{"title":"Music Releases 06\/24\/2014","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNew music releases at Vibin’ Vinyl on 06\/24\/2014\u003c\/span\u003e\u003c\/p\u003e","products":[{"product_id":"dave-brubeck-re-union","title":"RE-UNION","description":"\u003cp\u003ePersonnel: Dave Brubeck (piano); Paul Desmond (alto saxophone); Dave Van Kriedt (tenor saxophone); Norm Bates (bass); Joe Morello (drums). Originally released on Fantasy (3268). Includes original release liner notes by Dick Hadlock. Digitally remastered by Phil De Lancie (1990, Fantasy Studios, Berkeley, California). Tenor-saxophonist Dave Van Kreidt, a former member of Dave Brubeck's octet in the late '40s, had a reunion with the pianist, altoist Paul Desmond and bassist Bob Bates for this unusual session; Brubeck's new drummer Joe Morello made the group a quintet. Van Kreidt supplied all of the compositions (some of which are fairly complex), giving this set a sound very much different than the usual Brubeck Quartet outing. Interesting if not essential classical-influenced music that predates the Third Stream movement. ~ Scott Yanow\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 06\/24\/2014\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dave Brubeck","offers":[{"title":"Default Title","offer_id":43662184808681,"sku":"SVPW01-MSKL-00","price":26.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Dave-Brubeck-RE-UNION_xvkmP_06c55713-d87f-440b-a97b-d380b68039df.jpg?v=1759190810"},{"product_id":"fleetwood-mac-greatest-hits-1","title":"| Greatest Hits (LP)","description":"\u003cp\u003e\u003cspan style=\"font-size:12px;\"\u003eVinyl LP repressing. GREATEST HITS is a 1988 compilation album by British-American band Fleetwood Mac. It covers the period of the band's greatest commercial success, from the mid-1970s to the late 1980s. The track listing for the US release differs slightly from that of other territories. It includes the 1975 track Over My Head but omits the 1987 track Seven Wonders.\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:12px;\"\u003eGREATEST HITS contains tracks released between 1975 and 1988. Fleetwood Mac includes: Stevie Nicks, Christine McVie, Linsday Buckingham, Mick Fleetwood, John McVie, Billy Burnette. This 16-song collection includes a number of chart-topping Fleetwood Mac releases, most of them selected from their remarkable, decade-plus long run of hits spanning the mid 1970s through the 1980s. GREATEST HITS includes songs such as the Stevie Nicks classics \"Rhiannon,\" \"Dreams,\" and \"Gypsy,\" as well as a number of standout tracks by pianist Christine McVie, including \"Over My Head\" and \"Say You Love Me.\" Additionally, guitarist and songwriter Lindsey Buckingham, who, like Nicks, enjoyed a solo career in addition to putting in time with Fleetwood Mac, is also represented here with excellent songs, including \"Go Your Own Way\" and \"Tusk.\" GREATEST HITS is an excellent primer for anyone unfamiliar with one of the most successful pop bands of a generation. Bonus tracks on this release include a long version of the Stevie Nicks hit, \"Sara.\"\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:12px;\"\u003eTracklist\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:12px;\"\u003eA1        Rhiannon\u003cbr\u003e\r\nA2        Don't Stop\u003cbr\u003e\r\nA3        Go Your Own Way\u003cbr\u003e\r\nA4        Hold Me\u003cbr\u003e\r\nA5        Everywhere\u003cbr\u003e\r\nA6        Gypsy\u003cbr\u003e\r\nA7        As Long As You Follow\u003cbr\u003e\r\nB1        Say You Love Me\u003cbr\u003e\r\nB2        Dreams\u003cbr\u003e\r\nB3        Little Lies\u003cbr\u003e\r\nB4        Sara\u003cbr\u003e\r\nB5        Tusk\u003cbr\u003e\r\nB6        No Questions Asked\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr\u003e\r\n\u003cspan style=\"font-size:12px;\"\u003e*Audio and\/or tracklist may vary slightly from the vinyl version.\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:12px;\"\u003eLabel: ‎‎‎Rhino\/Warner Records\u003cbr\u003e\r\nRel. Date: 06\/24\/2014\u003cbr\u003e\r\nUPC: 081227959357\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003ciframe allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\" height=\"152\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/0LfM3PGkXE6KvJEE1HkOnz?utm_source=generator\" style=\"border-radius:12px\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eFormat Detail: LP\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003cli\u003eRSD Date: n\/a\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 06\/24\/2014\u003c\/li\u003e\n\u003cli\u003eBest Sellers: Top Seller\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Fleetwood Mac","offers":[{"title":"Default Title","offer_id":43693332168937,"sku":"9OURUU-IL01-00","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Fleetwood-Mac-Greatest-Hits_srw5f_301f6f6c-fe92-4e47-a0bb-74c10b9547f7.jpg?v=1770954014"},{"product_id":"sonic-youth-daydream-nation","title":"DAYDREAM NATION","description":"\u003cp\u003eSonic Youth: Thurston Moore, Lee Ranaldo (vocals, guitar); Kim Gordon (vocals, bass); Steve Shelley (drums). Recorded at Greene Street Recording, New York, New York in July and August 1988. Originally released as a 2-LP set on Enigma (5403). Includes liner notes by Jutta Koether. Sonic Youth made a major step forward with 1987's Sister, their first album where the songs were as strong as the group's visionary approach and they rocked with the force and authority they'd clearly sought since the beginning. If 1988's Daydream Nation didn't make as decisive a leap in terms of theory or style, as far as execution was concerned, it was Sonic Youth's first unqualified masterpiece, a triumph that made them one of the most respected bands in indie rock. Initially released as a two-LP set, the sheer scope of Daydream Nation was ambitious, but the longer tracks worked to Sonic Youth's advantage, allowing them the space to lay down solid melodic structures and then use them as a framework for extended jams (thankfully, the band made splendid use of their wanderlust without wearing out their welcome). Sonic Youth were playing at the top of their game on the Daydream Nation sessions; the guitar interplay between Thurston Moore and Lee Ranaldo was stronger and more intuitive than before, and bassist Kim Gordon and drummer Steve Shelley had grown into a powerful rhythm section that cut an impressive groove, giving the band a greater freedom to explore the space around them without getting lost. Sonic Youth were not simply tighter on Daydream Nation, they were making better and more satisfying use of their arsenal of alternate tunings and bent but elemental song structures, and the final product fused their love of creatively applied noise and the sound of the electric guitar with song structures that merged elements of punk, prog, boogie, and psychedelia. The journey from the trippy joy of \"Teenage Riot\" to the hot-rodded choogle of \"Eliminator Jr.\" was a bracing, glorious experience, and Daydream Nation confirmed their status as one of America's best and most original alternative rock bands, and one that had a shot at a future outside the underground -- a pleasant surprise given the alienating air of their earliest work. ~ Mark Deming\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eRSD Date: n\/a\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 06\/24\/2014\u003c\/li\u003e\n\u003cli\u003eBest Sellers: Top Seller\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sonic Youth","offers":[{"title":"Default Title","offer_id":43759656304873,"sku":"STIB1O-IM8L-00","price":36.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Sonic-Youth-DAYDREAM-NATION_asOhM.jpg?v=1745418260"},{"product_id":"mastodon-once-more-round-the-sun-explicit-content","title":"Once More Round the Sun [Explicit Content]","description":"Lyricist: Mastodon.\r\nPersonnel: Brent Hinds (vocals, guitar); Br?nn Dailor (vocals, drums); Troy Sanders (vocals); Bill Kelliher (guitar).\r\nAudio Mixer: Nick Raskulinecz.\r\nRecording information: Aboce The Sunset Bar, Martigny, Switzerland; Rock Falcon Studio, Franklin, TN; The Projector Room, Decatur, GA.\r\nIllustrators: Donny Phillips; Skinner .\r\nGiven the title of its sixth release, it's fair to wonder if Mastodon is hinting at 2011's The Hunter or its back catalog. Many of the tracks on Once More 'Round the Sun dig into the band's seemingly inexhaustible bag of monstrous riffs and wonderfully fractured motifs. That said, as a collective, they unapologetically explore the more polished and accessible songwriting and performing craft found on The Hunter. This set marks a fork in the road where Mastodon evolves once more, to cross over from metal's angular, sludgy power to adrenaline-fueled, hook-laden, hard rock. The album was produced by Nick Raskulinecz, best known for his work with Foo Fighters and Rush. The sound Mastodon pursues here draws inspiration from the '70s, without remotely being an exercise in nostalgia. There is one notable exception; it's deliberate and obvious: \"The High Road\" boasts unapolgeting Thin Lizzy worship, albeit ambitiously updated. (Who better?) Its verse\/riff structure weds Lynott's rhythmic sensibility to Mastodon's dynamic aggression. The anthemic chorus melody and harmonies, and twinned lead guitar roar, were trademarked by Lizzy's Brian Robertson and Scott Gorham long ago. \"Chimes at Midnight\" is intense, fueled by a mammoth chugging riff. It lets the \"drop D\" freak flag fly, with a near-shouted vocal, harmonic chorus, and spacey six-string interludes. \"The Motherload,\" with its swaggering guitar heroics, is a wound-out yet nearly hummable prog melody, with a relentless bass and snare attack. \"Aunt Lisa,\" with its knotty guitar intro, contains processed vocals, a series of rising and falling key changes, and the Coathangers guesting -- cheerleader style -- in a chanted vocal chorus ? la Faith No More's \"Be Aggressive!\" There are also some substantive guitar pyrotechnics in the extended solos in \"Halloween\" and \"Ember City,\" which, due to their imagination and focus, add dimension to them as songs. \"Diamond in the Witch House\" is a sprawling, nearly eight-minute closing jam. Neurosis' Scott Kelly and his menacing growl guest as it lumbers, trudges, and lurches ever forward (longtime fans will likely dig this). Once More 'Round the Sun furthers what Mastodon began on The Hunter: expanding their music past metal's rigid borders -- even with its many subgenres -- toward an integrative hard rock that doesn't leave metal out. The songwriting, playing, and production here are inspired, kinetic, and far more accessible than ever before. ~ Thom Jurek\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eRSD Date: n\/a\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 06\/24\/2014\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Mastodon","offers":[{"title":"Default Title","offer_id":44562992595177,"sku":"K60RGT-X1O6-00","price":25.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Mastodon-Once-More-Round-the-Sun-Explicit-Content_5NSVZ.jpg?v=1740707015"},{"product_id":"gram-parsons-grievous-angel-180-gram-vinyl","title":"Grievous Angel (180 Gram Vinyl)","description":"\u003cp\u003eGram Parsons fondness for drugs and high living are said to have been catching up with him while he was recording Grievous Angel, and sadly he wouldn't live long enough to see it reach record stores, dying from a drug overdose in the fall of 1973. This album is a less ambitious and unified set than his solo debut, but that's to say that G.P. was a great album while Grievous Angel was instead a very, very good one. Much of the same band that played on his solo debut were brought back for this set, and they perform with the same effortless grace and authority (especially guitarist James Burton and fiddler Byron Berline). If Parsons was slowing down a bit as a songwriter, he still had plenty of gems on hand from more productive days, such as \"Brass Buttons\" and \"Hickory Wind (which wasn't really recorded live in Northern Quebec; that's just Gram and the band ripping it up live in the studio, with a handful of friends whooping it up to create honky-tonk atmosphere). He also proved to be a shrewd judge of other folks material as always; Tom T. Hall's \"I Can't Dance\" is a strong barroom rocker, and everyone seems to be having a great time on The Louvin Brothers's \"Cash on the Barrelhead.\" As a vocal duo, Parsons and Emmylou Harris only improved on this set, turning in a version of \"Love Hurts\" so quietly impassioned and delicately beautiful that it's enough to make you forget Roy Orbison ever recorded it. And while he didn't plan on it, Parsons could hardly have picked a better closing gesture than \"In My Hour of Darkness.\" Grievous Angel may not have been the finest work of his career, but one would be hard pressed to name an artist who made an album this strong only a few weeks before their death -- or at any time of their life, for that matter. ~ Mark Deming\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003cli\u003eRSD Date: n\/a\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 06\/24\/2014\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Gram Parsons","offers":[{"title":"Default Title","offer_id":44581352571113,"sku":"N4E34B-QU4M-00","price":32.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Gram-Parsons--Grievous-Angel-180-Gram-Vinyl_f8yKc.jpg?v=1740713896"},{"product_id":"gram-parsons-gp-180-gram-vinyl","title":"GP (180 Gram Vinyl)","description":"\u003cp\u003eGiven Gram Parsons' habit of taking control of the bands he played with (and his disinclination towards staying with them for very long), it was inevitable that he would eventually strike out on his own, and his first solo album, 1973's G.P., is probably the best realized expression of his musical personality. Working with a crack band of L.A. and Nashville's finest (including James Burton on guitar, Ronnie Tutt on drums, Byron Berline on fiddle, and Glen D. Hardin on piano), he drew from them a sound that merged breezy confidence with deeply felt Southern soul, and he in turn pulled off some of his most subtle and finely detailed vocal performances; \"She\" and \"A Song for You,\" in particular, are masterful examples of passion finding balance with understatement. Parsons also discovered that rare artist with whom he can be said to have genuinely collaborated (rather than played beside), Emmylou Harris; Gram and Harris' spot-on harmonies and exchanged verses on \"We'll Sweep out the Ashes in the Morning\" and \"That's All It Took\" are achingly beautiful and instantly established her as one country music's most gifted vocalists. On G.P., Parsons' ambitious vision encompassed hard-country weepers, wistful ballads, uptempo dance tunes, and even horn-driven rhythm and blues. He managed to make them all work, both as individual tunes and as a unified whole. If it falls just short of being his greatest work (an honor that goes to the Flying Burrito Brothers' The Gilded Palace of Sin) thanks to a couple songs that are a bit too oblique for their own good (\"The New Soft Shoe\" may be beautiful, but who knows just what it's supposed to be about), this album remains a haunting reminder of Parsons' talent and influence, and has only gotten better with the passing years. ~ Mark Deming\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003cli\u003eRSD Date: n\/a\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 06\/24\/2014\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Gram Parsons","offers":[{"title":"Default Title","offer_id":44581384945897,"sku":"MDNLJQ-5QQR-00","price":31.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Gram-Parsons-GP-180-Gram-Vinyl_FSNeO.jpg?v=1740713987"},{"product_id":"lucinda-williams-car-wheels-on-a-gravel-road-import-180-gram-vinyl","title":"Car Wheels on a Gravel Road [Import] (180 Gram Vinyl)","description":"\r\nSIDE A\r\n1. RIGHT IN TIME\r\n2. CAR WHEELS ON A GRAVEL ROAD\r\n3. 2 KOOL 2 BE 4-GOTTEN\r\n4. DRUNKEN ANGEL\r\n5. CONCRETE AND BARBED WIRE\r\n6. LAKE CHARLES\t\r\nSIDE B\r\n1. CAN'T LET GO\r\n2. I LOST IT\r\n3. METAL FIRECRACKER\r\n4. GREENVILLE\r\n5. STILL I LONG FOR YOUR KISS\r\n6. JOY\r\n7. JACKSON\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 06\/24\/2014\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Lucinda Williams","offers":[{"title":"Default Title","offer_id":44581528076521,"sku":"TVTB13-BRYI-00","price":36.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/lucinda-williams-car-wheels-on-a-gravel-road-import-180-gram-vinyl_zXdTl_8fbbe794-9aaa-4fa1-94b8-8276067d2166.jpg?v=1759245696"},{"product_id":"dave-van-ronk-in-the-tradition","title":"| In The Tradition (LP)","description":"\u003cp\u003e\u003cspan style=\"font-size:12px;\"\u003e\u003cspan style=\"font-family:Arial,Helvetica,sans-serif;\"\u003eIn the Tradition was a little strange for an early Dave Van Ronk LP, with the album split evenly between tracks on which the singer is backed by the Dixieland jazz-style combo the Red Onions and by more customary acoustic folk-blues solo guitar. Both of those styles were part of his persona, though it's the more somber acoustic folk-blues that stand out more. It's a reasonably strong album, not too much different from much of the rest of his catalog, other than in the balanced mixture between jazz and folk approaches. Of the trad jazz cuts, the item that might attract the most collector interest is the jaunty \"All Over You,\" which is certainly one of the most obscure (and atypical) early Bob Dylan covers; Dylan would never release his own version, though a demo he did of the tune in 1963 has appeared on bootlegs. It's not much of a song, but its basic joie de vivre fits in well with the jazz segment of this program, on which Van Ronk's gravelly vocals credibly echo (especially for a white singer) the spirit of early New Orleans jazz vocalists like Louis Armstrong. Among the acoustic numbers are \"Green, Green Rocky Road\" and \"Rocks and Gravel,\" both of which would be recorded by several other major talents of the '60s folk scene.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:12px;\"\u003e\u003cspan style=\"font-family:Arial,Helvetica,sans-serif;\"\u003eTracklist\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:12px;\"\u003e\u003cspan style=\"font-family:Arial,Helvetica,sans-serif;\"\u003eA1        Cake Walking Babies From Home\u003cbr\u003e\r\nA2        Ace In The Hole\u003cbr\u003e\r\nA3        St. Louis Tickle\u003cbr\u003e\r\nA4        Death Letter Blues\u003cbr\u003e\r\nA5        If I Had To Do It All Over Again, I'd Do It All Over You\u003cbr\u003e\r\nA6        Whoa Back Buck\u003cbr\u003e\r\nB1        Sister Kate\u003cbr\u003e\r\nB2        Kansas City Blues\u003cbr\u003e\r\nB3        Green Rocky Road\u003cbr\u003e\r\nB4        See See Rider\u003cbr\u003e\r\nB5        Rocks And Gravel\u003cbr\u003e\r\nB6        Hesitation Blues\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:12px;\"\u003e\u003cspan style=\"font-family:Arial,Helvetica,sans-serif;\"\u003e*Audio and\/or tracklist may vary slightly from the vinyl version.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:12px;\"\u003e\u003cspan style=\"font-family:Arial,Helvetica,sans-serif;\"\u003eLabel: Dol\u003cbr\u003e\r\nRel. Date:06\/24\/2014\u003cbr\u003e\r\nUPC: 889397314637\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003ciframe allow=\"autoplay *; encrypted-media *; fullscreen *; clipboard-write\" frameborder=\"0\" height=\"450\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-storage-access-by-user-activation allow-top-navigation-by-user-activation\" src=\"https:\/\/embed.music.apple.com\/us\/album\/in-the-tradition\/1444019799\" style=\"width:100%;max-width:660px;overflow:hidden;border-radius:10px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eFormat Detail: LP\u003c\/li\u003e\n\u003cli\u003eGenre: Singer\/Songwriter\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 06\/24\/2014\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dave Van Ronk","offers":[{"title":"Default Title","offer_id":44582342983913,"sku":"N2O0J5-QI6T-00","price":29.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Dave-Van-Ronk-IN-THE-TRADITION_yxu3N_167e3bfb-d56e-4471-a515-d445f226a193.jpg?v=1759117727"},{"product_id":"lee-morgan-cornbread-lp","title":"CORNBREAD (LP)","description":"Personnel: Lee Morgan (trumpet); Jackie McLean (alto saxophone); Hank Mobley (tenor saxophone); Herbie Hancock (piano); Larry Ridley (bass); Billy Higgins (drums).\nRecorded at the Van Gelder Studio, Englewood Cliffs, New Jersey on September 18, 1965. Includes liner notes by Ira Gitler.\nCORNBREAD offers a typical mid-'60s Morgan set of four originals and a standard. \"Most Like Lee\" is a straight-ahead minor blues swinger, while the title cut is a swaggering 20-bar blues workout for the three horns that owes as much to Horace Silver's down-home gospel-inflected composing as it does to tunes like Morgan's own hit \"The Sidewinder.\" Altoist Jackie McLean lays out for \"Ceora,\" a bossa nova with a bop-inflected melody and a beautifully stealthy set of changes. \"Our Man Higgins\" is, not surprisingly, a drum feature for Billy Higgins that splits the difference between modal blowing and the blues when it comes to the solos.\nThe band's take on Koehler and Arlen's \"Ill Wind\" is an artful piece of laziness, a bluesy yet carefully arranged ballad with Morgan blowing muted trumpet throughout. The amazing thing about the Blue Note era is that it produced recordings like CORNBREAD as a matter of course. This was due in no small part to the fact that even after artists like Herbie Hancock and Hank Mobley graduated to dates as a leader, they continued to appear in the studio as sidemen.\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 06\/24\/2014\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Lee Morgan","offers":[{"title":"Default Title","offer_id":44584187592937,"sku":"7V9YPG-FZYD-00","price":28.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/lee-morgan-cornbread-lp_TJ8Tx.jpg?v=1759367037"},{"product_id":"medeski-martin-woo-combustication-2lp","title":"COMBUSTICATION (2LP)","description":"Medeski Martin \u0026amp; Wood: John Medeski, Billy Martin, Chris Wood.\nAdditional personnel includes: DJ Logic, Steve Cannon.\nAt their collective core, Medeski, Martin \u0026amp; Wood are simply the most popular keepers of the organ trio flame in modern jazz. But this trio of downtowners is willing to piece together straight-no-chasers of all forms to get the party moving. COMBUSTICATIONS, their fourth album, does all that with a jazzy heart, some funky intestines, a set of salsa hips and a DJ on the brain.\nAs with previous MMW albums, funky jazz is COMBUSTICATIONS' focus--whether it's smoky, mid-tempo hipsway (\"Just Like I Pictured it\") or churchy balladry (a gospel-tinged rendition of Sly Stone's \"Everyday People\"). But the width of the trio's scope is best exemplified by the polar contributions of the album's guests. Turntablist DJ Logic appears on the three tracks that prophesy a hip-hop-jazz future, particularly on \"Church of Logic,\" where he builds a soundscape and then solos over the band. Contrast that with \"Whatever Happened To Gus,\" on which East Village art dealer Steve Cannon does a Beat-derived dream monologue about old school jazz drummer Gus Johnson, while the band does a free-form freak-out behind him.\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 06\/24\/2014\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Medeski Martin \u0026 Woo","offers":[{"title":"Default Title","offer_id":44584508752105,"sku":"EUE6W8-BU75-00","price":34.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/medeski-martin-woo-combustication-2lp_m6nju.jpg?v=1759415823"},{"product_id":"sufjan-stevens-enjoy-your-rabbit","title":"ENJOY YOUR RABBIT","description":"Sufjan Stevens' second release, Enjoy Your Rabbit, is a vast departure from the pan-ethnic folk of his debut. Using almost no exterior samples, Stevens crafts an electronic, all-\"instrumental\" song cycle based on the symbols of the Chinese zodiac. While working within these considerably narrower confines, he still maps out a wide musical territory by using each symbol as a mode, each one exploring different textures and tempos and, in the process, evoking a surprising array of moods. At times eerie and ominous like a backwoods Autechre, other times sounding like more club-oriented fare, Stevens sometimes trades in bloops and bleeps for oblique glitches and crackles, but the underlying guiding principle is wide-eyed exploration that fills nearly every track with a sense of playfulness. Enjoy Your Rabbit never gets too serious, although at times it's very intense. Many tracks even have some sort of musical pun working just under the surface; for instance, \"Year of the Horse\" is by far the longest, clocking in at over 13 minutes, and \"Year of the Ox\" has a regular, heavy thudding beat. ~ Jason Nickey\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 06\/24\/2014\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sufjan Stevens","offers":[{"title":"Default Title","offer_id":44586150297833,"sku":"5D2AX3-R930-00","price":29.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/sufjan-stevens-enjoy-your-rabbit_NJPgg.jpg?v=1759361997"},{"product_id":"phish-fuego","title":"FUEGO","description":"The studio album has always been a slippery prospect for any jam band worth taking seriously. Even the earliest champions of live exploration (Grateful Dead, Allman Brothers, etc.) turned in their share of notoriously spotty or confusing studio recordings, much preferring the stage as a place for their craft to really take form. Long-running jam-band institution Phish follow this to a T, releasing scads of live recordings that tend to find superior readings of tunes that come off stuffy or lifeless in their studio versions. Releasing new studio material seems to be a low priority for the band, with 12th studio album Fuego being released five years after 2009's Joy, which itself came after 2004's Undermind. The hallucinatory whimsy and unbridled exuberance Phish exude on-stage has been hard to capture in the confines of the studio, but the excellent and smartly crafted Fuego steps outside of this pattern in a few ways. The logical thing to do when recording a band championed for their excellence in a live setting would be to record them as close to live in the studio as possible, as was the process with the unremarkable Joy. Studio legend Bob Ezrin seems to rethink that approach here, with production that highlights individual elements that make a fantastic whole, rather than the collective energy that so often turns to murky confusion on tape. Instead of an overblown studio creation, Fuego instead finds the band sounding relaxed and connected, but also distinctly articulate in their often complex twists and turns. More than the smart production, Fuego is a standout in Phish's sometimes less-than-impressive studio catalog on the strengths of its ten stellar tracks, inspired tunes that share a loose thread as they bound between virtuosic playing, flirtations with gospel and funk, and the kind of eclectic rock jamming Phish have made their name on. The album opens with its epic titular track, a flashy, caffeinated jam that spins on for almost ten minutes before second track, \"The Line,\" simmers things down with its quirky grooves and a pop-friendly chorus that make the song one of the album's catchiest moments. Fans of the band's goofier side will delight in \"Wombat,\" a dorky funk workout that recalls their early romps with nonsensical lyrical themes and lighthearted genre experimentation. Horns, synthesizers, background singers, and other various sprinklings of production pop up throughout the album, keeping the already sharp tunes sonically interesting on top of solid interplay between the core bandmembers. With sharp production and some of the better compositions Phish have managed in ages, Fuego ranks among their best studio albums, capturing strands of the frenetic, cartoonish, darkly cautionary, and open-hearted expressions that make their concerts such moving experiences, but which often get lost when the tape starts rolling. ~ Fred Thomas\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 06\/24\/2014\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Phish","offers":[{"title":"Default Title","offer_id":44587162239209,"sku":"O1K3B2-YP4J-00","price":20.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/phish-fuego_46Bjh.jpg?v=1758871292"},{"product_id":"the-specials-the-specials","title":"The Specials","description":"TracksCredits\r\n- Disc 1 -\r\n1 A Message to You Rudy\r\n2 Do the Dog\r\n3 It's Up to You\r\n4 Nite Klub\r\n5 Doesn't Make It Alright\r\n6 Concrete Jungle\r\n7 Too Hot\r\n- Disc 2 -\r\n1 Monkey Man\r\n2 (Dawning of a) New Era\r\n3 Blank Expression\r\n4 Stupid Marriage\r\n5 Too Much Too Young\r\n6 Little Bitch\r\n7 You're Wondering Now\u003cul\u003e\n\u003cli\u003eGenre: Punk\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 06\/24\/2014\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"The Specials","offers":[{"title":"Default Title","offer_id":44587221876969,"sku":"F8UCFG-UIX2-00","price":29.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/The-Specials-The-Specials_2zzWO.jpg?v=1759322984"},{"product_id":"bob-marley-soul-revolution-pt-2","title":"Soul Revolution - Pt 2","description":"\u003cp\u003eSoul Revolution - Pt 2 is a Records \u0026amp; LPs from Bob Marley\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 06\/24\/2014\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Bob Marley","offers":[{"title":"Default Title","offer_id":44587665391849,"sku":"96BU3J-B5B5-00","price":33.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/bob-marley-soul-revolution-pt-2_YTvfo_ef913bdf-9214-49d3-8419-5d8bb6a2eea3.jpg?v=1758737314"},{"product_id":"modern-baseball-sports","title":"SPORTS","description":"Audio Mixer: Ralph Nicastro.\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 06\/24\/2014\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Modern Baseball","offers":[{"title":"Default Title","offer_id":44588611109097,"sku":"KZ8VW9-OUCN-00","price":16.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/modern-baseball-sports_ixXhF.jpg?v=1749133562"},{"product_id":"king-albert-live","title":"Live","description":"\u003cp\u003eLive is a Music CDs from KING,ALBERT\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 06\/24\/2014\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"KING,ALBERT","offers":[{"title":"Default Title","offer_id":44588887965929,"sku":"IK567I-ZAG0-00","price":19.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/kingalbert-live_YHoLg.jpg?v=1758753555"},{"product_id":"public-enemy-yo-bum-rush-theex","title":"YO! BUM RUSH THE(EX)","description":"Public Enemy: Chuck D, Flavor-Flav (rap vocals); Norman \"Terminator X\" Rogers (scratches); The Security Of The First World.\nAdditional personnel: Vernon Reid (guitar); Bill Stephney (guitar, bass); Hank Shocklee, Eric Sadler (synthesizer, drum programming); Steve Linsley (bass); Johnny \"Juice\" Rosado (scratches).\nRecorded at Spectrum City Studios, Hempstead, New York.\nFrom \"Strong Island\" (Long Island, New York) came the unstoppable sound of Public Enemy, a rap band that saw itself as a vital, explicitly political voice in the black community.\nYO! BUM RUSH THE SHOW, their debut album, filled a gap in hip-hop: raps that attempted to delineate black suffering in America, and instill pride in the place of hopelessness. The balance between Chuck D's explosive raps and Flavor Flav's humorous asides played perfectly off the scratching of DJ Terminator X. While some critics branded them \"too hostile,\" their message spread to fans of all colors.\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 06\/24\/2014\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Public Enemy","offers":[{"title":"Default Title","offer_id":44589689274601,"sku":"9VJIMQ-M3OV-00","price":38.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/public-enemy-yo-bum-rush-theex_gT4mR.jpg?v=1758737394"},{"product_id":"fratellis-costello-music","title":"Costello Music","description":"On their energetic and assured full-length debut, COSTELLO MUSIC, the Fratellis offer up a charmingly mischievous set of guitar-driven Britpop. Like rowdier cousins of the Kooks, these Scottish lads clearly look for inspiration to 1970s glam icons such as Marc Bolan and David Bowie (see the hard-charging, T. Rex-like \"Flathead\" and the stomping \"Chelsea Dagger\"), but they also indulge in whimsical Beatlesque ditties (most notably the lighthearted \"Vince the Lovable Stoner\"), proving that they're not tethered to one particular approach. COSTELLO MUSIC is the perfect soundtrack for a night of pub-crawling.\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 06\/24\/2014\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Fratellis","offers":[{"title":"Default Title","offer_id":44590123974889,"sku":"632ZRE-MDJ3-00","price":36.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/fratellis-costello-music_68kRm.jpg?v=1759424634"},{"product_id":"mastodon-once-more-round-the-sun","title":"ONCE MORE ROUND THE SUN","description":"Given the title of its sixth release, it's fair to wonder if Mastodon is hinting at 2011's The Hunter or its back catalog. Many of the tracks on Once More 'Round the Sun dig into the band's seemingly inexhaustible bag of monstrous riffs and wonderfully fractured motifs. That said, as a collective, they unapologetically explore the more polished and accessible songwriting and performing craft found on The Hunter. This set marks a fork in the road where Mastodon evolves once more, to cross over from metal's angular, sludgy power to adrenaline-fueled, hook-laden, hard rock. The album was produced by Nick Raskulinecz, best known for his work with Foo Fighters and Rush. The sound Mastodon pursues here draws inspiration from the '70s, without remotely being an exercise in nostalgia. There is one notable exception; it's deliberate and obvious: \"The High Road\" boasts unapolgeting Thin Lizzy worship, albeit ambitiously updated. (Who better?) Its verse\/riff structure weds Lynott's rhythmic sensibility to Mastodon's dynamic aggression. The anthemic chorus melody and harmonies, and twinned lead guitar roar, were trademarked by Lizzy's Brian Robertson and Scott Gorham long ago. \"Chimes at Midnight\" is intense, fueled by a mammoth chugging riff. It lets the \"drop D\" freak flag fly, with a near-shouted vocal, harmonic chorus, and spacey six-string interludes. \"The Motherload,\" with its swaggering guitar heroics, is a wound-out yet nearly hummable prog melody, with a relentless bass and snare attack. \"Aunt Lisa,\" with its knotty guitar intro, contains processed vocals, a series of rising and falling key changes, and the Coathangers guesting -- cheerleader style -- in a chanted vocal chorus ? la Faith No More's \"Be Aggressive!\" There are also some substantive guitar pyrotechnics in the extended solos in \"Halloween\" and \"Ember City,\" which, due to their imagination and focus, add dimension to them as songs. \"Diamond in the Witch House\" is a sprawling, nearly eight-minute closing jam. Neurosis' Scott Kelly and his menacing growl guest as it lumbers, trudges, and lurches ever forward (longtime fans will likely dig this). Once More 'Round the Sun furthers what Mastodon began on The Hunter: expanding their music past metal's rigid borders -- even with its many subgenres -- toward an integrative hard rock that doesn't leave metal out. The songwriting, playing, and production here are inspired, kinetic, and far more accessible than ever before. ~ Thom Jurek\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eRSD Date: DDD\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 06\/24\/2014\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Mastodon","offers":[{"title":"Default Title","offer_id":44594651037929,"sku":"M29TNI-Q6II-00","price":31.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/mastodon-once-more-round-the-sun_tOcTO.jpg?v=1740706422"},{"product_id":"sun-ra-my-way-is-the-spaceways","title":"MY WAY IS THE SPACEWAYS","description":"\u003cp\u003eMY WAY IS THE SPACEWAYS is a Records \u0026amp; LPs from Sun Ra\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 06\/24\/2014\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sun Ra","offers":[{"title":"Default Title","offer_id":44594836635881,"sku":"V28UM3-7L5P-00","price":25.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/sun-ra-my-way-is-the-spaceways_pNf9S.jpg?v=1759091047"},{"product_id":"mf-doom-special-herbs-5-6","title":"SPECIAL HERBS 5 \u0026 6","description":"\u003cp\u003eTracks 1 Pennyroyal 2 Lavenar Buds 3 White Willow Bark 4 Bergamot Wild 5 Orange Blossoms 6 Coffin Nails 7 Kava Kava Root 8 Valarian Root 9 Jasmine Blossoms 10 Black Snake Root 11 Horehound 12 Dragon's Blood 13 Myrtle Leaf 14 Patchouly Leaves 15 Constipated Monkey 16 Contact Blitt\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 06\/24\/2014\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Mf Doom","offers":[{"title":"Default Title","offer_id":44599882809577,"sku":"0BL6BM-1JK6-00","price":40.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/mf-doom-special-herbs-5-6_HKaSD.jpg?v=1758844445"},{"product_id":"amon-duul-ii-vive-la-trance","title":"VIVE LA TRANCE","description":"This is also available on CD on Captain Trip (36).\nAmon D??l ll's extraordinary 1973 album finds the influential German art rock band working surprisingly well in a short song format while still stamping the music with their unique sound. \"Fly United,\" \"Trap,\" and \"Ladies Mimikry\" show diverse styles of pop and rock running happily into each other with memorably quirky results. The instrumentation here is as quirky as ever,too -- perhaps even more so than usual, with Chris Karrer's violin and sax playing now in the fore. The melodies are often shimmering. Unfortunately, the band never again sustained the excellence displayed on Viva la Trance again. ~ Nick Burton\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 06\/24\/2014\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Amon Duul Ii","offers":[{"title":"Default Title","offer_id":44600226087145,"sku":"ZIHBD9-DHK7-00","price":41.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/amon-duul-ii-vive-la-trance_49Ytk.jpg?v=1758998711"},{"product_id":"gerry-mulligan-presenting-the-gerry-mulligan-sextet","title":"Presenting the Gerry Mulligan Sextet","description":"The short-lived Gerry Mulligan sextet of 1955-56 recorded three albums before disbanding. This particular out-of-print LP features baritonist Mulligan, trumpeter Jon Eardley, valve trombonist Bob Brookmeyer and Zoot Sims on tenor performing such songs as \"Nights at the Turntable,\" \"Broadway,\" \"The Lady Is a Tramp\" and \"Bernie's Tune.\" Fun swinging music that is still quite accessible. ~ Scott Yanow\u003cul\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 06\/24\/2014\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Gerry Mulligan","offers":[{"title":"Default Title","offer_id":44605688611049,"sku":"CV1TBQ-4YKB-00","price":26.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/gerry-mulligan-presenting-the-gerry-mulligan-sextet_dw5jX.jpg?v=1758773584"},{"product_id":"mel-torm-mel-torm-with-the-marty-paich-dek-tette-dol","title":"Mel Torm? with the Marty Paich Dek-Tette [DOL]","description":"\u003cp\u003eBrand New Sealed | Mel Torme | Mel Torme with the Marty Paich Dek-Tette | Vinyl | Release Date: 06\/24\/2014 | Record Label: URP Music Distribution\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 06\/24\/2014\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Mel Torm?","offers":[{"title":"Default Title","offer_id":44605837607145,"sku":"GCY6XX-AG73-00","price":29.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/mel-torm-mel-torm-with-the-marty-paich-dek-tette-dol_QM6S9.jpg?v=1758981990"},{"product_id":"lana-del-rey-ultraviolence-180-gram-vinyl-incl-3-bonus-tracks-import-2-lps","title":"Ultraviolence (180 Gram Vinyl) (incl. 3 bonus tracks) [Import] (2 Lp's)","description":"TracksCredits\r\n- Disc 1 -\r\n1 Cruel World 6:40\r\n2 Ultraviolence 4:11\r\n3 Shades of Cool 5:42\r\n4 Brooklyn Baby 5:52\r\n5 West Coast 4:17\r\n6 Sad Girl 5:18\r\n- Disc 2 -\r\n1 Pretty When You Cry 3:54\r\n2 Money Power Glory 4:31\r\n3 F***ed My Way Up to the Top 3:32\r\n4 Old Money 4:31\r\n5 The Other Woman 3:04\r\n6 Black Beauty 5:15 *\r\n7 Guns and Roses 4:31 *\r\n8 Florida Kilos 4:16 *\r\n* Bonus Tracks\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 06\/24\/2014\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Lana Del Rey","offers":[{"title":"Default Title","offer_id":45636025385193,"sku":"Z5FBKE-4A6N-00","price":71.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/lana-del-rey-ultraviolence-180-gram-vinyl-incl-3-bonus-tracks-import-2-lps_gjkiE_c67d5301-5b8f-4420-a388-9fe49c84aa5e.jpg?v=1741482813"},{"product_id":"greatest-hits-lp-1","title":"| Greatest Hits (LP)","description":"\u003cp\u003e\u003cspan style=\"font-size:12px;\"\u003eVinyl LP repressing. GREATEST HITS is a 1988 compilation album by British-American band Fleetwood Mac. It covers the period of the band's greatest commercial success, from the mid-1970s to the late 1980s. The track listing for the US release differs slightly from that of other territories. It includes the 1975 track Over My Head but omits the 1987 track Seven Wonders.\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:12px;\"\u003eGREATEST HITS contains tracks released between 1975 and 1988. Fleetwood Mac includes: Stevie Nicks, Christine McVie, Linsday Buckingham, Mick Fleetwood, John McVie, Billy Burnette. This 16-song collection includes a number of chart-topping Fleetwood Mac releases, most of them selected from their remarkable, decade-plus long run of hits spanning the mid 1970s through the 1980s. GREATEST HITS includes songs such as the Stevie Nicks classics \"Rhiannon,\" \"Dreams,\" and \"Gypsy,\" as well as a number of standout tracks by pianist Christine McVie, including \"Over My Head\" and \"Say You Love Me.\" Additionally, guitarist and songwriter Lindsey Buckingham, who, like Nicks, enjoyed a solo career in addition to putting in time with Fleetwood Mac, is also represented here with excellent songs, including \"Go Your Own Way\" and \"Tusk.\" GREATEST HITS is an excellent primer for anyone unfamiliar with one of the most successful pop bands of a generation. Bonus tracks on this release include a long version of the Stevie Nicks hit, \"Sara.\"\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:12px;\"\u003eTracklist\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:12px;\"\u003eA1        Rhiannon\u003cbr\u003e\r\nA2        Don't Stop\u003cbr\u003e\r\nA3        Go Your Own Way\u003cbr\u003e\r\nA4        Hold Me\u003cbr\u003e\r\nA5        Everywhere\u003cbr\u003e\r\nA6        Gypsy\u003cbr\u003e\r\nA7        As Long As You Follow\u003cbr\u003e\r\nB1        Say You Love Me\u003cbr\u003e\r\nB2        Dreams\u003cbr\u003e\r\nB3        Little Lies\u003cbr\u003e\r\nB4        Sara\u003cbr\u003e\r\nB5        Tusk\u003cbr\u003e\r\nB6        No Questions Asked\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr\u003e\r\n\u003cspan style=\"font-size:12px;\"\u003e*Audio and\/or tracklist may vary slightly from the vinyl version.\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:12px;\"\u003eLabel: ‎‎‎Rhino\/Warner Records\u003cbr\u003e\r\nRel. Date: 06\/24\/2014\u003cbr\u003e\r\nUPC: 081227959357\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003ciframe allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\" height=\"152\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/0LfM3PGkXE6KvJEE1HkOnz?utm_source=generator\" style=\"border-radius:12px\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eFormat Detail: LP\u003c\/li\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003cli\u003eRSD Date: n\/a\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 06\/24\/2014\u003c\/li\u003e\n\u003cli\u003eBest Sellers: Top Seller\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Fleetwood Mac","offers":[{"title":"Default Title","offer_id":50242846523625,"sku":"9OURUU-IL01-00","price":24.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Fleetwood-Mac-Greatest-Hits_srw5f_20c3ba0a-6a00-463f-b0a2-ea796569c889.jpg?v=1770933111"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/collections\/IMG-7770.webp?v=1742965908","url":"https:\/\/www.vibinvinyl.com\/collections\/music-releases-06-24-2014.oembed","provider":"Vibin' Vinyl","version":"1.0","type":"link"}