{"title":"Music Releases 09\/02\/2014","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eNew music releases at Vibin’ Vinyl on 09\/02\/2014\u003c\/p\u003e","products":[{"product_id":"richie-kotzen-essential-richie-kotzen","title":"ESSENTIAL RICHIE KOTZEN","description":"\u003cp\u003eESSENTIAL RICHIE KOTZEN is a Music CDs from Richie Kotzen\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 09\/02\/2014\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Richie Kotzen","offers":[{"title":"Default Title","offer_id":44562469716201,"sku":"2FTMSF-M3K5-00","price":26.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Richie-Kotzen-ESSENTIAL-RICHIE-KOTZEN_sWWHK_7e23bede-c6fb-4f01-a6dd-e983684859d0.jpg?v=1758834549"},{"product_id":"cactus-tko-tokyo-live-in-japan","title":"TKO TOKYO-LIVE IN JAPAN","description":"\u003cp\u003eTKO TOKYO-LIVE IN JAPAN is a Music CDs from Cactus\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 09\/02\/2014\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Cactus","offers":[{"title":"Default Title","offer_id":44563640615145,"sku":"EI1B0A-7HO6-00","price":29.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Cactus-TKO-TOKYO-LIVE-IN-JAPAN_s6GSs.jpg?v=1759066228"},{"product_id":"kim-waters-silver-soul","title":"SILVER SOUL","description":"Personnel: Kim Waters (saxophone, background vocals); Allen Hinds (guitar).\nAudio Mixer: Davy D.\nRecording information: Waterfall Studios, Round Rock, TX.\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eRSD Date: n\/a\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 09\/02\/2014\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kim Waters","offers":[{"title":"Default Title","offer_id":44563917111529,"sku":"K2NXJA-RQ60-00","price":20.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Kim-Waters-SILVER-SOUL_IDXaZ.jpg?v=1741077232"},{"product_id":"johnny-winter-step-back","title":"STEP BACK","description":"Audio Mixer: Mike \"Metal\" Goldberg.\nRecording information: Carriage House Studios, Stamford, CT.\nStepping into the role of a whirlwind albino electric blues guitar player from Texas with a brilliant slide style and a roaring voice was the very role Johnny Winter was born to fill. He released nearly 30 albums of blues and blues-rock in his 40-plus-decade career, and delivered countless memorable concerts as well. His death in the summer of 2014 at the age of 70 left an unfillable void in the international blues community. Step Back is his final studio album, and it follows his 2011 release Roots in paying tribute to his various blues influences, and, like Roots, it is essentially a series of duets with all-star guests, with Eric Clapton, Ben Harper, Billy Gibbons, Joe Perry, Dr. John, Leslie West, Brian Setzer, and Joe Bonnamassa helping out this time around. Produced by Winter's guitarist, Paul Nelson, the album is full of gritty, soaring guitar, the kind of straightforward blues-rock style Winter has always been known for, and it's obvious over his last two albums that Winter still found joy and excitement in it all, and he went out playing perhaps as well as he ever had, having learned the nuances of these classic blues songs inside and out. Highlights here include versions of Lightnin' Hopkins' \"Mojo Hand\" (with Aerosmith's Joe Perry), Bobby Bland's \"Don't Want No Woman\" (with Eric Clapton), Fats Domino's \"Blue Monday\" (with Dr. John), and Gatemouth Brown's \"Okie Dokie Stomp\" (with Brian Setzer), and even with all the guests, it's still Winter's show. Nothing here is innovative or particularly startling, though, but it's all solid, and it's comforting to know that Winter went out in peace with the blues and his legacy, and most importantly, without his skills diminishing. ~ Steve Leggett\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eRSD Date: n\/a\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 09\/02\/2014\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Johnny Winter","offers":[{"title":"Default Title","offer_id":44563949519081,"sku":"CWLLLW-BMG2-00","price":23.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Johnny-Winter-STEP-BACK_n55PN.jpg?v=1741074309"},{"product_id":"can-soundtracks","title":"SOUNDTRACKS","description":"SOUNDTRACKS contains songs Can recorded for various film soundtracks.\nAs Can rose to prominence in the '70s in Germany, keyboardist and co-founder Irmin Schmidt sought film-related projects for the band. SOUNDTRACKS collects exclusive material culled from Can's cinematic contributions. The album features vocals from both original vocalist Malcolm Mooney and from his mid-period replacement, Kenji \"Damo\" Suzuki, making it unique in Can's discography. And, with such crowd-pleasers as \"She Brings the Rain\" and the titanic \"Mother Sky,\" SOUNDTRACKS remains another testament to Can's genius.\nSuzuki's moaning, half-mad vocals and a slow-motion arc of Michael Karoli's splendidly psychedelic guitar work dominate \"Deadlock.\" Suzuki croons through one of Can's most luscious melodies on \"Tango Whiskeyman,\" another glistening Karoli workout that also showcases the matchless rhythmic duo of Holger Czukay (bass) and Jaki Liebezeit (drums). Mooney delivers a memorable mood swing with the gut-wrenching funk of \"Soul Desert\" and \"She Brings the Rain,\" a coffeehouse-quiet charmer. But it is \"Mother Sky,\" the incomparable, 14:30 acid rock colossus with the swaying, trance-inducing Suzuki mumble, Karoli fireworks, seething Schmidt psychedelics, and brain-bending Czukay\/Liebezeit groove, that is SOUNTRACKS' towering achievement.\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 09\/02\/2014\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Can","offers":[{"title":"Default Title","offer_id":44582483198185,"sku":"5LM1FH-RX1W-00","price":33.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/can-soundtracks_PgHQG_8d484e2c-e989-4410-b175-5959280bba47.jpg?v=1758779372"},{"product_id":"blackbyrds-city-life-lp","title":"City Life [LP]","description":"\u003cp\u003eCity Life [LP] is a Records \u0026amp; LPs from Blackbyrds\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 09\/02\/2014\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Blackbyrds","offers":[{"title":"Default Title","offer_id":44583540523241,"sku":"XFMNOP-8Z55-00","price":33.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/blackbyrds-city-life-lp_RGtkx.jpg?v=1759349461"},{"product_id":"primal-scream-riot-city-blues","title":"Riot City Blues","description":"On 2006's RIOT CITY BLUES, the revered U.K. alternative-rock band Primal Scream acts as if its late-1990s\/early-2000s foray into electronica was nothing but a vivid dream, opting instead to pick up where '94's Stones-worshiping GIVE OUT BUT DON'T GIVE UP left off. With production handled by former Killing Joke bassist Youth and violinist Warren Ellis, a frequent Nick Cave foil, on board for several tracks, it's not surprising that the album often has a moody, angular sound (see the brooding \"Little Death\"), but frontman Bobby Gillespie's love of '70s glam and pub rock looms even larger, as on the searing Bowie-indebted \"Suicide Sally \u0026amp; Johnny Guitar.\" Though it may perplex many fans, RIOT CITY BLUES is a fun tour through rock history, as seen through Gillespie's proudly blurry vision.\u003cul\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 09\/02\/2014\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Primal Scream","offers":[{"title":"Default Title","offer_id":44584536080617,"sku":"9ZAAEK-Z73F-00","price":79.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/primal-scream-riot-city-blues_xd3aI.jpg?v=1758826757"},{"product_id":"sonny-rollins-sound-of-sonnyvinyl","title":"SOUND OF SONNY(VINYL","description":"Personnel: Sonny Rollins (tenor saxophone); Sonny Clark (piano); Percy Heath, Paul Chambers (bass); Roy Haynes (drums).\nRecorded at Reeves Sound Studios, New York, New York on June 11, 12 \u0026amp; 19, 1957. Originally released on Riverside (241). Includes liner notes by Orrin Keepnews.\nDigitally remastered by Joe Tarantino (1987, Fantasy Studios, Berkeley, California).\nTHE SOUND OF SONNY shows everything that makes Sonny Rollins one of the titans of the tenor saxophone. He has a tone which can evoke heart-rending passions with a smoothness just this side of Ben Webster. Add to that the man's warm and playful sense of humor, and you've got a sax that's every bit a full and well-rounded emotional being. Without ever cheapening humor into novelty, it's a staple of his persona. This time out he finds the wacky joy in playing \"Toot, Toot, Tootsie\" as if it's some kind of after hours national anthem (this is, after all the same man who recorded \"I'm An Old Cowhand\" on his WAY OUT WEST album). The session boasts a superlative rhythm section of Sonny Clark on piano, Paul Chambers or Percy Heath on bass, and Roy Haynes on drums--all stellar players of the post-bop era.\u003cul\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 09\/02\/2014\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sonny Rollins","offers":[{"title":"Default Title","offer_id":44584990081257,"sku":"BXDLRM-IBCY-00","price":28.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/sonny-rollins-sound-of-sonnyvinyl_znCh5.jpg?v=1758770918"},{"product_id":"norman-connors-starship-the-essen","title":"Starship - The Essen","description":"Audio Remasterer: Arnold Mischkulnig.\nLiner Note Author: Kevin Goins.\nReleased by the Sony-supported Decision label, Starship: The Essential Selection covers Norman Connors' Buddah and Arista albums from 1975's Saturday Night Special through 1981's Mr. C. It's an imperfect selection. \"Saturday Night Special\" itself, a jaw-dropping cut that showcases songwriter\/guitarist Reggie Lucas and saxophonist Gary Bartz, is unfortunately missing, but the silkier ground is thoughtfully covered. Connors directed a lot of the era's finest quiet storm ballads, including the R\u0026amp;B chart hits \"Valentine Love,\" \"We Both Need Each Other,\" \"You Are My Starship,\" and \"Melancholy Fire,\" all of which are here. There's also \"Once I've Been There,\" as muscular and elegant as anything that came out on Philadelphia International, written and fronted by Prince Phillip Mitchell, as well as Aquarian Dream's Connors-produced \"Phoenix.\" ~ Andy Kellman\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eRSD Date: n\/a\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 09\/02\/2014\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Norman Connors","offers":[{"title":"Default Title","offer_id":44585360785641,"sku":"2DCT9H-LB9U-00","price":14.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/norman-connors-starship-the-essen_Y9HCW.jpg?v=1741077381"},{"product_id":"code-orange-kids-i-am-king","title":"I AM KING","description":"Personnel: Reba Meyers, Eric Balderose (vocals, guitar); Jami Morgan (vocals, drums).\nAudio Mixer: Kurt Ballou.\nRecording information: God City Studios; The Braddock Hit Factory, Braddock, PA; The Pit, Van Nuys, CA.\nPhotographer: Kimi Hanauer.\nWith a new (or, at the very least, shorter) name, Code Orange return with their sophomore effort, I Am King, an album that finds the band pushing its metalcore sound to punishing new extremes. Once again working under the watchful eye of Converge guitarist and engineer Kurt Ballou, the band unleashes a 30-minute assault of gritty, frenzied metalcore that pays homage to the early days of the genre rather than the watered-down, mall-centric metal that has grown up in its place. The combination of Code Orange's vigor and intensity and Ballou's abrasive production makes I Am King an album that will easily convince fans of bands like Converge and Coalesce that this band is the real thing. ~ Gregory Heaney\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eRSD Date: n\/a\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 09\/02\/2014\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Code Orange Kids","offers":[{"title":"Default Title","offer_id":44585538420969,"sku":"1NXRY3-3XFM-00","price":18.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/code-orange-kids-i-am-king_pcDo1.jpg?v=1741069394"},{"product_id":"dream-syndicate-medicine-show","title":"Medicine Show","description":"\u003cp\u003eMedicine Show is a Records \u0026amp; LPs from Dream Syndicate\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGenre: Rock and Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 09\/02\/2014\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dream Syndicate","offers":[{"title":"Default Title","offer_id":44587018682601,"sku":"KW5GKA-DE6S-00","price":33.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/dream-syndicate-medicine-show_r97Cr.jpg?v=1743373076"},{"product_id":"kim-carnes-barking-at-airplanes","title":"BARKING AT AIRPLANES","description":"All tracks have been digitally remastered.\nAudio Mixer: Mike Shipley.\nRecording information: Ocean Way Recording, Hollywood, CA; Record One, Sherman Oaks, CA.\nPhotographer: Matthew Rolston.\nNo matter how hard she tried -- and she tried very, very hard -- Kim Carnes couldn't get either Voyeur or Caf? Racers, her two follow-ups to Mistaken Identity, into the consciousness of the audience that flipped for \"Bette Davis Eyes.\" There were some hits along the way, but they were minor ones. Clearly, it was time for a change, and for 1985's Barking at Airplanes, she broke from convention, stepping up to the boards to co-produce the record. This was the change that was needed, as it resulted in a cohesive, consistent album -- the best she made since Mistaken Identity. It wasn't a drastic shift in sound, so perhaps it's surprising that the record is markedly better than either of its immediate two predecessors, but the key is focus. Although there are elements of post-new wave pop, arena rock, adult contemporary, and dance evident throughout the album, they're fused together into a sleek, insistent sound. This isn't entirely different from what other artists of her style and era were doing at the time -- this, indeed, sounds like what adult-oriented pop of the mid-'80s sounded like -- but it fits Carnes very well, not just because her great voice sounds ideal in this setting, but because she does this music very well. For all of her hard work, Carnes was rewarded with a moderate hit -- an album that reached 48, while spawning a number 15 hit in the title track. It might not have been up to the standards of Mistaken Identity -- it was closer to Voyeur standards, really -- but it still qualified as a welcome comeback, and it's stood the test of time as one of Carnes' best records. ~ Stephen Thomas Erlewine\u003cul\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 09\/02\/2014\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kim Carnes","offers":[{"title":"Default Title","offer_id":44587619909865,"sku":"8YU9CG-EFNJ-00","price":16.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/kim-carnes-barking-at-airplanes_r5irW.jpg?v=1758926067"},{"product_id":"miles-davis-collectors-items-lp","title":"COLLECTORS' ITEMS-LP","description":"Personnel: Miles Davis (trumpet); Sonny Rollins, Charlie Parker (tenor saxophone); Tommy Flanagan, Walter Bishop (piano); Paul Chambers, Percy Heath (bass); Art Taylor, Philly Joe Jones (drums).\nRecorded in New York on January 30, 1953 and March 16, 1956. Originally released on Prestige (7044).\nOne of Miles Davis' most sympathetic collaborators was tenor saxophonist Sonny Rollins, who shared his love for space, and his genius for melodic architecture. Rollins was only a few years Davis's junior when they first met, but Miles, by virtue of his extended stint with the Charlie Parker Quintet, was already viewed as an established stylist and leader.\nThis January 30, 1953, recording date introduces the fiery drummer Philly Joe Jones and teams Rollins with his idol Charlie Parker, who in a few choruses seems to presage the entire history of Sonny Rollins. Davis's \"Compulsion\" is a shifting, restless line, and after a leaping Davis solo, Parker charges in with a thick-toned line followed by a robust Rollins. Bird and Rollins double the melodic line on two takes of \"The Serpent's Tooth,\" the brisker second take being the more polished. Miles begins somewhat hesitantly on \"Round Midnight,\" but his classic core arrangement (with Dizzy's famous ending) is already in place, as Bird plays his best solo of the session.\nCOLLECTORS' ITEMS concludes with Miles and Sonny's final studio session together. Pianist Tommy Flanagan adds his special brand of harmonic intuition and swing, while Paul Chambers and Art Taylor round out a tightly coiled, elegant rhythm section. A muted Davis seems particularly inspired by the melody to Dave Brubeck's ballad \"In Your Own Sweet Way,\" and Rollins doubles up with masterly restraint. \"No Line\" is an equestrian event--light, fast, and swinging--while the slow riff tune \"Vierd Blues\" features a particularly soulful Davis on open horn, egged on by Chambers's subtle counterpoint; Rollins lays way back behind the beat, with lazy, billowing melodic fragments, only to swoop back through with bold harmonic flourishes.\u003cul\u003e\n\u003cli\u003eGenre: Jazz\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 09\/02\/2014\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Miles Davis","offers":[{"title":"Default Title","offer_id":44587961352425,"sku":"7TCDD1-E7H8-00","price":28.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/miles-davis-collectors-items-lp_wm26t.jpg?v=1759272129"},{"product_id":"kiss-crazy-nights-180-gram-vinyl-remastered","title":"Crazy Nights (180 Gram Vinyl, Remastered)","description":"Kiss: Paul Stanley (vocals, guitar, keyboards); Bruce Kulick (guitar); Gene Simmons (bass); Eric Carr (drums).\r\nAdditional personnel: Phil Ashley (keyboards); Tom Kelly (background vocals).\r\nRecorded at One On One Recording, North Hollywood, California; Rumbo Recorders, Canoga Park, California; Can-Am Recorders, Tarzana, California. Includes liner notes by Robert V. Conte.\r\nDigitally remastered by Joseph M. Palmaccio (Sterling Sound, New York, New York).\r\nReaching a pop apex not seen since 1980's UNMASKED, Kiss enlisted the production and engineering talents of Ron Nevison (Ozzy Osbourne, Heart) to help the band compete with the light metal faire that existed in 1987. The results are impressive, as the melodic crunch of CRAZY NIGHTS holds up to the band's previous classics.\r\n\"Crazy Crazy Nights\" is an anthemic single that reached U.K. #4 and was their biggest single there. \"Reason To Live\" is one of Kiss' more tender ballads featuring standout vocals by Paul Stanley. Using prolific songwriters such as Diane Warren (\"Turn On The Night\") and Desmond Child (\"Bang Bang You\", \"Reason To Live\") to help achieve their goal, Kiss delivers accessible, chart friendly tunes that you can rock to. The record is melodic, with keyboards throughout. CRAZY NIGHTS is proof that Kiss could stay current with the competitive music scene as well as staying true to themselves. There are rockers and ballads that comprise a well crafted album by a legendary band.\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 09\/02\/2014\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kiss","offers":[{"title":"Default Title","offer_id":44589094994153,"sku":"1X3BH9-YJIT-00","price":32.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/kiss-crazy-nights-180-gram-vinyl-remastered_8WrAl.jpg?v=1747136398"},{"product_id":"mink-deville-coup-de-grace","title":"COUP DE GRACE","description":"Personnel: Mink DeVille (vocals, guitar, slide guitar, background vocals); Rick Borgia (guitar); Kenny Margolis (accordion, keyboards, vibraphone); Louis Cortelezzi (saxophone); Joey Vasta (bass guitar); Tommy Price (drums, percussion); Brother Johnny Espinet, Jimmy Maelon (percussion); Eve Moon, The Exhilarations (background vocals).\nArranger: Jack Nitzsche.\nWhile Willy DeVille was trying to perfect his blend of roots rock, fiery punk energy, and the heart-rending ballad style that established vocalists such as Ben E. King and Clyde McPhatter, he went through a few changes. Mink DeVille's previous recording, Le Chat Bleu, had opened the door to DeVille being as fine a ballad singer as any. Along with the Doc Pomus ballads there were a few rockers, and the seeds were sewn for the band to pursue this direction, with Willy DeVille stepping more and more out front as an enigma. The combination of DeVille and Jack Nitzsche brought the early rock and soul vibe deep into the heart of Coup De Grace. Louis Cortelezzi and Kenny Margolis provided the sound of the Jersey Shore and Coney Island on saxophone, keyboard and accordion and swirled around DeVille's and Rick Borgia's guitars, undercut by Tommy Price's drums. The band's sound combined with Nitzsche's timeless production style thatr, combined with his singing voice, created a rock \u0026amp; roll purer than even Bruce Springsteen's in 1981. The evidence is on the anthems \"Maybe Tomorrow,\" the slippery doo wop feel of \"Love \u0026amp; Emotion,\" and the devastating read of Arthur Alexander's \"You Better Move On\" that includes in its soulful Spanish stroll mix a pair of marimbas and the ever-lamenting accordion, that turns the track into something that is so deadly serious it could have been in West Side Story. This was Mink DeVille near their zenith as a recording unit. ~ Thom Jurek\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 09\/02\/2014\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Mink Deville","offers":[{"title":"Default Title","offer_id":44590333264105,"sku":"HE3CVY-T6XO-00","price":21.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/mink-deville-coup-de-grace_burES.jpg?v=1758785026"},{"product_id":"lita-ford-live-deadly","title":"Live \u0026 Deadly","description":"DESCRIPTION\r\n- Limited edition vinyl version of this live album from the queen of Hollywood glam metal, Miss Lita Ford - pressed on both pink and blue vinyl! - Recorded live at \"one of Lita's favorite watering holes\" in 2000, this album explodes with astonishing energy as Ford rips through her finest cuts including the blockbuster single \"Close My Eyes Forever\" plus the smash hits \"Kiss Me Deadly,\" \"Hungry,\" \"Shot Of Poison\" and more!\r\n\r\n \r\nTracksCredits\r\n1 Larger Than Life\r\n2 What Do You Know About Love\r\n3 Black Widow\r\n4 Falling in and Out of Love\r\n5 Bad Love\r\n6 Close My Eyes Forever\r\n7 Shot of Poison\r\n8 Hungry\r\n9 Kiss Me Deadly\r\n10 Rock Candy\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 09\/02\/2014\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Lita Ford","offers":[{"title":"Default Title","offer_id":44595168772329,"sku":"0QBJBJ-5HKB-00","price":32.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/lita-ford-live-deadly_gGyjP.jpg?v=1758771304"},{"product_id":"r-e-m-mtv-unplugged-1991","title":"MTV UNPLUGGED 1991","description":"Originally issued in May of 2014 as half of Unplugged 1991 \u0026amp; 2001: The Complete Sessions, this live recording is of R.E.M.'s 1991 show only. Following their exhaustive touring schedule for 1988's Green, the band decided they wouldn't tour for 1991's Out of Time, which proved to be the commercial breakout album they'd long been leading up to. As \"Losing My Religion\" slowly rose to number one, the band only turned in a handful of shows, the most visible of which was their debut set of MTV Unplugged; the show was also at the height of its power and influence. The material from Out of Time was well-suited to the show's acoustic format and their versions of tracks like \"Half a World Away,\" \"Radio Song,\" and of course, \"Losing My Religion\" sound strong and relevant. There are a handful of tunes from Life's Rich Pageant (\"Fall on Me\" and the already acoustic \"Swan Swan Hummingbird\") and Document (\"Disturbance at the Heron House\" and the immortal \"It's the End of the World as We Know It [And I Feel Fine]\") alongside the more recent material from Green as well as one early chestnut (\"A Perfect Circle\") from their 1983 debut Murmur. This earthy, Baroque folk sound came to define the R.E.M. of this era with 1992's Automatic for the People following a similar bent. Unlike their second Unplugged appearance in 2001, the 1991 show features the original lineup with Bill Berry on congas along with Peter Buck's guitar and mandolin playing, Mike Mills' acoustic bass and tenor vocals, and Michael Stipe's rich, thoughtful drawl. Auxiliary cohort Peter Holsapple further colors the set on additional guitar and organ. When the band eventually returned to touring several years later, they had essentially gone electric again making this show a unique snapshot of a very specific time in R.E.M.'s career when they finally came into the world's greater consciousness in a surprisingly organic way. ~ Timothy Monger\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 09\/02\/2014\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"R.E.M.","offers":[{"title":"Default Title","offer_id":44597871706345,"sku":"XDFDRA-0UVW-00","price":46.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/rem-mtv-unplugged-1991_k2Esc.jpg?v=1758891848"},{"product_id":"can-ege-bamyasi-1","title":"EGE BAMYASI","description":"Can: Damo Suzuki (vocals); Michael Karoli (guitar); Irmin Schmidt (keyboards); Holger Czukay (bass); Jaki Liebezeit (drums).\nCan were one of the most influential bands to emerge from Europe in the 70s, and this 1972 masterpiece marked a crucial stage in the development from the edgy experimentalism of their earlier albums to the softer ambience of their later work. 'Soup' and 'Pinch' were reminders of their wilder excesses, but on tracks such as 'One More Night' and 'Sing Swan Song' they demonstrated that they could be equally inventive within tighter song structures. 'I'm So Green' and 'Spoon' were almost conventional pop songs, to the extent that the latter provided the band with an unexpected chart-topper in their native Germany.\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eRSD Date: n\/a\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 09\/02\/2014\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Can","offers":[{"title":"Default Title","offer_id":44597872787689,"sku":"OISQ19-PSUI-00","price":33.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/can-ege-bamyasi_Np5LX.jpg?v=1758788448"},{"product_id":"christopher-willits-opening","title":"OPENING","description":"Opening is multimedia artist Christopher Willits' third solo outing for venerable electronic label Ghostly International. The San Francisco-based musician's warm experimental fare has shifted subtly from record to record, often radiating with a strong visual imagery, but Opening takes this a step further, blending seven new expansive ambient pieces with 45 minutes of corresponding video which he captured during four years of travel throughout Japan, Thailand, Hawaii, and California. Additionally, there is a limited-edition photographic print available for each track with all of the various elements tying into his multi-sensory live performances for the album. Prior to this, Willits was last heard collaborating with Japanese pianist Ryuichi Sakamoto on 2012's Ancient Future as well as adding his production skills to labelmate Tycho's 2014 album Awake. Musically, the supple, dreamlike tones of Opening have far more in common with Tycho's pastoral summer hues than with Willits' moody Sakamoto collaboration. Mysterious, yet unwaveringly optimistic, the songs have a direct relationship to the wide vistas and images of the natural world which accompany them. In the past Willits has experimented with shoegaze-like pop themes and off-kilter found sounds, but here the music is much more subtle and tranquil yet filled with distinct layers. \"Vision\" drifts by in four-and-a-half minutes of vaporous beauty, giving way to the slightly denser \"Clear,\" with its distant guitar tones and deep, harmonic thrum. The album's more obvious rhythmic movements are few and far between, relying instead on a gentle water and wind-like flow which again ties into the overall natural theme. Pulsing basslines and faint grooves do appear in tracks like \"Wide\" and \"Connect\" but are generally mixed low enough so as not to become the focus. Even without the visuals, Opening is a lovely piece of music full of finely tuned ambience and an inviting purity with frequencies that are almost meditative. ~ Timothy Monger\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 09\/02\/2014\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Christopher Willits","offers":[{"title":"Default Title","offer_id":44597933113577,"sku":"RU4K3J-80DV-00","price":25.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/christopher-willits-opening_jJ3Ol.jpg?v=1758909894"},{"product_id":"music-from-the-mount-music-from-the-mountain-provinces","title":"Music from the Mountain Provinces","description":"\u003cp\u003eMusic from the Mountain Provinces is a Records \u0026amp; LPs from Music From The Mount\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 09\/02\/2014\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Music From The Mount","offers":[{"title":"Default Title","offer_id":44597973614825,"sku":"HWJPKY-J5O8-00","price":28.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/music-from-the-mount-music-from-the-mountain-provinces_wISjz.jpg?v=1758981192"},{"product_id":"can-monster-movie-1","title":"MONSTER MOVIE","description":"Though Monster Movie was the first full-length album in what would become a sprawling and often genre-defining discography, Can were on a level well ahead of the curve even in their most formative days. Recorded and released in 1969, Monster Movie bears many of the trademarks that Can would explore as they went on, as well as elements that would set the scene for the burgeoning Krautrock movement. This would be the only album Can's first singer Malcolm Mooney would sing the entirety of, as he was replaced by Damo Suzuki by the time of 1970's Soundtracks, leaving the band after going through a highly unstable time. Mooney was known for his erratic ways, and some of that mania undoubtedly comes through here, with his caterwauling howls on the unexpectedly garage-influenced \"Outside My Door\" as well as the sung-spoken pseudo-poetry rants of album opener \"Father Cannot Yell.\" Riding a particularly Velvet Underground vibe, \"Father Cannot Yell\" sounds like post-punk before punk even existed. Irmin Schmidt's brittle keyboard squalls and dissonant rhythms and Mooney's buried recitations predated the Fall, Swell Maps, the noise scene, and generations of difficult sound by years and in some cases decades. Holger Czukay's pensive basslines are also an already distinctive calling card of the band on this debut, providing a steadfast glue for the barrages of noisy tones, edits, and pulses the record offers from all angles. The 20-minute album closer \"Yoo Doo Right\" is an enormous highlight, cementing the locked-in hypnotic exploration Can would extrapolate on for the rest of their time and come to be known for. Mooney's raspy vocals range from whispery incantations to throaty rock \u0026amp; roll shouts, building with the band into an almost mantra-level meditation as the song repeats its patterns and multi-layered grooves into what feels like infinity. Legend has it that the final side-long version of the song was edited down from a six-hour recording session focusing on that tune alone. Given the level of commitment to experimentation Can would go on to show, it's not hard to believe they'd play one song for six hours to find its core, nor is it unfathomable that Monster Movie was the more accessible album they recorded after their first attempts were deemed too out there to be commercially released. Even in their earliest phases, Can were making their name by blowing away all expectations and notions that rock \u0026amp; roll had limits of any kind. ~ Fred Thomas\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 09\/02\/2014\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Can","offers":[{"title":"Default Title","offer_id":44598046425321,"sku":"B7ULB1-CY1S-00","price":33.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/can-monster-movie_9KuY9.jpg?v=1759408449"},{"product_id":"canned-heat-live-at-the-topanga-corral","title":"Live at the Topanga Corral","description":"This is one of the strongest documents to feature Canned Heat in concert. However, contrary to the title, these performances are not from the Topanga Corral -- where the Heat were the house band off and on during the mid-1960s. Instead, it was later revealed the origins were actually from a Los Angeles club called the Kaleidoscope circa 1968. They most likely hail from the same batch of tapes that yielded the 4-plus-minute epic \"Refried Boogie,\" which spread over Sides Three and Four on the Living the Blues (1968) two-LP package. The personnel includes Alan \"Blind Owl\" Wilson (guitar\/harmonica\/vocals), Larry \"The Mole\" Taylor (bass), Henry \"Sunflower\" Vestine (guitar), Bob \"The Bear\" Hite (vocals), and Aldolfo \"Fito\" de la Parra (drums). Indeed, these recordings were made prior to the rapid drug-related decline and eventual replacement of Vestine -- who is actually in top flight throughout -- with Harvey Mandel in mid-1969. Another factor in the chronology is the soulful interpretation of standard blues numbers, which would be incrementally abandoned for longer and more rambling psychedelic jams by the time of Live in Europe (1970). However, the difference between the early 1970s incarnation and this 'classic' lineup seems to lie primarily in their respective approaches. This seminal aggregate explores more traditional outlets such as the languid approach to B.B. King's \"Sweet Sixteen,\" sporting some incendiary fretwork from the coupling of Wilson's smooth slide and Vestine's sinuous and punctuating leads. The former further exemplifies his bottleneck prowess on a rollicking reading of Elmore James' \"Dust My Broom\" that swings solid from tip to tail. As does the upbeat and slightly Creole-flavored \"I Wish You Would,\" landing somewhere between the Yardbirds' aggressive take and Billy Boy Arnold's original. While interested parties are encouraged to find this set, caveat emptor, as the exact same material exists under a bevy of monikers. Most notable among these are Live at the Kaleidoscope 1969 (2000), Very Best of the Blues Years (2000), and as part of a two-fer with Vintage (1969) on Live at the Topanga Corral\/Vintage (2001) -- which arguably boasts the best sound, having been remastered. ~ Lindsay Planer\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 09\/02\/2014\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Canned Heat","offers":[{"title":"Default Title","offer_id":44598972154089,"sku":"LNJIHC-CIRR-00","price":32.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/canned-heat-live-at-the-topanga-corral_22Y3d.jpg?v=1759135232"},{"product_id":"house-of-pain-same-as-it-ever-was","title":"Same As It Ever Was","description":"House Of Pain: Everlast, Danny Boy O'Connor (vocals); DJ Lethal (scratches).\nAdditional personnel: Diamond D (vocals).\nProducers include: Tha Baka Boys, DJ Muggs, Lethal, Diamond D.\nRecorded at Image Recording Studios, Hollywood, California.\nHouse of Pain's self-titled album had its moments, but on the whole, wasn't very memorable. However, the Irish-American group really blossomed on its far-superior and much more hardcore second album, Same as It Ever Was. With this album, Everlast changed his style of rapping considerably and unveiled a much more distinctive and recognizable approach. Sounding twisted, damaged, and maniacal, Everlast grabs the listener's attention and refuses to let go on such wildly entertaining fare as \"Back From the Dead,\" \"Over There Shit,\" and \"Runnin' Up on Ya.\" House of Pain's subject matter -- namely, their superior rapping skills and the threat they pose to sucker MCs -- is far from groundbreaking. But an abundance of strong, clever hooks and Everlast's psycho-like rapping make Same as It Ever Was consistently appealing. ~ Alex Henderson\u003cul\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 09\/02\/2014\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"House Of Pain","offers":[{"title":"Default Title","offer_id":44599418781929,"sku":"SKWFCB-5X48-00","price":33.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/house-of-pain-same-as-it-ever-was_Xzpp7.jpg?v=1759226492"},{"product_id":"r-e-m-mtv-unplugged-2001","title":"MTV UNPLUGGED 2001","description":"Originally issued in May of 2014 as half of Unplugged 1991 \u0026amp; 2001: The Complete Sessions, this live recording is of R.E.M.'s 2001 show only. The only band ever to headline MTV's acoustic concert series twice, the Georgians return here without drummer Bill Berry for a tight 16-song set that dips generously into their nearly two-decade career. Aided by auxiliary sidemen Ken Stringfellow and Scott McCaughey along with touring drummer Joey Waronker on percussion, the band is in fine form and nimbly makes its way through early fare like \"So. Central Rain\" and \"Cuyahoga\" and into mid-period songs like their unlikely number one smash \"Losing My Religion\" and the beautiful 1992 ballad \"Find the River.\" Of course, much focus is placed on what were their more current songs at the time, like Up's \"At My Most Beautiful\" and Reveal's \"Imitation of Life,\" both of which dovetail fairly nicely with their more successful earlier work within this acoustic context. In the greater span of R.E.M.'s career, 2001 isn't necessarily considered their greatest period, but this outing sounds confident and strong, revealing a band that still had plenty more to offer. ~ Timothy Monger\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 09\/02\/2014\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"R.E.M.","offers":[{"title":"Default Title","offer_id":44599457087721,"sku":"R88TO2-K5MA-00","price":46.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/rem-mtv-unplugged-2001_9EJiF.jpg?v=1758892005"},{"product_id":"madlib-beats-our-vinyl-weighs-a-ton","title":"BEATS: OUR VINYL WEIGHS A TON","description":"\u003cp\u003eBEATS: OUR VINYL WEIGHS A TON is a Records \u0026amp; LPs from Madlib\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGenre: Rap \u0026amp; Hip-Hop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eInternal ID: JITRE\u003c\/li\u003e\n\u003cli\u003eReleased: 09\/02\/2014\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Madlib","offers":[{"title":"Default Title","offer_id":44599798497513,"sku":"ZDT1YB-0NY4-00","price":26.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/madlib-beats-our-vinyl-weighs-a-ton_EU3nm.jpg?v=1758947872"},{"product_id":"can-tago-mago-2","title":"TAGO MAGO","description":"The influence of these seminal '70s Krautrockers on the alternative music of the '80s and '90s has been quiet but enormous. Blending the ethics of acid rock with a more forward-looking penchant for subtle sonic experimentation and atmospherics, Can dismantle traditional song structures to pursue lengthy explorations of pulsing polyrhythms, floating, associative guitar lines, keyboards, tape loops, hard, sometimes danceable grooves, and enigmatic, often indecipherable singing.\nTAGO MAGO is one in a triumvirate of essential Can albums (also including EGE BAMYASI and FUTURE DAYS). The least \"ambient\" of the three, TAGO MAGO retains much of the group's early hard-edged, guitar-based sound while still creating tapestries of rhythm, space, and texture. Shimmering pieces such as \"Bring Me Coffee Or Tea\" alternate with full-fledged journeys into electronica (\"Aumgn\"), while the nearly 20-minute psych-groove opus that is \"Halleluhwah\" serves as the album's centerpiece. This disc is a crucial addition to any \"alternative\" record collection.\u003cul\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 09\/02\/2014\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Can","offers":[{"title":"Default Title","offer_id":44600145543401,"sku":"5EPOTM-1JP1-00","price":38.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/can-tago-mago_7etDJ.jpg?v=1758753762"},{"product_id":"supremes-meet-the-supremes-1","title":"MEET THE SUPREMES","description":"The romantic and sentimental \"Your Heart Belongs to Me,\" written by Smokey Robinson, should have been the Supremes' first hit. It's every bit as charming as his chartbusters for Mary Wells. Diana Ross' sweet tender lead, assisted by Mary Wilson and Florence Ballard's warm harmonies, could melt icebergs. Ross' vocals on \"Who's Lovin' You\" are intense and bluesy; Wilson leads the soulful \"Baby Don't Go\"; and Ballard leads the raucous \"Buttered Popcorn,\" a tune more suited for the Contours. \"I Want a Guy,\" their first recording, had been done by the Marvelettes -- the backing voices are buried, and Ross' voice sounds whiny and high-pitched. This song, along with the '50s-sounding \"He's Seventeen,\" are the only bummers. Ballard shines again on \"Let Me Go the Right Way,\" delivering a tough vocal on top of Ross and Wilson's enthusiastic vocals. \"Time Changes Things,\" written by Brian Holland, Lamont Dozier, and Janie Bradford, was a forerunner to later efforts by Holland-Dozier-Holland. Blues lovers will relish the torching \"Play a Sad Song.\" \"Never Again\" is straight '50s doo wop; if you didn't know, you would think it was the Chantels. ~ Andrew Hamilton\u003cul\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 09\/02\/2014\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Supremes","offers":[{"title":"Default Title","offer_id":44600336613609,"sku":"OGAJN8-IY57-00","price":26.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/supremes-meet-the-supremes_Mua8V.jpg?v=1758966960"},{"product_id":"maroon-5-v-explicit-content","title":"| V (Red LP)","description":"\u003cp\u003e\u003cspan style=\"font-size:12px;\"\u003e\u003cspan style=\"font-family:Arial,Helvetica,sans-serif;\"\u003eAmerican pop rock group Maroon 5 release their aptly titled fifth album, V, which was recorded by the band at Conway Studios in L.A. Keyboardist Jesse Carmichael returned to the line-up here after a brief hiatus during the recording and release of 2012's Overexposed, and the album also features vocals from Gwen Stefani on the track \"My Heart Is Open.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr\u003e\r\n\u003cspan style=\"font-size:12px;\"\u003e\u003cspan style=\"font-family:Arial,Helvetica,sans-serif;\"\u003eTracklist\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:12px;\"\u003e\u003cspan style=\"font-family:Arial,Helvetica,sans-serif;\"\u003eA1        Maps\u003cbr\u003e\r\nA2        Animals\u003cbr\u003e\r\nA3        It Was Always You\u003cbr\u003e\r\nA4        Unkiss Me\u003cbr\u003e\r\nA5        Sugar\u003cbr\u003e\r\nA6        Leaving California\u003cbr\u003e\r\nB1        In Your Pocket\u003cbr\u003e\r\nB2        New Love\u003cbr\u003e\r\nB3        Coming Back For You\u003cbr\u003e\r\nB4        Feelings\u003cbr\u003e\r\nB5        My Heart Is Open\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr\u003e\r\n\u003cspan style=\"font-size:12px;\"\u003e\u003cspan style=\"font-family:Arial,Helvetica,sans-serif;\"\u003e*Audio and\/or tracklist may vary slightly from the CD version.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:12px;\"\u003e\u003cspan style=\"font-family:Arial,Helvetica,sans-serif;\"\u003eLabel: 222 RECORDS\u003cbr\u003e\r\nRel. Date: 09\/02\/2014\u003cbr\u003e\r\nUPC: 602537962105\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003ciframe allow=\"autoplay *; encrypted-media *; fullscreen *; clipboard-write\" frameborder=\"0\" height=\"450\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-storage-access-by-user-activation allow-top-navigation-by-user-activation\" src=\"https:\/\/embed.music.apple.com\/us\/album\/v\/1440829092\" style=\"width:100%;max-width:660px;overflow:hidden;border-radius:10px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eFormat Detail: LP\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 09\/02\/2014\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Maroon 5","offers":[{"title":"Default Title","offer_id":44628807876841,"sku":"6DJTUI-0U7J-00","price":31.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/maroon-5-v-explicit-content_LHFyp.jpg?v=1740489057"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/collections\/IMG-9147.png?v=1727302158","url":"https:\/\/www.vibinvinyl.com\/collections\/music-releases-09-02-2014.oembed?page=2","provider":"Vibin' Vinyl","version":"1.0","type":"link"}