Born Under A Bad Sign (180 Gram Vinyl)
Born Under A Bad Sign (180 Gram Vinyl)
Out of stock
Couldn't load pickup availability
Shipping Information
Shipping Information
We carefully package every order to help ensure your records and media arrive safely. Orders are typically processed promptly, and tracking information is provided once your shipment is on its way.
Shipping costs and delivery estimates are calculated at checkout based on your location and selected shipping method.
Returns & Exchanges
Returns & Exchanges
We want you to shop with confidence. If there's an issue with your order, we're here to help.
New, unopened items may be returned in accordance with our Return Policy. For complete details, including return eligibility and timeframes, please review our full Return Policy before making your purchase.
Collector's Guide
Collector's Guide
Every collection tells a story.
Whether you're buying your first record or adding a rare pressing to your shelves, understanding editions, formats, and release details can help you make informed collecting decisions. At Vibin' Vinyl, we believe collecting is about more than just owning the music—it's about appreciating the artwork, packaging, mastering, and history behind every release.
Looking to expand your collecting knowledge?
Explore our Collector's Guide for tips, format guides, and collecting advice.
It took more than four decades of patient hard work until a discriminating congregation could proclaim Albert King as one of the three kings of the electric blues, alongside B. B. King and Freddie King. Albert had a tough but highly motivated beginning, playing blues on a guitar he had made himself. Later he bought a really good instrument, then came a couple of promising songs, and a series of successful singles made under a contract with Stax Records in Memphis.
Finally, late in life, King landed on the sunny side with “Born Under A Bad Sign”. The album became one of the most influential recordings in the history of the blues. King’s music was appreciated by white people too, which smoothed his path out of small clubs and on to big live events.
Right from the title song, he travels along familiar tracks in the blues world, occasionally making a detour to hectic, soulful realms (“Crosscut Saw”) and letting himself be carried away by strident winds (“Kansas City”). Over and over again, the musicians surprise one with ever new sound colourings, as in the hum and buzz of “Oh, Pretty Woman”, the brusque admonitory “Down Don’t Bother Me”, or the swinging fiddling of “The Hunter”.
- 180 gram LP w/ Standard Sleeve
- Recording: March 1966 – June 1967 at Stax Studios, Memphis (TN)
Share
