44581548622057,"sku":"YUG95K-SUR6-00","price":43.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/genesis-and-then-there-were-three_uWuoO.jpg?v=1745518675"},{"product_id":"genesis-calling-all-stations","title":"Calling All Stations","description":"Genesis: Ray Wilson (vocals); Mike Rutherford (guitar); Tony Banks (keyboards).\nAdditional personnel: Nir Zidkyahu, Nick D'Virgilio (drums).\nProducers: Nick Davis, Tony Banks, Mike Rutherford.\nRecorded at The Farm, Surrey, England.\nCALLING ALL STATIONS, Genesis' first post-Phil Collins release finds founding members Tony Banks and Mike Rutherford rebounding nicely in a situation that would debilitate many other bands. Newcomer Ray Wilson has a vocal style reminiscent of Paul Carrack that neatly falls between his predecessors Collins and Peter Gabriel. Musically, the band continues along the same art-rock path of seamless songs marked by slick guitar-and-keyboard textures.  Never going beyond mid-tempo at any point, Genesis mixes in dollops of Brazilian percussion (\"Congo\") and pseudo-funk (\"Small Talk\"). CALLING ALL STATIONS is a carefully-constructed record that coolly ebbs and flows as Wilson makes his mark with this British institution.\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 08\/03\/2018\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Genesis","offers":[{"title":"Default Title","offer_id":44581576933609,"sku":"9QJ4RN-JQDJ-00","price":53.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/genesis-calling-all-stations_Xp88l.jpg?v=1758965077"},{"product_id":"genesis-the-lamb-lies-down-on-broadway-import-2-lps","title":"The Lamb Lies Down On Broadway [Import] (2 Lp's)","description":"\u003cp\u003eThe Lamb Lies Down On Broadway [Import] (2 Lp's) is a Records \u0026amp; LPs from Genesis\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 08\/10\/2018\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Genesis","offers":[{"title":"Default Title","offer_id":44581578178793,"sku":"HFA9V2-BRHL-00","price":56.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Genesis-The-Lamb-Lies-Down-On-Broadway-Import-2-Lps_PclFC.jpg?v=1758926058"},{"product_id":"genesis-duke","title":"Duke","description":"\u003cp\u003eGenesis: Phil Collins (vocals, drums, programming); Mike Rutherford (guitar, bass, background vocals); Tony Banks (12-string guitar, keyboards, background vocals). Recorded at Polar Studios, Sweden. Digitally remastered by Nick Davis, Geoff Callingham \u0026amp; Chris Blair. Genesis still have a credibility problem which at present just trails the present standing of ex-drummer\/vocalist Philip Collins. Duke was the record that shed their 'heavy prog' image and found them beginning to loosen up. Collins had grown in confidence following Peter Gabriel's departure and the band immediately became much tighter musically. In addition to the hit singles \"Duchess,\" the buoyant \"Turn It On Again\" and realism of a situation in \"Misunderstanding,\" there is the painful honesty of \"Please Don't Ask.\" There have been many bigger Genesis albums, but none have anywhere near as much heart.\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 08\/03\/2018\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Genesis","offers":[{"title":"Default Title","offer_id":44581608718569,"sku":"ZIXSEK-H41L-00","price":43.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/genesis-duke_Nvare.jpg?v=1742429089"},{"product_id":"genesis-trespass-import-1","title":"Trespass [Import]","description":"\u003cp\u003e Trespass [Import] is a Records \u0026amp; LPs from Genesis\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 08\/10\/2018\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Genesis","offers":[{"title":"Default Title","offer_id":44581672288489,"sku":"15DZFP-RYWG-00","price":46.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Genesis--Trespass-Import_AMDzw.jpg?v=1759218084"},{"product_id":"genesis-selling-england-by-the-pound-180-gram-vinyl","title":"Selling England By the Pound (180 Gram Vinyl)","description":"If one had to pare the prog-rock story down to a handful of essential albums, this would undoubtedly be one of them. SELLING ENGLAND BY THE POUND was the culmination of all that Genesis had been striving for since their late-'60s inception, the refinement of the vision that developed on TRESPASS, NURSERY CRYME, and FOXTROT (somewhere in the world, there's been a second-wave prog outfit named after every one of these albums). The fusion of a complex classical mind with an electrified rock heart and pastoral folk spirit defined Genesis' anatomy, and never more effectively than on SELLING ENGLAND.\r\nPeter Gabriel's startlingly unpretentious tale-spinning is at its best on \"The Battle of Epping Forest.\" Tony Banks's elegant, sophisticated keyboard work is a vital element of nearly every tune, and the electric\/acoustic guitar tapestry woven by Steve Hackett and Mike Rutherford is the perfect icing on the cake. Somewhat anomalous but entirely welcome is the Gabriel-era band's catchiest, quirkiest song \"I Know What I Like (In Your Wardrobe),\" the tale of a somewhat daft gardener. Phil Collins's lead vocal on the gorgeous acoustic ballad \"More Fool Me\" paints the shape of things to come. If you only buy one Genesis album, make it this one.\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eRSD Date: n\/a\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 12\/15\/2014\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Genesis","offers":[{"title":"Default Title","offer_id":44581677301993,"sku":"SSUNBI-J4P2-00","price":28.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/genesis-selling-england-by-the-pound-180-gram-vinyl_wtpIq.jpg?v=1740706214"},{"product_id":"genesis-seconds-out-180-gram-vinyl-half-speed-mastered-2-lps","title":"Seconds Out (180 Gram Vinyl, Half Speed Mastered) (2 Lp's)","description":"Genesis: Phil Collins (vocals, drums); Mike Rutherford (guitar, bass); Steve Hackett (guitar); Tony Banks (keyboards).\r\nAdditional personnel: Chester Thompson (drums, percussion); Bill Bruford (drums).\r\nRecorded in Paris, France in 1976 \u0026amp; 1977.\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eRSD Date: DDD\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 06\/07\/2019\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"GENESIS","offers":[{"title":"Default Title","offer_id":44581748113641,"sku":"0FM3DF-PE2R-00","price":41.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/genesis-seconds-out-180-gram-vinyl-half-speed-mastered-2-lps_N1bHm.jpg?v=1740717906"},{"product_id":"genesis-genesis","title":"Genesis","description":"\u003cp\u003eGenesis: Mike Rutherford (vocals, guitar, bass); Tony Banks (vocals, keyboards); Phil Collins (vocals, drums, percussion). Recorded at The Farm, Surrey, England in 1983. Ever since Genesis was reduced down to the trio of Phil Collins, Tony Banks, and Mike Rutherford, the former prog-rock giants had made a concerted effort to streamline their music into more bite-sized pop portions. GENESIS was an important bridge to this goal. Coupled with frontman\/drummer Collins' burgeoning solo career and the emergence of MTV, the band soon gained a higher profile in the eyes of the record buying public. Genesis' prosperity, along with the solo success of individual members (particularly Collins) meant that GENESIS became part of a decade-long cycle in which band album releases alternated with those by Phil Collins. Driven by Banks' simple keyboard lines, \"That's All\" became the album's first hit and first of three videos shot for MTV. The other two, the ominous \"Mama\" and the humorous \"Illegal Alien\" both helped bolster the band's pop visibility. Although the Jan Hammer-flavored \"Just a Job to Do\" wasn't made into a video, this hard-driving song was later incorporated into an episode of the television program Miami Vice. Despite the obvious stylistic changes, art-rock elements still popped up particularly in \"Home By the Sea\" and the sequel, \"Second Home By the Sea.\"\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 8\/03\/2018\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Genesis","offers":[{"title":"Default Title","offer_id":44581754896617,"sku":"9A6DI0-3IOW-00","price":39.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Genesis-Genesis_fBTtn.jpg?v=1759336389"},{"product_id":"genesis-bbc-nightride-february-22-1970","title":"BBC Nightride February 22. 1970","description":"\u003cp\u003eBBC Nightride February 22. 1970 is a Records \u0026amp; LPs from GENESIS\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat Detail: LP\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 02\/18\/2022\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"GENESIS","offers":[{"title":"Default Title","offer_id":44581816140009,"sku":"OX7P2L-Q3LT-00","price":35.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/GENESIS-BBC-Nightride-February-22-1970_56Jzk.jpg?v=1759215794"},{"product_id":"genesis-wind-wuthering","title":"Wind \u0026 Wuthering","description":"Genesis: Phil Collins (vocals, drums); Mike Rutherford (guitar, bass); Steve Hackett (guitar); Tony Banks (piano, keyboards, synthesizers).\r\nRecorded at Relight Studios, Hilvarerenbeek, Holland.\r\nPeter Gabriel was such a charismatic frontman and unique singer\/lyricist that many assumed Genesis would fold after his departure. WIND \u0026amp; WUTHERING proved that there was much to the group than just Gabriel's talents. Drummer Phil Collins, who'd sung a couple of songs on previous albums, had taken over lead vocal duties on the previous A TRICK OF THE TAIL, with surprisingly successful results. His voice wasn't as edgy as Gabriel's, but was a bit more palatable to mass audiences, and the group's popularity continued to grow. Many of the songs here pick up musically where LAMB and TRICK OF THE TAIL left off, with sharply focused tunes that show off the group's prog-rock chops without getting too bombastic.\r\nThere are some new developments as well. The instrumental \"Wot Gorilla?\" is a tasty, fusion-tinged piece that bears echoes of Collins' work with jazz-rockers Brand X. This song and others show Tony Banks's increased use of synthesizer. The most precipitous change is the introduction of a commercial ballad sensibility with the light, romantic \"Your Own Special Way.\" This tune marked a direction Collins would explore further with Genesis in the years to come.\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 08\/03\/2018\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Genesis","offers":[{"title":"Default Title","offer_id":44581816205545,"sku":"IU0N16-FRXV-00","price":43.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/genesis-wind-wuthering_F9dcx.jpg?v=1743002368"},{"product_id":"genesis-foxtrot","title":"Foxtrot","description":"\u003cp\u003eEasily the most angular and eccentric Genesis album, FOXTROT is where Peter Gabriel's idiosyncratic lyricism bears full fruit. \"Get 'em Out By Friday\" and \"Watcher of the Skies\" brim with Gabriel's quirky combination of poetics, politics, and philosophy, and with the tricky time signatures and instrumental flights that are early-Genesis trademarks. Though these are some of the most powerful, memorable songs in the Genesis catalog, FOXTROT's centerpiece is the 23-minute epic \"Supper's Ready,\" a prog-rock classic that moves through several sections, shifting tempo, mood, and tone colors as it weaves its rich, complex tale. This composition would become Genesis diehards' most beloved tune, known as a concert favorite for years. SELLING ENGLAND BY THE POUND may be the definitive Genesis album, but FOXTROT runs a close second, and is just as much of a gem in the '70s progressive rock crown.\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 8\/03\/2018\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Genesis","offers":[{"title":"Default Title","offer_id":44581859131625,"sku":"1TTSE3-P8TU-00","price":43.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Genesis-Foxtrot_ahWFJ.jpg?v=1759241140"},{"product_id":"genesis-abacab-1","title":"Abacab","description":"Genesis: Phil Collins (vocals, drums); Mike Rutherford (guitar, bass); Tony Banks (keyboards).\nRecorded at the Farm, Surrey, England.\nDigitally remastered by Nick Davis, Geoff Callingham \u0026amp; Chris Blair.\nAtlantic's Gold Standard Audiophile Compact Discs are gold-plated CDs that boast 20-bit digital reproduction technology for improved sonic dynamics. Each re-issue comes in a specially designed mini-box which includes the jewel CD box plus a 24 page color booklet featuring new liner notes, photographs, and the complete original album artwork.\nGenesis: Phil Collins (vocals, drums); Mike Rutherford (guitar); Tony Banks (keyboards).\nAt the dawn of the '80s, many '70s prog-rockers (Yes, Rush, etc.) trimmed away the musical fat in an attempt to keep current. Genesis's sonic reduction was an unprecedented aesthetic and commercial success. Though traditionalists cried foul, ABACAB was in fact more inventive and memorable than its comparatively leaden predecessor DUKE.\nThe R\u0026amp;B rhythms and punchy Earth, Wind \u0026amp; Fire horns on \"No Reply At All\" foreshadow Phil Collins's more commercial solo career, but the track breathes with an undeniable vitality. The symphonic grandeur of old is gone, replaced by a sparser, more rhythm-oriented style. In this manner, each individual part of the arrangements receives greater focus and import. As always, there are some agreeably unusual song subjects, such as the alien abduction of \"Keep It Dark.\" \"Whodunnit\" sounds more like Devo than like Gentle Giant, but the skewed melodic sensibility is a link to Genesis's Gabriel-era glory days. Utilizing simpler melodies and more syncopated rhythms (\"Me and Sarah Jane\" even sports a reggae feel), ABACAB simultaneously simplifies and expands the Genesis sound.\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 08\/03\/2018\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Genesis","offers":[{"title":"Default Title","offer_id":44581897306345,"sku":"RKCBN8-07E5-00","price":43.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/genesis-abacab_UjOHD.jpg?v=1751291574"},{"product_id":"genesis-selling-england-by-the-pound-140g-clear-vinyl-syeor-i","title":"SELLING ENGLAND BY THE POUND (140G\/CLEAR VINYL) (SYEOR) (I)","description":"\u003cp\u003eSELLING ENGLAND BY THE POUND (140G\/CLEAR VINYL) (SYEOR) (I) is a Records \u0026amp; LPs from GENESIS\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eInternal ID: JITRE\u003c\/li\u003e\n\u003cli\u003eReleased: 01\/06\/2023\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"GENESIS","offers":[{"title":"Default Title","offer_id":44582487163113,"sku":"VP4ESB-GJY3-00","price":35.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/genesis-selling-england-by-the-pound-140gclear-vinyl-syeor-i_mqOCP.jpg?v=1740739807"},{"product_id":"genesis-the-last-domino","title":"The Last Domino?","description":"\u003cp\u003eThe Last Domino?   is a Records \u0026amp; LPs from Genesis\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 11\/19\/21\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Genesis","offers":[{"title":"Default Title","offer_id":44582526484713,"sku":"OAAT2K-KAX4-00","price":86.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Genesis-The-Last-Domino_yO1tQ.jpg?v=1740728460"},{"product_id":"genesis-live-at-knebwoth-1990","title":"Live At Knebwoth 1990","description":"Mercury Studios are delighted to announce, for the first time in thirty years, the release of Genesis, “Live At Knebworth”, a two track E.P. that will be made exclusively available on Record Store Day on June 12th 2021. \u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 06\/12\/2021\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Genesis","offers":[{"title":"Default Title","offer_id":44584010285289,"sku":"TGRXWT-6T5K-00","price":23.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Genesis-Live-At-Knebwoth-1990_nisWK.jpg?v=1758883255"},{"product_id":"genesis-trick-of-the-tail","title":"| A Trick of the Tail (LP, 180 Gram Vinyl)","description":"\u003cp\u003e\u003cspan style=\"font-size:12px;\"\u003e\u003cspan style=\"font-family:Arial,Helvetica,sans-serif;\"\u003eTRICK OF THE TAIL was Genesis' first LP after the departure of Peter Gabriel. Genesis: Phil Collins (vocals, drums, percussion); Steve Hackett (electric \u0026amp; 12-string guitars); Tony Banks (12-string guitar, piano, keyboards); Mike Rutherford (12-string guitar, bass). Engineers: David Hentschel, Nick Haddock Bradford. Recorded at Trident Studios, London, England in October \u0026amp; November 1975. This was Genesis' first album following the departure of vocalist Peter Gabriel. After ascending the heights of conceptual progressive rock on the preceding THE LAMB LIES DOWN ON BROADWAY, Genesis was left between a rock and a hard place, trying to define its identity anew. With the odds against them they put in a fine showing on TRICK OF THE TAIL. The general musical mode is similar to that of LAMB--longish songs with well developed structures and arrangements and a straighter rock feel than the band's early work. Lyrically, the band didn't attempt to equal Gabriel's conceptual mastery, choosing instead to tackle discrete subjects on each song; \"Squonk\" is about a mythical beast, \"Entangled\" centers around an unpleasant hospital stay. Phil Collins, technically a better vocalist than Gabriel to begin with, steps up admirably as lead singer (he'd already sung lead on a couple of earlier Genesis tunes), but despite the popular myth he didn't take over the band. He receives co-writing credit for only two songs on TRICK OF THE TAIL, an album that's very much a group effort.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr\u003e\r\n\u003cspan style=\"font-size:12px;\"\u003e\u003cspan style=\"font-family:Arial,Helvetica,sans-serif;\"\u003eTracklist\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:12px;\"\u003e\u003cspan style=\"font-family:Arial,Helvetica,sans-serif;\"\u003eA1        Dance On A Volcano\u003cbr\u003e\r\nA2        Entangled\u003cbr\u003e\r\nA3        Squonk\u003cbr\u003e\r\nA4        Mad Man Moon\u003cbr\u003e\r\nB1        Robbery, Assault And Battery\u003cbr\u003e\r\nB2        Ripples\u003cbr\u003e\r\nB3        A Trick Of The Tail\u003cbr\u003e\r\nB4        Los Endos\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:12px;\"\u003e\u003cspan style=\"font-family:Arial,Helvetica,sans-serif;\"\u003e*Audio and\/or tracklist may vary slightly from the vinyl version.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:12px;\"\u003e\u003cspan style=\"font-family:Arial,Helvetica,sans-serif;\"\u003eLabel: Atlantic\u003cbr\u003e\r\nRel. Date: 04\/28\/2015\u003cbr\u003e\r\nUPC: 081227955151\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003ciframe allow=\"autoplay *; encrypted-media *; fullscreen *; clipboard-write\" frameborder=\"0\" height=\"450\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-storage-access-by-user-activation allow-top-navigation-by-user-activation\" src=\"https:\/\/embed.music.apple.com\/us\/album\/a-trick-of-the-tail\/73239685\" style=\"width:100%;max-width:660px;overflow:hidden;border-radius:10px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eFormat Detail: LP\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003cli\u003eRSD Date: n\/a\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 04\/28\/2015\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Genesis","offers":[{"title":"Default Title","offer_id":44584262893801,"sku":"V4EF1G-QFRO-00","price":31.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Genesis-TRICK-OF-THE-TAIL_zAwFi.jpg?v=1740703743"},{"product_id":"genesis-invisible-touch","title":"Invisible Touch","description":"\u003cp\u003eGenesis: Phil Collins (vocals, drums, percussion); Mike Rutherford (guitar, bass); Tony Banks (keyboards, synthesizer, bass). Recorded at the Farm, Surrey, England in 1985 \u0026amp; 1986. When Genesis reconvened to record 1986's INVISIBLE TOUCH, Phil Collins had a thriving solo career in both music and film, Tony Banks was recording movie scores, and Mike Rutherford was doing well in Mike \u0026amp; the Mechanics. Though it may have seemed impossible for the band to do better as a unit, this record spun off five Top 5 hits including the chart-topping title track. By tapping into a baby-boomer market that had lots of disposable income, Genesis became an adult contemporary god. INVISIBLE TOUCH represented the perfect hybrid that Genesis had been striving for: a pop sound mated with prog-rock flair. \"Tonight, Tonight, Tonight\" demonstrated this perfectly. Despite being over eight minutes long, the topic of dysfunctional relationships had enough universal appeal in it to be used in a beer commercial. \"Land of Confusion,\" a straightforward number commenting on the pervasive greed of the '80s was one of the album's hit singles along with the soft-rock ballad \"Throwing It All Away.\" The Domino Suite (\"In the Glow of the Night,\" \"The Last Domino\") may have been a nod to the band's more progressive past, but the sweeping instrumental, \"The Brazilian,\" truly harkened back to Genesis' art-rock glory days.\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 8\/03\/2018\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Genesis","offers":[{"title":"Default Title","offer_id":44585141141737,"sku":"CL6FG9-I0CE-00","price":43.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Genesis-Invisible-Touch_33q1r.jpg?v=1759228399"},{"product_id":"genesis-trick-of-the-tail-180-gram-vinyl-import","title":"Trick Of The Tail (180 Gram Vinyl) [Import]","description":"\u003cp\u003eTrick Of The Tail (180 Gram Vinyl) [Import] is a Records \u0026amp; LPs from Genesis\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 08\/10\/2018\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Genesis","offers":[{"title":"Default Title","offer_id":44585226731753,"sku":"MGIJ1J-RZ7R-00","price":58.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Genesis-Trick-Of-The-Tail-180-Gram-Vinyl-Import_1ugEQ.jpg?v=1759227628"},{"product_id":"genesis-a-trick-of-the-tail-1-lpx-180g-easter-yellow-vinyl-syeor-exclusive","title":"A Trick of the Tail (1 LPx 180g Easter Yellow Vinyl; SYEOR Exclusive)","description":"\u003cp\u003eA Trick of the Tail (1 LPx 180g Easter Yellow Vinyl; SYEOR Exclusive) is a Records \u0026amp; LPs from Genesis\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 01\/08\/2021\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Genesis","offers":[{"title":"Default Title","offer_id":44585372319977,"sku":"ZMK47R-01JX-00","price":28.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/genesis-a-trick-of-the-tail-1-lpx-180g-easter-yellow-vinyl-syeor-exclusive_x98oj.jpg?v=1740725225"},{"product_id":"genesis-a-trick-of-the-tail","title":"A Trick Of The Tail","description":"TRICK OF THE TAIL was Genesis' first LP after the departure of Peter Gabriel.\nGenesis: Phil Collins (vocals, drums, percussion); Steve Hackett (electric \u0026amp; 12-string guitars); Tony Banks (12-string guitar, piano, keyboards); Mike Rutherford (12-string guitar, bass).\nEngineers: David Hentschel, Nick Haddock Bradford.\nRecorded at Trident Studios, London, England in October \u0026amp; November 1975.\nThis was Genesis' first album following the departure of vocalist Peter Gabriel. After ascending the heights of conceptual progressive rock on the preceding THE LAMB LIES DOWN ON BROADWAY, Genesis was left between a rock and a hard place, trying to define its identity anew. With the odds against them they put in a fine showing on TRICK OF THE TAIL. The general musical mode is similar to that of LAMB--longish songs with well developed structures and arrangements and a straighter rock feel than the band's early work.\nLyrically, the band didn't attempt to equal Gabriel's conceptual mastery, choosing instead to tackle discrete subjects on each song; \"Squonk\" is about a mythical beast, \"Entangled\" centers around an unpleasant hospital stay. Phil Collins, technically a better vocalist than Gabriel to begin with, steps up admirably as lead singer (he'd already sung lead on a couple of earlier Genesis tunes), but despite the popular myth he didn't take over the band. He receives co-writing credit for only two songs on TRICK OF THE TAIL, an album that's very much a group effort.\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 09\/30\/2016\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Genesis","offers":[{"title":"Default Title","offer_id":44586589520105,"sku":"TAOOC1-SDO8-00","price":39.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/genesis-a-trick-of-the-tail_Be8QR.jpg?v=1758779029"},{"product_id":"genesis-nursery-cryme-1","title":"Nursery Cryme","description":"Genesis's third album was a far cry from the delicate folk-rock tapestries and chiming 12-string guitars of its predecessor, TRESPASS. The infusion of a semi-classical structural sensibility had become more prevalent. Fragile ballads are at a minimum, replaced by driving classical-rock epics full of heavy guitar, bass lines, and sweeping Mellotron. The sound occasionally recalls the refined but uncompromising instrumental attack of the Nice (particularly in Tony Banks's Keith Emerson-ish blasts of organ bravura).\nThe interlocking guitar arpeggios and folkie moments central to TRESPASS are still present, however, providing contrast to NURSERY CRYME's bolder moments. The group's ambitious compositional style and Gabriel's eccentric lyrics are at their height on \"The Fountain of Salamacis,\" \"The Musical Box,\" and the instrumentally sophisticated \"The Return of the Giant Hogweed,\" making NURSERY CRYME the first Genesis album to truly define their mature style.\u003cul\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 09\/30\/2016\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Genesis","offers":[{"title":"Default Title","offer_id":44586590470377,"sku":"I1WLYU-UQJ0-00","price":39.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/genesis-nursery-cryme_nRZs8.jpg?v=1759014691"},{"product_id":"genesis-duke-1","title":"Duke","description":"Genesis: Phil Collins (vocals, drums, programming); Mike Rutherford (guitar, bass, background vocals); Tony Banks (12-string guitar, keyboards, background vocals).\nRecorded at Polar Studios, Sweden.\nDigitally remastered by Nick Davis, Geoff Callingham \u0026amp; Chris Blair.\nGenesis still have a credibility problem which at present just trails the present standing of ex-drummer\/vocalist Philip Collins. Duke was the record that shed their 'heavy prog' image and found them beginning to loosen up. Collins had grown in confidence following Peter Gabriel's departure and the band immediately became much tighter musically. In addition to the hit singles \"Duchess,\" the buoyant \"Turn It On Again\" and realism of a situation in \"Misunderstanding,\" there is the painful honesty of \"Please Don't Ask.\" There have been many bigger Genesis albums, but none have anywhere near as much heart.\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 09\/30\/2016\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Genesis","offers":[{"title":"Default Title","offer_id":44586591715561,"sku":"9GACMM-VGLG-00","price":39.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/genesis-duke_PBHg4.jpg?v=1759129353"},{"product_id":"genesis-abacab-remaster","title":"Abacab [Remaster]","description":"Genesis: Phil Collins (vocals, drums); Mike Rutherford (guitar, bass); Tony Banks (keyboards).\nRecorded at the Farm, Surrey, England.\nDigitally remastered by Nick Davis, Geoff Callingham \u0026amp; Chris Blair.\nAtlantic's Gold Standard Audiophile Compact Discs are gold-plated CDs that boast 20-bit digital reproduction technology for improved sonic dynamics. Each re-issue comes in a specially designed mini-box which includes the jewel CD box plus a 24 page color booklet featuring new liner notes, photographs, and the complete original album artwork.\nGenesis: Phil Collins (vocals, drums); Mike Rutherford (guitar); Tony Banks (keyboards).\nGenesis (U.K. Band): Mike Rutherford (bass guitar); Phil Collins, Tony Banks.\nPersonnel: Tony Banks (vocals, keyboards); Phil Collins (vocals, drums, percussion); Mike Rutherford (guitar); Earth, Wind \u0026amp; Fire (horns).\nRecording information: Farm Surrey.\nArranger: Tom Tom 84.\nAt the dawn of the '80s, many '70s prog-rockers (Yes, Rush, etc.) trimmed away the musical fat in an attempt to keep current. Genesis's sonic reduction was an unprecedented aesthetic and commercial success. Though traditionalists cried foul, ABACAB was in fact more inventive and memorable than its comparatively leaden predecessor DUKE.\nThe R\u0026amp;B rhythms and punchy Earth, Wind \u0026amp; Fire horns on \"No Reply At All\" foreshadow Phil Collins's more commercial solo career, but the track breathes with an undeniable vitality. The symphonic grandeur of old is gone, replaced by a sparser, more rhythm-oriented style. In this manner, each individual part of the arrangements receives greater focus and import. As always, there are some agreeably unusual song subjects, such as the alien abduction of \"Keep It Dark.\" \"Whodunnit\" sounds more like Devo than like Gentle Giant, but the skewed melodic sensibility is a link to Genesis's Gabriel-era glory days. Utilizing simpler melodies and more syncopated rhythms (\"Me and Sarah Jane\" even sports a reggae feel), ABACAB simultaneously simplifies and expands the Genesis sound.\u003cul\u003e\n\u003cli\u003eGenre: Rock and Pop\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 11\/29\/1994\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Genesis","offers":[{"title":"Default Title","offer_id":44586869063913,"sku":"43BX59-CAW0-00","price":16.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/genesis-abacab-remaster_DpIQ4.jpg?v=1758894265"},{"product_id":"genesis-trick-of-the-tail-1","title":"TRICK OF THE TAIL","description":"TRICK OF THE TAIL was Genesis' first LP after the departure of Peter Gabriel.\nGenesis: Phil Collins (vocals, drums, percussion); Steve Hackett (electric \u0026amp; 12-string guitars); Tony Banks (12-string guitar, piano, keyboards); Mike Rutherford (12-string guitar, bass).\nEngineers: David Hentschel, Nick Haddock Bradford.\nRecorded at Trident Studios, London, England in October \u0026amp; November 1975.\nThis was Genesis' first album following the departure of vocalist Peter Gabriel. After ascending the heights of conceptual progressive rock on the preceding THE LAMB LIES DOWN ON BROADWAY, Genesis was left between a rock and a hard place, trying to define its identity anew. With the odds against them they put in a fine showing on TRICK OF THE TAIL. The general musical mode is similar to that of LAMB--longish songs with well developed structures and arrangements and a straighter rock feel than the band's early work.\nLyrically, the band didn't attempt to equal Gabriel's conceptual mastery, choosing instead to tackle discrete subjects on each song; \"Squonk\" is about a mythical beast, \"Entangled\" centers around an unpleasant hospital stay. Phil Collins, technically a better vocalist than Gabriel to begin with, steps up admirably as lead singer (he'd already sung lead on a couple of earlier Genesis tunes), but despite the popular myth he didn't take over the band. He receives co-writing credit for only two songs on TRICK OF THE TAIL, an album that's very much a group effort.\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 1\/1\/2008\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Genesis","offers":[{"title":"Default Title","offer_id":44586928013545,"sku":"S9I6GN-3V7B-00","price":20.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/genesis-trick-of-the-tail_ng9G0.jpg?v=1759227765"},{"product_id":"genesis-selling-england-by-the-pound-import","title":"Selling England By The Pound (Import)","description":"\u003cp\u003eSelling England By The Pound (Import) is a Music CDs from Genesis\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 01\/05\/1995\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Genesis","offers":[{"title":"Default Title","offer_id":44586951147753,"sku":"E9SC6P-ZY4M-00","price":24.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/genesis-selling-england-by-the-pound-import_0J4Zx.jpg?v=1759427608"},{"product_id":"genesis-abacab-2","title":"Abacab","description":"Genesis: Phil Collins (vocals, drums); Mike Rutherford (guitar, bass); Tony Banks (keyboards).\nRecorded at the Farm, Surrey, England.\nDigitally remastered by Nick Davis, Geoff Callingham \u0026amp; Chris Blair.\nAtlantic's Gold Standard Audiophile Compact Discs are gold-plated CDs that boast 20-bit digital reproduction technology for improved sonic dynamics. Each re-issue comes in a specially designed mini-box which includes the jewel CD box plus a 24 page color booklet featuring new liner notes, photographs, and the complete original album artwork.\nGenesis: Phil Collins (vocals, drums); Mike Rutherford (guitar); Tony Banks (keyboards).\nAt the dawn of the '80s, many '70s prog-rockers (Yes, Rush, etc.) trimmed away the musical fat in an attempt to keep current. Genesis's sonic reduction was an unprecedented aesthetic and commercial success. Though traditionalists cried foul, ABACAB was in fact more inventive and memorable than its comparatively leaden predecessor DUKE.\nThe R\u0026amp;B rhythms and punchy Earth, Wind \u0026amp; Fire horns on \"No Reply At All\" foreshadow Phil Collins's more commercial solo career, but the track breathes with an undeniable vitality. The symphonic grandeur of old is gone, replaced by a sparser, more rhythm-oriented style. In this manner, each individual part of the arrangements receives greater focus and import. As always, there are some agreeably unusual song subjects, such as the alien abduction of \"Keep It Dark.\" \"Whodunnit\" sounds more like Devo than like Gentle Giant, but the skewed melodic sensibility is a link to Genesis's Gabriel-era glory days. Utilizing simpler melodies and more syncopated rhythms (\"Me and Sarah Jane\" even sports a reggae feel), ABACAB simultaneously simplifies and expands the Genesis sound.\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 09\/30\/2016\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Genesis","offers":[{"title":"Default Title","offer_id":44586996465897,"sku":"HPMQMY-JCTX-00","price":39.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/genesis-abacab_Wh3it_cbddaa84-f133-47fe-a5bc-58d33dc33070.jpg?v=1758914189"},{"product_id":"genesis-and-then-there-were-three-1","title":"And Then There Were Three","description":"Genesis: Phil Collins (vocals, drums); Mike Rutherford (guitar, bass); Tony Banks (keyboards).\nEngineers: David Hentschel, Pierre Geoffrey Chateau.\nRecorded at Relight Studios, Hilvarenbeek, Holland.\nDigitally remastered by Nick Davis, Geoff Callingham \u0026amp; Chris Blair.\nWhen guitarist Steve Hackett left Genesis for a solo career after touring behind 1977's WIND AND WUTHERING, he was the second major defection the group had suffered in as many years. Instead of helplessly disintegrating, the remaining trio circled the wagons and bounced back with the solid AND THEN THERE WERE THREE.\nRather than employ any outside studio musicians to take up the slack, Tony Banks, Phil Collins, and Mike Rutherford instead played every instrument themselves. Resolutely reflective throughout, this 1978 release finds Genesis populating its songs with a broad range of characters. Among the more memorable ones are the fast-talking record exec on \"Down and Out\" (a song that could be construed as a veiled swipe at the departed Hackett) and the larger-than-life cattle-driving cowpuncher on the synth-soaked \"Ballad of Big.\" Although the songs on this record are more concise than Genesis' earlier, conceptual work, the band still retains the gift of capturing moods. The breathtaking \"Snowbound\" perfectly encompasses the feeling of stepping outside into a freshly minted snowfall. An air of yearning runs through \"Follow You Follow Me,\" a romantic yarn that also became Genesis' first American Top 30 hit.\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 09\/30\/2016\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Genesis","offers":[{"title":"Default Title","offer_id":44587010490601,"sku":"LHDJTK-1QMJ-00","price":39.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/genesis-and-then-there-were-three_fRuaR.jpg?v=1759190017"},{"product_id":"genesis-invisible-touch-1","title":"Invisible Touch","description":"Genesis: Phil Collins (vocals, drums, percussion); Mike Rutherford (guitar, bass); Tony Banks (keyboards, synthesizer, bass).\nRecorded at the Farm, Surrey, England in 1985 \u0026amp; 1986.\nWhen Genesis reconvened to record 1986's INVISIBLE TOUCH, Phil Collins had a thriving solo career in both music and film, Tony Banks was recording movie scores, and Mike Rutherford was doing well in Mike \u0026amp; the Mechanics. Though it may have seemed impossible for the band to do better as a unit, this record spun off five Top 5 hits including the chart-topping title track. By tapping into a baby-boomer market that had lots of disposable income, Genesis became an adult contemporary god.\nINVISIBLE TOUCH represented the perfect hybrid that Genesis had been striving for: a pop sound mated with prog-rock flair. \"Tonight, Tonight, Tonight\" demonstrated this perfectly. Despite being over eight minutes long, the topic of dysfunctional relationships had enough universal appeal in it to be used in a beer commercial. \"Land of Confusion,\" a straightforward number commenting on the pervasive greed of the '80s was one of the album's hit singles along with the soft-rock ballad \"Throwing It All Away.\" The Domino Suite (\"In the Glow of the Night,\" \"The Last Domino\") may have been a nod to the band's more progressive past, but the sweeping instrumental, \"The Brazilian,\" truly harkened back to Genesis' art-rock glory days.\u003cul\u003e\n\u003cli\u003eGenre: Rock and Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 09\/30\/2016\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Genesis","offers":[{"title":"Default Title","offer_id":44587021992169,"sku":"C6RZM9-YD18-00","price":75.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/genesis-invisible-touch_xfdV9_08db55c9-7bec-4971-9727-e68f79a87118.jpg?v=1759229420"},{"product_id":"genesis-genesis-1","title":"Genesis","description":"Genesis: Mike Rutherford (vocals, guitar, bass); Tony Banks (vocals, keyboards); Phil Collins (vocals, drums, percussion).\nRecorded at The Farm, Surrey, England in 1983.\nEver since Genesis was reduced down to the trio of Phil Collins, Tony Banks, and Mike Rutherford, the former prog-rock giants had made a concerted effort to streamline their music into more bite-sized pop portions. GENESIS was an important bridge to this goal. Coupled with frontman\/drummer Collins' burgeoning solo career and the emergence of MTV, the band soon gained a higher profile in the eyes of the record buying public. Genesis' prosperity, along with the solo success of individual members (particularly Collins) meant that GENESIS became part of a decade-long cycle in which band album releases alternated with those by Phil Collins.\nDriven by Banks' simple keyboard lines, \"That's All\" became the album's first hit and first of three videos shot for MTV. The other two, the ominous \"Mama\" and the humorous \"Illegal Alien\" both helped bolster the band's pop visibility. Although the Jan Hammer-flavored \"Just a Job to Do\" wasn't made into a video, this hard-driving song was later incorporated into an episode of the television program Miami Vice. Despite the obvious stylistic changes, art-rock elements still popped up particularly in \"Home By the Sea\" and the sequel, \"Second Home By the Sea.\"\u003cul\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 09\/30\/2016\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Genesis","offers":[{"title":"Default Title","offer_id":44587921539305,"sku":"F4094O-2GSP-00","price":39.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/genesis-genesis_chIXa.jpg?v=1759335902"},{"product_id":"genesis-greatest-hits-import","title":"Greatest Hits (Import)","description":"\u003cp\u003eGreatest Hits (Import)   is a Music CDs from Genesis\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGenre: Rock and Pop\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 1\/1\/1980\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Genesis","offers":[{"title":"Default Title","offer_id":44588149571817,"sku":"2N8A1N-4AMY-00","price":30.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/genesis-greatest-hits-import-_CS32J_871710c2-3f50-4746-a5bc-91dd766cb511.jpg?v=1759107280"},{"product_id":"genesis-foxtrot-1","title":"Foxtrot","description":"\u003cp\u003eFoxtrot is a Music CDs from Genesis\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGenre: Rock and Pop\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 1\/1\/1980\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Genesis","offers":[{"title":"Default Title","offer_id":44588316131561,"sku":"AD1J7E-VSL8-00","price":14.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/genesis-foxtrot_SqMHX.jpg?v=1759212677"},{"product_id":"genesis-the-lost-radio-recordings-bbc-sessions-1970-1972","title":"The Lost Radio Recordings BBC Sessions 1970-1972","description":"\u003cp\u003eThe Lost Radio Recordings BBC Sessions 1970-1972 is a Records \u0026amp; LPs from Genesis\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 02\/12\/2021\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Genesis","offers":[{"title":"Default Title","offer_id":44588398674153,"sku":"V1MKFN-2VIA-00","price":36.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Genesis-The-Lost-Radio-Recordings-BBC-Sessions-1970-1972_e5RYd.jpg?v=1758993898"},{"product_id":"genesis-we-cant-dance-import-2-lps","title":"We Can't Dance [Import] (2 Lp's)","description":"\u003cp\u003eWe Can't Dance [Import] (2 Lp's) is a Records \u0026amp; LPs from Genesis\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 08\/10\/2018\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Genesis","offers":[{"title":"Default Title","offer_id":44588402540777,"sku":"TSNS2N-PZXW-00","price":66.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/genesis-we-cant-dance-import-2-lps_m0FA9.jpg?v=1759373469"},{"product_id":"genesis-abacab-3","title":"ABACAB","description":"Genesis: Phil Collins (vocals, drums); Mike Rutherford (guitar, bass); Tony Banks (keyboards).\nRecorded at the Farm, Surrey, England.\nDigitally remastered by Nick Davis, Geoff Callingham \u0026amp; Chris Blair.\nAtlantic's Gold Standard Audiophile Compact Discs are gold-plated CDs that boast 20-bit digital reproduction technology for improved sonic dynamics. Each re-issue comes in a specially designed mini-box which includes the jewel CD box plus a 24 page color booklet featuring new liner notes, photographs, and the complete original album artwork.\nGenesis: Phil Collins (vocals, drums); Mike Rutherford (guitar); Tony Banks (keyboards).\nPersonnel: Phil Collins (vocals, drums); Mike Rutherford (guitars); Tony Banks (keyboards).\nAudio Mixer: Nick Davis .\nAudio Remasterer: Tony Cousins.\nRecording information: The Farm, Surrey, UK.\nArranger: Genesis .\nAt the dawn of the '80s, many '70s prog-rockers (Yes, Rush, etc.) trimmed away the musical fat in an attempt to keep current. Genesis's sonic reduction was an unprecedented aesthetic and commercial success. Though traditionalists cried foul, ABACAB was in fact more inventive and memorable than its comparatively leaden predecessor DUKE.\nThe R\u0026amp;B rhythms and punchy Earth, Wind \u0026amp; Fire horns on \"No Reply At All\" foreshadow Phil Collins's more commercial solo career, but the track breathes with an undeniable vitality. The symphonic grandeur of old is gone, replaced by a sparser, more rhythm-oriented style. In this manner, each individual part of the arrangements receives greater focus and import. As always, there are some agreeably unusual song subjects, such as the alien abduction of \"Keep It Dark.\" \"Whodunnit\" sounds more like Devo than like Gentle Giant, but the skewed melodic sensibility is a link to Genesis's Gabriel-era glory days. Utilizing simpler melodies and more syncopated rhythms (\"Me and Sarah Jane\" even sports a reggae feel), ABACAB simultaneously simplifies and expands the Genesis sound.\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eRSD Date: n\/a\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 02\/17\/2015\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Genesis","offers":[{"title":"Default Title","offer_id":44588732186857,"sku":"TRMU1Z-V1Q1-00","price":18.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/genesis-abacab_zzsLM.jpg?v=1740703825"},{"product_id":"genesis-nursery-cryme-rmst","title":"Nursery Cryme (Rmst)","description":"\u003cp\u003eNursery Cryme (Rmst) is a Music CDs from Genesis\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 03\/23\/2009\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Genesis","offers":[{"title":"Default Title","offer_id":44588949537001,"sku":"XAQKIY-6PNZ-00","price":20.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/genesis-nursery-cryme-rmst_UlyHa.jpg?v=1759016967"},{"product_id":"genesis-duke-2","title":"DUKE","description":"Genesis: Phil Collins (vocals, drums, programming); Mike Rutherford (guitar, bass, background vocals); Tony Banks (12-string guitar, keyboards, background vocals).\nRecorded at Polar Studios, Sweden.\nDigitally remastered by Nick Davis, Geoff Callingham \u0026amp; Chris Blair.\nPersonnel: Phil Collins (vocals, drums, drum machine); Mike Rutherford (guitar, background vocals); Tony Banks (12-string guitar, keyboards, background vocals); David Hentschel (background vocals).\nAudio Mixer: Nick Davis .\nAudio Remasterer: Tony Cousins.\nRecording information: Maison Rouge, London; Polar Studios, Sweden.\nArranger: Genesis .\nGenesis still have a credibility problem which at present just trails the present standing of ex-drummer\/vocalist Philip Collins. Duke was the record that shed their 'heavy prog' image and found them beginning to loosen up. Collins had grown in confidence following Peter Gabriel's departure and the band immediately became much tighter musically. In addition to the hit singles \"Duchess,\" the buoyant \"Turn It On Again\" and realism of a situation in \"Misunderstanding,\" there is the painful honesty of \"Please Don't Ask.\" There have been many bigger Genesis albums, but none have anywhere near as much heart.\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eRSD Date: n\/a\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 02\/17\/2015\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Genesis","offers":[{"title":"Default Title","offer_id":44589105774825,"sku":"4B9VLA-Q6ER-00","price":18.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/genesis-duke_m0boX.jpg?v=1740694720"},{"product_id":"genesis-we-cant-dance","title":"WE CAN'T DANCE","description":"Genesis: Phil Collins (vocals, drums); Mike Rutherford (guitar, bass); Tony Banks (keyboards).\nRecorded at the Farm, Surrey, England between March \u0026amp; September 1991.\nOn 1991's WE CAN'T DANCE, Genesis hit the ground running with its first studio record in five years. Long past the theatrical prog-rock of the Gabriel years, the trio of Tony Banks, Phil Collins, and Mike Rutherford had made the transition to MTV icons whose material was skewering toward a definitive baby-boomer audience. Despite the five-year layoff, Genesis managed to spin off five top-30 singles that dealt with the kinds of adult topics that usually don't wind up on normally youth-driven pop charts.\nSome of the subject matter dealt with on these hits includes the hypocrisy of televangelists (\"Jesus He Knows Me\"), acidic parent-child relationships (\"No Son of Mine\"), and the disintegration of long-time relationships (\"Never a Time\"). Other topics dealt with on WE CAN'T DANCE include the unskilled workers who built England's railways in the 19th century (\"Driving the Last Spike\") and the homeless (\"Tell Me Why\"). There's also a requisite ballad for the adult contemporary market, \"Hold on My Heart.\"\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 11\/20\/2007\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Genesis","offers":[{"title":"Default Title","offer_id":44589387809001,"sku":"FL04OA-AUTF-00","price":29.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/genesis-we-cant-dance_2ip0h.jpg?v=1759389858"},{"product_id":"genesis-selling-england-by-the-pound-import-l-p","title":"Selling England By The Pound [Import] (L.P.)","description":"\u003cp\u003eSelling England By The Pound [Import] (L.P.) is a Records \u0026amp; LPs from Genesis\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGenre: Rock and Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 1\/1\/1980\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Genesis","offers":[{"title":"Default Title","offer_id":44589513572585,"sku":"Q4HG7U-YPSR-00","price":44.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/genesis-selling-england-by-the-pound-import-lp_lQEmm.jpg?v=1758810310"},{"product_id":"genesis-seconds-out","title":"SECONDS OUT","description":"Genesis: Phil Collins (vocals, drums); Mike Rutherford (guitar, bass); Steve Hackett (guitar); Tony Banks (keyboards).\nAdditional personnel: Chester Thompson (drums, percussion); Bill Bruford (drums).\nRecorded in Paris, France in 1976 \u0026amp; 1977.\nPersonnel: Tony Banks (vocals, electric piano, Mellotron, keyboards, ARP synthesizer, background vocals); Phil Collins (vocals, keyboards, drums, percussion); Mike Rutherford (guitar, acoustic guitar, electric guitar, 8-string guitar, 12-string guitar, bass guitar, background vocals); Steve Hackett (guitar, electric guitar, 12-string guitar, koto); Dale Newman (guitar); Chester Thompson , Bill Bruford (drums, percussion).\nAudio Remasterers: Chris Blair; Geoff Callingham; Nick Davis .\nRecording information: Manor Mobile, Paris, France (1976-1977); Paris, France (1976-1977).\nPhotographers: Robert Ellis ; Graham Wood; Armando Gallo.\nUnknown Contributor Roles: Randy Blair; Hunter MacDonald.\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eRSD Date: n\/a\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 11\/29\/1994\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Genesis","offers":[{"title":"Default Title","offer_id":44589593362665,"sku":"8IVTFA-YXA1-00","price":29.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/genesis-seconds-out_jhZ6y.jpg?v=1740706362"},{"product_id":"genesis-then-there-were-three","title":"\u0026 THEN THERE WERE THREE","description":"Genesis: Phil Collins (vocals, drums); Mike Rutherford (guitar, bass); Tony Banks (keyboards).\nEngineers: David Hentschel, Pierre Geoffrey Chateau.\nRecorded at Relight Studios, Hilvarenbeek, Holland.\nDigitally remastered by Nick Davis, Geoff Callingham \u0026amp; Chris Blair.\nPersonnel: Phil Collins (vocals, drums); Mike Rutherford (guitars); Tony Banks (keyboards).\nAudio Mixer: Nick Davis .\nRecording information: Relight Studios, Holland; Trident Studios, London, UK.\nArranger: Genesis .\nWhen guitarist Steve Hackett left Genesis for a solo career after touring behind 1977's WIND AND WUTHERING, he was the second major defection the group had suffered in as many years. Instead of helplessly disintegrating, the remaining trio circled the wagons and bounced back with the solid AND THEN THERE WERE THREE.\nRather than employ any outside studio musicians to take up the slack, Tony Banks, Phil Collins, and Mike Rutherford instead played every instrument themselves. Resolutely reflective throughout, this 1978 release finds Genesis populating its songs with a broad range of characters. Among the more memorable ones are the fast-talking record exec on \"Down and Out\" (a song that could be construed as a veiled swipe at the departed Hackett) and the larger-than-life cattle-driving cowpuncher on the synth-soaked \"Ballad of Big.\" Although the songs on this record are more concise than Genesis' earlier, conceptual work, the band still retains the gift of capturing moods. The breathtaking \"Snowbound\" perfectly encompasses the feeling of stepping outside into a freshly minted snowfall. An air of yearning runs through \"Follow You Follow Me,\" a romantic yarn that also became Genesis' first American Top 30 hit.\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 02\/17\/2015\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Genesis","offers":[{"title":"Default Title","offer_id":44589641433321,"sku":"3S9IET-CYBF-00","price":18.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/genesis-then-there-were-three_pyMlV.jpg?v=1759234279"},{"product_id":"genesis-the-lamb-lies-in-rochester-vol-1","title":"The Lamb Lies In Rochester Vol.1","description":"\u003cp\u003eThe Lamb Lies In Rochester Vol.1 is a Records \u0026amp; LPs from Genesis\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 03\/19\/2021\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Genesis","offers":[{"title":"Default Title","offer_id":44589696680169,"sku":"TL77YJ-N9O2-00","price":36.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/genesis-the-lamb-lies-in-rochester-vol1_33BFg.jpg?v=1758925336"},{"product_id":"genesis-bbc-broadcasts-5-cds","title":"BBC Broadcasts (5 Cd's)","description":"TracksCredits\r\n- Disc 1 -\r\n1 Shepherd (Live on Night Ride, BBC Radio Two, 1970)\r\n2 Pacidy (Live on Night Ride, BBC Radio Two, 1970)\r\n3 Let Us Now Make Love (Live on Night Ride, BBC Radio Two, 1970)\r\n4 The Fountain of Salmacis (Live at Paris Studios, London, UK, 1972)\r\n5 The Musical Box (Live at Paris Studios, London, UK, 1972)\r\n6 Stagnation (Live on Sounds of the 70S, BBC Radio One, 1971)\r\n7 Harlequin (Live on BBC Radio One John Peel Session, 1972)\r\n8 Get 'Em Out By Friday (Live on BBC Radio One John Peel Session, 1972)\r\n9 Harold the Barrel (Live on BBC Radio One John Peel Session, 1972)\r\n10 Twilight Alehouse (Live on BBC Radio One John Peel Session, 1972)\r\n11 Watcher of the Skies (Live on BBC Radio One in Concert, 1975)\r\n- Disc 2 -\r\n1 Squonk (Live at Knebworth Festival, UK, 1978)\r\n2 Burning Rope (Live at Knebworth Festival, UK, 1978)\r\n3 Dance on a Volcano (Live at Knebworth Festival, UK, 1978)\r\n4 Drum Duet (Live at Knebworth Festival, UK, 1978)\r\n5 Los Endos (Live at Knebworth Festival, UK, 1978)\r\n6 Deep in the Motherlode (Live at the Lyceum Theatre, London, UK, 1980)\r\n7 Dancing with the Moonlit Knight (Live at the Lyceum Theatre, London, UK, 1980)\r\n8 The Carpet Crawlers (Live at the Lyceum Theatre, London, UK, 1980)\r\n9 One for the Vine (Live at the Lyceum Theatre, London, UK, 1980)\r\n10 Behind the Lines (Live at the Lyceum Theatre, London, UK, 1980)\r\n11 Duchess (Live at the Lyceum Theatre, London, UK, 1980)\r\n12 Guide Vocal (Live at the Lyceum Theatre, London, UK, 1980)\r\n13 Turn It on Again (Live at the Lyceum Theatre, London, UK, 1980)\r\n14 Duke's Travels (Live at the Lyceum Theatre, London, UK, 1980)\r\n15 Duke's End (Live at the Lyceum Theatre, London, UK, 1980)\r\n- Disc 3 -\r\n1 Say It's Alright Joe (Live at the Lyceum Theatre, London, UK, 1980)\r\n2 The Lady Lies (Live at the Lyceum Theatre, London, UK, 1980)\r\n3 Ripples (Live at the Lyceum Theatre, London, UK, 1980)\r\n4 In the Cage (Live at the Lyceum Theatre, London, UK, 1980)\r\n5 The Raven (Live at the Lyceum Theatre, London, UK, 1980)\r\n6 Afterglow (Live at the Lyceum Theatre, London, UK, 1980)\r\n7 Follow You Follow Me (Live at the Lyceum Theatre, London, UK, 1980)\r\n8 I Know What I Like (In Your Wardrobe) [Live at the Lyceum Theatre, London, UK, 1980]\r\n9 The Knife (Live at the Lyceum Theatre, London, UK, 1980)\r\n10 Mama (Live at the Lyceum Theatre, London, UK, 1980)\r\n11 Domino (Live at the Lyceum Theatre, London, UK, 1980)\r\n- Disc 4 -\r\n1 That's All (Live at Wembley Stadium, London, UK, 1987)\r\n2 The Brazilian (Live at Wembley Stadium, London, UK, 1987)\r\n3 Throwing It All Away (Live at Wembley Stadium, London, UK, 1987)\r\n4 Home By the Sea (Live at Wembley Stadium, London, UK, 1987)\r\n5 Second Home By the Sea (Live at Wembley Stadium, London, UK, 1987)\r\n6 Invisible Touch (Live at Wembley Stadium, London, UK, 1987)\r\n7 Drum Duet (Live at Wembley Stadium, London, UK, 1987)\r\n8 Los Endos (Live at Wembley Stadium, London, UK, 1987)\r\n9 Not About Us (Live at Birmingham N.E.C., UK, 1998)\r\n10 The Dividing Line (Live at Birmingham N.E.C., UK, 1998)\r\n- Disc 5 -\r\n1 No Son of Mine (Live at Knebworth Festival, UK, 1992)\r\n2 Driving the Last Spike (Live at Knebworth Festival, UK, 1992)\r\n3 Old Medley (Live at Knebworth Festival, UK, 1992)\r\n4 Fading Lights (Live at Knebworth Festival, UK, 1992)\r\n5 Hold on My Heart (Live at Knebworth Festival, UK, 1992)\r\n6 I Can't Dance (Live at Knebworth Festival, UK, 1992)\u003cul\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 3\/3\/2023\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Genesis","offers":[{"title":"Default Title","offer_id":44590036582633,"sku":"LESHEY-N149-00","price":67.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/genesis-bbc-broadcasts-5-cds_7Ndvy.jpg?v=1740739176"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/collections\/image_a44b1ecf-dc6b-401c-a3c6-3c30f5c01cb1.jpg?v=1708587804","url":"https:\/\/www.vibinvinyl.com\/collections\/genesis.oembed?page=4","provider":"Vibin' Vinyl","version":"1.0","type":"link"}