Skip to product information
1 of 1

DR CC

DR CC

Regular price $18.98 USD
Regular price $18.98 USD Sale price $18.98 USD
Sale Sold out
Shipping calculated at checkout.

Out of stock

Quantity

Shipping Information

We carefully package every order to help ensure your records and media arrive safely. Orders are typically processed promptly, and tracking information is provided once your shipment is on its way.

Shipping costs and delivery estimates are calculated at checkout based on your location and selected shipping method.

View Shipping Policy

Returns & Exchanges

We want you to shop with confidence. If there's an issue with your order, we're here to help.

New, unopened items may be returned in accordance with our Return Policy. For complete details, including return eligibility and timeframes, please review our full Return Policy before making your purchase.

View Return Policy

Collector's Guide

Every collection tells a story.

Whether you're buying your first record or adding a rare pressing to your shelves, understanding editions, formats, and release details can help you make informed collecting decisions. At Vibin' Vinyl, we believe collecting is about more than just owning the music—it's about appreciating the artwork, packaging, mastering, and history behind every release.

Looking to expand your collecting knowledge?

Explore our Collector's Guide for tips, format guides, and collecting advice.

Read the Collector's Guide

Personnel: Clarence Carter (guitar, horns, keyboards, synthesizer, bass, drums, percussion); Lenny LeBlanc, Cindy Richardson, Ava Aldridge (background vocals). Recorded at Broadway Sound Studio, Muscle Shoals, Alabama. Personnel: Clarence Carter (guitar, horns, piano, keyboards, synthesizer, drums, percussion); Cindy Richardson, Lenny LeBlanc, Ava Aldridge (background vocals). Recording information: Broadway Sound Studio, Muscle Shoals, AL. Photographer: Andrew Wilson . Clarence Carter's albums since the mid '80s have had one great theme--what used to be referred as X-E-S spelled backwards--and this one, in his best one man band mode, is no exception. Here, however, he more or less goes pro for the first time, as in the title tune, where he announces in no uncertain terms that he "specializes in love-ology" and he'd "be happy to take your case." Fans of Carter's late-'60s soul albums will be gratified that at least one song here--"I Stayed Away Too Long"--is an old fashioned Otis Redding-esque ballad. It is, however, an anomaly; the album's overall tone is set by the concluding "Strokin'," a cult hit down South in which its auteur basically talks dirty for four minutes.
View full details