{"title":"Post-Punk Music","description":"\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eShop \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ePost-Punk Music\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e at Vibin' Vinyl with a growing collection of new and pre-owned vinyl records, CDs, and cassettes. From the pioneering artists who redefined rock after the first wave of punk to today's acclaimed revival bands, our Post-Punk Music collection is built for collectors, alternative music fans, and listeners who appreciate atmospheric soundscapes, inventive songwriting, and artistic experimentation. Whether you're searching for a landmark album, a collectible pressing, or your next favorite discovery, you'll find an ever-growing selection across multiple formats.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eEmerging in the late 1970s, Post-Punk expanded upon punk's independent spirit while embracing greater musical complexity, experimentation, and emotional depth. Artists incorporated influences from electronic music, funk, dub, art rock, and avant-garde music, creating a genre known for angular guitar work, driving bass lines, atmospheric production, and introspective lyrics. The movement helped lay the foundation for alternative rock, gothic rock, indie rock, new wave, and countless modern genres.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eAt Vibin' Vinyl, we celebrate the creativity and lasting influence of Post-Punk with a carefully curated collection for every type of collector. Our inventory regularly includes standard black vinyl, colored vinyl, anniversary reissues, deluxe editions, remastered classics, import pressings, Record Store Day exclusives, collectible CDs, cassettes, box sets, and quality pre-owned releases. We continually update our catalog with new arrivals and hard-to-find recordings, giving collectors fresh opportunities to discover genre-defining classics alongside contemporary post-punk revival artists.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003ePost-Punk remains one of the most rewarding genres to collect because of its innovative musicianship, bold artistic vision, and enduring influence on modern music. Whether you enjoy minimalist arrangements, atmospheric soundscapes, danceable rhythms, experimental production, or emotionally driven songwriting, the genre offers decades of groundbreaking albums that continue to inspire musicians and listeners around the world.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eExplore releases from artists including Joy Division, Gang of Four, Wire, Siouxsie and the Banshees, Public Image Ltd., Magazine, The Chameleons, Killing Joke, The Fall, Echo \u0026amp; the Bunnymen, Bauhaus, The Sound, Interpol, Fontaines D.C., and IDLES, along with many more represented throughout our growing catalog. From pioneering innovators to today's acclaimed artists, our Post-Punk Music collection celebrates one of the most influential movements in alternative music history.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eIf Post-Punk Music is one of your favorite genres, be sure to explore our Punk Music, New Wave Music, Alternative Music, Indie Rock Music, Gothic Rock Music, Electronic Music, Art Rock Music, and Rock Music collections as your catalog continues to grow. Together, these collections showcase the experimentation, creativity, and evolution that continue to define post-punk.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhether you're replacing a treasured classic, searching for a collectible pressing, or discovering Post-Punk Music for the very first time, Vibin' Vinyl is committed to helping collectors and music lovers build a collection they'll enjoy for years to come. Every order is carefully packed with care, and our inventory continues to grow with new releases, collectible editions, and outstanding pre-owned finds added regularly.\u003c\/span\u003e\u003c\/p\u003e","products":[{"product_id":"talking-heads-remain-in-light-rocktober-2022-white-vinyl","title":"Talking Heads - Remain in Light [Rocktober 2022 Solid White LP]","description":"\u003ch2\u003eAlbum Overview\u003c\/h2\u003e\r\n\r\n\u003cp\u003eTalking Heads reached one of the most adventurous points of their career with \u003cem\u003eRemain in Light\u003c\/em\u003e, the band’s fourth studio album. Originally released in 1980, the record pushes new wave and art rock into dense layers of funk, polyrhythms, electronics, and globally influenced grooves, creating one of the most distinctive albums in the group’s catalog.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe album opens with the relentless “Born Under Punches (The Heat Goes On)” before moving through “Crosseyed and Painless” and the sprawling “The Great Curve.” Side two includes the landmark “Once in a Lifetime” alongside “Houses in Motion,” “Seen and Not Seen,” “Listening Wind,” and the dark, atmospheric closer “The Overload.”\u003c\/p\u003e\r\n\r\n\u003cp\u003eProduced by Brian Eno and Talking Heads, \u003cem\u003eRemain in Light\u003c\/em\u003e was developed from rhythmic jams created by David Byrne, Chris Frantz, Jerry Harrison, and Tina Weymouth, with additional contributions from musicians including Adrian Belew, Jon Hassell, Nona Hendryx, and Robert Palmer. The resulting album blends rock, funk, electronic experimentation, and interlocking rhythmic ideas into a densely layered studio work.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThis 2022 Rocktober edition presents the complete eight-track studio album on 140-gram solid white vinyl. Released by Sire Records as part of Rhino’s annual Rocktober series, this limited-edition pressing offers a collectible colored-vinyl presentation of the landmark album.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eWhy You’ll Love It\u003c\/h2\u003e\r\n\r\n\u003cp\u003eIf you enjoy Talking Heads at their most rhythmic, experimental, and expansive, \u003cem\u003eRemain in Light\u003c\/em\u003e is essential. From the layered pulse of “Born Under Punches” to the instantly recognizable “Once in a Lifetime,” the album transforms new wave, art rock, and funk into something uniquely its own. 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Basic tracks were recorded at Compass Point Studios in the Bahamas, with vocals and additional recording completed at Sigma Sound in New York.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThis 2006 remastered vinyl edition presents the complete eight-track studio album on 180-gram HQ vinyl through Sire Records and Rhino Vinyl.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eWhy You’ll Love It\u003c\/h2\u003e\r\n\r\n\u003cp\u003eIf you enjoy Talking Heads at their most rhythmic, experimental, and expansive, \u003cem\u003eRemain in Light\u003c\/em\u003e is essential. From the layered pulse of “Born Under Punches” to the instantly recognizable “Once in a Lifetime,” the album transforms rock, funk, new wave, and African-influenced rhythmic ideas into one of the band’s most distinctive recordings. 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Recorded during the \u003cem\u003eMore Songs About Buildings and Food\u003c\/em\u003e era, the set finds David Byrne, Chris Frantz, Jerry Harrison, and Tina Weymouth drawing heavily from the band’s first two studio albums.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe 14-track performance opens with “The Big Country” and moves through early favorites including “Warning Sign,” “The Book I Read,” “Artists Only,” “Don’t Worry About the Government,” and “The Good Thing.” Side two includes “Uh-Oh, Love Comes to Town,” “New Feeling,” “Psycho Killer,” “Thank You for Sending Me an Angel,” and the band’s interpretation of “Take Me to the River.”\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe performance took place at Park West in Chicago on August 28, 1978, shortly after the release of \u003cem\u003eMore Songs About Buildings and Food\u003c\/em\u003e. The recording captures Talking Heads at a pivotal point as the stripped-down new wave sound of their debut began expanding into the more rhythmic and experimental approach that would define the band’s next several albums.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThis 2015 European pressing presents the complete 14-track live recording on 180-gram black vinyl. Released by DOL, this edition is an unofficial release rather than an authorized Talking Heads or Sire Records issue.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eWhy You’ll Love It\u003c\/h2\u003e\r\n\r\n\u003cp\u003eIf you enjoy the earliest era of Talking Heads, \u003cem\u003eChicago August 28, 1978\u003c\/em\u003e offers a raw snapshot of the band in performance during the transition between \u003cem\u003eTalking Heads: 77\u003c\/em\u003e and \u003cem\u003eMore Songs About Buildings and Food\u003c\/em\u003e. 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Recorded during the \u003cem\u003eMore Songs About Buildings and Food\u003c\/em\u003e era, the performance features David Byrne, Chris Frantz, Jerry Harrison, and Tina Weymouth drawing from the band’s first two studio albums.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe 11-track set opens with “The Big Country” and moves through early favorites including “Warning Sign,” “The Book I Read,” “The Girls Want to Be With the Girls,” and “Don’t Worry About the Government.” Side two includes “Uh-Oh, Love Comes to Town,” “New Feeling,” “Psycho Killer,” “Thank You for Sending Me an Angel,” and the band’s interpretation of “Take Me to the River.”\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe performance took place at Park West in Chicago on August 28, 1978, capturing Talking Heads at a pivotal moment as the stripped-down new wave sound of their debut began expanding into the more rhythmic and experimental approach that would shape their later work.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThis 2020 European Pearl Hunters Records edition presents the live radio broadcast on 180-gram violet vinyl. This pressing is an unofficial release rather than an authorized Talking Heads or Sire Records issue.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eWhy You’ll Love It\u003c\/h2\u003e\r\n\r\n\u003cp\u003eIf you enjoy the earliest era of Talking Heads, \u003cem\u003eLive in the Big Country\u003c\/em\u003e offers a raw snapshot of the band in performance during the transition between \u003cem\u003eTalking Heads: 77\u003c\/em\u003e and \u003cem\u003eMore Songs About Buildings and Food\u003c\/em\u003e. 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Originally released in 1979, the record expands the new wave and art rock of their earlier work while introducing the polyrhythmic and funk-influenced ideas that would become even more prominent on \u003cem\u003eRemain in Light\u003c\/em\u003e.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe album opens with the hypnotic “I Zimbra” and continues through favorites including “Cities,” “Life During Wartime,” “Memories Can’t Wait,” and “Heaven.” Songs such as “Air,” “Animals,” and the eerie closing track “Drugs” give the record a tense, uneasy atmosphere that complements David Byrne’s increasingly abstract songwriting.\u003c\/p\u003e\r\n\r\n\u003cp\u003eProduced by Brian Eno and Talking Heads, \u003cem\u003eFear of Music\u003c\/em\u003e features David Byrne, Chris Frantz, Jerry Harrison, and Tina Weymouth alongside contributions from musicians including Robert Fripp and Brian Eno. 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Conceived in the spirit of classic radio sessions, the album captures James Murphy and the band recreating their music together in real time with a rawer, looser performance style than the original studio recordings.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe nine-track set draws from LCD Soundsystem’s first three studio albums and includes new session performances of “Us V Them,” “All I Want,” “Drunk Girls,” “Get Innocuous!,” “Daft Punk Is Playing at My House,” “All My Friends,” “Pow Pow,” and “I Can Change.” The collection closes with “Yr City Is a Sucker,” bringing one of the band’s early favorites into the same live-session setting.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThis 2011 U.S. DFA Records vinyl edition presents the complete nine-track session across two black vinyl records. 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Familiar songs feel tougher and more immediate, making this an ideal companion to the original albums as well as later session releases such as \u003cem\u003eElectric Lady Sessions\u003c\/em\u003e.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eAlbum Highlights\u003c\/h2\u003e\r\n\r\n\u003cul\u003e\r\n    \u003cli\u003eLive-in-studio collection recorded in South London on June 29, 2010\u003c\/li\u003e\r\n    \u003cli\u003e2011 U.S. 2LP vinyl edition released by DFA Records\u003c\/li\u003e\r\n    \u003cli\u003eFeatures nine performances spanning LCD Soundsystem’s early catalog\u003c\/li\u003e\r\n    \u003cli\u003eIncludes “All My Friends,” “Daft Punk Is Playing at My House,” “Drunk Girls,” and “I Can Change”\u003c\/li\u003e\r\n    \u003cli\u003eFeatures the early LCD Soundsystem track “Yr City Is a Sucker”\u003c\/li\u003e\r\n    \u003cli\u003eRecorded in the spirit of classic John Peel-style radio sessions\u003c\/li\u003e\r\n    \u003cli\u003ePerformed and captured with the band playing together in real time\u003c\/li\u003e\r\n    \u003cli\u003eProduced and mixed by James Murphy\u003c\/li\u003e\r\n    \u003cli\u003eMastered by Bob Weston\u003c\/li\u003e\r\n    \u003cli\u003ePressed across two black vinyl records\u003c\/li\u003e\r\n    \u003cli\u003eHoused in a gatefold sleeve\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch2\u003eTrack Listing\u003c\/h2\u003e\r\n\r\n\u003cp\u003eA1. Us V Them (London Session)\u003cbr\u003e\r\n    A2. All I Want (London Session)\u003cbr\u003e\r\n    B1. Drunk Girls (London Session)\u003cbr\u003e\r\n    B2. Get Innocuous! (London Session)\u003cbr\u003e\r\n    B3. Daft Punk Is Playing at My House (London Session)\u003cbr\u003e\r\n    C1. All My Friends (London Session)\u003cbr\u003e\r\n    C2. Pow Pow (London Session)\u003cbr\u003e\r\n    D1. I Can Change (London Session)\u003cbr\u003e\r\n    D2. 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Originally released in 2007, the album expands James Murphy’s blend of electronic music, disco, post-punk, indie rock, and hypnotic repetition while bringing a more emotionally direct side of his songwriting to the forefront.\u003c\/p\u003e\r\n\r\n\u003cp\u003eRecorded during 2006 at Long View Farm in Massachusetts and DFA Studios in New York City, \u003cem\u003eSound of Silver\u003c\/em\u003e moves effortlessly between tightly wound dancefloor tracks and reflective songwriting. “Get Innocuous!” and “North American Scum” deliver propulsive electronic grooves, while “Someone Great” and “All My Friends” explore loss, friendship, aging, and nostalgia. The album closes with the piano-led “New York, I Love You But You’re Bringing Me Down,” one of James Murphy’s most memorable tributes to his hometown.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThis 2016 European reissue presents the complete nine-track album across two black vinyl records. Issued through DFA and Parlophone, the pressing is housed in a gatefold sleeve with printed picture and lyric inner sleeves and includes a large fold-out poster.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eWhy You’ll Love It\u003c\/h2\u003e\r\n\r\n\u003cp\u003eIf you enjoy LCD Soundsystem’s combination of dance-punk energy, electronic experimentation, disco rhythms, and emotionally resonant songwriting, \u003cem\u003eSound of Silver\u003c\/em\u003e is essential listening. 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Arriving after the group’s highly publicized farewell and eventual reunion, the album finds James Murphy and company returning to their signature combination of electronic music, dance-punk, post-punk, synth-driven atmosphere, and emotionally restless songwriting.\u003c\/p\u003e\r\n\r\n\u003cp\u003eOpening with the slow-building “Oh Baby,” \u003cem\u003eAmerican Dream\u003c\/em\u003e moves between hypnotic electronics, driving percussion, sharp guitars, and darker introspection. “Tonite” and “Call the Police” deliver some of the album’s most immediate momentum, while tracks such as “How Do You Sleep?” and the expansive closing song “Black Screen” push LCD Soundsystem into more brooding and reflective territory.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThis original 2017 U.S. vinyl edition presents the complete ten-track album across two 140-gram black vinyl records. 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Originally released in 2005, \u003cem\u003eLCD Soundsystem\u003c\/em\u003e blends electronic music, post-punk, disco, punk-funk, and indie rock with Murphy’s distinctive combination of humor, cultural observation, and club-minded rhythm.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe album opens with the infectious “Daft Punk Is Playing at My House” before moving through the restless electronics of “Tribulations” and “Movement,” the hypnotic repetition of “On Repeat,” and the art-rock atmosphere of “Never as Tired as When I’m Waking Up” and “Great Release.” Across nine tracks, LCD Soundsystem draw from decades of underground dance and rock music while establishing a sound that would become one of the defining intersections of indie and electronic music in the 2000s.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThis 2017 European reissue presents the original nine-track studio album on a single black vinyl LP. 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Originally released in 2007, the record finds James Murphy combining electronic music, disco, post-punk, synth-driven repetition, and indie rock with increasingly personal songwriting.\u003c\/p\u003e\r\n\r\n\u003cp\u003eRecorded primarily during the summer of 2006 at Long View Farm in Massachusetts with additional work at DFA Studios in New York, \u003cem\u003eSound of Silver\u003c\/em\u003e moves effortlessly between dancefloor momentum and introspection. “Get Innocuous!” and “North American Scum” deliver tightly wound electronic grooves, while “Someone Great” and “All My Friends” bring mortality, friendship, aging, and nostalgia into some of LCD Soundsystem’s most enduring songs.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThis 2023 U.S. DFA Records reissue presents the complete nine-track album across two black vinyl records. The pressing is housed in a matte-finish gatefold jacket with a silver-foil cover stamp, with lacquers cut at Chicago Mastering Service and pressing handled by Citizen Vinyl.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eWhy You’ll Love It\u003c\/h2\u003e\r\n\r\n\u003cp\u003eIf you enjoy LCD Soundsystem’s combination of hypnotic electronic production, dance-punk energy, disco rhythms, and emotionally direct songwriting, \u003cem\u003eSound of Silver\u003c\/em\u003e is an essential album. 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Captured over three days in January 2018, the sessions present reworked versions of LCD Soundsystem favorites alongside material from \u003cem\u003eAmerican Dream\u003c\/em\u003e and three carefully chosen covers.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe twelve-track set moves through the band’s catalog with newly recorded performances of “American Dream,” “You Wanted a Hit,” “Get Innocuous!,” “Tonite,” “Home,” and “Oh Baby.” The group also takes on “Seconds,” originally by The Human League, Chic’s “I Want Your Love,” and Heaven 17’s “(We Don’t Need This) Fascist Groove Thang,” connecting LCD Soundsystem’s own music with some of the post-punk, disco, and synth-pop influences that shaped their sound.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThis 2019 U.S. edition is pressed on two 180-gram black vinyl records and housed in a gatefold sleeve. 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Seconds\u003cbr\u003e\r\n    A2. American Dream\u003cbr\u003e\r\n    A3. You Wanted a Hit\u003cbr\u003e\r\n    B1. Get Innocuous!\u003cbr\u003e\r\n    B2. Call the Police\u003cbr\u003e\r\n    B3. I Used To\u003cbr\u003e\r\n    C1. Tonite\u003cbr\u003e\r\n    C2. Home\u003cbr\u003e\r\n    C3. I Want Your Love\u003cbr\u003e\r\n    D1. Emotional Haircut\u003cbr\u003e\r\n    D2. Oh Baby\u003cbr\u003e\r\n    D3. 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The set documents David Byrne, Chris Frantz, Tina Weymouth, and Jerry Harrison during the final touring period of the band’s original four-piece lineup.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe primary concert was recorded at the Berklee Performance Center in Boston on August 24, 1979 and features material spanning the band’s first three albums. Highlights include “Artists Only,” “Cities,” “Heaven,” “Memories Can’t Wait,” “Psycho Killer,” “Life During Wartime,” and “Take Me to the River.”\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe collection closes with live performances of “Take Me to the River” and “Artists Only” recorded for \u003cem\u003eSaturday Night Live\u003c\/em\u003e on February 10, 1979.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThis 2015 European import edition presents the broadcasts across two clear vinyl LPs in a gatefold sleeve. 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Originally released in 2005, \u003cem\u003eLCD Soundsystem\u003c\/em\u003e blends electronic music, post-punk, disco, punk-funk, and indie rock with Murphy’s distinctive combination of humor, anxiety, cultural observation, and club-minded rhythm.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe album opens with the infectious “Daft Punk Is Playing at My House” before moving through the restless electronics of “Tribulations” and “Movement,” the hypnotic repetition of “On Repeat,” and the art-rock atmosphere of “Never as Tired as When I’m Waking Up” and “Great Release.” Across nine tracks, LCD Soundsystem draw from decades of underground dance and rock music while establishing a sound that would become one of the defining combinations of indie and electronic music of the 2000s.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThis 2023 U.S. DFA Records reissue presents the original nine-track album on a single black vinyl LP. The pressing is housed in a gatefold sleeve featuring the album’s white-cover artwork and carries DFA catalog number \u003cem\u003edfa 2138\u003c\/em\u003e.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eWhy You’ll Love It\u003c\/h2\u003e\r\n\r\n\u003cp\u003eIf you enjoy LCD Soundsystem’s mix of dancefloor rhythm, post-punk energy, electronic experimentation, and James Murphy’s unmistakable songwriting, the band’s debut is essential listening. From the immediate hooks of “Daft Punk Is Playing at My House” to the sprawling grooves and atmospheric closing moments of “Great Release,” this album captures the foundation of the sound LCD Soundsystem would continue developing throughout their catalog.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eAlbum Highlights\u003c\/h2\u003e\r\n\r\n\u003cul\u003e\r\n    \u003cli\u003e2023 U.S. vinyl reissue of LCD Soundsystem’s self-titled debut album\u003c\/li\u003e\r\n    \u003cli\u003eOriginally released in 2005\u003c\/li\u003e\r\n    \u003cli\u003eFeatures the complete nine-track studio album\u003c\/li\u003e\r\n    \u003cli\u003eIncludes “Daft Punk Is Playing at My House,” “Tribulations,” “Movement,” and “Disco Infiltrator”\u003c\/li\u003e\r\n    \u003cli\u003eBlends dance-punk, electronic, post-punk, disco, and indie rock influences\u003c\/li\u003e\r\n    \u003cli\u003ePressed on a single black vinyl LP\u003c\/li\u003e\r\n    \u003cli\u003ePresented in a gatefold sleeve with the white-cover artwork\u003c\/li\u003e\r\n    \u003cli\u003eLacquer cut at Chicago Mastering Service\u003c\/li\u003e\r\n    \u003cli\u003ePressed by Citizen Vinyl\u003c\/li\u003e\r\n    \u003cli\u003eReleased by DFA Records\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch2\u003eTrack Listing\u003c\/h2\u003e\r\n\r\n\u003cp\u003eA1. Daft Punk Is Playing at My House\u003cbr\u003e\r\n    A2. Too Much Love\u003cbr\u003e\r\n    A3. Tribulations\u003cbr\u003e\r\n    A4. Movement\u003cbr\u003e\r\n    A5. Never as Tired as When I’m Waking Up\u003cbr\u003e\r\n    B1. On Repeat\u003cbr\u003e\r\n    B2. Thrills\u003cbr\u003e\r\n    B3. Disco Infiltrator\u003cbr\u003e\r\n    B4. 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The recording features David Byrne, Chris Frantz, Tina Weymouth, and Jerry Harrison performing material drawn from the Talking Heads catalog alongside songs connected to Byrne’s solo work.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe ten-track set includes early favorites such as “Psycho Killer,” “Cities,” “Houses in Motion,” “I Zimbra,” “Once in a Lifetime,” “Life During Wartime,” and “Take Me to the River.” The appearance of “Big Blue Plymouth” and “My Big Hands” also reflects the increasingly expansive and experimental direction of the band’s performances during this era.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThis 2016 European import edition presents the Werchter Festival recording on 180-gram vinyl. Issued by DOL as an unofficial live release, this pressing is not part of the officially authorized Talking Heads catalog.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eWhy You’ll Love It\u003c\/h2\u003e\r\n\r\n\u003cp\u003eIf you enjoy Talking Heads’ more rhythmically adventurous live performances, \u003cem\u003eLive at Werchter Festival July 4, 1982\u003c\/em\u003e captures the band during an unusual transitional period. The set combines familiar Talking Heads favorites with less commonly heard material, while the 180-gram European vinyl pressing makes it an interesting archival release for collectors exploring beyond the official catalog.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eAlbum Highlights\u003c\/h2\u003e\r\n\r\n\u003cul\u003e\r\n    \u003cli\u003eArchival Talking Heads live recording from July 4, 1982\u003c\/li\u003e\r\n    \u003cli\u003eRecorded at the Werchter Festival in Belgium\u003c\/li\u003e\r\n    \u003cli\u003eFeatures ten live performances\u003c\/li\u003e\r\n    \u003cli\u003eIncludes “Psycho Killer,” “Cities,” and “Houses in Motion”\u003c\/li\u003e\r\n    \u003cli\u003eFeatures “I Zimbra,” “Once in a Lifetime,” and “Life During Wartime”\u003c\/li\u003e\r\n    \u003cli\u003eIncludes “Big Blue Plymouth” and “My Big Hands”\u003c\/li\u003e\r\n    \u003cli\u003eCloses with “Take Me to the River”\u003c\/li\u003e\r\n    \u003cli\u003ePressed on 180-gram vinyl\u003c\/li\u003e\r\n    \u003cli\u003eEuropean import pressing\u003c\/li\u003e\r\n    \u003cli\u003eUnofficial live release\u003c\/li\u003e\r\n    \u003cli\u003eIssued by DOL\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch2\u003eTrack Listing\u003c\/h2\u003e\r\n\r\n\u003cp\u003eA1. Psycho Killer\u003cbr\u003e\r\n    A2. Cities\u003cbr\u003e\r\n    A3. Big Blue Plymouth\u003cbr\u003e\r\n    A4. My Big Hands\u003cbr\u003e\r\n    A5. Houses in Motion\u003cbr\u003e\r\n    B1. I Zimbra\u003cbr\u003e\r\n    B2. Once in a Lifetime\u003cbr\u003e\r\n    B3. Mind\u003cbr\u003e\r\n    B4. Life During Wartime\u003cbr\u003e\r\n    B5. 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The recording documents David Byrne, Chris Frantz, Tina Weymouth, and Jerry Harrison bringing their angular new wave, art rock, and post-punk sound to the stage during one of the most important periods of their early career.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe performance draws from the band’s first two studio albums and includes early favorites such as “The Big Country,” “Warning Sign,” “The Book I Read,” “Psycho Killer,” “Take Me to the River,” and “Thank You for Sending Me an Angel.” Recorded at Park West in Chicago on August 28, 1978, the set offers a snapshot of Talking Heads as their live sound continued to evolve beyond their early New York club performances.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThis 2017 Netherlands pressing presents selections from the Chicago performance on 180-gram vinyl. Issued by Cult Legends as an unofficial release, this European import is not part of the officially authorized Talking Heads catalog.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eWhy You’ll Love It\u003c\/h2\u003e\r\n\r\n\u003cp\u003eIf you enjoy the raw energy of early Talking Heads performances, \u003cem\u003eLive Chicago, August 28, 1978\u003c\/em\u003e offers another archival look at the band during the \u003cem\u003eMore Songs About Buildings and Food\u003c\/em\u003e era. 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The Big Country\u003cbr\u003e\r\n    A2. Warning Sign\u003cbr\u003e\r\n    A3. The Book I Read\u003cbr\u003e\r\n    A4. Love Goes to Building on Fire\u003cbr\u003e\r\n    A5. The Girls Want to Be with the Girls\u003cbr\u003e\r\n    B1. Psycho Killer\u003cbr\u003e\r\n    B2. Take Me to the River\u003cbr\u003e\r\n    B3. New Feeling\u003cbr\u003e\r\n    B4. Love Goes to Buildings on Fire\u003cbr\u003e\r\n    B5. Thank You for Sending Me an Angel\u003cbr\u003e\r\n    B6. 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Recorded for an FM broadcast by WXRT, the performance finds the band touring in support of \u003cem\u003eMore Songs About Buildings and Food\u003c\/em\u003e and developing the angular, energetic live sound that helped establish them as one of the most distinctive acts to emerge from the late-1970s new wave and post-punk scene.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe fourteen-track set draws heavily from the band’s first two albums, including “The Big Country,” “Warning Sign,” “The Book I Read,” “Artists Only,” “Psycho Killer,” and “Take Me to the River.” The performance captures David Byrne, Chris Frantz, Tina Weymouth, and Jerry Harrison at a stage when Talking Heads were rapidly expanding beyond their CBGB-era beginnings.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThis 2013 European import edition presents the Chicago broadcast across two 140-gram black vinyl LPs in a gatefold sleeve. Issued by Let Them Eat Vinyl as an unofficial archival release, the pressing was limited to 1,000 copies and is not an officially authorized Talking Heads release.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eWhy You’ll Love It\u003c\/h2\u003e\r\n\r\n\u003cp\u003eIf you enjoy early Talking Heads and the raw energy of their late-1970s live performances, \u003cem\u003eReal Live Wires\u003c\/em\u003e offers a fascinating snapshot of the band during the period surrounding \u003cem\u003eMore Songs About Buildings and Food\u003c\/em\u003e. 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The Big Country\u003cbr\u003e\r\n    A2. Warning Sign\u003cbr\u003e\r\n    A3. The Book I Read\u003cbr\u003e\r\n    B1. Stay Hungry\u003cbr\u003e\r\n    B2. Artists Only\u003cbr\u003e\r\n    B3. The Girls Want to Be with the Girls\u003cbr\u003e\r\n    B4. Don’t Worry About the Government\u003cbr\u003e\r\n    C1. The Good Thing\u003cbr\u003e\r\n    C2. Uh-Oh, Love Comes to Town\u003cbr\u003e\r\n    C3. Love → Building on Fire\u003cbr\u003e\r\n    C4. New Feeling\u003cbr\u003e\r\n    D1. Psycho Killer\u003cbr\u003e\r\n    D2. Thank You for Sending Me an Angel\u003cbr\u003e\r\n    D3. Take Me to the River\u003c\/p\u003e\r\n\r\n\u003ch2\u003eFormat Details\u003c\/h2\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Talking Heads\u003cbr\u003e\r\n    \u003cstrong\u003eTitle:\u003c\/strong\u003e Real Live Wires: Chicago Broadcast 1978\u003cbr\u003e\r\n    \u003cstrong\u003eFormat:\u003c\/strong\u003e 2LP Vinyl\u003cbr\u003e\r\n    \u003cstrong\u003eVinyl Weight:\u003c\/strong\u003e 140 Gram\u003cbr\u003e\r\n    \u003cstrong\u003eVinyl Color:\u003c\/strong\u003e Black\u003cbr\u003e\r\n    \u003cstrong\u003eEdition:\u003c\/strong\u003e Limited European Import\u003cbr\u003e\r\n    \u003cstrong\u003ePressing Quantity:\u003c\/strong\u003e 1,000 Copies\u003cbr\u003e\r\n    \u003cstrong\u003ePackaging:\u003c\/strong\u003e Gatefold\u003cbr\u003e\r\n    \u003cstrong\u003eRelease Type:\u003c\/strong\u003e Live Album \/ Radio Broadcast\u003cbr\u003e\r\n    \u003cstrong\u003eRelease Status:\u003c\/strong\u003e Unofficial Release\u003cbr\u003e\r\n    \u003cstrong\u003eRecording Date:\u003c\/strong\u003e August 28, 1978\u003cbr\u003e\r\n    \u003cstrong\u003eRecording Location:\u003c\/strong\u003e Park West, Chicago, Illinois\u003cbr\u003e\r\n    \u003cstrong\u003ePhysical Release Year:\u003c\/strong\u003e 2013\u003cbr\u003e\r\n    \u003cstrong\u003eLabel:\u003c\/strong\u003e Let Them Eat Vinyl\u003cbr\u003e\r\n    \u003cstrong\u003eCatalog Number:\u003c\/strong\u003e LETV114LP\u003cbr\u003e\r\n    \u003cstrong\u003eCountry:\u003c\/strong\u003e Europe\u003cbr\u003e\r\n    \u003cstrong\u003eRelease Date:\u003c\/strong\u003e November 2013\u003cbr\u003e\r\n    \u003cstrong\u003eUPC:\u003c\/strong\u003e 803341401723\r\n\u003c\/p\u003e\r\n\r\n\u003cp\u003ePreview the release below before adding this limited 140-gram European import 2LP vinyl edition of \u003cem\u003eReal Live Wires: Chicago Broadcast 1978\u003c\/em\u003e to your collection.\u003c\/p\u003e","brand":"Talking Heads","offers":[{"title":"Default Title","offer_id":44599502569705,"sku":"3T3JO2-PJLF-00","price":28.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/talking-heads-real-live-wires-chicago-broadcast-1978-limited-140g-european-import-2lp-vinyl_jKRbR.jpg?v=1788660490"},{"product_id":"lcd-soundsystem-this-is-happening-european-import-2lp-vinyl","title":"LCD Soundsystem – This Is Happening [European Import 2LP Vinyl Reissue]","description":"\u003ch2\u003eAlbum Overview\u003c\/h2\u003e\r\n\r\n\u003cp\u003eLCD Soundsystem reached another creative high with \u003cem\u003eThis Is Happening\u003c\/em\u003e, the band’s third studio album and one of the defining records of their original run. First released in 2010, the album finds James Murphy and company expanding their combination of dance-punk, electronic music, disco, indie rock, and post-punk into a more expansive and emotionally revealing collection.\u003c\/p\u003e\r\n\r\n\u003cp\u003eOpening with the slow-building “Dance Yrself Clean,” \u003cem\u003eThis Is Happening\u003c\/em\u003e moves between sharp electronic rhythms, art-rock influences, hypnotic repetition, and some of Murphy’s most memorable songwriting. “Drunk Girls,” “I Can Change,” “You Wanted a Hit,” and “Home” showcase the band’s ability to balance humor, anxiety, romance, and dancefloor momentum across long-form arrangements.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThis 2017 European reissue presents the complete nine-track album across two black vinyl records. Issued through DFA and Parlophone, the pressing is housed in a gatefold sleeve and retains the original four-side vinyl sequence.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eWhy You’ll Love It\u003c\/h2\u003e\r\n\r\n\u003cp\u003eIf you enjoy LCD Soundsystem’s mix of electronic production, post-punk attitude, disco grooves, and emotionally self-aware songwriting, \u003cem\u003eThis Is Happening\u003c\/em\u003e is an essential part of the band’s catalog. 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First released in 2010, the album finds James Murphy and company expanding their combination of dance-punk, electronic music, disco, indie rock, and post-punk into a more expansive and emotionally revealing collection.\u003c\/p\u003e\r\n\r\n\u003cp\u003eOpening with the slow-building “Dance Yrself Clean,” \u003cem\u003eThis Is Happening\u003c\/em\u003e moves between sharp electronic rhythms, art-rock influences, hypnotic repetition, and some of Murphy’s most memorable songwriting. “Drunk Girls,” “I Can Change,” “You Wanted a Hit,” and “Home” showcase the band’s ability to balance humor, anxiety, romance, and dancefloor momentum across extended arrangements.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThis U.S. 2022 repress presents the complete nine-track album across two black vinyl records. 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Songs such as “The Step,” “Hammerhead,” “There’s No Fucking Rules, Dude,” and “Intensify” offer an early look at the dancefloor-focused experimentation the band would continue developing throughout the 2000s.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThis U.S. CD edition was released by Gold Standard Laboratories as catalog number GSL39CD and features the complete seven-track album.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eWhy You’ll Love It\u003c\/h2\u003e\r\n\r\n\u003cp\u003eIf you’re exploring the roots of !!!’s dance-punk sound, the band’s self-titled debut is where the story begins. Its raw blend of punk attitude, funk grooves, disco rhythms, electronic experimentation, and extended arrangements makes it especially rewarding for fans who want to hear the foundation of the sound that later developed across \u003cem\u003eLouden Up Now\u003c\/em\u003e and \u003cem\u003eMyth Takes\u003c\/em\u003e.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eAlbum Highlights\u003c\/h2\u003e\r\n\r\n\u003cul\u003e\r\n    \u003cli\u003eSelf-titled debut studio album from !!! 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Originally released in 2007, the album builds on the momentum of \u003cem\u003eLouden Up Now\u003c\/em\u003e with an infectious combination of dance-punk, post-punk, funk, disco, electronic music, and indie rock.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAcross tracks like “Myth Takes,” “All My Heroes Are Weirdos,” “Must Be the Moon,” “Heart of Hearts,” “Yadnus,” and “Bend Over Beethoven,” the album combines driving percussion, hypnotic grooves, angular guitars, electronic textures, and adventurous arrangements while remaining firmly connected to the dancefloor.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThis original UK 2LP vinyl edition was released by Warp Records as catalog number WARPLP154. Spread across four sides, the pressing presents the complete ten-track album in a format well suited to its extended rhythms and groove-driven arrangements.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eWhy You’ll Love It\u003c\/h2\u003e\r\n\r\n\u003cp\u003eIf you’re drawn to the intersection of dance-punk, funk, disco, post-punk, indie electronic music, and alternative dance, \u003cem\u003eMyth Takes\u003c\/em\u003e is an essential entry in !!!’s catalog. Its balance of infectious rhythms and experimental songwriting makes it especially rewarding on the original two-record vinyl configuration.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eAlbum Highlights\u003c\/h2\u003e\r\n\r\n\u003cul\u003e\r\n    \u003cli\u003eOriginal UK 2LP vinyl edition of !!! 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Arriving before \u003cem\u003eLouden Up Now\u003c\/em\u003e, the release captures the band developing the extended grooves, punk energy, funk rhythms, and electronic experimentation that would become central to their breakthrough sound.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe A-side features “Me and Giuliani Down by the School Yard (A True Story),” an expansive dance-punk track driven by propulsive percussion, bass, guitars, and an insistent rhythmic pulse. 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It is paired with “Intensifieder (Sunracapellectrohshit Mix 03),” an expansive remix that pushes the band further toward experimental electronic and dance-oriented territory.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThis U.S. CD edition was released by Touch and Go Records as catalog number TG247 and offers an early standalone appearance of “Me and Giuliani Down by the School Yard (A True Story)” before the track later appeared on \u003cem\u003eLouden Up Now\u003c\/em\u003e.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eWhy You’ll Love It\u003c\/h2\u003e\r\n\r\n\u003cp\u003eIf you’re exploring the formative years of !!!, this single is an essential companion to \u003cem\u003eLouden Up Now\u003c\/em\u003e. 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Built around one of the album’s standout tracks, the release expands the band’s blend of dance-punk, post-punk, funk, disco, and electronic music with additional material tailored to the club-oriented side of their sound.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe A-side features “Pardon My Freedom,” while the B-side pairs “Shit Scheisse Merde (Part 2)” with Maurice Fulton’s instrumental mix of “Pardon My Freedom.” Fulton’s remix strips the track toward its rhythmic core, emphasizing the groove-heavy production and dance influences at the center of !!!’s music.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThis U.S. 12-inch edition was released by Touch and Go Records as catalog number TG259 shortly before \u003cem\u003eLouden Up Now\u003c\/em\u003e, making it a strong companion piece for collectors exploring the singles and remixes surrounding the album.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eWhy You’ll Love It\u003c\/h2\u003e\r\n\r\n\u003cp\u003eIf you’re drawn to the more club-oriented side of !!!, \u003cem\u003ePardon My Freedom\u003c\/em\u003e offers a compact snapshot of the band’s early dance-punk sound. The combination of the title track, “Shit Scheisse Merde (Part 2),” and Maurice Fulton’s instrumental treatment makes this 12-inch especially appealing to remix collectors, DJs, and fans of the \u003cem\u003eLouden Up Now\u003c\/em\u003e era.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eRelease Highlights\u003c\/h2\u003e\r\n\r\n\u003cul\u003e\r\n    \u003cli\u003eThree-track 12-inch vinyl single from !!! 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Built around one of the album’s standout tracks, the release pairs the original LP version with alternate material designed for the club and DJ-oriented side of the band’s sound.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe A-side features the LP version of “Hello? Is This Thing On?” alongside a remix of “Sunday 5:17 AM.” The B-side is devoted to Thomas N’ Eric’s extended Rub and Tug Throwdown remix of the title track, pushing !!!’s blend of dance-punk, house, electro, funk, and post-punk further onto the dancefloor.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThis U.S. 12-inch edition was released by Touch and Go Records as catalog number TG260 during the \u003cem\u003eLouden Up Now\u003c\/em\u003e era, making it a distinctive companion piece for collectors exploring !!!’s early singles and remix releases.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eWhy You’ll Love It\u003c\/h2\u003e\r\n\r\n\u003cp\u003eIf \u003cem\u003eLouden Up Now\u003c\/em\u003e is already part of your collection, \u003cem\u003eHello? Is This Thing On?\u003c\/em\u003e expands the album’s club-oriented side with alternate versions unavailable in the standard album sequence. Its combination of the LP recording, a remix of “Sunday 5:17 AM,” and the extended Rub and Tug treatment makes this 12-inch especially appealing to !!! fans, remix collectors, and DJs.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eRelease Highlights\u003c\/h2\u003e\r\n\r\n\u003cul\u003e\r\n    \u003cli\u003eThree-track 12-inch vinyl single from !!! (Chk Chk Chk)\u003c\/li\u003e\r\n    \u003cli\u003eReleased during the \u003cem\u003eLouden Up Now\u003c\/em\u003e era\u003c\/li\u003e\r\n    \u003cli\u003eIncludes the LP version of “Hello? 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The release finds the band transforming songs from two very different corners of popular music through their distinctive combination of dance-punk, funk, electronic music, post-punk, and alternative dance.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe A-side features “Take Ecstasy With Me,” originally written by Stephin Merritt and recorded by The Magnetic Fields, reworked through !!!’s groove-driven approach. The B-side takes on Nate Dogg’s “Get Up,” stretching the song into an extended, rhythm-heavy interpretation shaped by guitars, percussion, electronics, and the band’s dancefloor energy.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThis U.S. 12-inch vinyl edition was issued by Touch and Go Records as catalog number TG287 and plays at 45 RPM, offering a distinctive physical release from the period between \u003cem\u003eLouden Up Now\u003c\/em\u003e and \u003cem\u003eMyth Takes\u003c\/em\u003e.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eWhy You’ll Love It\u003c\/h2\u003e\r\n\r\n\u003cp\u003eIf you enjoy hearing !!! reinterpret unexpected material through their own dance-punk sound, \u003cem\u003eTake Ecstasy With Me \/ Get Up\u003c\/em\u003e is a particularly fun addition to the band’s catalog. Pairing indie pop and hip-hop source material gives the group room to emphasize the hypnotic grooves, repetition, percussion, funk, and electronic textures that make their music so distinctive.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eRelease Highlights\u003c\/h2\u003e\r\n\r\n\u003cul\u003e\r\n    \u003cli\u003e12-inch vinyl single from !!! 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Released in 2007, the album builds on the momentum of \u003cem\u003eLouden Up Now\u003c\/em\u003e with an infectious combination of dance-punk, post-punk, funk, disco, electronic music, and indie rock.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAcross tracks like “Myth Takes,” “All My Heroes Are Weirdos,” “Must Be the Moon,” “Heart of Hearts,” “Yadnus,” and “Bend Over Beethoven,” the album combines driving percussion, hypnotic grooves, angular guitars, electronic textures, and the energetic musicianship that helped define !!!’s sound during the 2000s.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThis standard CD edition presents the complete ten-track album on a single disc through Warp Records. 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Recorded during the band’s December 1983 performances at the Pantages Theatre in Hollywood, the soundtrack brings together new wave, art rock, post-punk, funk, and dance-driven rhythms in one of the most celebrated live recordings in modern music.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe concert builds from David Byrne’s solo opening performance of “Psycho Killer” into an increasingly expansive full-band set featuring Chris Frantz, Tina Weymouth, Jerry Harrison, and the musicians who joined Talking Heads for the tour. Highlights include “Burning Down the House,” “Life During Wartime,” “This Must Be the Place (Naïve Melody),” “Once in a Lifetime,” “Girlfriend Is Better,” and “Crosseyed and Painless.”\u003c\/p\u003e\r\n\r\n\u003cp\u003eThis 2023 Deluxe Edition presents the complete \u003cem\u003eStop Making Sense\u003c\/em\u003e concert on vinyl for the first time. 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The expanded track list, 2023 remaster, previously unreleased performances, and substantial booklet make it an especially strong edition for collectors as well as listeners discovering the soundtrack on vinyl for the first time.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eAlbum Highlights\u003c\/h2\u003e\r\n\r\n\u003cul\u003e\r\n    \u003cli\u003e2023 Deluxe Edition of the legendary Talking Heads concert soundtrack\u003c\/li\u003e\r\n    \u003cli\u003eComplete \u003cem\u003eStop Making Sense\u003c\/em\u003e concert presented on vinyl for the first time\u003c\/li\u003e\r\n    \u003cli\u003ePressed across two 140-gram black vinyl LPs\u003c\/li\u003e\r\n    \u003cli\u003ePlays at 33⅓ RPM\u003c\/li\u003e\r\n    \u003cli\u003eNewly remastered for the 2023 edition\u003c\/li\u003e\r\n    \u003cli\u003eIncludes previously unreleased performances of “Cities” and “Big Business \/ I Zimbra”\u003c\/li\u003e\r\n    \u003cli\u003eFeatures “Psycho Killer,” “Burning Down the House,” “Once in a Lifetime,” and “This Must Be the Place (Naïve Melody)”\u003c\/li\u003e\r\n    \u003cli\u003eIncludes the Tom Tom Club performance of “Genius of Love”\u003c\/li\u003e\r\n    \u003cli\u003eIncludes a 28-page booklet with photographs and new notes from all four Talking Heads members\u003c\/li\u003e\r\n    \u003cli\u003eLimited-edition 2023 release\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch2\u003eTrack Listing\u003c\/h2\u003e\r\n\r\n\u003cp\u003eA1. 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Originally released in 1977, the record established David Byrne, Chris Frantz, Tina Weymouth, and Jerry Harrison as one of the most distinctive groups to emerge from New York’s late-1970s music scene.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe original album features early Talking Heads favorites including “Uh-Oh, Love Comes to Town,” “Don’t Worry About the Government,” “Pulled Up,” and the enduring “Psycho Killer.” Its angular guitars, off-kilter rhythms, and unconventional songwriting laid the foundation for the increasingly adventurous records that followed.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThis expanded 2024 edition presents the complete original album newly remastered on LP1, while LP2 collects twelve rarities, demos, singles, acoustic recordings, and alternate versions. 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The collection is housed with a 60-page hardcover book featuring previously unseen photographs and new recollections from David Byrne, Chris Frantz, Tina Weymouth, and Jerry Harrison.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eWhy You’ll Love It\u003c\/h2\u003e\r\n\r\n\u003cp\u003eIf \u003cem\u003eMore Songs About Buildings and Food\u003c\/em\u003e is a favorite part of the Talking Heads catalog, this Super Deluxe Edition offers a comprehensive exploration of the album and the period surrounding it. 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Early versions of “Psycho Killer,” “Tentative Decisions,” “Warning Sign,” “The Book I Read,” and other future Talking Heads material reveal the band’s sound taking shape before the release of their debut album.\u003c\/p\u003e\r\n\r\n\u003cp\u003eA bonus 7-inch reaches even further back to David Byrne and Chris Frantz’s years at the Rhode Island School of Design. 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Released in 2026, this expansive archival collection gathers previously unreleased demos, early live performances, and recordings connected to the trio’s formative period from 1974 through 1977.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe collection begins with early Talking Heads demos from 1975 and 1976, including formative versions of “Psycho Killer,” “Tentative Decisions,” “Warning Sign,” “The Book I Read,” and “Love Goes to a Building on Fire.” It also includes two recordings by The Artistics, the Rhode Island School of Design-era group formed by Byrne and Frantz, preserving some of the earliest known versions of material that would later become central to the Talking Heads catalog.\u003c\/p\u003e\r\n\r\n\u003cp\u003eDisc Two presents the band’s previously unreleased September 1975 CBS\/Columbia demo session, while Disc Three captures rare live performances from Max’s Kansas City, the Jabberwocky Club in Syracuse, and the Lower Manhattan Ocean Club. 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Psycho Killer\u003cbr\u003e\r\n    2-2. Sugar on My Tongue\u003cbr\u003e\r\n    2-3. Thank You for Sending Me an Angel\u003cbr\u003e\r\n    2-4. I Want to Live\u003cbr\u003e\r\n    2-5. I Wish You Wouldn’t Say That\u003cbr\u003e\r\n    2-6. The Girls Want to Be with the Girls\u003cbr\u003e\r\n    2-7. Who Is It?\u003cbr\u003e\r\n    2-8. With Our Love\u003cbr\u003e\r\n    2-9. Stay Hungry\u003cbr\u003e\r\n    2-10. Tentative Decisions\u003cbr\u003e\r\n    2-11. Warning Sign\u003cbr\u003e\r\n    2-12. I’m Not in Love\u003cbr\u003e\r\n    2-13. The Book I Read\u003cbr\u003e\r\n    2-14. Love Goes to a Building on Fire\u003cbr\u003e\r\n    2-15. No Compassion\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDisc Three — Live at Max’s Kansas City, New York, NY, October 9, 1976\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e3-1. Artists Only\u003cbr\u003e\r\n    3-2. 1, 2, 3 Red Light\u003cbr\u003e\r\n    3-3. Happy Day\u003cbr\u003e\r\n    3-4. 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The collection brings together early demos and live recordings from David Byrne, Chris Frantz, and Tina Weymouth as the original trio developed the songs and ideas that would help define their distinctive art-rock and new wave sound.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe LP features eleven demo and live recordings from 1975 and 1976, including early versions of “Psycho Killer,” “Tentative Decisions,” “Warning Sign,” “The Book I Read,” and “Thank You for Sending Me an Angel.” It also includes a performance of “Artists Only” recorded live at the Lower Manhattan Ocean Club in New York on August 17, 1976.\u003c\/p\u003e\r\n\r\n\u003cp\u003eA bonus 45 RPM 7-inch single reaches even further back to David Byrne and Chris Frantz’s college years at the Rhode Island School of Design. 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Released in 2007, the album builds on the momentum of \u003cem\u003eLouden Up Now\u003c\/em\u003e with an infectious blend of dance-punk, post-punk, funk, disco, electronic music, and indie rock.\u003c\/p\u003e\r\n\r\n\u003cp\u003eAcross tracks like “Myth Takes,” “All My Heroes Are Weirdos,” “Must Be the Moon,” “Heart of Hearts,” “Yadnus,” and “Bend Over Beethoven,” the album combines driving percussion, hypnotic grooves, experimental arrangements, and the live-band energy that helped define !!!’s sound during the 2000s.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThis limited edition 2CD release pairs the complete ten-track album with a three-track bonus disc featuring alternate and extended versions of material from \u003cem\u003eMyth Takes\u003c\/em\u003e. Issued by Warp Records as catalog number WARPCD154X, it offers collectors a more expansive physical edition of the album.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eWhy You’ll Love It\u003c\/h2\u003e\r\n\r\n\u003cp\u003eIf you’re drawn to dance-punk that crosses freely into funk, disco, post-punk, indie electronic music, and alternative dance, \u003cem\u003eMyth Takes\u003c\/em\u003e is one of the essential releases in !!!’s catalog. This limited 2CD edition adds three bonus recordings, making it especially appealing for longtime fans and collectors looking beyond the standard album.\u003c\/p\u003e\r\n\r\n\u003ch2\u003eAlbum Highlights\u003c\/h2\u003e\r\n\r\n\u003cul\u003e\r\n    \u003cli\u003eLimited edition 2CD release of !!! (Chk Chk Chk)’s \u003cem\u003eMyth Takes\u003c\/em\u003e\n\u003c\/li\u003e\r\n    \u003cli\u003eStudio album originally released in 2007\u003c\/li\u003e\r\n    \u003cli\u003eIncludes a three-track bonus disc\u003c\/li\u003e\r\n    \u003cli\u003eFeatures “Must Be the Moon,” “Heart of Hearts,” “Yadnus,” and “Bend Over Beethoven”\u003c\/li\u003e\r\n    \u003cli\u003eBonus material includes alternate takes, an original Nashville jam, and The Brothers Mix of “Heart of Hearts”\u003c\/li\u003e\r\n    \u003cli\u003eBlends dance-punk, alternative dance, indie electronic, post-punk, funk, disco, and indie rock influences\u003c\/li\u003e\r\n    \u003cli\u003eReleased by Warp Records\u003c\/li\u003e\r\n    \u003cli\u003eRecommended for !!! fans and collectors seeking an expanded physical presentation of the album\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch2\u003eTrack Listing\u003c\/h2\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDisc 1\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e1. Myth Takes\u003cbr\u003e\r\n    2. All My Heroes Are Weirdos\u003cbr\u003e\r\n    3. Must Be the Moon\u003cbr\u003e\r\n    4. A New Name\u003cbr\u003e\r\n    5. Heart of Hearts\u003cbr\u003e\r\n    6. Sweet Life\u003cbr\u003e\r\n    7. Yadnus\u003cbr\u003e\r\n    8. Bend Over Beethoven\u003cbr\u003e\r\n    9. Break in Case of Anything\u003cbr\u003e\r\n    10. Infinifold\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDisc 2 – Bonus Disc\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e1. Myth Takes (Acouth Take)\u003cbr\u003e\r\n    2. Bend Over Beethoven (Original Nashville Jam)\u003cbr\u003e\r\n    3. Heart of Hearts (The Brothers Mix)\u003c\/p\u003e\r\n\r\n\u003ch2\u003eFormat Details\u003c\/h2\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e !!! (Chk Chk Chk)\u003cbr\u003e\r\n    \u003cstrong\u003eTitle:\u003c\/strong\u003e Myth Takes\u003cbr\u003e\r\n    \u003cstrong\u003eFormat:\u003c\/strong\u003e 2CD\u003cbr\u003e\r\n    \u003cstrong\u003eEdition:\u003c\/strong\u003e Limited Edition \/ Bonus CD\u003cbr\u003e\r\n    \u003cstrong\u003eRelease Type:\u003c\/strong\u003e Studio Album\u003cbr\u003e\r\n    \u003cstrong\u003eOriginal Album Year:\u003c\/strong\u003e 2007\u003cbr\u003e\r\n    \u003cstrong\u003ePhysical Release Year:\u003c\/strong\u003e 2007\u003cbr\u003e\r\n    \u003cstrong\u003eLabel:\u003c\/strong\u003e Warp Records\u003cbr\u003e\r\n    \u003cstrong\u003eCatalog Number:\u003c\/strong\u003e WARPCD154X\u003cbr\u003e\r\n    \u003cstrong\u003eRelease Date:\u003c\/strong\u003e March 6, 2007\u003cbr\u003e\r\n    \u003cstrong\u003eUPC:\u003c\/strong\u003e 801061815424\r\n\u003c\/p\u003e\r\n\r\n\u003cp\u003ePreview the album below before adding this limited edition 2CD release of \u003cem\u003eMyth Takes\u003c\/em\u003e to your collection.\u003c\/p\u003e","brand":"!!! 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