{"title":"Travis Scott","description":"\u003cp\u003eHouston-born rapper and producer Travis Scott's psychedelic trap style makes him one of the more distinctive talents to have risen to the height of mainstream commercial popularity. His heavily processed, half-sung\/half-rapped style set him apart early on, and he grew from affiliations with Kanye West's GOOD Music and T.I.'s Grand Hustle in the early 2010s to chart-dominating popularity before the close of the decade. After his first studio album, 2015's Rodeo, debuted in the number three position, Scott followed with a pair of number one full-lengths, Birds in the Trap Sing McKnight (2016) and Astroworld (2018), all the while assisting in platinum singles headlined by the likes of Rihanna (\"Bitch Better Have My Money\"), SZA (\"Love Galore\"), and Drake (\"Portland\"), and working extensively with Quavo as Huncho Jack. Whether leading or supporting, Scott's presence was unmistakable, and he quickly accumulated Grammys, endorsement deals, and appearances in more than 80 charting songs. By the 2020s, Scott was one of the most successful living artists on the planet. This level of fame played into both extreme success and profound tragedy, with Scott being at the center of controversy surrounding the deaths and injuries of hundreds of fans at his 2021 Astroworld festival before debuting his genre-crossing, Grammy-nominated fourth album, 2023's UTOPIA.\u003c\/p\u003e\n\u003cp\u003eBorn Jacques Webster, Travis Scott grew up in a suburb of Houston and began making music as a teenager. He formed a duo called the Graduates with Chris Holloway, and they released an EP in 2009. The following year, he formed another duo, the Classmates, with OG Chess. Scott produced the pair's two full-lengths, Buddy Rich and Cruis'n USA, but they broke up near the end of 2011. After dropping out of college, Scott moved to Los Angeles and began recording music on his own. He met T.I. and eventually Kanye West. Scott was hired as an in-house producer for GOOD Music, and appeared on the label's Cruel Summer compilation in 2012. Scott's debut, Owl Pharaoh, was originally scheduled to be released as a free mixtape in 2012, but as his profile grew (including a placement in XXL Magazine's Freshman Class of 2013), and sample clearance issues, the album wasn't released until May 2013. Featuring guest appearances by T.I. and 2 Chainz (on the single \"Upper Echelon\") as well as Toro y Moi and Justin Vernon of Bon Iver, Owl Pharaoh eventually garnered a nomination for Best Mixtape at the 2013 BET Hip Hop Awards.\u003c\/p\u003e\n\u003cp\u003eThe buildup to Scott's first proper studio album involved the Days Before Rodeo mixtape, promoted with the singles \"Don't Play\" and \"Mamacita,\" and the March 2015 U.S. Rodeo Tour, headlined by Scott and supported by Young Thug and Metro Boomin. Several of the dates sold out. The same month, Rihanna's Scott-produced hit single \"Bitch Better Have My Money\" was released. \"3500\" and \"Antidote\" were issued ahead of Rodeo, Scott's second full-length, which followed in September on Grand Hustle\/Epic and debuted at number three on the Billboard 200. Toward the end of the year, \"Antidote\" peaked at number 16 on the Hot 100 and became Scott's first platinum single.\u003c\/p\u003e\n\u003cp\u003eChatter regarding a follow-up, along with numerous delays, ensued throughout much of 2016. Meanwhile, Scott extended his commercial presence with featured spots on Wiz Khalifa's \"Bake Sale,\" Rihanna's \"Woo,\" and Kanye West's \"FML,\" as well as a collaboration with Young Thug and Quavo, \"Pick Up the Phone,\" a mid-year hit issued as the lead single of Young Thug's JEFFERY. Three months later, after \"Bitch Better Have My Money\" earned platinum certification, Scott's second proper album arrived. Titled Birds in the Trap Sing McKnight after one of Quavo's lines in \"Pick Up the Phone,\" the woozy, mostly midtempo set featured that hit and contributions from the likes of André 3000, Kid Cudi, and Kendrick Lamar. It went straight to the top of the Billboard 200.\u003c\/p\u003e\n\u003cp\u003eLeading up to his third LP, Scott was featured on a slew of tracks, including platinum singles headlined by SZA (\"Love Galore\"), Drake (\"Portland\"), Miguel (\"Sky Walker\"), 2 Chainz (\"4 AM\"), and Trippie Redd (\"Dark Knight Dummo\"). Scott's own \"Butterfly Effect\" arrived during this torrent of hits in May 2017 and promptly went platinum as well. Seven months later, Huncho Jack, Jack Huncho, a collaborative full-length with Quavo, entered the Billboard 200 at number three. The following May, Scott released \"Watch,\" a non-album track featuring Kanye West and Lil Uzi Vert, and within three months released Astroworld, which he considered the true follow-up to Rodeo. Featuring \"Butterfly Effect,\" the album -- named after a demolished Houston amusement park -- debuted at number one and was supported with a second single, \"Sicko Mode.\" Scott closed out 2018 by appearing on multiple tracks of Metro Boomin's Not All Heroes Wear Capes album.\u003c\/p\u003e\n\u003cp\u003eAfter collaborating with Young Thug and J. Cole on 2019's \"The London\" and being featured on Ed Sheeran's \"Antisocial,\" Scott issued his own solo single, \"Highest in the Room.\" JackBoys, a brief compilation showcasing artists from Scott's Cactus Jack Records label, appeared at the end of the year. The release subsequently became the first number one album of the 2020s. Another Young Thug collaboration, \"Franchise,\" also featuring M.I.A., debuted in September 2020 on top of the Billboard 200.\u003c\/p\u003e\n\u003cp\u003eIn January 2021, Spanish DJ HVME released a deep house reworking of Scott and Kendrick Lamar's song \"Goosebumps,\" eventually topping Billboard's Hot Dance\/Electronic Songs Chart. Two more tracks appeared that November, with both \"Escape Plan\" and \"Mafia\" arriving concurrently and hitting the Top Ten of Billboard's Hot R\u0026amp;B\/Hip-Hop Songs chart.\u003c\/p\u003e\n\u003cp\u003eOn November 5, 2021, there was a fatal crowd crush during Scott's performance at his third annual Astroworld Festival in Houston, Texas. The event resulted in the death of 10 people with over 300 being treated for injuries. The rapper apologized and the rest of the festival was canceled. Scott and others involved in the festival were investigated, though a Texas grand jury ultimately declined to indict them.\u003c\/p\u003e\n\u003cp\u003eIn May 2022, Scott performed at the Billboard Music Awards, his first live appearance since the Astroworld Festival tragedy. He also contributed to four tracks on Metro Boomin's Heroes \u0026amp; Villains album. In July 2023, he released his fourth studio album, UTOPIA. An ambitious, genre-crossing concept album in the vein of Kanye West's Yeezus, it featured a bevy of producers, including Scott, James Blake, WondaGurl, and others. Also featured were many guests, such as Bad Bunny and the Weeknd on the lead single, \"K-pop,\" and Beyoncé and Bon Iver on \"Delresto (Echoes).\" Utopia topped both the Billboard 200 and R\u0026amp;B\/Hip-Hop Albums charts and earned a Grammy nomination for Best Rap Album. ~ Paul Simpson \u0026amp; Andy Kellman, Rovi\u003c\/p\u003e","products":[{"product_id":"travis-scott-birds-in-the-trap-sing-mcknight-download-insert-explicit-content-2-lp","title":"Birds In The Trap Sing Mcknight (Download Insert) [Explicit Content] (2 LP)","description":"Titled after one of Quavo's lines from the chirpy summertime 2016 hit co-billed to Travis Scott and Young Thug, this fitfully hypnotizing follow-up arrived after numerous delays, toward the end of the year's third quarter. \"Pick Up the Phone\" functioned as the lead single off Thug's JEFFERY, and it sensibly reappears here, buried in the latter half, de-emphasized yet not quite a tacked-on bonus. It's easily the track with the most pop appeal on Scott's second full-length. Released almost exactly a year after Rodeo, Birds in the Trap features little development, though the large company Scott keeps is quite different, and Metro Boomin is noticeably absent. Among the present is Andr? 3000, who drops by on \"The Ends\" to recollect the infamous rash of murders that struck his city during his early childhood. The album's deepest verse by a great measure, it has no discernible connection to Scott's surrounding rhymes of cocksure nonsense. That remains the M.O. of Scott, who remains deeply into heavy accessorization and proclamations of dominance, as well as punctuations with affirmative exclamations cast in dehumanizing pitch alteration. Swarming basslines and sluggish beats likewise form the rhythmic foundation, with gauzy and tickling keyboards adding sweetness to Scott's hedonistic hooks. Only on \"Guidance,\" through scuttling drums granted by DF, is there a significant shake-up. This time, Scott co-produced only one track, another Weeknd collaboration, and it easily slips into the album's scheme with its serpentine menace and lightweight lyricism. Among the others on the guest carousel are Kendrick Lamar, Kid Cudi, 21 Savage, and Cassie. They all pass in a slow-motion blur. ~ Andy Kellman\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eRSD Date: n\/a\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 11\/25\/2016\u003c\/li\u003e\n\u003cli\u003eBest Sellers: Top Seller\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Travis Scott","offers":[{"title":"Default Title","offer_id":44581317607657,"sku":"9DLTYZ-UN5Q-00","price":38.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Travis-Scott-Birds-In-The-Trap-Sing-Mcknight-Download-Insert-Explicit-Content-2-LP_oMTM2.jpg?v=1744674403"},{"product_id":"travis-scott-rodeo-explicit-content-150-gram-vinyl-download-insert-2-lps","title":"| Rodeo (LP)","description":"\u003cp\u003e\u003cspan style=\"font-size:12px;\"\u003e\u003cspan style=\"font-family:Arial,Helvetica,sans-serif;\"\u003e2015 debut album from the Houston-based rapper and record producer. He released his first official full-length project, a mixtape titled Owl Pharaoh, on May 21, 2013. He then released his second mixtape Days Before Rodeo on the 18th of August 2014. The buzz has grown, making way for this highly anticipated release. (2 X Vinyl LP)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:12px;\"\u003e\u003cspan style=\"font-family:Arial,Helvetica,sans-serif;\"\u003eWhile Lady Gaga was working the avant side of pop, hip-hop was doing the same thing without a true figurehead. Artists from Kid Cudi to A$AP Mob were coming at the genre from all sorts of new angles, but with their feet firmly in the rap camp; then producer Travis Scott came along, sounding like Chief Keef but with a much broader brush, offering an attractive version of acid rap that landed him on Kanye West's GOOD Music label with a debut album that's so 2015 it features the ultra-hip trifecta of Future, the Weeknd, and Justin Bieber. Make those three a Venn diagram and Scott is the man in the middle, wonderfully weird and as stylish-sounding as the first two, and yet with a slick appeal that crosses over like Bieber, which is the biggest problem for detractors: it's all for show with no filling. Still, with lines like \"Always kept my city on me like it was a Swatch\" and \"My dick longer than a Pringle box\" over beats that honor and match edgy acts like Death Grips (the raw \"Piss on Your Grave\" featuring Kanye West) and Future (who appears alongside 2 Chainz on the sprawling highlight \"3500\"), Rodeo is an absurd wonder that thankfully works. That's up to and including Bieber, Young Thug, and Scott's bedroom brain-burner \"Maria I'm Drunk,\" which is the ultra sheen of Taylor Swift with the lust of Miguel experienced via shrooms. \"Wasted\" sounds like Juicy J did an album for Stones Throw, \"Flying High\" with Toro y Moi borrows some of Slave's \"Slide\" so the indie party people get an anthem, then the very big \"90210\" travels across decades' worth of film soundtrack styles while sampling the late Pimp C as T.I. narrates. Weird that T.I. doesn't rap, and weirder still that Scott barely produces on this album, handing it over to returning and like-minded collaborators like Metro Boomin, Ultra$ound, and Mike Dean. His executive producer credit, however, is on point as the aesthetics of his early work are all here, and with \"We designed our love, around these drugs\" being the album's most profound lyrical moment, he may not be Nas, but he may be Warhol. As Kanye and Gaga try to bridge the gap between pop and art, this artist thrives in the chasm. Like Warhol said, \"I love plastic, I want to be plastic,\" and with Rodeo, Travis Scott becomes a designer drug.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:12px;\"\u003e\u003cspan style=\"font-family:Arial,Helvetica,sans-serif;\"\u003eTracklist\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:12px;\"\u003e\u003cspan style=\"font-family:Arial,Helvetica,sans-serif;\"\u003eA1        Pornography\u003cbr\u003e\r\nA2        Oh My Dis Side\u003cbr\u003e\r\nA3        3500\u003cbr\u003e\r\nB1        Wasted\u003cbr\u003e\r\nB2        90210\u003cbr\u003e\r\nB3        Pray 4 Love\u003cbr\u003e\r\nC1        Nightcrawler\u003cbr\u003e\r\nC2        Piss On Your Grave\u003cbr\u003e\r\nC3        Antidote\u003cbr\u003e\r\nC4        Impossible\u003cbr\u003e\r\nD1        Maria I'm Drunk\u003cbr\u003e\r\nD2        Flying High\u003cbr\u003e\r\nD3        I Can Tell\u003cbr\u003e\r\nD4        Apple Pie\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cbr\u003e\r\n\u003cspan style=\"font-size:12px;\"\u003e\u003cspan style=\"font-family:Arial,Helvetica,sans-serif;\"\u003e*Audio and\/or tracklist may vary slightly from the vinyl version.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cspan style=\"font-size:12px;\"\u003e\u003cspan style=\"font-family:Arial,Helvetica,sans-serif;\"\u003eLabel: EPIC\u003cbr\u003e\r\nRel. Date: 11\/06\/2015\u003cbr\u003e\r\nUPC: 888750652010\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003ciframe allow=\"autoplay *; encrypted-media *; fullscreen *; clipboard-write\" frameborder=\"0\" height=\"450\" sandbox=\"allow-forms allow-popups allow-same-origin allow-scripts allow-storage-access-by-user-activation allow-top-navigation-by-user-activation\" src=\"https:\/\/embed.music.apple.com\/us\/album\/rodeo\/1456176981\" style=\"width:100%;max-width:660px;overflow:hidden;border-radius:10px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\r\n\u003cul\u003e\n\u003cli\u003eFormat Detail: LP\u003c\/li\u003e\n\u003cli\u003eGenre: Rap\u003c\/li\u003e\n\u003cli\u003eRSD Date: n\/a\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 11\/06\/2015\u003c\/li\u003e\n\u003cli\u003eBest Sellers: Top Seller\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Travis Scott","offers":[{"title":"Default Title","offer_id":44581502419177,"sku":"AE20KL-QE3C-00","price":37.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/travis-scott-rodeo-explicit-content-150-gram-vinyl-download-insert-2-lps_IUUBf.jpg?v=1741728992"},{"product_id":"travis-scott-astroworld-150-gram-vinyl-download-insert-explicit-content-2-lps","title":"Astroworld (150 Gram Vinyl, Download Insert) [Explicit Content] (2 Lp's)","description":"\u003cp\u003eTravis Scott | Astroworld | Vinyl | 2LP | Release Date: \u003cspan data-mce-fragment=\"1\"\u003e11\/16\/2018\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e (\u003cem\u003ewith producers and features)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e1. \"Stargazing\"\u003cbr\u003eProduced by B Wheezy, 30 Roc, BKorn, Sonny Digital\u003c\/p\u003e\n\u003cp\u003e2. \"Carousel\"\u003cbr\u003eProduced by Hit-Boy\u003cbr\u003eFeaturing: Frank Ocean\u003c\/p\u003e\n\u003cp\u003e3. \"Sicko Mode\"\u003cbr\u003eProduced by Tay Keith, Oz, Cubeatz, Hit-Boy\u003cbr\u003eFeaturing: Drake\u003c\/p\u003e\n\u003cp\u003e4. \"R.I.P Screw\"\u003cbr\u003eProduced by FKi 1st, Travis Scott\u003cbr\u003eFeaturing: Swae Lee\u003c\/p\u003e\n\u003cp\u003e5. \"Stop Trying To Be God\"\u003cbr\u003eProduced by Cubeatz, Travis Scott, Mike Dean\u003cbr\u003eAdditional production from James Litherland\u003c\/p\u003e\n\u003cp\u003e6. \"No Bystanders\"\u003cbr\u003eProduced by Gezin (808 Mafia), wondaGURL, Mike Dean\u003cbr\u003eFeaturing: Juice Wrld, Sheck Wes\u003c\/p\u003e\n\u003cp\u003e7. \"Skeletons\"\u003cbr\u003eProduced by Kevin Parker (Tame Impala)\u003cbr\u003eFeaturing: The Weeknd\u003cbr\u003eAdditional production from Pharrell Williams, Reine Fiske\u003c\/p\u003e\n\u003cp\u003e8. \"Wake Up\"\u003cbr\u003eProduced by Sevn Thomas, Wallis Lane, Frank Dukes\u003cbr\u003eFeaturing: The Weeknd\u003c\/p\u003e\n\u003cp\u003e9. \"5% Tint\"\u003cbr\u003eProduced by FKi 1st\u003cbr\u003eAdditional production from Cyhi the Prynce\u003c\/p\u003e\n\u003cp\u003e10. \"NC-17\"\u003cbr\u003eProduced by Cubeatz, Boi-1Da\u003cbr\u003eFeaturing: 21 Savage\u003c\/p\u003e\n\u003cp\u003e11. \"Astrothunder\"\u003cbr\u003eProduced by Frank Dukes, John Mayer, Travis Scott, Thundercat\u003c\/p\u003e\n\u003cp\u003e12. \"Yosemite\"\u003cbr\u003eProduced by Turbo, The Genius\u003cbr\u003eFeaturing: Gunna, Nav\u003c\/p\u003e\n\u003cp\u003e13. \"Can't Say\"\u003cbr\u003eProduced by wondaGURL, Frank Dukes\u003cbr\u003eFeaturing: Don Toliver\u003c\/p\u003e\n\u003cp\u003e14. \"Who? What!\"\u003cbr\u003eProduced by 30 Roc, Cardo\u003cbr\u003eFeaturing: Quavo, Takeoff\u003c\/p\u003e\n\u003cp\u003e15. \"Butterfly Effect\"\u003cbr\u003eProduced by Murda Beatz\u003cbr\u003eCo-producer: Felix Leone\u003c\/p\u003e\n\u003cp\u003e16. \"Houstonfornication\"\u003cbr\u003eProduced by Sevn Thomas, Wallis Lane\u003c\/p\u003e\n\u003cp\u003e17. \"Coffee Bean\"\u003cbr\u003eProduced by Nineteen85\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eGenre: Pop\u003c\/li\u003e\n\u003cli\u003eRSD Date: DDD\u003c\/li\u003e\n\u003cli\u003eFormat: Vinyl\u003c\/li\u003e\n\u003cli\u003eReleased: 11\/09\/18\u003c\/li\u003e\n\u003cli\u003eBest Sellers: Top Seller\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Travis Scott","offers":[{"title":"Default Title","offer_id":44581739725033,"sku":"EZNZDU-ZSVP-00","price":37.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0654\/3523\/8633\/files\/Travis-Scott-Astroworld-150-Gram-Vinyl-Download-Insert-Explicit-Content-2-Lps_Pp4Mk.jpg?v=1740101685"},{"product_id":"travis-scott-rodeo-deluxe","title":"RODEO (DELUXE)","description":"Recording information: Platinum Sound Recording Studios, New York, NY.\nPhotographer: Nabil Elderkin.\nWhile Lady Gaga was working the avant side of pop, hip-hop was doing the same thing without a true figurehead. Artists from Kid Cudi to A$AP Mob were coming at the genre from all sorts of new angles, but with their feet firmly in the rap camp; then producer Travis Scott came along, sounding like Chief Keef but with a much broader brush, offering an attractive version of acid rap that landed him on Kanye West's GOOD Music label with a debut album that's so 2015 it features the ultra-hip trifecta of Future, the Weeknd, and Justin Bieber. Make those three a Venn diagram and Scott is the man in the middle, wonderfully weird and as stylish-sounding as the first two, and yet with a slick appeal that crosses over like Bieber, which is the biggest problem for detractors: it's all for show with no filling. Still, with lines like \"Always kept my city on me like it was a Swatch\" and \"My dick longer than a Pringle box\" over beats that honor and match edgy acts like Death Grips (the raw \"Piss on Your Grave\" featuring Kanye West) and Future (who appears alongside 2 Chainz on the sprawling highlight \"3500\"), Rodeo is an absurd wonder that thankfully works. That's up to and including Bieber, Young Thug, and Scott's bedroom brain-burner \"Maria I'm Drunk,\" which is the ultra sheen of Taylor Swift with the lust of Miguel experienced via shrooms. \"Wasted\" sounds like Juicy J did an album for Stones Throw, \"Flying High\" with Toro y Moi borrows some of Slave's \"Slide\" so the indie party people get an anthem, then the very big \"90210\" travels across decades' worth of film soundtrack styles while sampling the late Pimp C as T.I. narrates. Weird that T.I. doesn't rap, and weirder still that Scott barely produces on this album, handing it over to returning and like-minded collaborators like Metro Boomin, Ultra$ound, and Mike Dean. His executive producer credit, however, is on point as the aesthetics of his early work are all here, and with \"We designed our love, around these drugs\" being the album's most profound lyrical moment, he may not be Nas, but he may be Warhol. As Kanye and Gaga try to bridge the gap between pop and art, this artist thrives in the chasm. 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