{"title":"Kendrick Lamar","description":"\u003cp\u003eKendrick Lamar's compelling lyricism, virtuosic microphone command, and sharp conceptual vision have translated to a rare combination of continuous chart feats and critical acclaim, plus respect and support from the artists who paved the way for the rapper's advancement. The Compton MC started as a teen in the early 2000s and hit his creative and commercial stride the next decade. The proper albums Lamar released by the end of the 2010s, namely the breakthrough good kid, m.A.A.d city (2012), Grammy-winning To Pimp a Butterfly (2015), and Grammy- and Pulitzer Prize-winning DAMN. (2017), displayed an unmatched mix of inventive wordplay and riveting narratives with assertion of artistic dominance, examination of internal conflict, and upliftment of community all centered. Remarkably, those qualities were exemplified in their Top 40 singles, including \"Swimming Pools (Drank),\" \"i,\" and the number one hit \"HUMBLE.\" among a total of seven the albums produced. Lamar's screenplay-level detail of writing on those recordings was enriched by a shifting collective of producers, instrumentalists, singers, and rappers, many of whom -- from inspirations Dr. Dre and MC Eiht to peers such as Sounwave, Terrace Martin, and Thundercat -- likewise represent Los Angeles. The rapper's cinematic and collaborative inclinations inevitably attracted the mainstream film industry, leading to an executive production role on Black Panther: The Album (2018), the source of three additional Top 40 singles. Mr. Morale \u0026amp; the Big Steppers (2022), fueled by intense self-analysis, became Lamar's sixth consecutive chart-topping project despite containing his most challenging and confrontational work.\u003c\/p\u003e\n\u003cp\u003eCompton, California native Kendrick Lamar Duckworth grew up immersed in hip-hop culture and surrounded by gang activity. As a youngster, he gradually discovered an aptitude for writing stories, poems, and lyrics, which naturally led to rapping. He made a name for himself as K. Dot. At the age of 16 in 2003, he issued his debut mixtape, The Hub City Threat: Minor of the Year. While it merely hinted at the potential of the then-teenager, it was impressive enough to catch the attention of Top Dawg Entertainment and led to a long-term association with the label that steadily propelled his career. Training Day, the Jay Rock collaboration No Sleep 'til NYC, and C4, issued from 2005 through 2009, likewise preceded Lamar's decision to go by his first and middle names. The last of the three was issued the same year he became part of Black Hippy, a group whose members -- including fellow TDE artists Ab-Soul, Jay Rock, and ScHoolboy Q -- frequently appeared on one another's mixtapes and albums.\u003c\/p\u003e\n\u003cp\u003eThe first tape credited to Kendrick Lamar was Overly Dedicated, released in September 2010. Also the rapper's first commercial release, it reached enough listeners to enter Billboard's R\u0026amp;B\/Hip-Hop Albums chart. After XXL magazine selected him for the 2011 Freshman Class feature, Lamar released his first official album, Section.80, that July, and crossed into the Billboard 200, reaching number 113. With deeper conceptual narratives and sharpened melodic hooks, as well as comparative multidimensional development from primary producer Sounwave, the set acted as a kind of warning flare for Lamar's mainstream rap dominance. In addition to the dozens of tracks he had appeared on by then, Lamar had the support of veteran West Coast stars as well. During a concert later in 2011, Dr. Dre, Snoop Dogg, and Game dubbed him \"The New King of the West Coast,\" a notion Dre endorsed more significantly by signing Lamar to his Interscope-affiliated Aftermath label.\u003c\/p\u003e\n\u003cp\u003eLamar's major-label debut, good kid, m.A.A.d city, was released in October 2012 and entered the Billboard 200 at number two. Three of its singles -- \"Swimming Pools (Drank),\" \"Poetic Justice,\" and \"Bitch Don't Kill My Vibe\" -- reached the Top Ten of Billboard's Hot R\u0026amp;B\/Hip-Hop chart and went Top 40 pop. More significantly, the album showcased Lamar as an exceptional storyteller capable of making compelling concept albums. It led to Grammy nominations in four categories: Best New Artist, Album of the Year, Best Rap Album, and Best Rap\/Sung Collaboration (for \"Now or Never,\" a deluxe edition bonus cut featuring Mary J. Blige). Miguel's \"How Many Drinks?\" and A$AP Rocky's \"Fuckin' Problems,\" two tracks on which Lamar made guest appearances, were nominated as well.\u003c\/p\u003e\n\u003cp\u003eRather than rest, Lamar remained active during 2013-2014, touring as well as appearing on tracks by the likes of Tame Impala, YG, and fellow Top Dawg affiliate SZA. The proud single \"i\" was released in September of the latter year, became Lamar's fourth Top 40 single, and won Grammys for Best Rap Performance and Best Rap Song. Still rolling, he announced in early 2015 that his third album, To Pimp a Butterfly, would be out in March with tracks featuring Snoop Dogg, Bilal, Thundercat, and George Clinton. A technical error caused the digital version to be released eight days early, but the LP nonetheless topped the Billboard 200 with sales of 325,000 copies within its first week. It made numerous best-of lists at the end of the year and won the Grammy for Best Rap Album. The defiant and life-affirming \"Alright,\" which was quickly adopted by the Black Lives Matter activist movement, along with another single, \"These Walls,\" took awards for Best Rap Performance, Best Rap Song, and Best Rap\/Sung Collaboration. Riding high on his wins and a striking Grammy ceremony performance, Lamar followed up in March 2016 with untitled unmastered., consisting of demos recorded during the previous three years. Like the preceding release, it debuted at number one, and seamlessly synthesized beatmaking and traditional musicianship from the likes of Sounwave, Terrace Martin, and Thundercat. Within a month, Lamar added to his ever-lengthening discography of featured appearances with his contribution to Beyoncé's \"Freedom.\"\u003c\/p\u003e\n\u003cp\u003eLed by \"HUMBLE.,\" his first number one pop hit, DAMN. arrived in April 2017 and likewise entered the Billboard 200 at the top. Remarkably, all 14 of the album's songs entered the Hot 100, and it was certified multi-platinum within three months. Among the contributors were Rihanna and U2, but at this point, the supporting roles were beneficial more for the guest artists than they were for Lamar, whose artistic clout was unrivaled. He snagged five more Grammys: DAMN. won Best Rap Album; \"HUMBLE.\" took Best Rap Performance, Best Rap Song, and Best Video; and Best Rap\/Sung Performance went to \"LOYALTY,\" the Rihanna collaboration. Another number one hit followed in February 2018. The soundtrack Black Panther: The Album featured Lamar on every track. Its three singles -- \"All the Stars\" (with SZA), \"King's Dead\" (with Jay Rock and Future), and \"Pray for Me\" (with the Weeknd) -- eventually hit the Top 40. That April, DAMN. won the Pulitzer Prize for Music. It was the first time the judges recognized a work outside the genres of classical and jazz. Months later, \"King's Dead\" made Lamar a 13-time Grammy winner when it took the award for Best Rap Performance. \"All the Stars\" alone was nominated in four categories, while Black Panther was up for Album of the Year. The film itself was nominated for the Academy Award for Best Picture.\u003c\/p\u003e\n\u003cp\u003eAfter some time away from music that included an acting role in the fifth season of the Starz network series Power, Lamar resurfaced in August 2021 on cousin Baby Keem's \"Family Ties.\" The single, a highlight of The Melodic Blue, Keem's album debut for Lamar's new pgLang label, won Best Rap Performance at the following Grammys. Lamar then performed at the Super Bowl LVI halftime show alongside hip-hop royalty that included Dr. Dre, Eminem, Snoop Dogg, and Mary J. Blige. In May 2022, Lamar issued \"The Heart, Pt. 5\" as a ruminative prelude to his fifth full-length. An emotionally complex and raw double album, Mr. Morale \u0026amp; The Big Steppers landed later that month and went straight to the top of the Billboard 200. In addition to Keem, the likes of Sampha, Kodak Black, and Portishead's Beth Gibbons made featured appearances. It was named Best Rap Album at the 65th Annual Grammy Awards, where \"The Heart, Pt. 5\" took the awards for Best Rap Song and Best Rap Performance. ~ Andy Kellman, Rovi\u003c\/p\u003e\n\u003c!----\u003e","products":[{"product_id":"various-artists-black-panther-the-album-music-from-and-inspired-by-explicit-content-2-lps","title":"| Black Panther: The Album (Music From \u0026 Inspired By) (LP, Numbered)","description":"\u003cp\u003e\u003cspan style=\"font-size:12px;\"\u003e\u003cspan style=\"font-family:Arial,Helvetica,sans-serif;\"\u003eDouble 180gm vinyl LP pressing. 2018 soundtrack to the Marvel film, curated by and featuring Kendrick Lamar on five tracks plus SZA, James Blake, Schoolboy Q, Vince Staples, Anderson Paak, The Weeknd and others. Black Panther is a 2018 American superhero film based on the Marvel Comics character of the same name. Produced by Marvel Studios and distributed by Walt Disney Studios Motion Pictures, it is the eighteenth film in the Marvel Cinematic Universe (MCU). The film is directed by Ryan Coogler, who co-wrote the screenplay with Joe Robert Cole, and stars Chadwick Boseman as T'Challa \/ Black Panther, alongside Michael B. Jordan, Lupita Nyong'o, Danai Gurira, Martin Freeman, Daniel Kaluuya, Letitia Wright, Winston Duke, Angela Bassett, Forest Whitaker, and Andy Serkis. In Black Panther, T'Challa returns home as king of Wakanda but finds his sovereignty challenged by a new adversary, in a conflict with global consequences.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:12px;\"\u003e\u003cspan style=\"font-family:Arial,Helvetica,sans-serif;\"\u003eA culturally momentous film directed by a black man, featuring a black lead actor and a predominantly black supporting cast, Marvel Studios' Black Panther is augmented with an album powered by Kendrick Lamar. It's an unprecedented convergence of the mainstream film industry with an uncompromising musician thriving commercially and artistically. Director Ryan Coogler sought Lamar out to contribute to the album, but the artist ended up involved with every track, credited in varying combinations as headliner, featured artist, co-songwriter, and co-producer, with long-term producer Sounwave a factor in all but three cuts. Subtitled \"Music from and Inspired By,\" this is not a soundtrack in the strictest sense. Indeed, a significant portion of the content -- from whole tracks like the Travis Scott turn \"Big Shot,\" to the part where Future quotes Juicy J's \"Slob on My Knob\" -- has no relation to the film, though there's a reflectively militant quality to a high percentage of the verses. Elements that are alternately obvious and subtle, including tribal-futuristic drums, audio-logo-like mentions of character names, and ululations (the last instance via the Weeknd on the despairing but proud finale), are threaded throughout to maintain the connection. They frame Lamar, a central figure as he proclaims his sovereign rank and examines its pitfalls -- not a stretch for him. The set has a major crossover single bid in the form of \"All the Stars,\" an elegantly crafted SZA showcase that sounds at once like a defiant hero's anthem and a love theme. Another canny aspect in the album's assemblage is its inclusion of several artists from South Africa. The most notable appearance is made by Yugen Blakrok, \"half-machine\" Johannesburg native who boasts of \"crushing any system that belittles us,\" references Millie Jackson, and leaves a pile of smoldering rubble in her wake. Lamar also enlists England's Jorja Smith and James Blake, and a Stateside crew that includes Mozzy, Ab-Soul, and Anderson Paak, as well as SOB x RBE, who, like Coogler, represent the Bay Area. Given the level of the performances, the majority of the guests evidently approached this as a Kendrick Lamar album, not as a soundtrack. Black Panther: The Album serves both purposes well.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:12px;\"\u003e\u003cspan style=\"font-family:Arial,Helvetica,sans-serif;\"\u003eTracklist\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:12px;\"\u003e\u003cspan style=\"font-family:Arial,Helvetica,sans-serif;\"\u003eA1    Black Panther\u003cbr\u003e\r\nA2    All The Stars\u003cbr\u003e\r\nA3    X\u003cbr\u003e\r\nA4    The Ways\u003cbr\u003e\r\nB1    Opps\u003cbr\u003e\r\nB2    I Am\u003cbr\u003e\r\nB3    Paramedic\u003cbr\u003e\r\nB4    Bloody Waters\u003cbr\u003e\r\nB5    King's Dead\u003cbr\u003e\r\nC1    Redemption Interlude\u003cbr\u003e\r\nC2    Redemption\u003cbr\u003e\r\nC3    Seasons\u003cbr\u003e\r\nC4    Big Shot\u003cbr\u003e\r\nC5    Pray For Me\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr\u003e\r\n\u003cspan style=\"font-size:12px;\"\u003e\u003cspan style=\"font-family:Arial,Helvetica,sans-serif;\"\u003e*Audio and\/or tracklist may vary slightly from the vinyl version.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:12px;\"\u003e\u003cspan style=\"font-family:Arial,Helvetica,sans-serif;\"\u003eLabel: INTERSCOPE RECORDS\u003cbr\u003e\r\nRel. Date: 05\/11\/2018\u003cbr\u003e\r\nUPC: 602567359579\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003ciframe allow=\"autoplay *; encrypted-media *; fullscreen *; clipboard-write\" frameborder=\"0\" height=\"450\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-storage-access-by-user-activation allow-top-navigation-by-user-activation\" src=\"https:\/\/embed.music.apple.com\/us\/album\/black-panther-the-album\/1440906927\" style=\"width:100%;max-width:660px;overflow:hidden;border-radius:10px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eFormat Detail: LP\u003c\/li\u003e\n\u003cli\u003eGenre: Soundtrack\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 05\/11\/2018\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kendrick Lamar","offers":[{"title":"Default Title","offer_id":43650087715049,"sku":"0TQBZT-LXUT-00","price":44.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Various-Artists-Black-Panther-The-Album-Music-From-And-Inspired-By-Explicit-Content-2-Lps_aCoAR.jpg?v=1759145139"},{"product_id":"kendrick-lamar-mr-morale-the-big-steppers-2-lp","title":"Mr. Morale \u0026 The Big Steppers [2 LP]","description":"\u003cul\u003e\r\n\t\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e1\u003c\/span\u003e United in Grief\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e2\u003c\/span\u003e N95\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e3\u003c\/span\u003e Worldwide Steppers\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e4\u003c\/span\u003e Die Hard Ft. BLXST \u0026amp; Amanda Reifer\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e5\u003c\/span\u003e Father Time Ft. Sampha\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e6\u003c\/span\u003e Rich (Interlude)\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e7\u003c\/span\u003e Rich Spirit\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e8\u003c\/span\u003e We Cry Together Ft. Taylour Paige\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e9\u003c\/span\u003e Purple Hearts Ft. Summer Walker \u0026amp; Ghostface Killah\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e10\u003c\/span\u003e Count Me Out\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e11\u003c\/span\u003e Crown\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e12\u003c\/span\u003e Silent Hill Ft. Kodak Black\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e13\u003c\/span\u003e Savior (Interlude)\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e14\u003c\/span\u003e Savior Ft. Baby Keem \u0026amp; Sam Dew\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e15\u003c\/span\u003e Auntie Diaries\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e16\u003c\/span\u003e Mr. Morale Ft. Tanna Leone\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e17\u003c\/span\u003e Mother I Sober Ft. Beth Gibbons of Portishead\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cspan class=\"aec-tracknum\"\u003e18\u003c\/span\u003e Mirror\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003cul\u003e\n\u003cli\u003eGenre: Rap\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 8\/26\/2022\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kendrick Lamar","offers":[{"title":"Default Title","offer_id":43698151489769,"sku":"Y0JEQT-4BYQ-00","price":56.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/mr-morale-the-big-steppers-2-lp_rRIJw.png?v=1741965070"},{"product_id":"kendrick-lamar-to-pimp-a-butterfly-explicit-content","title":"To Pimp A Butterfly [Explicit Content]","description":"\u003cp\u003eBecoming an adult ultimately means accepting one's imperfections, unimportance, and mortality, but that doesn't mean we stop striving for the ideal, a search that's so at the center of our very being that our greatest works of art celebrate it, and often amplify it. Anguish and despair rightfully earn more Grammys, Emmys, Tonys, and Pulitzer Prizes than sweetness and light ever do, but West Coast rapper Kendrick Lamar is already on elevated masterwork number two, so expect his version of the sobering truth to sound like a party at points. He's aware, as Bilal sings here, that \"Shit don't change 'til you get up and wash your ass,\" and don't it feel good? The sentiment is universal, but the viewpoint on his second LP is inner-city and African-American, as radio regulars like the Isley Brothers (sampled to perfection during the key track \"I\"), George Clinton (who helps make \"Wesley's Theory\" a cross between \"Atomic Dog\" and Dante's Inferno), and Dr. Dre (who literally phones his appearance in) put the listener in Lamar's era of Compton, just as well as Lou Reed took us to New York and Brecht took us to Weimar Republic Berlin. These G-funky moments are incredibly seductive, which helps usher the listener through the album's 80-minute runtime, plus its constant mutating (Pharrell productions, spoken word, soul power anthems, and sound collages all fly by, with few tracks ending as they began), much of it influenced, and sometimes assisted by, producer Flying Lotus and his frequent collaborator Thundercat. \"u\" sounds like an MP3 collection deteriorating, while the broken beat of the brilliant \"Momma\" will challenge the listener's balance, and yet, Lamar is such a prodigiously talented and seductive artist, his wit, wisdom, and wordplay knock all these stray molecules into place. Survivor's guilt, realizing one's destiny, and a Snoop Dogg performance of Doggystyle caliber are woven among it all; plus, highlights offer that Parliament-Funkadelic-styled subversion, as \"The Blacker the Berry\" (\"The sweeter the juice\") offers revolutionary slogans and dips for the hip. Free your mind, and your ass will follow, and at the end of this beautiful black berry, there's a miraculous \"talk\" between Kendrick and the legendary 2Pac, as the brutalist trailblazer mentors this profound populist. To Pimp a Butterfly is as dark, intense, complicated, and violent as Picasso's Guernica, and should hold the same importance for its genre and the same beauty for its intended audience. ~ David Jeffries\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eRSD Date: n\/a\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 3\/16\/2015\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kendrick Lamar","offers":[{"title":"Default Title","offer_id":43703116202217,"sku":"QMGEJO-W6UJ-00","price":20.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Kendrick-Lamar-To-Pimp-A-Butterfly-Explicit-Content_yKmiv_c5cd85fa-fcf2-4f35-a5d2-e9c150d25591.jpg?v=1742238530"},{"product_id":"kendrick-lamar-damn","title":"Damn","description":"\u003cp\u003eTo Pimp a Butterfly's proper and oft-biblical follow-up arrived on Good Friday, 13 months after untitled unmastered., an intermediary release that eclipsed the best work of most contemporary artists. If Kendrick Lamar felt pressure to continue living up to his previous output, there's no evidence on DAMN. He's too occupied tracing the spectrum of his mental states, from \"boxin' demons\" to \"flex on swole,\" questioning and reveling in his affluence, castigating and celebrating his bloodline, humble enough to relate his vulnerabilities, assured enough to proclaim \"Ain't none of y'all fuckin' with the flow.\" Throughout, he intensely examines most of the seven deadly sins, aware all along that his existence is threatened by anyone who objects to the color of his skin or clothes -- or, in the case of the blind stranger who shoots him during the album's opener, nothing that is apparent. Compared to the maximum-capacity, genre-twisting vastness and winding narratives of Good Kid, M.A.A.D. City and To Pimp a Butterfly, DAMN. on the surface seems like a comparatively simple rap album that demands less from the listener. There's relative concision in the track titles and material, and a greater emphasis on commercial sounds -- such as Mike WiLL's lean and piano-laced trap beat for the strong-arming \"HUMBLE.,\" Lamar's first Top Ten pop hit, and a couple productions that are merely functional backdrops lacking distinction. In a way, however, DAMN. is just as lavish and singular as the preceding albums, its quantity and weight of thoughts and connected concepts condensed into a considerably tighter space. It contains some of Lamar's best writing and performances, revealing his evolving complexity and versatility as a soul-baring lyricist and dynamic rapper. Although it's occasionally distorted, stretched, smeared, and reversed to compelling and imagination-fueling effect, his voice is at its most affecting in its many untreated forms. Take \"FEAR.,\" in which he switches between echoing hot-blooded parental threats to enumerating, with a 40-acre stare, various death scenarios. His storytelling hits an astonishing new high on \"Duckworth,\" the album's finale. Over ethereal funk sewn by 9th Wonder, Lamar details a potentially tragic encounter between his father and future Top Dawg CEO Anthony Tiffith -- and the conditions leading to it -- that occurred long before Kung Fu Kenny was known as K. Dot. ~ Andy Kellman\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eRSD Date: n\/a\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 07\/14\/2017\u003c\/li\u003e\n\u003cli\u003eBest Sellers: Top Seller\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kendrick Lamar","offers":[{"title":"Default Title","offer_id":43703117152489,"sku":"P0AA9S-G44H-00","price":48.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Kendrick-Lamar-Damn_7HAOP.jpg?v=1741627678"},{"product_id":"kendrick-lamar-untitled-unmastered","title":"Untitled Unmastered","description":"\u003cp\u003eIssued without advance notice 17 days after Kendrick Lamar's riveting 2016 Grammy Awards performance, untitled unmastered. consists of eight demos that are simply numbered and dated. Apart from segments previewed at the Grammys and late-night television appearances, there was no formal promotion. A postscript, it's (artfully) artless in presentation -- not even basic credits appear on the Army green liner card in the compact disc edition -- yet it's almost as lyrically and musically rich as To Pimp a Butterfly. The dates indicate that the majority of the material was made during the sessions for that album, and the presence of many of its players and vocalists is unmistakable. This was assembled with a high level of care that is immediately evident, its components sequenced to foster an easy listen. Track-to-track flow, however, is about the only aspect of this release that can be called smooth. After an intimate spoken intro from Bilal, the set segues into an urgent judgment-day scenario with squealing strings and a resounding bassline as Lamar confronts mortality and extinction with urgent exasperation. He observes terrifying scenes all the while sensing possible relief (\"No more running from world wars,\" \"No more discriminating the poor\"). untitled unmastered. offers this and other variations on the connected themes of societal ills, faith, and survival that drove the output it follows, with Lamar at his best when countering proudly materialistic boasts with ever-striking acknowledgments of the odds perilously weighted against his people. Remarkably, this hits its stride in the second half. The stretch involves a rolling, ornamented retro-contemporary production from Adrian Younge and Ali Shaheed Muhammad (with vocal assists from Bilal and Cee Lo Green), a stitched suite that is alternately stern and humorously off the cuff (featuring Egypt, five-year-old son of Alicia Keys and Swizz Beatz, as co-producer and vocalist), and a finale of Thundercat-propelled funk. Even while coasting over the latter's breezy and smacking groove, Lamar fills the space with meaning, detailing a confrontation with sharp quips and stinging reprimands. While Lamar referred to these tracks as demos, and not one of them has the pop-soul appeal of \"These Walls\" or the Black Lives Matter protest-anthem potential of \"Alright,\" untitled unmastered. is no mere offcut dump. It's as vital as anything else its maker has released. ~ Andy Kellman\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eRSD Date: n\/a\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 5\/27\/2016\u003c\/li\u003e\n\u003cli\u003eBest Sellers: Top Seller\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kendrick Lamar","offers":[{"title":"Default Title","offer_id":43719828701417,"sku":"LND1HW-T62O-00","price":38.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Kendrick-Lamar-Untitled-Unmastered_C2LWz.jpg?v=1740154518"},{"product_id":"kendrick-lamar-good-kid-m-a-a-d-city","title":"Good Kid: M.A.A.D City","description":"\u003cp\u003eHip-hop debuts don't come much more \"highly anticipated\" than Kendrick Lamar's. A series of killer mixtapes displayed his talent for thought-provoking street lyrics delivered with an attention-grabbing flow, and then there was his membership in the Black Hippy crew with his brethren Ab-Soul, Schoolboy Q, and Jay Rock all issuing solo releases that pleased the \"true hip-hop\" set, setting the stage for a massive fourth and final. Top it off with a pre-release XXL Magazine cover that he shared with his label boss and all-around legend Dr. Dre, and the \"biggest debut since Illmatic\" stuff starts to flow, but Good Kid, M.A.A.D. City would be a milestone even without the back-story, offering cool and compelling lyrics, great guests (Drake, Dr. Dre, and MC Eiht) and attractive production (from Pharrell, Just Blaze, Tabu, and others). Here, Kendrick is living his life like status and cash were extra credit. It is what makes this kid so \"good\" as he navigates his \"mad\" city (Compton) with experience and wisdom beyond his years (25). He's shamelessly bold about the allure of the trap, contrasting the sickness of his city with the universal feeling of getting homesick, and carrying a Springsteen-sized love for the home team. Course, in his gang-ruled city, N.W.A. was the home team, but as the truly beautiful, steeped-in-soul, biographic key track \"The Art of Peer Pressure\" finds a reluctant young Kendrick and his friends feeding off the life-force of Young Jeezy's debut album, it's something Clash, Public Enemy, and all other rebel music fans can relate to. Still, when he realizes that hero Jeezy must have risen above the game -- because the real playas are damned and never show their faces -- it spawns a kind of elevated gangsta rap that's as pimp-connectable as the most vicious Eazy-E, and yet poignant enough to blow the dust off any cracked soul. Equally heavy is the cautionary tale of drank dubbed \"Swimming Pools,\" yet that highlight is as hooky and hallucinatory as most Houston drank anthems, and breaks off into one of the chilling, cassette-quality interludes that connect the album, adding to the documentary or eavesdropping quality of it all. Soul children will experience d?j? vu when \"Poetic Justice\" slides by with its Janet Jackson sample -- sounding like it came off his Aunt's VHS copy of the movie it's named after -- while the closing \"Compton\" is an anthem sure to make the Game jealous, featuring Dre in beast mode, acting pre-Chronic and pre-Death Row. This journey through the concrete jungle of Compton is worth taking because of the artistic richness within, plus the attraction of a whip-smart rapper flying high during his rookie season. Any hesitation about the horror of it all is quickly wiped away by Kendrick's mix of true talk, open heart, open mind, and extended hand. Add it all up and even without the hype, this one is still potent and smart enough to rise to the top of the pile. ~ David Jeffries\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eRSD Date: n\/a\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 10\/22\/2012\u003c\/li\u003e\n\u003cli\u003eBest Sellers: Top Seller\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kendrick Lamar","offers":[{"title":"Default Title","offer_id":43719873724649,"sku":"TTAGTO-TFG5-00","price":42.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Kendrick-Lamar-Good-Kid-MAAD-City_kha2c.jpg?v=1740773904"},{"product_id":"kendrick-lamar-damn-coll-ed-ex","title":"DAMN. (COLL. ED\/EX)","description":"To Pimp a Butterfly's proper and oft-biblical follow-up arrived on Good Friday, 13 months after untitled unmastered., an intermediary release that eclipsed the best work of most contemporary artists. If Kendrick Lamar felt pressure to continue living up to his previous output, there's no evidence on DAMN. He's too occupied tracing the spectrum of his mental states, from \"boxin' demons\" to \"flex on swole,\" questioning and reveling in his affluence, castigating and celebrating his bloodline, humble enough to relate his vulnerabilities, assured enough to proclaim \"Ain't none of y'all fuckin' with the flow.\" Throughout, he intensely examines most of the seven deadly sins, aware all along that his existence is threatened by anyone who objects to the color of his skin or clothes -- or, in the case of the blind stranger who shoots him during the album's opener, nothing that is apparent. Compared to the maximum-capacity, genre-twisting vastness and winding narratives of Good Kid, M.A.A.D. City and To Pimp a Butterfly, DAMN. on the surface seems like a comparatively simple rap album that demands less from the listener. There's relative concision in the track titles and material, and a greater emphasis on commercial sounds -- such as Mike WiLL's lean and piano-laced trap beat for the strong-arming \"HUMBLE.,\" Lamar's first Top Ten pop hit, and a couple productions that are merely functional backdrops lacking distinction. In a way, however, DAMN. is just as lavish and singular as the preceding albums, its quantity and weight of thoughts and connected concepts condensed into a considerably tighter space. It contains some of Lamar's best writing and performances, revealing his evolving complexity and versatility as a soul-baring lyricist and dynamic rapper. Although it's occasionally distorted, stretched, smeared, and reversed to compelling and imagination-fueling effect, his voice is at its most affecting in its many untreated forms. Take \"FEAR.,\" in which he switches between echoing hot-blooded parental threats to enumerating, with a 40-acre stare, various death scenarios. His storytelling hits an astonishing new high on \"Duckworth,\" the album's finale. Over ethereal funk sewn by 9th Wonder, Lamar details a potentially tragic encounter between his father and future Top Dawg CEO Anthony Tiffith -- and the conditions leading to it -- that occurred long before Kung Fu Kenny was known as K. Dot. ~ Andy Kellman\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 12\/08\/2017\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kendrick Lamar","offers":[{"title":"Default Title","offer_id":44563650248937,"sku":"DICK58-QONP-00","price":20.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Kendrick-Lamar-DAMN-COLL-EDEX_VhkI3.jpg?v=1754076655"},{"product_id":"kendrick-lamar-to-pimp-a-butterfly-explicit-content-2-lps","title":"To Pimp a Butterfly [Explicit Content] (2 Lp's)","description":"Becoming an adult ultimately means accepting one's imperfections, unimportance, and mortality, but that doesn't mean we stop striving for the ideal, a search that's so at the center of our very being that our greatest works of art celebrate it, and often amplify it. Anguish and despair rightfully earn more Grammys, Emmys, Tonys, and Pulitzer Prizes than sweetness and light ever do, but West Coast rapper Kendrick Lamar is already on elevated masterwork number two, so expect his version of the sobering truth to sound like a party at points. He's aware, as Bilal sings here, that \"Shit don't change 'til you get up and wash your ass,\" and don't it feel good? The sentiment is universal, but the viewpoint on his second LP is inner-city and African-American, as radio regulars like the Isley Brothers (sampled to perfection during the key track \"I\"), George Clinton (who helps make \"Wesley's Theory\" a cross between \"Atomic Dog\" and Dante's Inferno), and Dr. Dre (who literally phones his appearance in) put the listener in Lamar's era of Compton, just as well as Lou Reed took us to New York and Brecht took us to Weimar Republic Berlin. These G-funky moments are incredibly seductive, which helps usher the listener through the album's 80-minute runtime, plus its constant mutating (Pharrell productions, spoken word, soul power anthems, and sound collages all fly by, with few tracks ending as they began), much of it influenced, and sometimes assisted by, producer Flying Lotus and his frequent collaborator Thundercat. \"u\" sounds like an MP3 collection deteriorating, while the broken beat of the brilliant \"Momma\" will challenge the listener's balance, and yet, Lamar is such a prodigiously talented and seductive artist, his wit, wisdom, and wordplay knock all these stray molecules into place. Survivor's guilt, realizing one's destiny, and a Snoop Dogg performance of Doggystyle caliber are woven among it all; plus, highlights offer that Parliament-Funkadelic-styled subversion, as \"The Blacker the Berry\" (\"The sweeter the juice\") offers revolutionary slogans and dips for the hip. Free your mind, and your ass will follow, and at the end of this beautiful black berry, there's a miraculous \"talk\" between Kendrick and the legendary 2Pac, as the brutalist trailblazer mentors this profound populist. To Pimp a Butterfly is as dark, intense, complicated, and violent as Picasso's Guernica, and should hold the same importance for its genre and the same beauty for its intended audience. ~ David Jeffries\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eRSD Date: n\/a\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 10\/23\/2015\u003c\/li\u003e\n\u003cli\u003eBest Sellers: Top Seller\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kendrick Lamar","offers":[{"title":"Default Title","offer_id":44581281333481,"sku":"O5XGCJ-DEVA-00","price":43.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Kendrick-Lamar-To-Pimp-a-Butterfly-Explicit-Content-2-Lps_6gTgL.jpg?v=1741252341"},{"product_id":"kendrick-lamar-good-kid-m-a-a-d-city-10th-anniversary-edition-milky-clear-translucent-2-lp","title":"good kid, m.A.A.d city (10th Anniversary Edition) [Milky Clear Translucent 2 LP]","description":"\u003cp\u003egood kid, m.A.A.d city (10th Anniversary Edition) [Milky Clear Translucent 2 LP] is a Records \u0026amp; LPs from Kendrick Lamar\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGenre: Rap\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 10\/21\/2022\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kendrick Lamar","offers":[{"title":"Default Title","offer_id":44581913231593,"sku":"1MSL81-D4JN-00","price":48.99,"currency_code":"USD","in_stock":false}]},{"product_id":"kendrick-lamar-good-kid-m-a-a-d-city-10th-anniversary-edition-limited-edition-opaque-apple-red-colored-vinyl-explicit-content-import-2-lps","title":"good Kid, M.A.A.D City (10th Anniversary Edition, Limited Edition, Opaque Apple Red Colored Vinyl) [Explicit Content] [Import] (2 Lp's)","description":"TracksCredits\r\n- Disc 1 -\r\n1 Sherane A.K.A Master Splinter's Daughter\r\n2 Bitch, Don't Kill My Vibe\r\n3 Backseat Freestyle\r\n4 The Art of Peer Pressure\r\n- Disc 2 -\r\n1 Money Trees\r\n2 Poetic Justice\r\n3 Good Kid\r\n4 M.A.A.D City\r\n- Disc 3 -\r\n1 Swimming Pools (Drank)\r\n2 Sing About Me, I'm Dying of Thirst\r\n- Disc 4 -\r\n1 Real\r\n2 Compton\u003cul\u003e\n\u003cli\u003eGenre: Rap\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 10\/21\/2022\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kendrick Lamar","offers":[{"title":"Default Title","offer_id":44588351193321,"sku":"XNC7CY-B4L2-00","price":68.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/kendrick-lamar-good-kid-maad-city-10th-anniversary-edition-limited-edition-opaque-apple-red-colored-vinyl-explicit-content-import-2-lps_MHV5l.png?v=1759277144"},{"product_id":"black-panther-the-album-music-from-inspired-va-black-panther-the-album-music-from-inspired-va","title":"| Black Panther: The Album (Music From \u0026 Inspired By) (LP)","description":"\u003cp\u003e\u003cspan style=\"font-size:12px;\"\u003e\u003cspan style=\"font-family:Arial,Helvetica,sans-serif;\"\u003eDouble 180gm vinyl LP pressing. 2018 soundtrack to the Marvel film, curated by and featuring Kendrick Lamar on five tracks plus SZA, James Blake, Schoolboy Q, Vince Staples, Anderson Paak, The Weeknd and others. Black Panther is a 2018 American superhero film based on the Marvel Comics character of the same name. Produced by Marvel Studios and distributed by Walt Disney Studios Motion Pictures, it is the eighteenth film in the Marvel Cinematic Universe (MCU). The film is directed by Ryan Coogler, who co-wrote the screenplay with Joe Robert Cole, and stars Chadwick Boseman as T'Challa \/ Black Panther, alongside Michael B. Jordan, Lupita Nyong'o, Danai Gurira, Martin Freeman, Daniel Kaluuya, Letitia Wright, Winston Duke, Angela Bassett, Forest Whitaker, and Andy Serkis. In Black Panther, T'Challa returns home as king of Wakanda but finds his sovereignty challenged by a new adversary, in a conflict with global consequences.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:12px;\"\u003e\u003cspan style=\"font-family:Arial,Helvetica,sans-serif;\"\u003eA culturally momentous film directed by a black man, featuring a black lead actor and a predominantly black supporting cast, Marvel Studios' Black Panther is augmented with an album powered by Kendrick Lamar. It's an unprecedented convergence of the mainstream film industry with an uncompromising musician thriving commercially and artistically. Director Ryan Coogler sought Lamar out to contribute to the album, but the artist ended up involved with every track, credited in varying combinations as headliner, featured artist, co-songwriter, and co-producer, with long-term producer Sounwave a factor in all but three cuts. Subtitled \"Music from and Inspired By,\" this is not a soundtrack in the strictest sense. Indeed, a significant portion of the content -- from whole tracks like the Travis Scott turn \"Big Shot,\" to the part where Future quotes Juicy J's \"Slob on My Knob\" -- has no relation to the film, though there's a reflectively militant quality to a high percentage of the verses. Elements that are alternately obvious and subtle, including tribal-futuristic drums, audio-logo-like mentions of character names, and ululations (the last instance via the Weeknd on the despairing but proud finale), are threaded throughout to maintain the connection. They frame Lamar, a central figure as he proclaims his sovereign rank and examines its pitfalls -- not a stretch for him. The set has a major crossover single bid in the form of \"All the Stars,\" an elegantly crafted SZA showcase that sounds at once like a defiant hero's anthem and a love theme. Another canny aspect in the album's assemblage is its inclusion of several artists from South Africa. The most notable appearance is made by Yugen Blakrok, \"half-machine\" Johannesburg native who boasts of \"crushing any system that belittles us,\" references Millie Jackson, and leaves a pile of smoldering rubble in her wake. Lamar also enlists England's Jorja Smith and James Blake, and a Stateside crew that includes Mozzy, Ab-Soul, and Anderson Paak, as well as SOB x RBE, who, like Coogler, represent the Bay Area. Given the level of the performances, the majority of the guests evidently approached this as a Kendrick Lamar album, not as a soundtrack. Black Panther: The Album serves both purposes well.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:12px;\"\u003e\u003cspan style=\"font-family:Arial,Helvetica,sans-serif;\"\u003eTracklist\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:12px;\"\u003e\u003cspan style=\"font-family:Arial,Helvetica,sans-serif;\"\u003eA1    Black Panther\u003cbr\u003e\r\nA2    All The Stars\u003cbr\u003e\r\nA3    X\u003cbr\u003e\r\nA4    The Ways\u003cbr\u003e\r\nB1    Opps\u003cbr\u003e\r\nB2    I Am\u003cbr\u003e\r\nB3    Paramedic\u003cbr\u003e\r\nB4    Bloody Waters\u003cbr\u003e\r\nB5    King's Dead\u003cbr\u003e\r\nC1    Redemption Interlude\u003cbr\u003e\r\nC2    Redemption\u003cbr\u003e\r\nC3    Seasons\u003cbr\u003e\r\nC4    Big Shot\u003cbr\u003e\r\nC5    Pray For Me\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr\u003e\r\n\u003cspan style=\"font-size:12px;\"\u003e\u003cspan style=\"font-family:Arial,Helvetica,sans-serif;\"\u003e*Audio and\/or tracklist may vary slightly from the vinyl version.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:12px;\"\u003e\u003cspan style=\"font-family:Arial,Helvetica,sans-serif;\"\u003eLabel: INTERSCOPE RECORDS\u003cbr\u003e\r\nRel. Date: 05\/11\/2018\u003cbr\u003e\r\nUPC: 602567359562\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003ciframe allow=\"autoplay *; encrypted-media *; fullscreen *; clipboard-write\" frameborder=\"0\" height=\"450\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-storage-access-by-user-activation allow-top-navigation-by-user-activation\" src=\"https:\/\/embed.music.apple.com\/us\/album\/black-panther-the-album\/1440906927\" style=\"width:100%;max-width:660px;overflow:hidden;border-radius:10px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eFormat Detail: LP\u003c\/li\u003e\n\u003cli\u003eGenre: Soundtrack\u003c\/li\u003e\n\u003cli\u003eRSD Date: DDD\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 5\/11\/2018\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kendrick Lamar","offers":[{"title":"Default Title","offer_id":44590613627113,"sku":"H1H2V6-D6RH-00","price":48.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/black-panther-the-album-music-from-inspired-va-black-panther-the-album-music-from-inspired-va_RBbSS.jpg?v=1747128426"},{"product_id":"kendrick-lamar-good-kid-m-a-a-d-city-explicit-content-deluxe-edition-bonus-track","title":"Good Kid: M.A.A.D City [Explicit Content] (Deluxe Edition, Bonus Track)","description":"\u003cp\u003e Good Kid: M.A.A.D City [Explicit Content] (Deluxe Edition, Bonus Track) is a Music CDs from Kendrick Lamar\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGenre: Rap\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 04\/5\/2013\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kendrick Lamar","offers":[{"title":"Default Title","offer_id":44605634150633,"sku":"ZQJ2Y3-WJF0-00","price":26.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/kendrick-lamar-good-kid-maad-city-explicit-content-deluxe-edition-bonus-track_CSHsq.jpg?v=1741150516"},{"product_id":"good-kid-m-a-a-d-city-10th-anniversary-edition-black-cassette-explicit-content","title":"good Kid, M.A.A.D City (10th Anniversary Edition) [Black Cassette] [Explicit Content]","description":"Description\r\nKendrick Lamar -\"good kid, m.A.A.d city (10th Anniversary Edition)\" - Black Cassette. - To celebrate the good kid, m.A.A.d city 10-year anniversary, Kendrick Lamar brings us exclusive new offerings. EXPLICIT\r\n\r\n \r\nTracks\r\n- Disc 1 -\r\n1 Sherane A.K.A Master Splinter's Daughter\r\n2 Bitch, Don't Kill My Vibe\r\n3 Backseat Freestyle\r\n4 The Art of Peer Pressure\r\n5 Money Trees\r\n6 Poetic Justice\r\n- Disc 2 -\r\n1 Good Kid\r\n2 M.A.A.D City\r\n3 Swimming Pools (Drank)\r\n4 Sing About Me, I'm Dying of Thirst\r\n5 Real\r\n6 Compton\u003cul\u003e\n\u003cli\u003eFormat: Cassette\u003c\/li\u003e\n\u003cli\u003eReleased: 10\/21\/2022\u003c\/li\u003e\n\u003cli\u003eGenre: Rap\u003c\/li\u003e\n\u003cli\u003eFormat: Cassette\u003c\/li\u003e\n\u003cli\u003eReleased: 10\/21\/2022\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kendrick Lamar","offers":[{"title":"Default Title","offer_id":48439102111977,"sku":"GNXZQM-O6U7-D0","price":16.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/kendrick-lamar-good-kid-maad-city-10th-anniversary-edition-black-cassette-explicit-content_amVHR.jpg?v=1748073895"},{"product_id":"m-a-a-d-ex-cd-good-kid","title":"M.A.A.D. 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