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Nico

Nico

Regular price $41.98 USD
Regular price $41.98 USD Sale price $41.98 USD
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Collector's Guide

Every collection tells a story.

Whether you're buying your first record or adding a rare pressing to your shelves, understanding editions, formats, and release details can help you make informed collecting decisions. At Vibin' Vinyl, we believe collecting is about more than just owning the music—it's about appreciating the artwork, packaging, mastering, and history behind every release.

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NICO is an Enhanced CD companion to the home video LETTERS FROM A PORCUPINE, and is playable on either a CD-ROM drive or a standard CD player. A portion of the proceeds from both NICO and LETTERS FROM A PORCUPINE go to benefit MAP (the Musicians Assistance Program). Blind Melon: Shannon Hoon (vocals, acoustic guitar); Christopher Thorn (acoustic & lap steel guitars, guitar, banjo, Mellotron, bell, tambourine); Rogers Stevens (acoustic & electric guitars, Hammond B-3 organ, congas, shakers, background vocals); Brad Smith (flute, acoustic bass, bass, dumbek, congas); Glen Graham (Mellotron, drums, hi-hat, congas, dumbek, percussion). Producers include: Blind Melon, Mike Napolitano, Mike Kelsey, Andy Wallace. Engineers include: Blind Melon, John Burton. Named for the late Shannon Hoon's infant daughter, NICO is a collection of outtakes, previously-unreleased originals and a pair of covers. Blind Melon was regularly pegged as a happy-go-lucky, hippie throwback act, but this collection exposes a band that bristled with creativity. Among the discoveries here that show Blind Melon to be more than a back-up band for the Bee Girl are "Glitch," a hypnotic percussive song that evokes the Master Musicians Of Jajouka. Blind Melon's creative spark was surely a restless one. "Letters From A Porcupine" is a musical message left by singer Hoon on guitarist Christopher Thorn's answering machine. An impromptu session in Hoon's hotel room toward the end of a 19-month tour produced "Life Ain't So Shitty." The band's version of John Lennon's protest song "John Sinclair" shows off a major influence; a Steppenwolf cover ("The Pusher") provides some eerie foreshadowing.
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