{"title":"Music Releases 07\/29\/2014","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNew music releases at Vibin’ Vinyl on 07\/29\/2014\u003c\/span\u003e\u003c\/p\u003e","products":[{"product_id":"various-artists-ghostbusters-original-soundtrack-album","title":"| Ghostbusters (Original Motion Picture Soundtrack) (LP)","description":"\u003cp\u003e\u003cspan style=\"font-size:12px;\"\u003eThe soundtrack for the 1984 blockbuster comedy Ghostbusters, which starred Bill Murray, Dan Aykroyd and Harold Ramis as a New York-based team of spook exterminators, follows the most common soundtrack formula for summer blockbuster hits: throw on a bunch of pop songs that were heard in the movie only for a few seconds, combine them with a couple of excerpts from the original score, and -- voila! -- you have a soundtrack album. The highlights here are two tracks from Elmer Bernstein's score, Mick Smiley's \"Magic,\" which played a major role in the film, and the witty Ray Parker, Jr. theme song, \"Ghostbusters,\" which earned him an Academy Award nomination for Best Song.\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:12px;\"\u003eIf you're looking for one of the coolest soundtracks of a generation, who ya gonna call? The original chart-topping soundtrack album to the hit film Ghostbusters, out of print on vinyl for years, returns to the format for its 30th anniversary. Featuring the Oscar and Grammy-nominated worldwide No. 1 hit \"Ghostbusters\" by Ray Parker Jr., plus tracks by Air Supply, Thompson Twins and Laura Branigan, Ghostbusters is sure to scare up some fun on your turntable!\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:12px;\"\u003e\u2028Tracklist\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:12px;\"\u003eA1    Ghostbusters\u003cbr\u003e\r\nA2    Cleanin' Up The Town\u003cbr\u003e\r\nA3    Savin' The Day\u003cbr\u003e\r\nA4    In The Name Of Love\u003cbr\u003e\r\nA5    I Can Wait Forever\u003cbr\u003e\r\nB1    Hot Night\u003cbr\u003e\r\nB2    Magic\u003cbr\u003e\r\nB3    Main Title Theme (Ghostbusters)\u003cbr\u003e\r\nB4    Dana's Theme\u003cbr\u003e\r\nB5    Ghostbusters (Instrumental Version)\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:12px;\"\u003e*Audio and\/or tracklist may vary slightly from the vinyl version.\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:12px;\"\u003eLabel: SONY LEGACY\u003cbr\u003e\r\nRel. Date: 07\/29\/2014\u003cbr\u003e\r\nUPC: 888430828711\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003ciframe allow=\"autoplay *; encrypted-media *; fullscreen *; clipboard-write\" frameborder=\"0\" height=\"450\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-storage-access-by-user-activation allow-top-navigation-by-user-activation\" src=\"https:\/\/embed.music.apple.com\/us\/album\/ghostbusters-original-motion-picture-soundtrack\/1484413132\" style=\"width:100%;max-width:660px;overflow:hidden;border-radius:10px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eFormat Detail: LP\u003c\/li\u003e\n\u003cli\u003eGenre: Soundtrack\u003c\/li\u003e\n\u003cli\u003eRSD Date: DDD\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 07\/29\/2014\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Various Artists","offers":[{"title":"Default Title","offer_id":43720393785577,"sku":"C82SJQ-CQR2-00","price":30.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Various-Artists--Ghostbusters-Original-Soundtrack-Album_mls3J.jpg?v=1740489061"},{"product_id":"isaac-hayes-shaft-music-from-the-soundtrack-limited-edition-purple-vinyl-2-lps","title":"Shaft (Music From the Soundtrack) (Limited Edition, Purple Vinyl) (2 Lp's)","description":"\u003cp\u003eThe title track's perennially recognizable hi-hat and wah-wah guitar intro, interlocking horn\/string parts, and smooth, proto-rap verses conjure the name SHAFT as surely as a snake-charmer's incantation. It also conjures the name of Isaac Hayes--the songwriter, arranger, musician, and producer responsible for the phenomenally successful soundtrack to the landmark 1971 Blaxploitation film. Hayes's status as a key player in the Stax\/Volt soul empire, and as a solo artist of considerable renown, went through the roof with this double-LP (now compiled on a 70-minute CD). Hayes's lush, ambitious arrangements are performed by the Bar-Kays, one of Stax's premier house bands, along with guest string and horn players. Aside from the highbrow funk of the title track and two other vocal cuts (Hayes's ballad \"Soulsville\" and the near-20-minute midtempo funk of \"Do Your Thing\"), this is an instrumental set with a strong \"cinematic\" feel. Jazz, lounge, R\u0026amp;B, and atmospheric interludes are blended to give ample evidence of Hayes's brilliance as a composer and arranger. SHAFT was a commercial zenith for Hayes, and made his name as a giant of soul.\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 7\/29\/2014\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Isaac Hayes","offers":[{"title":"Default Title","offer_id":43720461746409,"sku":"PKM0OX-ZMWH-00","price":43.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Isaac-Hayes-Shaft-Music-From-the-Soundtrack-Limited-Edition-Purple-Vinyl-2-Lps_07qVX.jpg?v=1757398135"},{"product_id":"kix-blow-my-fuse","title":"BLOW MY FUSE","description":"By 1988, Kix had only managed to squeeze out three modest-selling records for Atlantic Records. Led in tandem by the endearing frontman Steve Whiteman and chief songwriter and bassist Donnie Purnell, for years, Kix would be unfairly categorized as a supposed \"hair band.\" Worse still, Whiteman would later wake up to find his dancing-on-my-tippy-toes stage act (just think Steven Tyler meets Johnny Thunders on uppers) stolen and carbon copied for the masses by a host of other inferior frontmen including Poison's Brett Michaels. After playing the East Coast club circuit for ten-plus years (with little commercial success to show for it), Kix's own brand of infectious AC\/DC power rock-meets-New York, black-hair-dye-glam would finally see its big payoff with the release of 1988's, Blow My Fuse. Produced by hard rock stalwart Tom Werman, Blow My Fuse may have proved to be the band's biggest-selling record but not necessarily its best. Featuring ten solid songs, including the first single\/video for the very AC\/DC-sounding \"Cold Blood,\" the infectious \"She Dropped Me the Bomb,\" and the excellent title track \"Blow My Fuse,\" the album's big boon would manifest itself in the form of a monster-power ballad, \"Don't Close Your Eyes.\" The track ultimately proved to be Kix's coming-out party and their graduation into the big leagues. Sadly, it would prove to be the band's sole bona fide career hit even though \"Cold Blood\" made a few tremors here and there. Almost overnight, the band was now travelling on luxury tour busses and effortlessly holding its own as an opening act in arenas across the United States. Embraced with open arms by MTV, \"Don't Close Your Eyes\" finally allowed Kix to open for the likes of David Lee Roth, heroes AC\/DC, and Aerosmith, as well as other soon to be forgotten acts like Ratt and the horrific Britny Fox. After years of hardship, the band could breathe easy (if only for a brief 18 months or so). Just two years later, like many of their other so-called hair rock contemporaries, Kix would see their fortunes crushed with the advent of grunge. The band would solider on with the release of the more mature Hot Wire. ~ John Franck\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 07\/29\/2014\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kix","offers":[{"title":"Default Title","offer_id":44562466046185,"sku":"KX3WI0-MMHC-00","price":24.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Kix-BLOW-MY-FUSE_1bZvv.jpg?v=1759183948"},{"product_id":"shabazz-palaces-lese-majesty-1","title":"Lese Majesty","description":"\u003cp\u003eLese Majesty is a Music CDs from Shabazz Palaces\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 07\/29\/2014\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Shabazz Palaces","offers":[{"title":"Default Title","offer_id":44563952500969,"sku":"1QZ0GF-0VU1-00","price":20.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Shabazz-Palaces-Lese-Majesty_E2zvo_6f907d1a-5af2-40f6-95a7-247a18ee7252.jpg?v=1759146053"},{"product_id":"jimi-hendrix-are-you-experienced","title":"Are You Experienced","description":"This 1997 reissue of ARE YOU EXPERIENCED? is a remastered version that restores the original LP's track order and album artwork. ARE YOU EXPERIENCED? was previously reissued in 1993 (MCA 10893) with new cover art and a new 17-track running order that included all the songs on either the U.S. or U.K. versions of the original LP. That version is now out of print, and has been replaced by this one, on the Experience Hendrix label, which features remastered versions of the same 17 songs, this time in the order they appeared on the original American LP, with the extra tracks added to the end (a separate version was simultaneously released in the U.K., featuring the same songs but in the original British track order). The Experience Hendrix label is controlled by Hendrix's family.\r\nThe 1997 reissue also adds a 24-page booklet with previously-unpublished photos, the original LP liner notes and song lyrics.\r\nThe Jimi Hendrix Experience: Jimi Hendrix (vocals, electric guitar); Noel Redding (bass, background vocals); Mitch Mitchell (drums, background vocals).\r\nRecorded in late 1966 and early 1967 at Olympic Studios, London, England.\r\nOriginally released on Reprise.\r\nIncludes liner notes by Dave Marsh.\r\nJimi Hendrix's debut recording was an instant classic, and is as startling today as when it first hit the streets in 1967. ARE YOU EXPERIENCED? is probably the most rock-oriented of Hendrix's official studio releases, but its influences are incredibly diverse. \"Third Stone from the Sun\" recalls the supple octaves of jazz guitarist Wes Montgomery; the churning Afro-Cuban polyrhythms of \"Manic Depression\" evoke John Coltrane and Elvin Jones; \"I Don't Live Today\" employs ritualistic Native American drumbeats; and the title tune borrows the Eastern airs of sitarist Ravi Shankar. The mix, beautifully refreshed on this 1997 reissue, is dark and churning, a dense wall of sound. Mitch Mitchell and Noel Redding blast away with a barely controlled fury, and there's a distorted metallic edge to Hendrix's guitar timbre that has made ARE YOU EXPERIENCED? a particular favorite among rock and heavy metal guitarists. \"Purple Haze\" and \"Foxey Lady\" helped define the power trio format, thanks to Hendrix's full-bodied rhythm guitar and his soaring solos. ARE YOU EXPERIENCED? also established Hendrix as a singer\/songwriter. His Dylanesque vocals and spacy imagery make each tune a little gem, especially on gentle outings such as the ballad \"The Wind Cries Mary.\"\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eRSD Date: n\/a\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 07\/29\/2014\u003c\/li\u003e\n\u003cli\u003eBest Sellers: Top Seller\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Jimi Hendrix","offers":[{"title":"Default Title","offer_id":44581496881385,"sku":"RINN9Q-XHP2-00","price":28.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/jimi-hendrix-are-you-experienced_HmlmB.jpg?v=1740930167"},{"product_id":"alanis-morissette-supposed-former-infatuation-junkie-180-gram-vinyl-import-2-lps","title":"Supposed Former Infatuation Junkie (180 Gram Vinyl) [Import] (2 Lp's)","description":"\r\nSIDE A\r\n1. FRONT ROW\r\n2. BABA\r\n3. THANK U\r\n4. ARE YOU STILL MAD\t\r\nSIDE B\r\n1. SYMPATHETIC CHARACTER\r\n2. THAT I WOULD BE GOOD\r\n3. THE COUCH\r\n4. CAN'T NOT\r\nSIDE C\r\n1. UR\r\n2. I WAS HOPING\r\n3. ONE\r\n4. WOULD NOT COME\t\r\nSIDE D\r\n1. UNSENT\r\n2. SO PURE\r\n3. JOINING YOU\r\n4. HEART OF THE HOUSE\r\n5. YOUR CONGRATULATIONS\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 07\/29\/2014\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Alanis Morissette","offers":[{"title":"Default Title","offer_id":44581670125801,"sku":"432PTF-M8BS-00","price":43.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/alanis-morissette-supposed-former-infatuation-junkie-180-gram-vinyl-import-2-lps_o164O.jpg?v=1742431946"},{"product_id":"3rd-bass-the-cactus-album-lp","title":"THE CACTUS ALBUM (LP","description":"3rd Bass includes: MC Search (Michael Berrin); Prime Minister Pete Nice (Peter Nash).\nProducers include: Keith Shocklee, Hank Shocklee, M.C. Serch, Sam Sever, Prince Paul.\nEngineers include: Greg Gordon, Curt Fresca, Kevin Reynolds.\nRecorded at Chung King, Green Street Studios, New York, New York; Island Media, West Babylon, New York.\nBesides the upper-middle-class frat-punks-in-rap-clothing shtick of the Beastie Boys and emissary\/producer Rick Rubin, who both gained a legitimate, earned respect in the rap community, there were very few white kids in rap's first decade who spoke the poetry of the street with compassion and veneration for the form. That is, until The Cactus Album. Matching MC Serch's bombastic, goofy good nature and Prime Minister Pete Nice's gritty, English-trained wordsmithery (sounding like a young Don in training), 3rd Bass' debut album is revelatory in its way. For one, it is full of great songs, alternately upbeat rollers (\"Sons of 3rd Bass\"), casual-but-sincere disses (\"The Gas Face\"), razor-sharp street didacticism (\"Triple Stage Darkness,\" \"Wordz of Wizdom\"), and sweaty city anthems (\"Brooklyn Queens,\" \"Steppin' to the A.M.,\" odes to day and night, respectively), with A-plus production by heavyweights Prince Paul and Bomb Squad, as well as the surprising, overshadowing work of Sam Sever. The duo may not have come from the streets, but their hearts were there, and it shows. The album embodies New York life. Not every single idea plays out successfully -- Serch's Tom Waits impression on \"Flippin' Off the Wall...\" is on the wrong side of the taste line, and \"Desert Boots\" is a puzzling Western-themed insertion -- but they are at least interesting stretches that add to the dense, layered texture of the album. The Cactus Album was also important because it proved to the hip-hop heads that white kids could play along without appropriating or bastardizing the culture. It may not have completely integrated rap, but it was a precursor to a culture that became more inclusive and widespread after its arrival. ~ Stanton Swihart\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 7\/29\/2014\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"3rd Bass","offers":[{"title":"Default Title","offer_id":44582364971241,"sku":"GV62AL-VXLB-00","price":33.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/3rd-Bass-THE-CACTUS-ALBUM-LP_KmfPU.jpg?v=1759248915"},{"product_id":"kenny-dorham-afro-cuban","title":"Afro-Cuban","description":"TracksCredits\r\n1 Afrodisia\r\n2 Lotus Flower\r\n3 Minor's Holiday\r\n4 Basheer's Dream\r\n5 K.D.'s Motion\r\n6 La Villa\r\n7 Venita's Dance\u003cul\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 07\/29\/2014\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kenny Dorham","offers":[{"title":"Default Title","offer_id":44582676988137,"sku":"9F9BSX-EZ4Z-00","price":28.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/kenny-dorham-afro-cuban_9PxbR.jpg?v=1744068173"},{"product_id":"deep-purple-rock-shades-of-deep-purple","title":"Shades of Deep Purple","description":"Deep Purple: Rod Evans (vocals); Ritchie Blackmore (guitar); Jon Lord (keyboards); Nick Simper (bass); Ian Paice (drums).\nPrincipally recorded at Pye's Studio, London, England in May 1968. Originally released on Tetragrammaton (102). Includes liner notes by\nDigitally remastered by Peter Mew (Abbey Road Studios, London, England).\nThe usual perception of early Deep Purple is that it was a band with a lot of potential in search of a direction. And that might be true of their debut LP, put together in three days of sessions in May of 1968, but it's still a hell of an album. From the opening bars of \"And the Address,\" it's clear that they'd gotten down the fundamentals of heavy metal from day one, and at various points the electricity and the beat just surge forth in ways that were startlingly new in the summer of 1968. Ritchie Blackmore never sounded less at ease as a guitarist than he does on this album, and the sound mix doesn't exactly favor the heavier side of his playing, but the rhythm section of Nick Simper and Ian Paice rumble forward, and Jon Lord's organ flourishes, weaving classical riffs, and unexpected arabesques into \"I'm So Glad,\" which sounds rather majestic here. \"Hush\" was the number that most people knew at the time (it was a hit single in America), and it is a smooth, crunchy interpretation of the Joe South song. But nobody could have been disappointed with the rest of this record -- one can even hear the very distant origins of \"Smoke on the Water\" in \"Mandrake Root,\" once one gets past the similarities to Jimi Hendrix's \"Foxy Lady\"; by the song's extended finale, they sound more like the Nice. Their version of \"Help\" is one of the more interesting reinterpretations of a Beatles song, as a slow, rough-textured dirge. \"Hey Joe\" is a bit overblown, and the group clearly had to work a bit at both songwriting and their presentation, but one key attribute that runs through most of this record -- even more so than the very pronounced heaviness of the playing -- is a spirit of fun; these guys are obviously having the time of their lives rushing through their limited repertoire, and it's infectious to the listener; it gives this record much more of a '60s feel than we're accustomed to hearing from this band. [The EMI\/Spitfire re-release from 2000 is notably superior to any prior version of the CD, made from the original master tape (which had been sent directly to the group's American label, Tetragrammaton, leaving EMI with a vinyl dub, astonishingly enough), with textures far closer and crisper than have ever been heard before -- there are also five bonus tracks, two very early outtakes from their earliest sessions, an alternate version of \"Help,\" a BBC recording of \"Hey Joe,\" and a searing live U.S. television performance of \"Hush.\"] ~ Bruce Eder\u003cul\u003e\n\u003cli\u003eGenre: Rock and Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 07\/29\/2014\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Deep Purple (rock)","offers":[{"title":"Default Title","offer_id":44586198204649,"sku":"S9QZ2F-7JR1-00","price":33.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/deep-purple-rock-shades-of-deep-purple_7kOUe.jpg?v=1758789951"},{"product_id":"sandy-denny-the-north-star-grassman-the-ravens","title":"The North Star Grassman \u0026 The Ravens","description":"Personnel: Sandy Denny (vocals, acoustic guitar, piano); Richard Thompson (vocals, acoustic \u0026amp; electric guitars, accordion); Trevor Lucas (acoustic, electric \u0026amp; 12-string guitars, background vocals); Jerry Donahue (electric guitar); Buddy Emmons (pedal steel guitar); Barry Dransfield (violin, background vocals); Ian Whiteman (piano, flute organ); Pat Donaldson (bass); Gerry Conway, Roger Powell (drums); Royston Woods, Robin Dransfield (background vocals).\nEngineers: Sandy Denny, Richard Thompson, John Wood.\nRecorded at Sound Techniques, Basing Street and Air Studios, London, England in May 1971.\nOne could argue Sandy Denny left Fairport Convention at just the right time -- her final album with the group, 1969's Liege \u0026amp; Lief, was both a masterpiece and a millstone, a brilliant work they would never top -- but her instincts were not as keen in terms of launching her solo career. Denny not unreasonably wanted a showcase for her own songwriting, but after leaving Fairport she opted to join Fotheringay, a talented folk-rock band but one that was neither as interesting nor as visionary as Fairport. Fotheringay splintered during the recording of their second LP, and Denny seemed to still be finding her footing as she set out to make her first solo album. The North Star Grassman and the Ravens was co-produced by Denny, fellow Fairport alumnus Richard Thompson and John Wood, and the interplay between Denny's vocals and Thompson's understated but striking lead guitar work is one of the best things about the record. With a gifted crew of U.K. folk-rockers backing her up, the sessions confirmed that Denny was still one of the most gifted and thoughtful vocalists to emerge from the British folk community, and she was also a talent to be reckoned with as a songwriter: \"John the Gun,\" \"Late November,\" and the title tune are only a little short of brilliant. But as good as the original songs were, and as compelling as Denny's vocals may have been, The North Star Grassman and the Ravens feels tentative and uneven. While Denny had the strength to do rock-oriented material, the covers of Bob Dylan's \"Down in the Flood\" and Brenda Lee's \"Let's Jump the Broomstick\" sound sloppy and meandering, and as sympathetic and expert as the production may be, the deference to Denny's vocals leaves the music a bit pale in comparison, while most of the tracks lack the personality they deserve. By any standards, The North Star Grassman and the Ravens is a fine album full of great songs and inspired vocal performances, but considering the excellence of Denny's music in Fairport Convention, it was a genuine disappointment, and seems pale in comparison to her next two solo efforts, Sandy and Like an Old-Fashioned Waltz. [In 2011, The North Star Grassman and the Ravens was reissued in a deluxe two-disc edition, and it's a genuine improvement on the original. Disc one features a remastered version of the original 11-song album along with four bonus tracks, but disc two is where the greatest treasures lie, leading off with five unreleased demos and following with seven live performances from the BBC archives. On most of these tracks, Denny performs solo, accompanying herself on guitar and piano, and where the album sometimes sounds uncertain and unfocused, here Denny is brimming with confidence and dramatic force. Even for those fans who don't care for The North Star Grassman and the Ravens, the bonus material makes this a must for anyone who loves Sandy Denny's voice and music.] ~ Mark Deming\u003cul\u003e\n\u003cli\u003eGenre: Folk\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 07\/29\/2014\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sandy Denny","offers":[{"title":"Default Title","offer_id":44587060265193,"sku":"W4K7IS-HPMQ-00","price":40.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/sandy-denny-the-north-star-grassman-the-ravens_cRlLQ.jpg?v=1759101572"},{"product_id":"donald-byrd-black-byrd-lp","title":"BLACK BYRD (LP)","description":"Personnel: Donald Byrd (vocals, acoustic \u0026amp; electric trumpets, flugelhorn); Fonce Mizell (vocals, trumpet); Fred Perren (vocals, electric piano, synthesizer); Larry Mizell (vocals); Roger Glenn (saxophone, flute); Joe Sample (acoustic \u0026amp; electric pianos); David T. Walker, Dean Parks (guitar); Wilton Felder, Chuck Rainey (electric bass); Harvey Mason (drums); Bobbye Porter Hall, Stephanie Spruill (percussion).\nRecorded at the Sound Factory, Los Angeles, California on April 3 \u0026amp; 4 and November 24, 1972. Includes liner notes by Gertrude Gipson.\nPurists howled with indignation when Donald Byrd released Black Byrd, a full-fledged foray into R\u0026amp;B that erupted into a popular phenomenon. Byrd was branded a sellout and a traitor to his hard bop credentials, especially after Black Byrd became the biggest-selling album in Blue Note history. What the elitists missed, though, was that Black Byrd was the moment when Byrd's brand of fusion finally stepped out from under the shadow of his chief influence, Miles Davis, and found a distinctive voice of its own. Never before had a jazz musician embraced the celebratory sound and style of contemporary funk as fully as Byrd did here -- not even Davis, whose dark, chaotic jungle-funk stood in sharp contrast to the bright, breezy, danceable music on Black Byrd. Byrd gives free rein to producer\/arranger\/composer Larry Mizell, who crafts a series of tightly focused, melodic pieces often indebted to the lengthier orchestrations of Isaac Hayes and Curtis Mayfield. They're built on the most straightforward funk rhythms Byrd had yet tackled, and if the structures aren't as loose or complex as his earlier fusion material, they make up for it with a funky sense of groove that's damn near irresistible. Byrd's solos are mostly melodic and in-the-pocket, but that allows the funk to take center stage. Sure, maybe the electric piano, sound effects, and Roger Glenn's ubiquitous flute date the music somewhat, but that's really part of its charm. Black Byrd was state-of-the-art for its time, and it set a new standard for all future jazz\/R\u0026amp;B\/funk fusions -- of which there were many. Byrd would continue to refine this sound on equally essential albums like Street Lady and the fantastic Places and Spaces, but Black Byrd stands as his groundbreaking signature statement. ~ Steve Huey\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 7\/29\/2014\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Donald Byrd","offers":[{"title":"Default Title","offer_id":44588241846505,"sku":"HDHFDP-HHSP-00","price":28.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/donald-byrd-black-byrd-lp_S1Ri3_0031cdad-f688-4d3b-97ad-dddfff4bcaa2.jpg?v=1758894897"},{"product_id":"dark-lotus-mud-water-air-blood","title":"MUD WATER AIR \u0026 BLOOD","description":"With Twiztid off ICP's Psychopathic label since late 2012, it seemed the ICP+TWZTD supergroup Dark Lotus was a dead and buried project, but the 2014 arrival of The Mud, Water, Air and Blood proves it ain't dead, just zombified. At least, partially zombified as \"My Head Is Haunted\" is hyped-up horrorcore hip-hop with some kick, while \"45 Minutes\" is an operatic, over-the-top movie on wax that centers around the gallows, but often, the ICP camp seem to be reading their lines for the first time and the overall chemistry between the two crews is lukewarm. Still, when Frankenstein met Dracula it was a shallow spectacle that thrilled hardcore fans with its \"more, more, more\" attitude, so save this plodding zombie for the annual Gathering-goers and those who installed the \"Find Faygo\" app on day one. ~ David Jeffries\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 07\/29\/2014\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dark Lotus","offers":[{"title":"Default Title","offer_id":44588671074537,"sku":"OFIXS5-2Q38-00","price":16.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/dark-lotus-mud-water-air-blood_FhQCm.jpg?v=1758891937"},{"product_id":"theory-of-a-dead-man-savages","title":"SAVAGES","description":"Personnel: Tyler Connolly (vocals, guitar); Dave Brenner (guitar); Lenny Skolnik, Jonny Litten (keyboards, programming); Howard Benson (keyboards); Joe Dandeneau (drums).\nAudio Mixer: Jay Ruston.\nRecording information: Henson Studios, Los Angeles, CA; The Grip Studio, Nashville, TN; West Valley Studios, Woodland Hills, CA.\nPhotographer: Christian Lantry.\nDespite the alienating snarl of the title Savages, Theory of a Deadman find space for guests on their fifth album. Alice Cooper wanders into the title track to mumble a recitation and Joe Don Rooney -- aka the Rascal Flatt who plays guitar but doesn't front the band -- comes in for the tongue-in-cheek \"Livin' My Life Like a Country Song.\" This isn't the only time TOAD play around on Savages. They jab at Chris Brown and the Kardashians on \"Blow,\" they claim they're living through \"World War Me,\" they write an ode to their \"Panic Room,\" and they enlist a children's choir to help them bring \"The Sun Has Set on Me\" to its rousing conclusion. As before, producer Howard Benson gives TOAD a muscular sound that accentuates the group's debt to Nickelback -- they both specialize in growled singsong riffs -- and his sinewy sheen is appealing; he shines the big hooks and layers the riffs so they contain a visceral force. ~ Stephen Thomas Erlewine\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 07\/29\/2014\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Theory Of A Dead Man","offers":[{"title":"Default Title","offer_id":44588869746921,"sku":"Y225NJ-E7UF-00","price":20.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/theory-of-a-dead-man-savages_2Zcv1.jpg?v=1759276078"},{"product_id":"jenny-lewis-voyager","title":"VOYAGER","description":"Audio Mixer: Rich Costey.\nRecording information: ARC, Omaha, NE; Pax Am studios.\nPhotographer: Autumn de Wilde.\nLurking beneath the seductive, supple gloss of The Voyager lies a serious undercurrent of sorrow -- an undercurrent Jenny Lewis doesn't disguise but doesn't bring to the surface, either. Someone, somewhere broke her heart, and perhaps the culprit is Lewis herself. Regret and self-recrimination abound on The Voyager: it's a tattered storybook full of relationships gone to rot, missed marriages, infidelities forgiven but not forgotten, wistful teenage memories fading in the face of adult disappointment. Whether the songs are autobiographical or not -- and they're filled with seemingly personal signifiers, ranging from red hair and scars left from the San Fernando Valley to a philandering, layabout beau named John -- doesn't matter much, as The Voyager aims to strike a universal chord for ladies in their thirties watching the years slide by as they wait for boyfriends to commit or life to start happening. It's heavy midlife crisis material but The Voyager plays lightly, offering a warm balm of Southern California sounds. Much more than Under the Blacklight, Rilo Kiley's 2007 stab at Fleetwood Mac-styled pop, this feels like vintage L.A. studio rock. Working primarily with producer Ryan Adams -- Beck comes aboard to give \"Just One of the Guys\" a narcotic sway, while Jenny collaborates with longtime partner Johnathan Rice on \"Head Underwater\" and \"You Can't Outrun 'Em\" -- Lewis indulges in the sunnier aspects of vintage yacht rock, occasionally dipping into the Laurel Canyon folk-rock she's specialized in on her own. Guitars roam wide-open spaces, couched in luxurious reverb and draped in strings; the rhythms often follow cool, steady eighth-note pulses; the surfaces always shimmer. It's such a sultry, soothing sound that it's easy to ignore the pain that lies beneath but that's a feature, not a bug: on The Voyager, Lewis' characters live for today without ever thinking that the world might pass them by, and having her music flow so smooth and easy, she illustrates how easy it is to get sucked into that alluring stasis. ~ Stephen Thomas Erlewine\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 07\/29\/2014\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Jenny Lewis","offers":[{"title":"Default Title","offer_id":44589905772777,"sku":"X5LUK4-F1S1-00","price":23.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/jenny-lewis-voyager_m3IiJ.jpg?v=1759041134"},{"product_id":"korn-korn-import-180-gram-vinyl-2-lps","title":"Korn [Import] (180 Gram Vinyl) (2 Lp's)","description":"\r\nSIDE A\r\n1. BLIND\r\n2. BALL TONGUE\r\n3. NEED TO\r\n4. CLOWN\t\r\nSIDE B\r\n1. DIVINE\r\n2. FAGET\r\n3. SHOOTS AND LADDERS\r\nSIDE C\r\n1. PREDICTABLE\r\n2. FAKE\r\n3. LIES\r\n4. HELMET IN THE BUSH\t\r\nSIDE D\r\n1. DADDY\u003cul\u003e\n\u003cli\u003eGenre: Heavy Metal\u003c\/li\u003e\n\u003cli\u003eRSD Date: DDD\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 07\/29\/2014\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Korn","offers":[{"title":"Default Title","offer_id":44590397161705,"sku":"RT10DY-5BIC-00","price":43.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/korn-korn-import-180-gram-vinyl-2-lps_oJbmY.jpg?v=1741878781"},{"product_id":"hank-williams-jr-greatest-hits-180-gram-vinyl-digital-download-card","title":"Greatest Hits (180 Gram Vinyl, Digital Download Card)","description":"\u003cp\u003eGreatest Hits (180 Gram Vinyl, Digital Download Card) is a Records \u0026amp; LPs from Hank Williams Jr.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 07\/29\/2014\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Hank Williams Jr.","offers":[{"title":"Default Title","offer_id":44590456799465,"sku":"R6G1OT-NY2L-00","price":29.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/hank-williams-jr-greatest-hits-180-gram-vinyl-digital-download-card_Ril25.jpg?v=1740721103"},{"product_id":"best-of-2-tone-various-best-of-2-tone-various","title":"BEST OF 2 TONE \/ VARIOUS","description":"It has similar cover art to a previous compilation called The Best of 2 Tone but Rhino U.K.'s 2014 set The Best of 2 Tone runs a little longer than that other collection, featuring 18 tracks of the ska revival label at its peak. The expected hits are here -- plenty of the Specials, Madness, the Beat, and the Selecter -- along with just a couple of left-field choices to keep it interesting, but this isn't really designed to be a deep dive: it's an affordable way to get the very best of the label and, on that level, it's quite the success. ~ Stephen Thomas Erlewine\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 07\/29\/2014\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Best Of 2 Tone \/ Various","offers":[{"title":"Default Title","offer_id":44597835989225,"sku":"DOWXC6-CWS1-00","price":36.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/best-of-2-tone-various-best-of-2-tone-various_f8hWJ.jpg?v=1759340373"},{"product_id":"toco-memoria","title":"Memoria","description":"Until his song \"Guarapiranga\" was prominently featured in the film Silver Linings Playbook, Brazilian singer\/songwriter Toco (aka Tomaz di Cunto) was unknown to most audiences outside Italy (where he resides) and his native land. Memoria is his debut for Milan's illustrious Schema label, which is also home to Nicola Conte and Gerardo Frisina. This set was produced by the veteran S-Tone (multi-instrumentalist Stefano Tirone) in Milan. Though the lineup is often varied and large, the center of this glorious mix is Toco's clean, warm, sensual voice in songs that wed classic bossa and jazz. That said, despite its roots in a classic age -- the early '60s -- this is far from a \"retro\" date. Production and arrangements are thoroughly contemporary, and utterly without excess. Informed by and contributing to the legacy of jazz, bossa nova is timeless in its appeal, especially when songs are as well-crafted as these. Toco's core group features Roberto Taufic on acoustic guitar, Eduardo Taufic on piano and Rhodes, Edu Hebling on double bass, and the great Mauro Martins on drums. It is appended selectively by S-Tone's electric guitar and Wurlitzer, horns, backing vocalists, and the String Island Quartet on four cuts. \"Minas\" is a sultry, summery bossa with acoustic guitar framed by twinkling Rhodes, additional percussion, and backing singers. Toco's voice glides atop a shimmering groove fueled by Martins. Beppe Caruso also delivers an exacting yet relaxed trombone break. \"O Tempo ? Aqui\" is a minor-key samba. Toco's melancholic vocal is colored by mournful acoustic guitar, brightened somewhat by fluid percussion, and given emotional support from a trio of singers and a seamless tonal meld of piano and Rhodes. \"Rainha\" is a jazzed-up samba duet with Nina Miranda. Guitar, drums, and percussion engage in active interplay, further encouraged by the string group and finally given flight by Marco Brioschi's fl?gelhorn solo. The two sparest cuts here, \"Divino\" and closer \"Bate,\" both feature the String Island Quartet with the core group and percussion -- the latter also features S-Tone's electric guitar. Though contrasting, they illustrate vast textural and timbral possibilities. The former is a simmering bossa; the string players add acceleration and depth while in the latter, nearly a lament, they provide drama. Yet none of this would matter if Toco's elegant voice didn't resonate with such presence and command all the musicians present. His phrasing, while quite unique, walks a line between the finest in the Brazilian tradition's lineage and the graceful sense of timing and syncopation in jazz. Memoria is Toco's strongest date yet; it is a full realization of what his music has promised since the very beginning. ~ Thom Jurek\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 07\/29\/2014\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Toco","offers":[{"title":"Default Title","offer_id":44598055928041,"sku":"N5XR2A-XC1K-00","price":41.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/toco-memoria_uaTZl.jpg?v=1759012690"},{"product_id":"allman-brothers-band-the-1971-fillmore-ea","title":"THE 1971 FILLMORE EA","description":"Generally considered the career breakthrough, and some would even say pinnacle, of the Allman Brothers' career, the 1971 concert album At Fillmore East was a huge success for the band. A landmark of classic rock, At Fillmore East, recorded over several nights in March 1971, captured the live intensity and almost psychic group interplay between the bandmembers, largely centered on the guitar t?te-?-t?te of Duane Allman and Dickey Betts. Also integral to the Georgia band's sound were the bluesy, soul-inflected vocals and organ playing of Gregg Allman, on whose shoulders much of the band's future would rest after the tragic death of his brother Duane in a motorcycle accident in October 1971, a mere four days after At Fillmore East was certified gold. However, despite the group's undeniably innovative mix of rock, country, blues, and jazz, it was producer Tom Dowd who helped craft the live sessions into a remarkably kinetic and timely album. Dowd, who had previously helmed the group's second album, 1970's Idlewild South, skillfully edited the group's various performances together, maximizing the best bits and, as in the case of \"You Don't Love Me,\" combined the first section with the last section to form a concise, masterful take. The 2014 six-disc box set The 1971 Fillmore East Recordings brings together all of the unedited recordings the Allman Brothers made during their two-night, four-show stand at the Fillmore East. That means longtime fans get four versions of the band's set opener, \"Statesboro Blues,\" as well as other cuts the group repeated each set. Thankfully, the Allman Brothers rarely played a song the same way twice, and every track here holds something surprising and unexpected to discover. Also included is the group's June 1971 show closing out the Fillmore East for owner Bill Graham, who had decided to shut the venue down. Combine all of the music here, much previously unreleased, with John Lynskey's heartfelt and informative liner notes detailing all of the concert drama, both on stage and off, and The 1971 Fillmore East Recordings ends up working as both a completist anthology and a joyful rock tribute. ~ Matt Collar\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 7\/29\/2014\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Allman Brothers Band","offers":[{"title":"Default Title","offer_id":44598978904297,"sku":"165YJR-EEMR-00","price":86.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/allman-brothers-band-the-1971-fillmore-ea_dyjeT.jpg?v=1759003479"},{"product_id":"tom-petty-heartbreakers-hypnotic-eye","title":"HYPNOTIC EYE","description":"\u003cp\u003eLooking back, it's clear the 2008 Mudcrutch reunion was pivotal for Tom Petty, helping him re-focus and re-dedicate himself to playing in a band. Like the original band, Mudcrutch Mach II didn't last long -- long enough to play a few shows and record a warm, gangly beast of an album -- but it reinvigorated Petty. Afterward, he reveled in the sound of how the Heartbreakers played, digging deep into his catalog to shake up his set lists, letting the group exercise some blues muscles on 2010's Mojo, a record that stood as the Heartbreakers' rowdiest record since the '70s but which is easily overshadowed by the trashy psychedelic pulse of 2014's Hypnotic Eye. Teeming with fuzz, overdriven organ, and hard four-four rhythms, all interrupted by the occasional blues workout or jazz shuffle, Hypnotic Eye comes across as a knowing splice of Petty's own XM radio show Buried Treasures and Little Steven Van Zandt's Sirius channel Underground Garage, a record that celebrates all the disreputable 45s created in garages so they could be played in garages. Occasionally, the band evoke memories of their own past -- \"Shadow People\" has guitar tones straight out of Shelter Records -- but they're largely dedicated to the sounds that provided them with their original inspirations. What prevents Hypnotic Eye from sliding into the arena of soft, desperate nostalgia is a combination of muscle and savvy, a combination that gives the album a strong infrastructure -- Petty strips his songs to the bone; they're so lean they feel as if they clock in at two minutes, even if they run twice that long -- and a sonic wallop. Much of that visceral thrill is due to co-producers Petty, guitarist Mike Campbell, and Ryan Ulyate accentuating the intuitive interplay in the Heartbreakers with sharp, striking slashes of color; this gives the record immediacy and complexity, which means there is enough aural activity that repeated plays do not dull the LP's initial bracing impact. Ultimately, Hypnotic Eye is a record about the pure joy of sound, a rush that doesn't lessen upon repetition -- a sentiment that's true of those old '60s garage rock singles and early Heartbreakers albums, and this is a surprisingly, satisfyingly vigorous record. ~ Stephen Thomas Erlewine\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eRSD Date: DDD\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 07\/29\/2014\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Tom Petty \/ Heartbreakers","offers":[{"title":"Default Title","offer_id":44599808327913,"sku":"2LF165-NRT1-00","price":42.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/tom-petty-heartbreakers-hypnotic-eye_I6hwT.jpg?v=1740711347"},{"product_id":"shabazz-palaces-lese-majesty-2","title":"Lese Majesty","description":"\u003cp\u003eLese Majesty is a Records \u0026amp; LPs from Shabazz Palaces\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 07\/29\/2014\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Shabazz Palaces","offers":[{"title":"Default Title","offer_id":44600143511785,"sku":"YVRVQP-8H8F-00","price":32.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/shabazz-palaces-lese-majesty_QDcAR.jpg?v=1759147217"},{"product_id":"jungle-jungle","title":"Jungle","description":"TracksCredits\r\n1 The Heat\r\n2 Accelerate\r\n3 Busy Earnin'\r\n4 Platoon\r\n5 Drops\r\n6 Time\r\n7 Smoking Pixels\r\n8 Julia\r\n9 Crumbler\r\n10 Son of a Gun\r\n11 Lucky I Got What I Want\r\n12 Lemonade Lake\u003cul\u003e\n\u003cli\u003eHandling Note: **Please allow an additional 72 hours for this item's shipment.**\u003c\/li\u003e\n\u003cli\u003eFormat Detail: LP standard Jacket\u003c\/li\u003e\n\u003cli\u003eGenre: Dance \u0026amp; Electronic\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eInternal ID: JITRE\u003c\/li\u003e\n\u003cli\u003eReleased: 07\/29\/2014\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Jungle","offers":[{"title":"Default Title","offer_id":45460616806633,"sku":"FMX8IJ-XBPY-00","price":33.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/jungle-jungle_LrZ3R.jpg?v=1743924587"},{"product_id":"jenny-lewis-voyager-digital-download-card","title":"Voyager (Digital Download Card)","description":"Tracks\r\n1 Head Underwater\r\n2 She's Not Me\r\n3 Just One of the Guys\r\n4 Slippery Slopes\r\n5 Late Bloomer\r\n6 You Can't Outrun 'Em\r\n7 The New You\r\n8 Aloha \u0026amp; the Three Johns\r\n9 Love U Forever\r\n10 The Voyager\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 07\/29\/2014\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Jenny Lewis","offers":[{"title":"Default Title","offer_id":46465900183785,"sku":"NK7QH6-4LWS-00","price":24.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/jenny-lewis-voyager-digital-download-card_Bb0W3.jpg?v=1740753262"},{"product_id":"bob-spitz-barefoot-in-babylon-the-creation-of-the-woodstock-music-festival-1969-trade-paperback","title":"Bob Spitz Barefoot in Babylon: The Creation of the Woodstock Music Festival,1969 (Trade Paperback)","description":"\u003cp\u003eBarefoot in Babylon: The Creation of the Woodstock Music Festival,1969 (Trade Paperback) is a undefined Print Books from Bob Spitz\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat: Book\u003c\/li\u003e\n\u003cli\u003eReleased: 07\/29\/2014\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Bob Spitz","offers":[{"title":"Default Title","offer_id":46466390884585,"sku":"P5PARF-5MZW-00","price":18.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/bob-spitz-barefoot-in-babylon-the-creation-of-the-woodstock-music-festival1969-trade-paperback_1KbG3_caf728d4-0b1c-4074-aca4-4fdc1bdeea49.jpg?v=1743244078"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/collections\/Pink_and_White_Grunge_Simple_New_Single_Release_Instagram_Post_copy_8_850a58c3-a795-46d0-8bca-7d559ac65926.png?v=1729321005","url":"https:\/\/www.vibinvinyl.com\/collections\/music-releases-07-29-2014.oembed?page=2","provider":"Vibin' Vinyl","version":"1.0","type":"link"}