Skip to product information
1 of 1

THE BEST IMITATION OF MYSELF: A RETROSPE

THE BEST IMITATION OF MYSELF: A RETROSPE

Regular price $29.98 USD
Regular price $29.98 USD Sale price $29.98 USD
Sale Sold out
Shipping calculated at checkout.

Out of stock

Quantity

Shipping Information

We carefully package every order to help ensure your records and media arrive safely. Orders are typically processed promptly, and tracking information is provided once your shipment is on its way.

Shipping costs and delivery estimates are calculated at checkout based on your location and selected shipping method.

View Shipping Policy

Returns & Exchanges

We want you to shop with confidence. If there's an issue with your order, we're here to help.

New, unopened items may be returned in accordance with our Return Policy. For complete details, including return eligibility and timeframes, please review our full Return Policy before making your purchase.

View Return Policy

Collector's Guide

Every collection tells a story.

Whether you're buying your first record or adding a rare pressing to your shelves, understanding editions, formats, and release details can help you make informed collecting decisions. At Vibin' Vinyl, we believe collecting is about more than just owning the music—it's about appreciating the artwork, packaging, mastering, and history behind every release.

Looking to expand your collecting knowledge?

Explore our Collector's Guide for tips, format guides, and collecting advice.

Read the Collector's Guide

Personnel: Ben Folds (piano); Britt Uzzell (guitar, keyboards); Chad Chapin (guitar, percussion); Andrew Higley (French horn, keyboards, percussion); Jim Bogios, Sam Smith, Darren Jessee, Lindsay Jamieson (drums). Liner Note Author: Ben Folds. Recording information: A.E.C. Theatre, Adelaide, Australia (02/20/2011); Ax Hall Seoul, South Korea (02/20/2011); Ben Grosse's House, Los Angeles, CA (02/20/2011); Ben's Studio, Nashville, TN (02/20/2011); Bowery Ballroom, New York, NY (02/20/2011); Captiol Studios, Hollywood, CA (02/20/2011); Chapel Hill, NC (02/20/2011); Fidelitorium Recordings, Kernersville, NC (02/20/2011); Grandmaster Studios, Los Angeles, CA (02/20/2011); Hard Rock Hotel, Las Vegas, NV (02/20/2011); HMV Hammersmith Apollo, London, UK (02/20/2011); Kings Park, Perth, Australia (02/20/2011); Krell Studios, Adelaide, Australia (02/20/2011); Mad Oak Studio, Allston, MA (02/20/2011); Metalworks, Toronto, CAN (02/20/2011); Mountain Winery, Saratoga, CA (02/20/2011); Palais Theatre, Melbourne, Australia (02/20/2011); Roseland Ballroom, New York, NY (02/20/2011); Royal Albert Hall, London, UK (02/20/2011); RPM Studios, New York, NY (02/20/2011); Signet Sound Studios, Los Angeles, CA (02/20/2011); Sound City Studios, Los Angeles, CA (02/20/2011); State Theatre, Detroit, MI (02/20/2011); Studio 4 Recording, Conshohocken, PA (02/20/2011); Studion, Stockholm, Sweden (02/20/2011); The Joint (02/20/2011); The Mix Room (02/20/2011); UNC Memorial Hall, Chapel Hill (02/20/2011); Warehouse, Houston, TX (02/20/2011); Water Music, Hoboken, NJ (02/20/2011); Wave Castle, NC (02/20/2011); A.E.C. Theatre, Adelaide, Australia (03/12/1997); Ax Hall Seoul, South Korea (03/12/1997); Ben Grosse's House, Los Angeles, CA (03/12/1997); Ben's Studio, Nashville, TN (03/12/1997); Bowery Ballroom, New York, NY (03/12/1997); Captiol Studios, Hollywood, CA (03/12/1997); Chapel Hill, NC (03/12/1997); Fidelitorium Recordings, Kernersville, NC (03/12/1997); Grandmaster Studios, Los Angeles, CA (03/12/1997); Hard Rock Hotel, Las Vegas, NV (03/12/1997); HMV Hammersmith Apollo, London, UK (03/12/1997); Kings Park, Perth, Australia (03/12/1997); Krell Studios, Adelaide, Australia (03/12/1997); Mad Oak Studio, Allston, MA (03/12/1997); Metalworks, Toronto, CAN (03/12/1997); Mountain Winery, Saratoga, CA (03/12/1997); Palais Theatre, Melbourne, Australia (03/12/1997); Roseland Ballroom, New York, NY (03/12/1997); Royal Albert Hall, London, UK (03/12/1997); RPM Studios, New York, NY (03/12/1997); Signet Sound Studios, Los Angeles, CA (03/12/1997); Sound City Studios, Los Angeles, CA (03/12/1997); State Theatre, Detroit, MI (03/12/1997); Studio 4 Recording, Conshohocken, PA (03/12/1997); Studion, Stockholm, Sweden (03/12/1997); The Joint (03/12/1997); The Mix Room (03/12/1997); UNC Memorial Hall, Chapel Hill (03/12/1997); Warehouse, Houston, TX (03/12/1997); Water Music, Hoboken, NJ (03/12/1997); Wave Castle, NC (03/12/1997); A.E.C. Theatre, Adelaide, Australia (03/12/2005-03/13/2005); Ax Hall Seoul, South Korea (03/12/2005-03/13/2005); Ben Grosse's House, Los Angeles, CA (03/12/2005-03/13/2005); Ben's Studio, Nashville, TN (03/12/2005-03/13/2005); Bowery Ballroom, New York, NY (03/12/2005-03/13/2005); Captiol Studios, Hollywood, CA (03/12/2005-03/13/2005); Chapel Hill, NC (03/12/2005-03/13/2005); Fidelitorium Recordings, Kernersville, NC (03/12/2005-03/13/2005); Grandmaster Studios, Los Angeles, CA (03/12/2005-03/13/2005); Hard Rock Hotel, Las Vegas, NV (03/12/2005-03/13/2005); HMV Hammersmith Apollo, London, UK (03/12/2005-03/13/2005); Kings Park, Perth, Australia (03/12/2005-03/13/2005); Krell Studios, Adelaide, Australia (03/12/2005-03/13/2005); Mad Oak Studio, Allston, MA (03/12/2005-03/13/2005); Metalworks, Toronto, CAN (03/12/2005-03/13/2005); Mountain Winery, Saratoga, CA (03/12/2005-03/13/2005); Palais Theatre, Melbourne, Australia (03/12/2005-03/13/2005); Roseland Ballroom, New York, NY (03/12/2005-03/13/2005); Royal Albert Hall, London, UK (03/12/2005-03/13/2005); RPM Studios, New York, NY (03/12/2005-03/13/2005); Signet Sound Studios, Los Angeles, CA (03/12/2005-03/13/2005); Sound City Studios, Los Angeles, CA (03/12/2005-03/13/2005); State Theatre, Detroit, MI (03/12/2005-03/13/2005); Studio 4 Recording, Conshohocken, PA (03/12/2005-03/13/2005); Studion, Stockholm, Sweden (03/12/2005-03/13/2005); The Joint (03/12/2005-03/13/2005); The Mix Room (03/12/2005-03/13/2005); UNC Memorial Hall, Chapel Hill (03/12/2005-03/13/2005); Warehouse, Houston, TX (03/12/2005-03/13/2005); Water Music, Hoboken, NJ (03/12/2005-03/13/2005); Wave Castle, NC (03/12/2005-03/13/2005); A.E.C. Theatre, Adelaide, Australia (03/24/2003); Ax Hall Seoul, South Korea (03/24/2003); Ben Grosse's House, Los Angeles, CA (03/24/2003); Ben's Studio, Nashville, TN (03/24/2003); Bowery Ballroom, New York, NY (03/24/2003); Captiol Studios, Hollywood, CA (03/24/2003). Photographers: Joshua Kessler; Kerry McCarthy; Ingvar Renne; Fleur Folds; Lance Mercer; Alan Wolmark; Alexandria Searls; Katrina Dickson; Ben Folds. The Best Imitation of Myself: A Retrospective represents Ben Folds' first U.S. career overview. Compiled by Folds, the 18-track collection does a nice job balancing the North Carolina native's snarky, punk-infused past with Ben Folds Five with the more accessible, ballad-heavy output of his solo career. Folds' slow dive into the mainstream, from piano-climbing college rock upstart to commercial crooner and likable (and knowledgeable) co-judge on NBC's hit a cappella singing competition series The Sing-Off, has had its hits and misses, but there's no denying his knack for crafting instantly engaging melodies paired with lyrics that can go from heartbreakingly earnest ("Still Fighting It") to biting and sarcastic ("Rockin' the Suburbs") in seconds flat. The Best Imitation of Myself may lean a bit harder on the former, but since ditching the Five, those have been the songs that have felt the truest. Still, listeners who missed out on his former incarnation will find songs like the remastered "Philosophy" and "Underground" to be the perfect entry point, while longtime fans looking for a bigger piece of bait will relish some of the alternate mixes, as well as a new Ben Folds Five cut, the newly recorded "House." [The retrospective is also available as a three-disc edition that includes unreleased and rare home demos, studio outtakes, alternate mixes, live tracks, and two more brand new tracks by Ben Folds Five.] ~ James Christopher Monger
View full details