{"title":"Music Releases 02\/21\/2006","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eNew music releases at Vibin’ Vinyl on 02\/21\/2006\u003c\/p\u003e","products":[{"product_id":"arctic-monkeys-whatever-people-say-i-am-thats-what-i-am-not","title":"| Whatever People Say I Am, That's What I Am Not (LP)","description":"\u003cp\u003e\u003cspan style=\"font-size:12px;\"\u003e\u003cspan style=\"font-family:Arial,Helvetica,sans-serif;\"\u003eVinyl LP. U.S. pressing. Released with a printed inner sleeve. Blazing out of high school obscurity to the top of the charts, The Arctic Monkeys built a huge internet following before releasing their first full-length album in 2006. \"Whatever People Say I Am, That's What I Am Not\" was a huge hit, topping the charts in the U.K. and climbing up to #24 on the Billboard 200 in the U.S. It won the Mercury Music Prize and had hits with \"I Bet You Look Good on the Dancefloor\" and \"When the Sun Goes Down.\" This is the original domestic vinyl LP import pressing. The run out grooves also feature the stamped code \"WIGLP 162 A-1\" and \"WIGLP 162 B-1\" which was X-ed out. Domino.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr\u003e\r\n\u003cspan style=\"font-size:12px;\"\u003e\u003cspan style=\"font-family:Arial,Helvetica,sans-serif;\"\u003eTracklist\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:12px;\"\u003e\u003cspan style=\"font-family:Arial,Helvetica,sans-serif;\"\u003eA1                   The View From The Afternoon\u003cbr\u003e\r\nA2                   I Bet You Look Good On The Dancefloor\u003cbr\u003e\r\nA3                   Fake Tales Of San Francisco\u003cbr\u003e\r\nA4                   Dancing Shoes\u003cbr\u003e\r\nA5                   You Probably Couldn't See For The Lights But You Were Staring Straight At Me\u003cbr\u003e\r\nA6                   Still Take You Home\u003cbr\u003e\r\nB1                   Riot Van\u003cbr\u003e\r\nB2                   Red Light Indicates Doors Are Secured\u003cbr\u003e\r\nB3                   Mardy Bum\u003cbr\u003e\r\nB4                   Perhaps Vampires Is A Bit Strong But..\u003cbr\u003e\r\nB5                   When The Sun Goes Down\u003cbr\u003e\r\nB6                   From The Ritz To The Rubble\u003cbr\u003e\r\nB7                   A Certain Romance\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr\u003e\r\n\u003cspan style=\"font-size:12px;\"\u003e\u003cspan style=\"font-family:Arial,Helvetica,sans-serif;\"\u003e*Audio and\/or tracklist may vary slightly from the vinyl version.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:12px;\"\u003e\u003cspan style=\"font-family:Arial,Helvetica,sans-serif;\"\u003eLabel: ‎Domino Records Uk\u003cbr\u003e\r\nCatalog: 86\u003cbr\u003e\r\nRel. Date: 02\/21\/2006\u003cbr\u003e\r\nUPC: 801390008610\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003ciframe allow=\"autoplay *; encrypted-media *; fullscreen *; clipboard-write\" frameborder=\"0\" height=\"450\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-storage-access-by-user-activation allow-top-navigation-by-user-activation\" src=\"https:\/\/embed.music.apple.com\/us\/album\/whatever-people-say-i-am-thats-what-im-not\/121522402\" style=\"width:100%;max-width:660px;overflow:hidden;background:transparent;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eHandling Note: **Please allow an additional 72 hours for this item's shipment.**\u003c\/li\u003e\n\u003cli\u003eFormat Detail: LP + MP3 DL Card\u003c\/li\u003e\n\u003cli\u003eGenre: Alternative\u003c\/li\u003e\n\u003cli\u003eRSD Date: n\/a\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eInternal ID: JITRE\u003c\/li\u003e\n\u003cli\u003eReleased: 02\/21\/2006\u003c\/li\u003e\n\u003cli\u003eBest Sellers: Top Seller\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Arctic Monkeys","offers":[{"title":"Default Title","offer_id":43716274454761,"sku":"CN6H2G-LKQA-00","price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Arctic-Monkeys-Whatever-People-Say-I-Am-Thats-What-I-Am-Not_hRuWE.jpg?v=1741633607"},{"product_id":"cracker-get-on-with-it-the","title":"GET ON WITH IT: THE","description":"Cracker: David Lowery.\nFormed after the dissolution of Camper Van Beethoven, Cracker provided a slightly more conventional outlet for the quirky stylings of singer\/songwriter David Lowery. Joined by guitarist Johnny Hickman, bassist Davey Faragher, and a Spinal Tap-like array of drummers, Lowery crafted smart-alecky alt-rock that won over a considerable following thanks to college-radio hits such as the surging \"Teen Angst (What the World Needs Now)\" and the incessantly catchy \"Low.\"\nThis 15-track collection presents those singles and other fine moments from Cracker's Virgin Records tenure (1992-2001), including the funky \"Get Off This\" and the punk-tinged \"I Hate My Generation.\" Though the group's popularity waned in the late 1990s, and Faragher departed (eventually joining Elvis Costello's backing band), Lowery and Hickman soldiered on, showing a surprising amount of resilience in the face of pesky musical trends. With its cherry-picked track listing, GET ON WITH IT is an excellent overview of the ensemble's peak material and serves as an ideal Cracker introduction.\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 02\/21\/2006\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"CRACKER","offers":[{"title":"Default Title","offer_id":44586903830761,"sku":"V3ZKC9-UVAQ-00","price":20.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/cracker-get-on-with-it-the_CGgpa.jpg?v=1759423664"},{"product_id":"bachman-turner-overd-bto-ii","title":"BTO II","description":"Personnel: C.F. Turner (bass, vocals), Randy Bachman (lead guitar, vocals), Tim Bachman (lead guitar, vocals), Rob Bachman (drums, percussion).\nAdditional personnel: Norman Durkee (piano on \"Takin' Care Of Business\").\nRecorded at Kaye-Smith Studios, Seattle, Washington.\nPersonnel: Tim Bachman, Randy Bachman (vocals, guitar); C.F. Turner (vocals); Norman Durkee (piano); Robbie Bachman (drums, percussion).\nRecording information: Kaye-Smith Studios, Seattle, WA (1973).\nPhotographer: Dave Roels.\nReleased when Mercury Records was still located in Chicago, IL, back in 1973, the second album from Bachman-Turner Overdrive was the first to break through in a big way. First the hit single \"Let It Ride\" went Top 25 circa March of 1974, then the anthem \"Taking Care of Business\" went Top 15 the summer of that year. By October they would top the charts with \"You Ain't Seen Nothing Yet\" from the follow-up LP, 1974's Not Fragile, but their seven chart songs were all made possible by this album and these two songs, \"Let It Ride\" and \"Takin' Care of Business,\" in particular. \"Let It Ride\" features one of C.F. Turner's best vocals; keeping that gargle-with-Draino diesel sound down to a minimum, the song has two major guitar riffs, one a strum, the other from Led Zeppelin's 1970 \"Immigrant Song,\" an inverted mutation of Randy Bachman's own \"American Woman\" riff which also hit in 1970. That \"Takin' Care of Business,\" which was written solely by Randy Bachman and contains his vocals, as well as the Turner\/Bachman co-write \"Let It Ride\" are light years ahead of the other six songs on this album is an understatement. Putting their minds to it and crafting hooky, radio-friendly music was something Bachman and Turner were quite capable of, but Tim Bachman's voice and writing on \"Blown\" and \"I Don't Have to Hide\" leave much to be desired. Randy Bachman sings on \"Tramp,\" co-written with drummer Robbie Bachman, and \"Welcome Home,\" both songs having the merit that he always cleverly injects, while \"Stonegates\" and \"Give It Time\" are total C.F. Turner singing his heavy essays. By the time Randy Bachman departed for 1978's Street Action and 1979's Rock N' Roll Nights, Turner's music was really all that was left, and it never progressed from these sludgy workouts. What is most fascinating about Bachman-Turner Overdrive II and the Guess Who's #10 is that both Randy Bachman and Burton Cummings were showing their propensity for self-indulgence. Without the balance each provided the other, Bachman's \"Tramp\" and Cummings' \"Glamour Boy\" failed to climb the charts substantially. Bachman-Turner Overdrive and the Bachman-less Guess Who both got seven songs each onto the Top 40 (with the Guess Who actually accruing six additional songs which should have got onto mainstream radio), all found on The Best of the Guess Who, Vol. 2. Still, Randy Bachman's work and musical intuition cannot be denied, and when he chose to chart, he did so in a big way. The two hits on this album and their follow-up, \"You Ain't Seen Nothing Yet,\" are staples on classic rock radio. The Guess Who went further into a light, poppy direction while Randy Bachman and company descended into heavy depths, the schizophrenia so obvious when listening to a disc like Bachman-Turner Overdrive II. ~ Joe Viglione\u003cul\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 02\/21\/2006\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Bachman-turner Overd","offers":[{"title":"Default Title","offer_id":44588672876777,"sku":"PN2BFT-O6L7-00","price":13.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/bachman-turner-overd-bto-ii_Hqjqu.jpg?v=1758990286"},{"product_id":"product-rap-one-hunid-pa","title":"One Hunid [PA]","description":"Product (Rap): Scarface; Willie Hen, Young Malice.\nPersonnel: Tekia Hicks, Tony Mac (vocals, background vocals).\nPhotographer: Turhan Rhodes II.\nConsidered by some to be the father of Southern thug rap, Houston-based MC and former Geto Boy Scarface (a.k.a. Brad Jordan) has been in the hardcore game since the mid '80s. After releasing a string of successful solo albums, Scarface has become something of a venerated figure in the rap world, guesting on dozens of albums and getting shoutouts from heavy-hitters like Biggie Smalls and 50 Cent. THE PRODUCT finds Scarface assuming the \"elder statesman\" role, presiding over an outfit of eager up-and-comers that include Mississippi's Young Malice and San Francisco's Will Hen. With their tenacious bounce and street-life narratives, the Product represent the next wave of no-nonsense gangsta rappers.\u003cul\u003e\n\u003cli\u003eGenre: R\u0026amp;B\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 02\/21\/2006\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Product (rap)","offers":[{"title":"Default Title","offer_id":44588829442281,"sku":"97MJDP-H6B6-00","price":24.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/product-rap-one-hunid-pa_eICk1.jpg?v=1759259456"},{"product_id":"the-derek-trucks-band-songlines","title":"Songlines","description":"The Derek Trucks Band: Kofi Burbridge (vocals, flute, keyboards); Todd Smallie (vocals, bass instrument); Yonrico Scott (vocals, drums, percussion); Mike Mattison (vocals); Derek Trucks (guitar, dobro); Jay Joyce (keyboards); Count Mbutu (congas, percussion).\nThis is, perhaps, the one. Derek Trucks has been on an aesthetic quest for something since he began his own recording career in 1997 -- apart from his membership in the Allman Brothers Band. Each record has gone further into establishing Trucks not only as a slide guitar wizard (that happened when he was still in his teens), but also as a serious songwriter, fine arranger, and bandleader. The Derek Trucks Band, as evidenced by the release of 2003's Soul Serenade, is a unit -- a band -- whose core has been together for eight years. They create an atmosphere, a sound, a musical sense of place and community. On Live at the Georgia Theater (available only on the Internet), the DTB performed with new vocalist Mike Mattison, who gave them something they needed: a strong, utilitarian presence that could be as diverse and adventurous as the band was musically. This album's title, Songlines, was inspired by the late author Bruce Chatwin's description of aboriginal creation myths. According to these myths, the world was sung into existence by totemic elder beings who wandered the Australian continent along invisible pathways. These were later known as \"songlines\" because by singing out the names of everything -- trees, flowers, streams, animals, clouds, earth -- they breathed form, order, and beauty into a world that was being born. The DTB try to express something similar on their first real studio recording with assistance by producer Jay Joyce. This album was not recorded trying to capture a live performance in the confines of a studio. There are no tracks here that give way to loose jamming; these are songs. In fact, it was carefully crafted and executed. But the rawness, the energy, and the unpredictable musicality are everywhere present.\nThey are there in the brief read of Rahsaan Roland Kirk's \"Volunteered Slavery\" and Nusrat Fateh Ali Khan's \"Sahib Teri Bandi\/Maki Madni,\" both of which are live staples, and the slippery read of Toots Hibbert's \"Sailing On\" -- but also in the raw, rangy American street blues of \"Chevrolet,\" by Lonnie and Ed Young, and the low-down seductive vintage funky R\u0026amp;B in \"All I Do.\" Kofi Burbridge's Hammond B-3 and keyboard work create a center for Trucks and the formidable rhythm section of drummer Yonrico Scott, percussionist Count Mbutu, and Todd Smallie on in-the-pocket bass. The originals on the set are leaner, meaner, and more down in the groove -- check out the group vocal chants on the refrain of \"Revolution,\" as Trucks slips and slides over them. The skittering funky organ lines and Trucks' twinned slide riff and edgy fills give \"All I Do\" its slippery backbone-dropping groove. \"Majoun\" (a Moroccan word for pot) is the kind of drifting, Eastern-tinged jazz that the band is known for playing live. And the fascination with the East doesn't end there. In the soul and gospel-drenched declamatory prayer \"I Wish I Knew (How It Would Feel to Be Free),\" there is some fine Dobro work by Trucks and Burbridge's upright piano strides it out, before Trucks brings out the electric again and lets it slowly tear through the verse and chorus accompanied by handclaps. It's deeply moving. The set closes with \"This Sky,\" a gently evolving open modal tune. Trucks' guitar is tuned to whole tones and he explores the mode thoroughly yet softly, mannered until he finds its bottom where bass, drums, the B-3, and percussion slip in to carry the tune. And as Mattison enters with the lyric (some of it by the Sufi poet Hafiz), the listener is already hooked in the image of the story, of suffering lovers who should be dancing in the ecstasy and beauty of the sky where they live. Songlines is the finest moment in the Derek Trucks Band's recording career. It's a fully mature, deeply reckoned studio album that bears repeated listening to reveal all its subtlety and the beauty of its creation. ~ Thom Jurek\u003cul\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 02\/21\/2006\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"The Derek Trucks Band","offers":[{"title":"Default Title","offer_id":44589398261993,"sku":"CUF2H1-D8U3-00","price":14.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/the-derek-trucks-band-songlines_8E3GC.jpg?v=1759344247"},{"product_id":"merle-haggard-lonesome-fugitive-br","title":"LONESOME FUGITIVE\/BR","description":"2 LPs on 1 CD: I'M A LONESOME FUGITIVE (1967)\/BRANDED MAN (1967).\nAudio Remasterer: Randy LeRoy.\nThere is country and then there is country, and Merle Haggard is the good kind. In fact, Haggard's discography is so packed with fine albums, each of which are filled with such wonderful songs and performances, that few other artists can match his track record. Fortunately for the universe, Capitol reissued a bundle of Hag's early albums on too-good-to-be-true twofer packages in early 2006.\nBRANDED MAN and I'M A LONESOME FUGITIVE, both from 1967, are classic Hag. Both represent his no-frills, honky tonk-tinged Bakersfield sound, while being rounded out with hints of blues, western swing, and straightforward balladry. What really impresses here, in addition to Haggard's beautifully lilting voice, is the quality of the tunes, which never flags, from the two title tracks (both definitive outlaw country standards) to broken-hearted laments such as \"I Threw Away the Rose\" and \"House of Memories.\" This is a sure bet for anyone remotely interested in country music, and a perfect place to start with this genre legend.\u003cul\u003e\n\u003cli\u003eGenre: Country\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 02\/21\/2006\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Merle Haggard","offers":[{"title":"Default Title","offer_id":44589757530345,"sku":"J06DIA-GVLM-00","price":25.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/merle-haggard-lonesome-fugitivebr_jsh5G.jpg?v=1742341348"},{"product_id":"arctic-monkeys-whatever-people-say-i-am-thats-what-i-am-not-1","title":"Whatever People Say I Am, That's What I Am Not","description":"Arctic Monkeys: Alex Turner (vocals, guitar); Jamie Cook (guitar); Andy Nicholson (bass guitar); Matt Helders (drums).\r\nAudio Mixer: Jim Abbiss.\r\nRecording information: 2 Fly Studio, Sheffield, England; Telstar Studios, Munich, Germany; The Chapel Studio, Lincolnshire, England.\r\nPhotographers: Andy Brown ; Alexandra Wolkowicz.\r\nReportedly the fastest-selling debut in British history at the time of its early-2006 release, the Arctic Monkeys' WHATEVER PEOPLE SAY I AM, THAT'S WHAT I'M NOT is a brash, hook-filled album that immediately warrants music fans' attention, if perhaps not all of the pre-release hype. Clearly taking notes on the evolution of U.K. punk, the Sheffield-based band reveal the influence of revered predecessors such as the Jam and the Clash, while most notably evoking the Libertines in their youthful, hood-rat persona. On this hyperactive 13-track set, singer\/guitarist Alex Turner is armed with an arsenal of sharply observed middle-class narratives (a la the Streets), which are propelled by wiry guitar lines and formidable rhythms that, at times, verge on funk (see Bloc Party). Highlights of this much-lauded disc include the raucous \"I Bet You Look Good on the Dancefloor,\" the woozy \"Riot Van\" (one of the record's few quieter moments), and the lurching \"When the Sun Goes Down.\" Like Franz Ferdinand's scruffier (and considerably less effete) kid brothers, the Arctic Monkeys prove that the hyperbole of the U.K. music press occasionally has roots in an impressive reality.\u003cul\u003e\n\u003cli\u003eHandling Note: **Please allow an additional 72 hours for this item's shipment.**\u003c\/li\u003e\n\u003cli\u003eFormat Detail: CD\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eRSD Date: n\/a\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eInternal ID: JITRE\u003c\/li\u003e\n\u003cli\u003eReleased: 02\/21\/2006\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Arctic Monkeys","offers":[{"title":"Default Title","offer_id":44589823099113,"sku":"Q3BQFZ-0IQZ-00","price":20.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/arctic-monkeys-whatever-people-say-i-am-thats-what-i-am-not_OH58K.jpg?v=1744949421"},{"product_id":"byrds-notorious-byrd-brothers","title":"NOTORIOUS BYRD BROTHERS","description":"The Byrds: Roger McGuinn, Chris Hillman, David Crosby, Michael Clarke.\nReissue producer: Bob Irwin.\nIncludes liner notes by David Fricke and Johnny Rogan.\nBuilding on the maturity of their previous effort YOUNGER THAN YESTERDAY, the Byrds delivered a suite of songs that naturally flow into one another with uncanny ease. It is one of the few vinyl releases where both sides would always be played, and 30 years later it begs to be heard uninterrupted--played individually, the songs lose their power. This was an artistic triumph and a commercial disappointment, as the memory of Crosby faded only to be replaced (allegedly) by a horse on the album sleeve. The Byrds moved on to their country phase and numerous line-ups but they were never to sound so perfect again.\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eInternal ID: JITRE\u003c\/li\u003e\n\u003cli\u003eReleased: 02\/21\/2006\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Byrds","offers":[{"title":"Default Title","offer_id":44598044983529,"sku":"JTGGFR-FHUQ-00","price":34.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/byrds-notorious-byrd-brothers_kmfpJ.jpg?v=1758901480"},{"product_id":"byrds-turn-turn-turn","title":"TURN TURN TURN","description":"The Byrds: David Crosby (guitar, vocals); Jim McGuinn (12-string guitar, vocals); Chris Hillman (bass, vocals); Michael Clarke (drums); Gene Clark (tambourine, vocals).\nReissue producer: Bob Irwin.\nRecorded between June 28, 1965 and November 1, 1965.\nIncludes original release notes by Derek Taylor and new liner notes by David Fricke and Johnny Rogan.\nAll songs have been digitally remastered using a 20-Bit Super Mapping system.\nMore of a companion piece than a follow-up to their debut, TURN! TURN! TURN! established The Byrds' place in the puzzle that was American rock \u0026amp; roll in the mid-'60s, but not for reasons commonly attributed to it. On the one hand, this was another batch of songs furthering the California folk-rock boom. \"Turn! Turn! Turn!,\" the band's second (and final) number one single, was Pete Seeger's musical interpretation of proverbs from the Book Of Ecclesiastes; \"Oh Susannah\" was a 19th century minstrels' tune; \"He Was A Friend Of Mine\" was a folk standard; and, as was a norm for the early Byrds, there were a couple of Bob Dylan songs.\nYet the application of The Byrds' sound to these long-known songs gave each of them a new, wholly different life. \"He Was A Friend Of Mine\" included additional Roger McGuinn lyrics that allude to John F. Kennedy's assassination, turning a mournful standard into a personalized declaration. \"Oh! Susannah\" was updated at a break-neck rock \u0026amp; roll tempo. The title track became a snapshot, evoking the turbulent '60s as much as it did the Bible. In short, this album depicted The Byrds as an early work in progress, already capable of defying the public's perception of their artistry, and stretching further with every note.\u003cul\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eInternal ID: JITRE\u003c\/li\u003e\n\u003cli\u003eReleased: 02\/21\/2006\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Byrds","offers":[{"title":"Default Title","offer_id":44599103062249,"sku":"CL88DJ-C12H-00","price":34.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/byrds-turn-turn-turn_vl2iM.jpg?v=1759299080"},{"product_id":"byrds-fifth-dimension","title":"FIFTH DIMENSION","description":"The 1996 reissue of FIFTH DIMENSION includes six bonus tracks: \"Why\" (the B-side of the \"Eight Miles High\" single), \"I Know My Rider (I Know You Rider),\" \"Psychodrama City,\" and alternate takes of \"Eight Miles High,\" \"Why\" and \"John Riley.\"\nThe Byrds: David Crosby (vocals, guitar); Jim McGuinn (vocals, 12-string guitar); Chris Hillman (vocals, bass); Michael Clarke (drums).\nAdditional personnel: Van Dyke Parks (keyboards); Gene Clark (tambourine, harmonica, vocals).\nProducers: Allen Stanton, Jim Dickson.\nReissue producer: Bob Irwin.\nRecorded between December 22, 1965 and July 28, 1966.\nIncludes liner notes by David Fricke and Johnny Rogan.\nAll songs have been digitally remastered using a 20-Bit Super Mapping system.\nThis is the album on which The Byrds truly exploded. They had already introduced the mainstream to a young folk singer named Bob Dylan by taking an electrified \"Mr. Tambourine Man\" to #1. They introduced California folk-rock to the masses, breaking ground for the likes of the Mamas \u0026amp; Papas and the Turtles. With FIFTH DIMENSION, The Byrds planted the seeds of psychedelia--and not just the San Francisco kind--in pop culture. The gray, dark trip of the Velvet Underground and the fuzzed-out minimalist boogie of such garage heroes as Count Five and the 13th Floor Elevators can also be found within these grooves. FIFTH DIMENSION recognized that musical higher consciousness had to be manifested in a dark side as well as a brighter one.\nGene Clark's departure from the band prior to these recording sessions, and the decision not to cover any Bob Dylan songs, streamlined the Byrds' sound and made the group's vision clear. \"Eight Miles High,\" a highly-charged sonic release, evokes both VU's \"Heroin\" and John Coltrane's jazz explosions. The higher consciousness of \"Eight Miles High,\" the harmony-driven stomp of \"2-4-2 Fox Trot,\" and the CCR-meets-Stax boogie of \"Captain Soul,\" all drenched in heavy guitar distortion, were unlike anything the pop world had heard. For the next three years, sounds inspired by FIFTH DIMENSION would make up the soundtrack of a cultural revolution.\u003cul\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eInternal ID: JITRE\u003c\/li\u003e\n\u003cli\u003eReleased: 02\/21\/2006\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Byrds","offers":[{"title":"Default Title","offer_id":44599440998633,"sku":"7HI0JG-7IPX-00","price":38.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/byrds-fifth-dimension_LU4lG.jpg?v=1759180619"},{"product_id":"byrds-mr-tambourine-man-1","title":"MR TAMBOURINE MAN","description":"The Byrds: David Crosby (vocals, guitar); Jim McGuinn (vocals, 12-string guitar); Chris Hillman (vocals, bass); Gene Clark (vocals, tambourine); Michael Clarke (drums).\nReissue producer: Bob Irwin.\nRecorded between January 20, 1965 and April 22, 1965.\nIncludes original liner notes by Billy James, and new liner notes by David Fricke and Johnny Rogan.\nAll songs have been digitally remastered using a 20-Bit Super Mapping system.\nOne of the greatest debuts in the history of rock, Mr. Tambourine Man was nothing less than a significant step in the evolution of rock \u0026amp; roll itself, demonstrating that intelligent lyrical content could be wedded to compelling electric guitar riffs and a solid backbeat. It was also the album that was most responsible for establishing folk-rock as a popular phenomenon, its most alluring traits being Roger McGuinn's immediately distinctive 12-string Rickenbacker jangle and the band's beautiful harmonies. The material was uniformly strong, whether they were interpreting Bob Dylan (on the title cut and three other songs, including the hit single \"All I Really Want to Do\"), Pete Seeger (\"The Bells of Rhymney\"), or Jackie DeShannon (\"Don't Doubt Yourself, Babe\"). The originals were lyrically less challenging, but equally powerful musically, especially Gene Clark's \"I Knew I'd Want You,\" \"I'll Feel a Whole Lot Better,\" and \"Here Without You\"; \"It's No Use\" showed a tougher, harder-rocking side and a guitar solo with hints of psychedelia. ~ Richie Unterberger\u003cul\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eInternal ID: JITRE\u003c\/li\u003e\n\u003cli\u003eReleased: 02\/21\/2006\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Byrds","offers":[{"title":"Default Title","offer_id":44599808033001,"sku":"8XTVAX-U6PQ-00","price":34.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/byrds-mr-tambourine-man_Epwk7.jpg?v=1758853393"},{"product_id":"byrds-younger-than-yesterday","title":"YOUNGER THAN YESTERDAY","description":"The 1996 reissue of YOUNGER THAN YESTERDAY includes six bonus tracks: \"It Happens Each Day,\" \"Don't Make Waves,\" \"Lady Friend,\" \"Old John Robertson\" (the B-side of the \"Lady Friend\" single), and alternate versions of \"My Back Pages\" and \"Mind Gardens.\"\nThe Byrds: David Crosby (vocals, guitar); Jim McGuinn (vocals, 12-string guitar); Chris Hillman (vocals, bass); Michael Clarke (drums).\nAdditional personnel: Vern Gosdin (acoustic guitar); Clarence White (electric guitar); Hugh Masekela (horns).\nReissue producer: Bob Irwin.\nRecorded in 1966-67. Includes liner notes by David Fricke and Johnny Rogan.\nDigitally remastered using 20-Bit Super Mapping system.\nReleased in April 1967, months before the Summer Of Love, YOUNGER THAN YESTERDAY was proof that The Byrds had already graduated from their fascination with the psychedelic \"scene.\" \"Eight Miles High\" may have introduced the general public to the counter culture's interests and fascinations, but this song cycle found The Byrds reluctant to rest their faith in either the growing movement they helped bring together, or the art form that was the movement's voice.\nThe sonic lessons they'd learned still infused many of the tracks. Tape-loops created the splendorous backdrop of \"Mind Gardens,\" the Eastern modes used on \"Eight Miles High\" reappeared on the re-recorded \"Why,\" and \"C.T.A.-102\" seemed less a song than an excuse to use the studio as a laboratory for new sounds. But a new direction was emerging. \"So You Want To Be A Rock 'N' Roll Star,\" a tongue-in-cheek treatise on fame, and Bob Dylan's \"My Back Pages,\" the best known tracks here, both hinted at a reevaluation of previously settled matters. David Crosby's folky, Eastern-tinged \"Everybody's Been Burned\" may have been written well before he joined the group, but it is a dark declaration on moderation, trust and responsibility, that comfortably fits within the context of the era. And Chris Hillman's country-minded contributions not only grounded The Byrds with a salt-of-the-earth feel missing from the rest of the album, but hinted at the Nashville sound where they and many of their psychedelic brethren would soon end up. Now, as then, YOUNGER THAN YESTERDAY seems like the precursor to a generation's truer awakening.\u003cul\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eInternal ID: JITRE\u003c\/li\u003e\n\u003cli\u003eReleased: 02\/21\/2006\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Byrds","offers":[{"title":"Default Title","offer_id":44605799989481,"sku":"UYBCCX-6GO2-00","price":34.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/byrds-younger-than-yesterday_CBipT.jpg?v=1759385139"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/collections\/IMG-0914.png?v=1742697947","url":"https:\/\/www.vibinvinyl.com\/collections\/music-releases-02-21-2006.oembed","provider":"Vibin' Vinyl","version":"1.0","type":"link"}