Skip to product information
1 of 1

GENTLEMEN AT 21

GENTLEMEN AT 21

Regular price $66.98 USD
Regular price $71.99 USD Sale price $66.98 USD
Sale Sold out
Shipping calculated at checkout.

Out of stock

Quantity

Shipping Information

We carefully package every order to help ensure your records and media arrive safely. Orders are typically processed promptly, and tracking information is provided once your shipment is on its way.

Shipping costs and delivery estimates are calculated at checkout based on your location and selected shipping method.

View Shipping Policy

Returns & Exchanges

We want you to shop with confidence. If there's an issue with your order, we're here to help.

New, unopened items may be returned in accordance with our Return Policy. For complete details, including return eligibility and timeframes, please review our full Return Policy before making your purchase.

View Return Policy

Collector's Guide

Every collection tells a story.

Whether you're buying your first record or adding a rare pressing to your shelves, understanding editions, formats, and release details can help you make informed collecting decisions. At Vibin' Vinyl, we believe collecting is about more than just owning the music—it's about appreciating the artwork, packaging, mastering, and history behind every release.

Looking to expand your collecting knowledge?

Explore our Collector's Guide for tips, format guides, and collecting advice.

Read the Collector's Guide

Afghan Whigs: Greg Dulli (vocals, guitar); Rick McCollum (guitar); John Curley (bass); Steve Earle (drums). Additional personnel: Marcy Mays (vocals); Barb Hunter (cello); Harold Chichester (piano, mellotron); Jody Stephens (background vocals). Engineers: Jeff Powell, John Hampton, John Curley. Recorded at Ardent Studios, Memphis, Tennessee between May and June 1993, and at Ultrasuede, Cincinnati, Ohio in April 1993. The Afghan Whigs' sound was growing larger by the release during the days on Sub Pop, so the fact that Gentlemen turned out the way it did wasn't all that surprising as a result ("cinematic" was certainly the word the band was aiming for, what with credits describing the recording process as being "shot on location" at Ardent Studios). While Gentlemen is no monolith, it is very much of a piece at the start. While "If I Were Going" opens things on a slightly moodier tip, it's the crunch of "Gentlemen," "Be Sweet," and "Debonair" that really stands out, each of which features a tightly wound R&B punch that rocks out as much as it grooves, if not more so. Greg Dulli's lyrics immediately set about the task of emotional self-evisceration at the same time, with lines like "Ladies, let me tell you about myself -- I got a dick for a brain" being among the calmer points. The album truly comes into its own with "When We Two Parted," though, as sad countryish guitars chime over a slow crawling rhythm and Dulli's quiet-then-anguished detailing of an exploding relationship. From there on in, things surge from strength to greater strength, sometimes due to the subtlest of touches -- the string arrangement on "Fountain and Fairfax" or the unexpected, resigned lead vocal from Scrawl's Marcy Mays on "My Curse," for instance. Other times, it's all the much more upfront, as "What Jail Is Like," with its heartbroken-and-fierce combination of piano, feedback, and drive building to an explosive chorus. Dulli's blend of utter abnegation and masculine swagger may be a crutch, but when everything connects, as it does more often than not on Gentlemen, both he and his band are unstoppable. ~ Ned Raggett
View full details