{"title":"New Releases - June 2004","description":"\u003ch1\u003e\u003cspan\u003eNew Vinyl \u0026amp; CD Releases – June 2004\u003c\/span\u003e\u003c\/h1\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eExplore all of the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003enew vinyl records and CDs released throughout June 2004\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, a landmark month that introduced influential albums across indie rock, alternative, punk, metal, hip-hop, country, jazz, and electronic music. Whether you're rediscovering modern classics or adding long-awaited releases to your collection, this page brings together every album released during June 2004 in one convenient place.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eJune 2004 featured memorable releases from artists who helped shape the sound of the decade, making it an exciting month for collectors and music fans alike. Browse new studio albums, deluxe editions, colored vinyl, collector pressings, compact discs, and exclusive releases spanning every major genre.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eAt \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eVibin' Vinyl\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, our independent record store based in Fresno, California, we're passionate about helping collectors explore music by its original release date. Our monthly release collections make it easy to revisit the albums that defined each era while discovering records you may have missed.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEvery order is carefully packaged and shipped throughout the United States to help ensure your vinyl records and CDs arrive safely. Browse all of the music released during \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eJune 2004\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and discover another essential addition to your collection.\u003c\/span\u003e\u003c\/p\u003e","products":[{"product_id":"allman-brothers-band-stand-back-the-antho","title":"- Stand Back: The Anthology (2CDs)","description":"\u003cp style=\"margin:0in\"\u003e \u003c\/p\u003e\r\n\r\n\u003cp style=\"margin:0in\"\u003eThe Allman Brothers Band STAND BACK:THE ANTHO is a two-CD collection of tracks from over 40 years of the iconic rock band's history. Spanning all eras of the influential group's discography, this anthology is the definitive way to experience the Allman Brothers discography. Get the full scope of their classic rock music and jamband sound with this comprehensive collection.\u003c\/p\u003e\r\n\r\n\u003cp style=\"margin:0in\"\u003e \u003c\/p\u003e\r\n\r\n\u003cp style=\"margin:0in\"\u003e\u003cspan style=\"font-size:12pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cb\u003e\u003cspan style=\"font-size:14.0pt\"\u003e\u003cspan style='font-family:\"UICTFontTextStyleBody\",serif'\u003e\u003cspan style=\"color:black\"\u003eTracklist\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/b\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp style=\"margin:0in\"\u003e \u003c\/p\u003e\r\n\r\n\u003cp style=\"margin:0in\"\u003e \u003c\/p\u003e\r\n\r\n\u003cp style=\"margin:0in\"\u003e\u003cspan style=\"font-size:12pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"font-size:14.0pt\"\u003e\u003cspan style='font-family:\"UICTFontTextStyleBody\",serif'\u003e\u003cspan style=\"color:black\"\u003e1-1                 Don't Want You No More\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp style=\"margin:0in\"\u003e\u003cspan style=\"font-size:12pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"font-size:14.0pt\"\u003e\u003cspan style='font-family:\"UICTFontTextStyleBody\",serif'\u003e\u003cspan style=\"color:black\"\u003e1-2                 It's Not My Cross To Bear\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp style=\"margin:0in\"\u003e\u003cspan style=\"font-size:12pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"font-size:14.0pt\"\u003e\u003cspan style='font-family:\"UICTFontTextStyleBody\",serif'\u003e\u003cspan style=\"color:black\"\u003e1-3                 Trouble No More\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp style=\"margin:0in\"\u003e\u003cspan style=\"font-size:12pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"font-size:14.0pt\"\u003e\u003cspan style='font-family:\"UICTFontTextStyleBody\",serif'\u003e\u003cspan style=\"color:black\"\u003e1-4                 Dreams\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp style=\"margin:0in\"\u003e\u003cspan style=\"font-size:12pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"font-size:14.0pt\"\u003e\u003cspan style='font-family:\"UICTFontTextStyleBody\",serif'\u003e\u003cspan style=\"color:black\"\u003e1-5                 Whipping Post\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp style=\"margin:0in\"\u003e\u003cspan style=\"font-size:12pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"font-size:14.0pt\"\u003e\u003cspan style='font-family:\"UICTFontTextStyleBody\",serif'\u003e\u003cspan style=\"color:black\"\u003e1-6                 Revival\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp style=\"margin:0in\"\u003e\u003cspan style=\"font-size:12pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"font-size:14.0pt\"\u003e\u003cspan style='font-family:\"UICTFontTextStyleBody\",serif'\u003e\u003cspan style=\"color:black\"\u003e1-7                 Midnight Rider\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp style=\"margin:0in\"\u003e\u003cspan style=\"font-size:12pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"font-size:14.0pt\"\u003e\u003cspan style='font-family:\"UICTFontTextStyleBody\",serif'\u003e\u003cspan style=\"color:black\"\u003e1-8                 Hoochie Coochie Man\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp style=\"margin:0in\"\u003e\u003cspan style=\"font-size:12pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"font-size:14.0pt\"\u003e\u003cspan style='font-family:\"UICTFontTextStyleBody\",serif'\u003e\u003cspan style=\"color:black\"\u003e1-9                 Statesboro Blues (Live)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp style=\"margin:0in\"\u003e\u003cspan style=\"font-size:12pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"font-size:14.0pt\"\u003e\u003cspan style='font-family:\"UICTFontTextStyleBody\",serif'\u003e\u003cspan style=\"color:black\"\u003e1-10               In Memory Of Elizabeth Reed (Live)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp style=\"margin:0in\"\u003e\u003cspan style=\"font-size:12pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"font-size:14.0pt\"\u003e\u003cspan style='font-family:\"UICTFontTextStyleBody\",serif'\u003e\u003cspan style=\"color:black\"\u003e1-11               One Way Out (Live)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp style=\"margin:0in\"\u003e\u003cspan style=\"font-size:12pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"font-size:14.0pt\"\u003e\u003cspan style='font-family:\"UICTFontTextStyleBody\",serif'\u003e\u003cspan style=\"color:black\"\u003e1-12               Ain't Wastin' Time No More\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp style=\"margin:0in\"\u003e\u003cspan style=\"font-size:12pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"font-size:14.0pt\"\u003e\u003cspan style='font-family:\"UICTFontTextStyleBody\",serif'\u003e\u003cspan style=\"color:black\"\u003e1-13               Melissa\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp style=\"margin:0in\"\u003e\u003cspan style=\"font-size:12pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"font-size:14.0pt\"\u003e\u003cspan style='font-family:\"UICTFontTextStyleBody\",serif'\u003e\u003cspan style=\"color:black\"\u003e1-14               Stand Back  \u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp style=\"margin:0in\"\u003e\u003cspan style=\"font-size:12pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"font-size:14.0pt\"\u003e\u003cspan style='font-family:\"UICTFontTextStyleBody\",serif'\u003e\u003cspan style=\"color:black\"\u003e1-15               Blu Sky\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp style=\"margin:0in\"\u003e\u003cspan style=\"font-size:12pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"font-size:14.0pt\"\u003e\u003cspan style='font-family:\"UICTFontTextStyleBody\",serif'\u003e\u003cspan style=\"color:black\"\u003e1-16               Little Martha\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp style=\"margin:0in\"\u003e\u003cspan style=\"font-size:12pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"font-size:14.0pt\"\u003e\u003cspan style='font-family:\"UICTFontTextStyleBody\",serif'\u003e\u003cspan style=\"color:black\"\u003e2-1                 Wasted Words\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp style=\"margin:0in\"\u003e\u003cspan style=\"font-size:12pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"font-size:14.0pt\"\u003e\u003cspan style='font-family:\"UICTFontTextStyleBody\",serif'\u003e\u003cspan style=\"color:black\"\u003e2-2                 Ramblin' Man\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp style=\"margin:0in\"\u003e\u003cspan style=\"font-size:12pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"font-size:14.0pt\"\u003e\u003cspan style='font-family:\"UICTFontTextStyleBody\",serif'\u003e\u003cspan style=\"color:black\"\u003e2-3                 Come And Go Blues\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp style=\"margin:0in\"\u003e\u003cspan style=\"font-size:12pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"font-size:14.0pt\"\u003e\u003cspan style='font-family:\"UICTFontTextStyleBody\",serif'\u003e\u003cspan style=\"color:black\"\u003e2-4                 Southbound\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp style=\"margin:0in\"\u003e\u003cspan style=\"font-size:12pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"font-size:14.0pt\"\u003e\u003cspan style='font-family:\"UICTFontTextStyleBody\",serif'\u003e\u003cspan style=\"color:black\"\u003e2-5                 Jessica (Single Edit)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp style=\"margin:0in\"\u003e\u003cspan style=\"font-size:12pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"font-size:14.0pt\"\u003e\u003cspan style='font-family:\"UICTFontTextStyleBody\",serif'\u003e\u003cspan style=\"color:black\"\u003e2-6                 Can't Lose What You Never Had\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp style=\"margin:0in\"\u003e\u003cspan style=\"font-size:12pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"font-size:14.0pt\"\u003e\u003cspan style='font-family:\"UICTFontTextStyleBody\",serif'\u003e\u003cspan style=\"color:black\"\u003e2-7                 Win' Lose Or Draw\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp style=\"margin:0in\"\u003e\u003cspan style=\"font-size:12pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"font-size:14.0pt\"\u003e\u003cspan style='font-family:\"UICTFontTextStyleBody\",serif'\u003e\u003cspan style=\"color:black\"\u003e2-8                 Crazy Love\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp style=\"margin:0in\"\u003e\u003cspan style=\"font-size:12pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"font-size:14.0pt\"\u003e\u003cspan style='font-family:\"UICTFontTextStyleBody\",serif'\u003e\u003cspan style=\"color:black\"\u003e2-9                 Just Ain't Easy\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp style=\"margin:0in\"\u003e\u003cspan style=\"font-size:12pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"font-size:14.0pt\"\u003e\u003cspan style='font-family:\"UICTFontTextStyleBody\",serif'\u003e\u003cspan style=\"color:black\"\u003e2-10               Hell \u0026amp; High Water\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp style=\"margin:0in\"\u003e\u003cspan style=\"font-size:12pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"font-size:14.0pt\"\u003e\u003cspan style='font-family:\"UICTFontTextStyleBody\",serif'\u003e\u003cspan style=\"color:black\"\u003e2-11               Never Knew How Much (I Needed You\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp style=\"margin:0in\"\u003e\u003cspan style=\"font-size:12pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"font-size:14.0pt\"\u003e\u003cspan style='font-family:\"UICTFontTextStyleBody\",serif'\u003e\u003cspan style=\"color:black\"\u003e2-12               Good Clean Fun\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp style=\"margin:0in\"\u003e\u003cspan style=\"font-size:12pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"font-size:14.0pt\"\u003e\u003cspan style='font-family:\"UICTFontTextStyleBody\",serif'\u003e\u003cspan style=\"color:black\"\u003e2-13               Seven Turns\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp style=\"margin:0in\"\u003e\u003cspan style=\"font-size:12pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"font-size:14.0pt\"\u003e\u003cspan style='font-family:\"UICTFontTextStyleBody\",serif'\u003e\u003cspan style=\"color:black\"\u003e2-14               End Of The Line\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp style=\"margin:0in\"\u003e\u003cspan style=\"font-size:12pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"font-size:14.0pt\"\u003e\u003cspan style='font-family:\"UICTFontTextStyleBody\",serif'\u003e\u003cspan style=\"color:black\"\u003e2-15               No One To Run With\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp style=\"margin:0in\"\u003e\u003cspan style=\"font-size:12pt\"\u003e\u003cspan style=\"font-family:Calibri,sans-serif\"\u003e\u003cspan style=\"font-size:14.0pt\"\u003e\u003cspan style='font-family:\"UICTFontTextStyleBody\",serif'\u003e\u003cspan style=\"color:black\"\u003e2-16               High Cost Of Low Living (Edit)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 6\/8\/2004\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"The Allman Brothers Band","offers":[{"title":"Default Title","offer_id":44475117863145,"sku":"SD370N-UV47-00","price":20.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Allman-Brothers-Band-STAND-BACKTHE-ANTHO_RI6rB_a7ab9235-149c-418f-a016-a793291b55de.jpg?v=1758970385"},{"product_id":"fleetwood-mac-live-in-boston","title":"Fleetwood Mac LIVE IN BOSTON","description":"\u003cp\u003eFleetwood Mac: Lindsey Buckingham (vocals, guitar); Stevie Nicks (vocals); John McVie (bass guitar); Mick Fleetwood (drums).\u003cbr\u003eSAY YOU WILL provided a particularly intriguing chapter in the Fleetwood Mac saga, with Christine McVie leaving and Stevie Nicks and Lindsey Buckingham rejoining the band. LIVE IN BOSTON is the concert document that reflects this dramatic shift in the group. Not to be confused with a similarly titled disc that presents a 1970 show with Fleetwood Mac's Peter Green-led lineup, this recording was taken from a 2003 performance at Boston's Fleet Center. The release is more of a visual than an aural offering--the two DVDs here include footage originally taped for the PBS series SOUNDSTAGE.\u003cbr\u003eAided by a coterie of back-up musicians and featuring the rock-solid rhythm section of John McVie and Mick Fleetwood, the Mac once again proves it can shake the loss of yet another important member. The audio portion naturally consists of the band's biggest hits, which come across vibrantly. Buckingham's guitar playing finds this underrated maestro in impressive form, whether he's rocking out on \"Eyes of the World\" or nimbly picking his way through \"Big Love.\" Buckingham's former paramour Nicks also makes her distinctive presence felt on the poignant \"Landslide\" and her solo tour de force \"Stand Back.\"\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 6\/15\/2004\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Fleetwood Mac","offers":[{"title":"Default Title","offer_id":44562223104233,"sku":"DK1RZE-GRSE-00","price":36.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Fleetwood-Mac-LIVE-IN-BOSTON_mkjMT.jpg?v=1737787062"},{"product_id":"mash-out-posse-mash-out-posse-pa","title":"Mash Out Posse [PA]","description":"Mash Out Posse: William Burkowitz, Laze E. Laze (vocals); Ill Will Fulton (guitar, sampler, background vocals); Larry Devore (guitar, background vocals); Kareem Lamar (bass instrument); Sean Cameron (drums); Rocklogic (programming, background vocals); Fizzy Womack, Nando Redrum, Anthony Realbuto.\nPersonnel: Rocklogic (vocals, drum programming); Foxx, Fizzy Womack (vocals); Nando Redrum (guitar); Anthony Realbuto (drums).\nAudio Mixer: Rocklogic.\nPhotographer: Kaysh Shinn.\u003cul\u003e\n\u003cli\u003eGenre: R\u0026amp;B\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 6\/8\/2004\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Mash Out Posse","offers":[{"title":"Default Title","offer_id":44562265440489,"sku":"LXLAY1-6498-00","price":16.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Mash-Out-Posse-Mash-Out-Posse-PA_ilqK0.jpg?v=1758812696"},{"product_id":"james-taylor-greatest-hits","title":"GREATEST HITS","description":"Personnel includes: James Taylor (vocals, acoustic \u0026amp; electric guitars); Danny Kootch (acoustic guitar, congas); David Spinozza, Danny Kortchmar (guitar); Dan Dugmore, Red Rhodes (steel guitar); Byron Berline (fiddle); David Sanborn, Michael Brecker (saxophone); Clarence McDonald (piano, Fender Rhodes, keyboards); Carole King (piano); Kenny Ascher (electric piano); Andrew Gold (harmonium, background vocals); Victor Feldman (vibraphone); Bobby West (acoustic bass); Lee Sklar, John London, Randy Meisner, Andy Muson (bass); Russ Kunkel (drums, congas, cabasa); Jim Keltner, Rick Marotta (drums); Ralph MacDonald, Milt Holland (percussion); Joni Mitchell, Carly Simon, Graham Nash, David Crosby, Herb Pedersen (background vocals).\nProducers: Peter Asher, David Spinozza, Lenny Waronker, Russ Titelman.\nPrincipally recorded at Sound Factory, Sunset Sound, Crystal Recording Studios and Warner Bros. Recording Studios, Hollywood, California between 1969 \u0026amp; 1976.\nPersonnel: James Taylor (vocals, guitar); Carly Simon (vocals); David Spinozza (guitar); Michael Brecker (tenor saxophone); Carole King (piano); Clarence McDonald (Fender Rhodes piano); Victor Feldman (vibraphone); Lee Sklar, John London (bass guitar); Jim Keltner, Rick Marotta, Russ Kunkel (drums); Danny Kootch (congas).\nWhat self-respecting '70s pop music fan's collection would be complete without James Taylor's GREATEST HITS? Not many, apparently, since it is one of the biggest selling catalog titles of all time. All of Taylor's huge hits from the first, and possibly most acclaimed, leg of his long career are included. \"Fire And Rain,\" \"You've Got A Friend,\" \"Sweet Baby James\" and \"How Sweet It Is\" sound as golden as the day they were first heard on the radio.\nInterestingly, two of the songs here, \"Something In the Way She Moves\" and \"Carolina In My Mind\" from Taylor's first album have been re-recorded especially for this collection. Special guests like Carole King, Carly Simon, Joni Mitchell, Graham Nash, David Crosby and David Sanborn add an extra special something to the atmosphere.  Listening to these songs together in one collection takes you back to a gentler time when a carefully crafted song was a thing of beauty and not just a product to be marketed like so many shiny trinkets. If you are among the few who don't already own this special collection, what are you waiting for?\u003cul\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 6\/8\/2004\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"James Taylor","offers":[{"title":"Default Title","offer_id":44562404540649,"sku":"QMW2SH-6ZFB-00","price":18.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/James-Taylor-GREATEST-HITS_HxUu8.jpg?v=1758850648"},{"product_id":"the-helio-sequence-love-and-distance","title":"Love And Distance","description":"\u003cp\u003eLove And Distance is a Music CDs from The Helio Sequence\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 06\/08\/2004\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"The Helio Sequence","offers":[{"title":"Default Title","offer_id":44562411782377,"sku":"GMMNU2-Q2NB-00","price":20.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/The-Helio-Sequence-Love-And-Distance_XvAvH_6f054648-d653-44ae-b3c1-ed6fd8f93ba5.jpg?v=1759070419"},{"product_id":"vanity-fare-best-of","title":"BEST OF","description":"THE BEST OF VANITY FARE is a solid 26-track anthology of the British bubblegum quintet, best remembered for their 1970 Top 5 hit \"Hitchin' A Ride.\"\nAudio Remasterer: EROC.\nRecording information: 1968-1973.\nWith 26 tracks, this compilation gathers about as much Vanity Fare as can be stuffed onto one CD, all but two of the songs coming from the A-sides and B-sides of their 1968-1973 singles (there's also a 1977 B-side and one cut from their debut LP). Vanity Fare has passed into history as a band without a distinct identity that managed to get hold of a couple of excellent breezy pop songs, the hits \"Hitchin' a Ride\" and \"Early in the Morning\" (which are both here, naturally). This anthology does little to counteract that impression, though its thoroughness and high standard of packaging are commendable (even if the chronological sequencing of the tracks jumps all over the place). Most of their A-sides -- all of them penned by outside writers -- are well-harmonized mainstream British pop tunes of the late '60s and early '70s, sometimes leaning toward Beach Boys-influenced vocals, sometimes chewing on a bit of bubblegum, sometimes putting in a pinch of old-time rock \u0026amp; roll, and almost always exuding a faceless sort of good-time cheer. The Beach Boys influence bobs closer to the surface on their sole British Top 20 single besides \"Hitchin' a Ride\" and \"Early in the Morning,\" \"I Live for the Sun,\" which is itself a cover of a Beach Boys imitation by the Sunrays. Unfortunately, the Mike Leander-Eddie Seago team responsible for writing \"Early in the Morning\" came up with just one other song for Vanity Fare, the 1970 single \"Come Tomorrow,\" which is a transparently inferior attempt to write something along the lines of \"Early in the Morning,\" down to the pseudo-Eastern European melody and minor-keyed keyboards. More of a band personality, and somewhat more earthiness, come across on their original material. But even here they flit from sub-Beach Boys boppers (\"Making for the Sun\"), light soul-rock, earnest trendy pop with reflective lyrics (\"Man Child\" and \"Stand\"), and a Traffic and Spencer Davis Group-influenced organ-based workout (\"Megawd (Something Tells Me)\") without coming up with something special. ~ Richie Unterberger\u003cul\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 6\/15\/2004\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Vanity Fare","offers":[{"title":"Default Title","offer_id":44562552848617,"sku":"UP8KMC-G0XF-00","price":22.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Vanity-Fare-BEST-OF_mw3GJ.jpg?v=1759262110"},{"product_id":"underoath-theyre-only-chasing","title":"THEY'RE ONLY CHASING","description":"Underoath: Spencer Chamberlain (vocals); Tim McTague, James Smith (guitar); Christopher Dudley (keyboards); Grant Brandell (bass guitar); Aaron Gillespie (drums, background vocals).\nAny listener still under the impression that Christian music is strictly light and positive need only listen to a few moments of Underoath's THEY'RE ONLY CHASING SAFETY before realizing that the Lord works in mysterious, and in this case, uncompromisingly rocked-out, ways. The first and most obvious clue that indicates a break with the original CCM soft-pop sound is frontman Spencer Chamberlain's throat-shredding vocal style. With most lyrics emitted in a manner more reminiscent of Morbid Angel than Margaret Becker, the singer makes even Christian-metal masters Pillar and P.O.D. sound tame in comparison. The remaining members of Underoath deal in powerfully direct emo-core, replete with dissonant guitar chords, hyper-speed drumming, and complex rhythmic patterns. Even close examination of THEY'RE ONLY CHASING SAFETY's lyric sheet provides few obvious signs of the band's religious inclinations. That said, the intensity with which Underoath imbues its music is a perfect reflection of the unwavering commitment necessary for an active faith.\u003cul\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 6\/15\/2004\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Underoath","offers":[{"title":"Default Title","offer_id":44562941477097,"sku":"2J7GOP-3SYB-00","price":20.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Underoath-THEYRE-ONLY-CHASING_o3Fnm.jpg?v=1758829596"},{"product_id":"jadakiss-kiss-of-death-ex","title":"KISS OF DEATH (EX)","description":"Personnel: Jadakiss (rap vocals); Mamie Gunn, Jelly Roll , Aja Smith, Mariah Carey, Nesha, Anthony Hamilton (vocals); DJ Quik, Eminem, Kanye West, Nate Dogg, Sheek, Snoop Dogg, Styles P (rap vocals); Hanan Rubinstein, Steve King (guitar); Luis Resto (keyboards); DP One (scratches); Jason Spoor (background vocals).\nAudio Mixers: DJ Green Lantern; Eminem; Dragan \"Chach\" Cacinovic; Jason Schweitzer; Steve King ; Patrick Viala.\nRecording information: 54 Sound, Detroit, MI; Evil Genius Studios, New York, NY; Groovyville Studios, Los Angeles, CA; Powerhouse Studios, Yonkers, NY; Record One Recordings, Los Angeles, CA; Right Trax Studios, New York, NY; Tha Chuuch, Doggyland, CA.\nPhotographer: Anthony Cutajar.\nOn his second solo record, KISS OF DEATH, Jadakiss begins the wistful, reflective song \"Why\" with the question, \"Why is Jadakiss as hard as it gets?\" Unwavering confidence contrasted by soft introspection is a trademark of the ex-Lox member, and this quality distinguishes the Yonkers, New York rapper from his peers.\nKISS OF DEATH balances street knowledge with humor, and serves up robust beats and guest shots by a legion of hip-hop luminaries. Jadakiss brings together both American coasts, as well as years of history, on the groovy, 1970s-tinged \"Shine,\" with Cali's Snoop Dogg and NYC's DJ Quik packing some of their best rhymes. On the other end of the spectrum is the rock-sampling \"Welcome to D-Block,\" featuring Jadakiss's former Lox bandmates and a relatively subdued Eminem. Of course, Jadakiss can unleash some serious rhymes on his own, especially on the hardcore title track and the melodic \"Bring You Down.\" A dynamic sophomore effort, KISS OF DEATH cements Jadakiss's status as one of the premier forces in East Coast rap.\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 6\/22\/2004\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Jadakiss","offers":[{"title":"Default Title","offer_id":44563270172905,"sku":"6KGXBC-7AWR-00","price":17.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Jadakiss-KISS-OF-DEATH-EX_UhLz5_65ba4d8c-054b-4f86-9a52-9fb9ab476886.jpg?v=1742358062"},{"product_id":"chesnutt-vic-west-of-rome","title":"WEST OF ROME","description":"Personnel: Vic Chesnutt (vocals, guitar, keyboards); Vic Chesnutt (acoustic guitar, electric guitar, harmonica, piano, organ); Ray Neal (guitar, slide guitar); Kelly Keneipp, Kelly Kniepp (guitar); Tina W. Chesnutt, Steve Tesluk (bass guitar); Jeffrey Richards (guitar, drums); Liz Durrett (violin); Mandi Durett (cello); Michael Stipe (keyboards).\nAudio Mixer: Ray Neal.\nAudio Remasterer: Gavin Lurssen.\nLiner Note Author: Jem Cohen.\nPhotographers: Tina W. Chesnutt; Jem Cohen; Jimmy Davidson.\nVic Chesnutt is a very unique, peculiar personality and songwriter who shares the company of folks like Kristin Hersh, Mary Margaret O'Hara, Victoria Williams, Howe Gelb, and Benjamin Smoke. He's a charter member of that pantheon of brilliant songwriters and performers who are all defined by singularity, but are not ruled by quirk and never allow themselves to fall into self-parody. All play a skewed, refracted version of Americana that is haunting, funny, poignant, and occasionally mystical, usually all at once. West of Rome is a spare, skeletal record that's inhabited by all of the aforementioned qualities, is beautiful in its simplicity and finds strength in imperfection. Chesnutt's craggy voice, classical guitar, and outrageous imagination are his tools, and his performances were faithfully preserved by Scott Stuckey's resonant living room production. After a few spins, listening to Chesnutt and company sound like they're playing in your living room, the record begins to sound familiar; its nooks and crannies, cracks and crevices start to feel homey and comfortable, like an old house or an old friend. There's a humble magic that West of Rome perpetuates that is ultimately the most enchanting thing about it -- it offers a gentle reminder of things that are far too often taken for granted to those who care to listen. ~ Bryan Carroll\u003cul\u003e\n\u003cli\u003eHandling Note: **Please allow an additional 72 hours for this item's shipment.**\u003c\/li\u003e\n\u003cli\u003eFormat Detail: CD\u003c\/li\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eInternal ID: JITRE\u003c\/li\u003e\n\u003cli\u003eReleased: 6\/15\/2004\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"CHESNUTT,VIC","offers":[{"title":"Default Title","offer_id":44563534708969,"sku":"KY38HE-N8EV-00","price":19.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/CHESNUTTVIC-WEST-OF-ROME_nuwTY.jpg?v=1759385069"},{"product_id":"anthrax-live-island-yearex","title":"LIVE- ISLAND YEAR(EX","description":"\"Bring The Noise\" was nominated for Best Metal Performance in the 37th annual Grammy Awards.\nAnthrax: Joey Belladonna (vocals); Scott Ian (guitar, background vocals); Dan Spitz (guitar); Frank Bello (bass guitar, background vocals); Charlie Benante (drums).\nAdditional personnel: Flavor Flav, Chuck D.\nRecorded during a historic genre-shattering tour which they co-headlined with Public Enemy, LIVE: THE ISLAND YEARS is wonderfully illustrative of why Anthrax entered the '90s as one of modern metal's brightest hopes. Not only are they able to sustain their thrashy grooves for extended-play length (nine of the twelve tracks are over five minutes long), they do not allow the rubble of shrieking riffs to overwhelm the songs inside 'em. And though vocalist Joey Belladonna left the group soon after the album's recording, the five-piece outfit performs each selection with a collective rhythmic thrust (evocative of Metallica but far, far funkier), like a fist being clenched and un-clenched to the beat.\nHaving paid their dues in New York's hip-hop drenched musical climate, Anthrax were among the first metal bands to incorporate rap rhythms and textures into their sound--so much so that Public Enemy name-checked the band on their epic \"Bring The Noise.\" Here, the two bands team up for a noisy take on that anthem--brilliantly using PE's \"Too Much Posse\" as an entry-way--that offers the best of both worlds: Terminator X's razor-sharp scratches AND Scott Ian's monster riffs. It is a voyeuristic glimpse at a marriage of two unique sounds, and further proof that initial musical breakthroughs tower over the imitators they spawn.\u003cul\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 6\/22\/2004\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Anthrax","offers":[{"title":"Default Title","offer_id":44563595362537,"sku":"E4PMSA-R22E-00","price":14.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Anthrax-LIVE-ISLAND-YEAREX_tGDBC_2d5a3687-47d3-490b-aa53-b7ca9ba0c0c4.jpg?v=1758739425"},{"product_id":"bad-religion-the-empire-strikes-first","title":"The Empire Strikes First","description":"TracksCredits\r\n1 Overture\r\n2 Sinister Rouge\r\n3 Social Suicide\r\n4 Atheist Peace\r\n5 All There Is\r\n6 Angeles Is Burning\r\n7 Let Them Eat War\r\n8 God's Love\r\n9 To Another Abyss\r\n10 Quickening\r\n11 Empire Strikes First\r\n12 Beyond Electric Dreams\r\n13 Boot Stamping on a Human Face Forever\r\n14 Live Again (The Fall of Man)\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 06\/8\/2004\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Bad Religion","offers":[{"title":"Default Title","offer_id":44584043249897,"sku":"LLITQ9-CJGO-00","price":26.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/bad-religion-the-empire-strikes-first_mVvyo.jpg?v=1759408937"},{"product_id":"trivium-ember-to-inferno-slipcase","title":"Ember to Inferno [Slipcase]","description":"Trivium includes: Matt Heafy (vocals, guitar); Brent Young (bass); Travis Smith (drums).\nRecorded at Audio Hammer Studios, Sanford, Florida between June \u0026amp; July 2003.\nIn the alternative metal field, there are plenty of bands offering a heaven\/hell and melody\/brutality sort of contrast -- bands that include, among many others, Hopesfall, From Autumn to Ashes, and the Postman Syndrome. One minute, they're being brutally ferocious; the next minute, they lighten the load and become more melodic. And that is exactly the type of approach that Trivium favors on Ember to Inferno. Throughout this CD, the Florida trio's 2003 lineup -- Matt Heafy on lead vocals and guitar, Brent Young on bass, and Travis Smith on drums -- fluctuates between metalcore ferocity and something more forgiving. Typically, a Trivium song will go from metalcore harshness -- suffocating density, sledgehammer cruelty, screaming vocals -- to a more melodic style of power metal\/fantasy metal. It's as though you're getting Brick Bath one minute, and Iron Maiden or Queensr?che the next; there's enough of the hardcore element to make the disc relevant to 21st century alt-metal, which prevents Trivium from sounding retro, but there's enough power metal to give the listener some breathing room. In other words, Trivium fluctuates between using a nasty, flesh-tearing bullwhip on their listeners, and employing a soft, leather flogger that has a milder sort of sting. It's an appealing approach -- at least if you hold metal core and power metal\/fantasy metal in equally high regard -- but not a unique one. Again, many other alt-metal and metalcore bands were doing this type of thing when Ember to Inferno was recorded in 2003; some did it better, and some not as well. After a few tracks, Ember to Inferno begins to sound predictable and formulaic; you know that the hammer-to-the-skull assault will inevitably follow a melodic passage, and vice-versa. Nonetheless, headbangers will find Ember to Inferno to be a likable and competent, if less than distinctive, example of alt-metal's good cop\/bad cop juxtaposition. ~ Alex Henderson\u003cul\u003e\n\u003cli\u003eGenre: Heavy Metal\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 6\/1\/2004\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Trivium","offers":[{"title":"Default Title","offer_id":44586080895209,"sku":"2KIAH7-B5I0-00","price":33.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/trivium-ember-to-inferno-slipcase_IYkys.jpg?v=1759162806"},{"product_id":"sonic-youth-sonic-nurse","title":"SONIC NURSE","description":"Sonic Youth: Kim Gordon, Lee Ranaldo, Steve Shelley, Thurston Moore, Jim O'Rourke.\nSince 1990's GOO, Sonic Youth has increasingly refined its edgy avant-garde noise excursions with a unique approach to traditional rock song structure. 2004's SONIC NURSE continues the trend. The guitars still squall (as one would expect from a band specializing in distortion since the early 1980s), but that squall seems carefully orchestrated now. The effect is due, in large part, to the presence of professional soundscaper, producer, and musician Jim O'Rourke, who mixed SONIC NURSE, and has been working with the band since 2000.\nThe opener, \"Pattern Recognition,\" brews a quiet hurricane of drums, interlocking guitar rhythms, and high-end leads under bassist Kim Gordon's deadpan vocals. Guitarist Thurston Moore's equally understated singing moves through cresting and ebbing six-string waves on the lyrical \"Unmade Bed,\" the pulsing \"Stones,\" and the quiet, anthemic \"Peace Attack.\" Throughout, Sonic Youth's trademark intensity prevails, but under cover of a sophisticated and dynamic balance born from years of experimentation.\u003cul\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 6\/8\/2004\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Sonic Youth","offers":[{"title":"Default Title","offer_id":44586538959081,"sku":"HXMIY1-VK0G-00","price":23.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/sonic-youth-sonic-nurse_RRcZb.jpg?v=1759431289"},{"product_id":"phish-undermind","title":"Undermind","description":"Initial pressings of UNDERMIND included a bonus DVD.\nPhish: Mike Gordon , Jonathan Fishman, Page McConnell, Trey Anastasio.\nFor years, Phish (like forebears the Grateful Dead) was dogged by criticism that its studio albums did not capture the band's widely acclaimed on-stage magic. While UNDERMIND, the group's final effort (the quartet officially disbanded in May 2004), may not completely silence the naysayers, the record's unquestionably accomplished sound does encourage a complete re-assessment of Phish as a recording entity. Producer\/engineer Tchad Blake's trademark spare, meaty production gives the band's sonic textures a powerful wallop, evoking the jazz-like muscularity with which the combo imbues its live instrumental jams. In addition, Phish continues a trend started on BILLY BREATHES by focusing on tight, sharp songwriting, the title track standing as one of the group's catchiest tracks ever.\nThe Vermont foursome's astounding diversity is in evidence too, from the dreamy sunshine pop of \"Scents \u0026amp; Subtle Sounds (Intro)\" to keyboardist Page McConnell's Southern gospel-drenched \"Army of One,\" to the monstrous, metallic bass riffs that drive \"Maggie's Revenge.\" In the end, UNDERMIND is a fitting swan song and a top-notch studio album by a group that was always a genre unto itself.\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 06\/15\/2004\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Phish","offers":[{"title":"Default Title","offer_id":44586552590569,"sku":"KZHEYQ-BMLT-00","price":22.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/phish-undermind_PBN2C.jpg?v=1759443097"},{"product_id":"kiss-best-of-20th-cent-v2","title":"BEST OF\/20TH CENT V2","description":"Kiss: Paul Stanley (vocals, acoustic guitar, electric guitar); Gene Simmons (vocals, bass guitar); Mark St. John, Vinnie Vincent, Bruce Kulick (guitar); Eric Carr (drums, background vocals).\nLiner Note Author: Jeff Kitts.\nThe majority of Kiss hits collections to surface since the late '90s (and boy, have there been a truckload of them) have focused primarily on the group's makeup years, which is understandable since that's when the dudes smeared the grease paint back on. But for the most part, their unmasked years have been glossed over on subsequent hits collections (or included in small quantities). 2004's 20th Century Masters - The Millennium Collection: The Best of Kiss, Vol. 2 is the first Kiss collection ever to primarily focus on their non-makeup era, covering the years 1982 through 1990. While this certainly wasn't Kiss' finest era -- neither commercially (with Gene Simmons and Paul Stanley the only original members left by this point, Kiss saw their fan base dwindle considerably since their '70s heyday) nor musically (the group seemed to follow rather than lead the heavy metal pack) -- there are a few hard rockin' gems included here. Opening things up with one of their heaviest compositions ever, the title track from Creatures of the Night (the band's last release with makeup), the early portion of the collection fares the best, as exemplified by such further strong rockers as the anthemic \"I Love It Loud,\" \"Lick It Up,\" and \"Heaven's on Fire.\" Then...there's a bit of a road bump. As the '80s wore on, Kiss became more and more pop-metal-oriented by merely trying to replicate the chart toppers of the day (Bon Jovi, Def Leppard, etc.), as evidenced by such lackluster tracks as \"Uh! All Night,\" \"Crazy Crazy Nights,\" and \"Reason to Live.\" If you're a newcomer to Kiss looking for solid, career-encompassing best of sets, such other titles as Double Platinum and The Very Best of Kiss are better bets. But if it's an overview of strictly the non-makeup era, then 20th Century Masters - The Millennium Collection: The Best of Kiss, Vol. 2 is the collection for you. ~ Greg Prato\u003cul\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 06\/15\/2004\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Kiss","offers":[{"title":"Default Title","offer_id":44586952818921,"sku":"LDIDM5-21GZ-00","price":17.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/kiss-best-of20th-cent-v2_Sds9s.jpg?v=1759045689"},{"product_id":"nelson-best-of-20th-century","title":"BEST OF\/20TH CENTURY","description":"Nelson: Gunnar Nelson, Matthew Nelson.\nLiner Note Author: Scott Schinder.\nPhotographers: Dennis Keeley; Gene Kirkland; Robert John.\nNelson sold millions at the height of pop-metal's reign, then disappeared for five years before returning in 1995 with Because They Can. As those were Matthew and Gunnar Nelson's only albums for Geffen, they're the only things featured on this, Nelson's installment in the long-running 20th Century Masters retrospective series. The hit singles \"(Can't Live Without Your) Love and Affection\" and \"After the Rain\" have held up well, and \"Only Time Will Tell\" is a nice slice of synthesizer and guitar-driven, Bryan Adams-style power balladry. (Though billed as \"Tracy's Song\/Only Time Will Tell\" on the original After the Rain LP, this is the same version.) After the spangles and harmonized guitar solos of stuff like \"Fill You Up,\" the light and poppy \"(You Got Me) All Shook Up\" is quite a departure. The Rembrandts-ish track begins the second, Because They Can half of 20th Century Masters, which includes five cuts from the album. \"Cross My Broken Heart\" is equally gentle soft rock, but \"Won't Walk Away\" does try to recapture the rousing exuberance of Nelson's first album. This isn't a proper Nelson greatest-hits collection, as it only summarizes their first two albums. But fans or nostalgia enthusiasts might get a kick out of it. ~ Johnny Loftus\u003cul\u003e\n\u003cli\u003eGenre: Heavy Metal\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 06\/15\/2004\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Nelson","offers":[{"title":"Default Title","offer_id":44587061281001,"sku":"NJ9Y6X-RIRZ-00","price":16.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/nelson-best-of20th-century_rTYzL.jpg?v=1742341358"},{"product_id":"snow-patrol-final-straw","title":"FINAL STRAW","description":"Swedish edition.\nScotland's Snow Patrol formed in the mid-1990s, united by a love for both American and British alternative rock. Led by singer\/guitarist Gary Lightbody, the band recorded two albums for the revered Jeepster label (home of Belle \u0026amp; Sebastian) before signing with A\u0026amp;M Records. FINAL STRAW, the group's major-label debut, finds Snow Patrol expanding its indie-rock guitar-based sound with greater focus on keyboards, strings, and fuller production values (courtesy of Garret Lee). Lightbody's charming vocals and lyrics provide the band's emotional center, as best evidenced on the wistful opener \"How to Be Dead\" and the slowly building \"Run.\" Although Snow Patrol knows its way around quiet melancholy, the ensemble is also capable of rocking out (\"Spitting Games,\" \"Chocolate\"), revealing an aesthetic that places the group squarely in the ranks of Coldplay, Travis, and other Britpop luminaries.\u003cul\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 6\/8\/2004\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Snow Patrol","offers":[{"title":"Default Title","offer_id":44588098060521,"sku":"O3FJAO-2EHH-00","price":34.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/snow-patrol-final-straw_F0n83.jpg?v=1759253966"},{"product_id":"the-mavericks-definitive-collectio","title":"DEFINITIVE COLLECTIO","description":"The Mavericks: Nick Kane, Paul Deakin, Raul Malo, Robert Reynolds, David Lee Holt.\nAdditional personnel: Flaco Jim?nez.\nLiner Note Author: Rich Kienzle.\nEmerging in the early 1990s, the Mavericks were a new breed of country band. They were schooled in the Bakersfield verities of Buck Owens and Merle Haggard, but equally influenced by pop\/rock and soul of the '60s, and never as slick-sounding or overtly commercial as '80s crossover stars like Alabama or Eddie Rabbitt. Singer Raul Malo's soaring tenor garnered endless comparisons to Roy Orbison (a likeness furthered by some of the songs' arrangements), but he had just as much in common with Los Lobos' David Hidalgo. THE DEFINITIVE COLLECTION documents the Miami band's career through 1998, spotlighting every aspect of the eclectic ensemble's sound.\nThe admittedly Orbison-like acoustic ballad \"Dream River\" and a dreamy take on the standard \"Blue Moon\" sidle up alongside various rockabilly burners and honky-tonk romps, as well as covers of songs made popular by Buck Owens, Bruce Springsteen, and the Tremeloes. By painting with a wide palette of colors, the Mavericks create a broad, encompassing portrait of American music, captured in its many-hued glory on THE DEFINITIVE COLLECTION.\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 06\/22\/2004\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"The Mavericks","offers":[{"title":"Default Title","offer_id":44588609274089,"sku":"QB2NAO-1SAA-00","price":17.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/the-mavericks-definitive-collectio_dwelT.jpg?v=1758900136"},{"product_id":"brian-eno-here-come-the-warm-j","title":"HERE COME THE WARM J","description":"Personnel: Brian Eno (vocals, guitar, keyboards, synthesizer); Paul Rudolph (guitar, bass guitar); Chris Spedding, Phil Manzanera, Robert Fripp (guitar); Lloyd Watson (slide guitar); Andy Mackay (saxophone, keyboards); Nick Judd, Nick Kool \u0026amp; The Koolaids (keyboards); Chris Thomas , John Wetton, Bill MacCormick, Busta \"Cherry\" Jones (bass guitar); Marty Simon, Paul Thompson , Simon King (drums); Sweetfeed (background vocals).\nBy the time Brian Eno left Roxy Music and came to record this masterpiece of a debut in 1973, he already held in his grasp the raw tools to revolutionize popular music. HERE COME THE WARM JETS is bathed in his singular pop-with-a-wink aesthetic and free-associative imagination. Whether on the four-on-the-floor pre-punk stomp of \"Needles In The Camel's Eye\" or the Spector\/VU trad-rock-ism of \"Cindy Tells Me,\" the album displays an unabashed love of quirky, catchy pop. Macabre lyrics often subvert the melodies, a feature fully expressed on \"Baby's On Fire,\" where the singer's cheeky vocals exaggerate the theme's comic ambiguity.\nOn two quite different pieces--the closing title-track and \"On Some Faraway Beach\"--a different side of Eno was laid bare. These mid-tempo, mostly wordless sound-paintings construct melancholy scenes out of grandiose, manipulated sounds, and gesture toward Eno's role as the father of ambient music. Savage guitar lines, erratic synthesizer, and pounding drums (Robert Fripp, Paul Thompson, and Phil Manzanera are among the excellent personnel) provide exciting textures on a collection as beguiling as it is invigorating. With WARM JETS Eno proved he was ready to jump off the edge of the pop universe, and to drag everyone else with him.\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 6\/1\/2004\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Brian Eno","offers":[{"title":"Default Title","offer_id":44588833374441,"sku":"Z8570W-SO79-00","price":20.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/brian-eno-here-come-the-warm-j_xfFwG_f5d97da9-a710-4aa4-8490-b7909590889c.jpg?v=1755022398"},{"product_id":"alice-cooper-greatest-hits","title":"GREATEST HITS","description":"Personnel: Alice Cooper (vocals); Michael Smith, Glen Buxton (guitar); Dennis Dunaway (bass); Neal Smith (drums).\nProducers: Jack Richardson, Jack Douglas, Bob Ezrin.\nThough the original Alice Cooper group's previous few records were major hits (LOVE IT TO DEATH, KILLER, SCHOOL'S OUT, and BILLION DOLLAR BABIES), and the band's concerts were selling out, touring burnout and the desire to pursue solo projects lead to the dissolution of the original cast. This 1974 best-of still stands as a monument to them.\nThe best-known selections from this superb 12-track collection include the perennial summertime fist-pumper \"School's Out\" and the breakthrough teen-alienation rocker \"I'm Eighteen\" But it doesn't just stop there--all the rest of the tracks are exceptional as well. Alice Cooper's GREATEST HITS is certainly a definitive collection when it comes to the first phase of Alice Cooper.\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 6\/8\/2004\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Alice Cooper","offers":[{"title":"Default Title","offer_id":44588921815273,"sku":"O2FGQG-8LGD-00","price":20.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/alice-cooper-greatest-hits_HONhm_0cf93ab8-b840-4a96-9de7-cdf27fc48964.jpg?v=1759342166"},{"product_id":"bob-dylan-highway-61-revisited","title":"HIGHWAY '61 REVISITED","description":"Personnel: Bob Dylan (vocals, guitar, harmonica, piano); Michael Bloomfield Charlie McCoy (guitar); Al Kooper, Paul Griffin (piano, organ); Frank Owens (piano); Harvey Goldstein, Russ Savakus (bass); Bobby Gregg (drums).\nEngineers include: Peter Dauria, Roy Halee, Frank Laico.\nRecorded in Columbia Studios, New York, New York in June-August 1965.\nIncludes liner notes by Bob Dylan.\nTaking the first, electric side of Bringing It All Back Home to its logical conclusion, Bob Dylan hired a full rock \u0026amp; roll band, featuring guitarist Michael Bloomfield, for Highway 61 Revisited. Opening with the epic \"Like a Rolling Stone,\" Highway 61 Revisited careens through nine songs that range from reflective folk-rock (\"Desolation Row\") and blues (\"It Takes a Lot to Laugh, It Takes a Train to Cry\") to flat-out garage rock (\"Tombstone Blues,\" \"From a Buick 6,\" \"Highway 61 Revisited\"). Dylan had not only changed his sound, but his persona, trading the folk troubadour for a streetwise, cynical hipster. Throughout the album, he embraces druggy, surreal imagery, which can either have a sense of menace or beauty, and the music reflects that, jumping between soothing melodies to hard, bluesy rock. And that is the most revolutionary thing about Highway 61 Revisited -- it proved that rock \u0026amp; roll needn't be collegiate and tame in order to be literate, poetic, and complex. ~ Stephen Thomas Erlewine\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eRSD Date: n\/a\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 6\/1\/2004\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Bob Dylan","offers":[{"title":"Default Title","offer_id":44589197885673,"sku":"DWB7W3-2QBX-00","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/bob-dylan-highway-61-revisited_KKcvj.jpg?v=1740511863"},{"product_id":"the-neville-brothers-best-of-20th-century","title":"BEST OF\/20TH CENTURY","description":"Liner Note Author: Bill Dahl.\nArt, Aaron, Charles, and Cyril Neville, the Big Easy's indispensable musical family, have been going strong as a group since the late 1970s (and individually since the '50s and '60s). The band's output is notoriously wide-ranging and eclectic, often encompassing soul, rock, country, funk, and traditional New Orleans festival music, sometimes all at once. This 12-track BEST OF is a taste of the Neville Brothers' aesthetic, and includes some of their finest studio moments.\nThe disc begins with three songs from the Nevilles' '81 classic FIYO ON THE BAYOU-- the relentlessly funky title track, the instantly recognizable \"Brother John\/Iko Iko\" (one of New Orleans's unofficial theme songs), and an updated take on the Meters' \"Hey Pocky Way.\" (Art and Cyril were both members of the Meters in the '60s and '70s.) A handful of additional covers, including Steve Miller's \"Fly Like an Eagle\" and Sam Cooke's \"A Change Is Gonna Come\" (on which Aaron's gorgeous, angelic tenor soars), are peppered in among originals. Sophisticated, celebratory, and soulful, the Nevilles Brothers' music is unique, and this compilation is a fine introduction.\u003cul\u003e\n\u003cli\u003eGenre: R\u0026amp;B\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 06\/15\/2004\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"The Neville Brothers","offers":[{"title":"Default Title","offer_id":44589227180265,"sku":"ZI9FXC-2FQ9-00","price":16.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/the-neville-brothers-best-of20th-century_FygKf.jpg?v=1759138398"},{"product_id":"don-williams-definitive-collectio","title":"DEFINITIVE COLLECTIO","description":"Liner Note Author: Scott Schinder.\nDon Williams's mellow, amiable baritone and easygoing approach made him one of the biggest country stars of the 1970s. With simple arrangements, straightforward songs, and an emotionally honest but endearingly laconic delivery, Williams had an instantly appealing signature sound. He rarely strayed far from that template, but there was little reason to, especially with the outpouring of hits he scored throughout the '70s. A hefty helping of those hits is presented here, from the aging-singer meditation \"Amanda\" to the funky \"Tulsa Time\" (later covered by Williams acolyte Eric Clapton).\nThough Williams generally keeps things slow and easy (it wouldn't be unfair to call him the Bing Crosby of country music), there are infectious rhythmic undercurrents throughout (an R\u0026amp;B lope here, a Waylon Jennings beat there), and no matter how mellow he gets, he's never lugubrious. While one could quibble over some of the omissions (the sharp murder ballad \"Miller's Cave,\" the perky \"Big Ole Brew,\" memorably sung by Bill Murray in STRIPES), THE DEFINITIVE COLLECTION is pretty much what its title promises.\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 06\/22\/2004\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Don Williams","offers":[{"title":"Default Title","offer_id":44589228851433,"sku":"F8VG8T-WID1-00","price":20.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/don-williams-definitive-collectio_RQt95.jpg?v=1758899546"},{"product_id":"lloyd-banks-hunger-for-more-ex","title":"HUNGER FOR MORE (EX)","description":"Personnel: Lloyd Banks (rap vocals); Eminem, 50 Cent, Nate Dogg, Snoop Dogg, The Game , Tony Yayo, Young Buck (rap vocals).\nQueens, New York-born Lloyd Banks couldn't have asked for a better stage on which to emerge. With 50 Cent's sudden ascension in 2003, his band of longtime mixtape stars, G-Unit, received a dose of national attention on the sturdy BEG FOR MERCY. The three-pronged attack of G-Unit is, as its name would imply, a collective effort, but on that record Banks repeatedly stole the show with his uncompromising, yet poetic rhymes and confident, wry delivery.\nBanks makes his hotly anticipated debut with THE HUNGER FOR MORE, an album whose title sums up the tough, yet introspective artist, a ravenous rapper who devours words hungrily. The world is spinning around nonstop in Banks's brain, and there is clearly not enough time for it all to get out. However, in the course of THE HUNGER FOR MORE, he tackles everything from the simple topics of love and sex and life on the streets to problems like bad karma and getting racially profiled at the airport. His paramount ability may be his talent for taking a timeworn topic and transforming it into something fresh, as on \"I Get High\" (fittingly featuring 50 Cent and Snoop Dogg) and \"If You So Gangsta.\" Banks deftly balances the hardcore, the poetic, and the melodic, and THE HUNGER FOR MORE portends great things for the rapper.\u003cul\u003e\n\u003cli\u003eGenre: Rap\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 6\/29\/2004\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Lloyd Banks","offers":[{"title":"Default Title","offer_id":44589455737065,"sku":"5MTGLC-LVPB-00","price":16.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/lloyd-banks-hunger-for-more-ex_ebZgc.jpg?v=1742355658"},{"product_id":"goodie-mob-one-monkey-dont-stop-no-show-pa","title":"One Monkey Don't Stop No Show [PA]","description":"Intital pressings include a bonus 70-minute DVD.\nPersonnel: Speedy (scratches).\nPhotographer: Mil Cannon.\nWhile fellow Atlanta pioneers Outkast have received more massive attention, Goodie Mob were just as instrumental in the rise of the Dirty South sound. Since their first record in 1995, the classic SOUL FOOD, the group have been purveyors of witty, linguistically twisted rhymes littered with schizophrenic references cooked up by mad-genius minds, their words then layered over unusual and grimy yet melodic beats. After breaking up for a bit, the unit returns with a fourth record, ONE MONKEY DON'T STOP NO SHOW.\nDespite the loss of one member, the utterly unique Cee-Lo Green, the band plays on (as the album title suggests), retaining the wondrous unpredictability and perfect balance of the raw and the playful that makes Goodie Mob so appealing. Khujo, Big Gipp, and T-Mo wax acrobatic and witty from the opening bell in an energizing style; before one classic rhyme has a chance to linger on the brain, another has unfolded. Even on slower, reflective numbers like \"God I Wanna Live\" and \"Play Your Flutes,\" the flow is absolutely dizzying. The group also shines when playing straight-up tough as on \"Shawty Wants To Be A Gangsta\" and \"Big City.\" ONE MONKEY DON'T STOP NO SHOW marks the welcome return of one of the best acts in the rap game.\u003cul\u003e\n\u003cli\u003eGenre: R\u0026amp;B\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 6\/29\/2004\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Goodie Mob","offers":[{"title":"Default Title","offer_id":44590332936425,"sku":"F46JE4-B4AB-00","price":16.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/goodie-mob-one-monkey-dont-stop-no-show-pa_vnFRA.jpg?v=1759270317"},{"product_id":"brian-eno-another-green-world-1","title":"ANOTHER GREEN WORLD","description":"Personnel: Brian Eno (guitar, piano, organ, synthesizer, percussion); Robert Fripp (guitar); John Cale (viola); Brian Turrington (piano, bass); Rod Melvin (electric piano); Percy Jones, Paul Rudolph (bass); Phil Collins (drums).\nPersonnel: Brian Eno (vocals, guitar, piano, synthesizer, percussion); Robert Fripp (guitar); John Cale (cello); Brian Turrington (piano, bass guitar); Rod Melvin (electric piano); Paul Rudolph, Percy Jones (bass guitar); Phil Collins (drums).\nIt was here that Eno first began to experiment with abstract soundscapes, to employ a greater spatial element and the ethereal synthesizer effects that presaged an entire movement of ambient music. While most of the tracks are instrumental, the numbers that feature Eno's peculiar, affectless voice and free-associative lyrics seem to blend into the fabric of the album. Superior guest musicians include John Cale, Robert Fripp and Phil Collins. From the brain-bending riff of \"Sky-Saw, through the elemental creeping of \"Sombre Reptiles;\" from Robert Fripp's looping solos in \"St. Elmo's Fire\" to the dark swirl of \"Spirits Drifting,\" ANOTHER GREEN WORLD creates a superb series of sonic atmospheres that are rhythmic, expansive, strange and beautiful.\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 6\/1\/2004\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Brian Eno","offers":[{"title":"Default Title","offer_id":44590405353705,"sku":"9CTH7R-5KYU-00","price":20.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/brian-eno-another-green-world_FvexI.jpg?v=1759349281"},{"product_id":"chk-chk-chk-louden-up-now-cd","title":"!!! (Chk Chk Chk) – Louden Up Now [CD]","description":"\u003cp\u003e\u003cspan style=\"font-size:20px;\"\u003e\u003cspan style=\"font-family:Georgia,serif;\"\u003e\u003cstrong\u003eAlbum Details\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:14px;\"\u003e\u003cspan style=\"font-family:Georgia,serif;\"\u003e!!! brings a punk aesthetic to the style-over-substance world of dance music with this release. Slithering bass lines, driving percussion, echo-laden guitar, and call-and-response vocal come together to create some of the dopest jams you're likely to hear in 20047 and beyond. \"Take all the parts of disco that don't suck, mix in a dash of post whatever aural experimentation and voila! Instant bicoastal dance part.\" - Village Voice.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:18px;\"\u003e\u003cspan style=\"font-family:Georgia,serif;\"\u003e\u003cstrong\u003eAlbum Highlights\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:14px;\"\u003e\u003cspan style=\"font-family:Georgia,serif;\"\u003eFormat: CD\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:14px;\"\u003e\u003cspan style=\"font-family:Georgia,serif;\"\u003eLabel: TOUCH \u0026amp; GO RECORDS\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:14px;\"\u003e\u003cspan style=\"font-family:Georgia,serif;\"\u003eCatalog: 20934\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:14px;\"\u003e\u003cspan style=\"font-family:Georgia,serif;\"\u003eRel. Date: 06\/08\/2004\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:14px;\"\u003e\u003cspan style=\"font-family:Georgia,serif;\"\u003eUPC: 036172093427\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:14px;\"\u003e\u003cspan style=\"font-family:Georgia,serif;\"\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:14px;\"\u003e\u003cspan style=\"font-family:Georgia,serif;\"\u003e1-1 When The Going Gets Tough, The Tough Get Karazzee\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:14px;\"\u003e\u003cspan style=\"font-family:Georgia,serif;\"\u003e1-2 Pardon My Freedom\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:14px;\"\u003e\u003cspan style=\"font-family:Georgia,serif;\"\u003e1-3 Dear Can\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:14px;\"\u003e\u003cspan style=\"font-family:Georgia,serif;\"\u003e1-4 King's Weed\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:14px;\"\u003e\u003cspan style=\"font-family:Georgia,serif;\"\u003e1-5 Hello? Is This Thing On?\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:14px;\"\u003e\u003cspan style=\"font-family:Georgia,serif;\"\u003e1-6 Shit Scheisse Merde Part 1\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:14px;\"\u003e\u003cspan style=\"font-family:Georgia,serif;\"\u003e1-7 Shit Scheisse Merde Part 2\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:14px;\"\u003e\u003cspan style=\"font-family:Georgia,serif;\"\u003e1-8 Me And Giuliani Down By The School Yard (A True Story)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:14px;\"\u003e\u003cspan style=\"font-family:Georgia,serif;\"\u003e1-9 Theme From Space Island\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:14px;\"\u003e\u003cspan style=\"font-family:Georgia,serif;\"\u003e1-10 Shit Scheisse Merde Part 1 (Instrumental)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:14px;\"\u003e\u003cspan style=\"font-family:Georgia,serif;\"\u003eClean Edit\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:14px;\"\u003e\u003cspan style=\"font-family:Georgia,serif;\"\u003e2-1 When The Going Gets Tough, The Tough Get Karazzee\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:14px;\"\u003e\u003cspan style=\"font-family:Georgia,serif;\"\u003e2-2 Pardon My Freedom\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:14px;\"\u003e\u003cspan style=\"font-family:Georgia,serif;\"\u003e2-3 Dear Can\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:14px;\"\u003e\u003cspan style=\"font-family:Georgia,serif;\"\u003e2-4 King's Weed\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:14px;\"\u003e\u003cspan style=\"font-family:Georgia,serif;\"\u003e2-5 Hello? Is This Thing On?\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:14px;\"\u003e\u003cspan style=\"font-family:Georgia,serif;\"\u003e2-6 Shit Scheisse Merde Pt 1\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:14px;\"\u003e\u003cspan style=\"font-family:Georgia,serif;\"\u003e2-7 Shit Scheisse Merde Pt 2\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:14px;\"\u003e\u003cspan style=\"font-family:Georgia,serif;\"\u003e2-8 Me And Giuliani Down By The School Yard (A True Story)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:14px;\"\u003e\u003cspan style=\"font-family:Georgia,serif;\"\u003e2-9 Theme From Space Island\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:14px;\"\u003e\u003cspan style=\"font-family:Georgia,serif;\"\u003e2-10 Shit Scheisse Merde Pt 1 (Instrumental)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:18px;\"\u003e\u003cspan style=\"font-family:Georgia,serif;\"\u003e\u003cstrong\u003ePreview the album below before adding it to your collection.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n","brand":"!!! (Chk Chk Chk)","offers":[{"title":"Default Title","offer_id":45384655143145,"sku":"6CXUSL-I5CZ-00","price":15.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/chk-chk-chk-louden-up-now-cd_6rCjO.png?v=1751668853"},{"product_id":"chk-chk-chk-louden-up-now-vinyl","title":"!!! (Chk Chk Chk) – Louden Up Now [Vinyl LP]","description":"\u003cp\u003e\u003cspan style=\"font-size:12px;\"\u003e\u003cspan style=\"font-family:Arial,Helvetica,sans-serif;\"\u003e!!! brings a punk aesthetic to the style-over-substance world of dance music with this release. Slithering bass lines, driving percussion, echo-laden guitar, and call-and-response vocal come together to create some of the dopest jams you're likely to hear in 20047 and beyond. \"Take all the parts of disco that don't suck, mix in a dash of post whatever aural experimentation and voila! Instant bicoastal dance part.\" - Village Voice.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:12px;\"\u003e\u003cspan style=\"font-family:Arial,Helvetica,sans-serif;\"\u003e\u003cb\u003eTracklist\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:12px;\"\u003e\u003cspan style=\"font-family:Arial,Helvetica,sans-serif;\"\u003e\u003cb\u003e \u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:12px;\"\u003e\u003cspan style=\"font-family:Arial,Helvetica,sans-serif;\"\u003eA1 When The Going Gets Tough, The Tough Get Karazzee\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:12px;\"\u003e\u003cspan style=\"font-family:Arial,Helvetica,sans-serif;\"\u003eA2 Pardon My Freedom\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:12px;\"\u003e\u003cspan style=\"font-family:Arial,Helvetica,sans-serif;\"\u003eB1 Dear Can\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:12px;\"\u003e\u003cspan style=\"font-family:Arial,Helvetica,sans-serif;\"\u003eB2 King's Weed\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:12px;\"\u003e\u003cspan style=\"font-family:Arial,Helvetica,sans-serif;\"\u003eB3 Hello? Is This Thing On?\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:12px;\"\u003e\u003cspan style=\"font-family:Arial,Helvetica,sans-serif;\"\u003eC1 Shit Scheisse Merde, Pt. 1\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:12px;\"\u003e\u003cspan style=\"font-family:Arial,Helvetica,sans-serif;\"\u003eC2 Shit Scheisse Merde, Pt. 2\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:12px;\"\u003e\u003cspan style=\"font-family:Arial,Helvetica,sans-serif;\"\u003eD1 Me And Giuliani Down By The School Yard (A True Story)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:12px;\"\u003e\u003cspan style=\"font-family:Arial,Helvetica,sans-serif;\"\u003eD2 Theme From Space Island\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:12px;\"\u003e\u003cspan style=\"font-family:Arial,Helvetica,sans-serif;\"\u003e*Audio and\/or tracklist may vary slightly from the vinyl version.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e \u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:12px;\"\u003e\u003cspan style=\"font-family:Arial,Helvetica,sans-serif;\"\u003eLabel: TOUCH \u0026amp; GO RECORDS\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:12px;\"\u003e\u003cspan style=\"font-family:Arial,Helvetica,sans-serif;\"\u003eCatalog: 20934\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:12px;\"\u003e\u003cspan style=\"font-family:Arial,Helvetica,sans-serif;\"\u003eRel. Date: 06\/08\/2004\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:12px;\"\u003e\u003cspan style=\"font-family:Arial,Helvetica,sans-serif;\"\u003eUPC: 036172093410\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eFormat Detail: LP\u003c\/li\u003e\n\u003cli\u003eGenre: Alternative\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 06\/08\/2004\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"!!! (Chk Chk Chk)","offers":[{"title":"Default Title","offer_id":45384670511337,"sku":"W96SYE-IX5S-00","price":24.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/chk-chk-chk-louden-up-now-vinyl-lp_H7dzE.png?v=1751669240"},{"product_id":"311-greatest-hits-93-03","title":"Greatest Hits '93-'03","description":"\u003cp\u003eGreatest Hits '93-'03 is a Music CDs from 311\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGenre: Rock\u003c\/li\u003e\n\u003cli\u003eFormat: CD\u003c\/li\u003e\n\u003cli\u003eReleased: 06\/8\/2004\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"311","offers":[{"title":"Default Title","offer_id":46612860240105,"sku":"CIOHIO-8Y5G-00","price":8.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/311-greatest-hits-93-03_oDyZy.jpg?v=1743245073"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/collections\/Pink_and_White_Grunge_Simple_New_Single_Release_Instagram_Post_1_8dc598f3-a8bd-4adf-8dfb-6ec0f9ff319c.png?v=1782762373","url":"https:\/\/www.vibinvinyl.com\/collections\/new-releases-june-2004.oembed","provider":"Vibin' Vinyl","version":"1.0","type":"link"}