Skip to product information
1 of 1

Bug

Bug

Regular price $26.99 USD
Regular price $26.99 USD Sale price $26.99 USD
Sale Sold out
Shipping calculated at checkout.

Out of stock

Quantity

Shipping Information

We carefully package every order to help ensure your records and media arrive safely. Orders are typically processed promptly, and tracking information is provided once your shipment is on its way.

Shipping costs and delivery estimates are calculated at checkout based on your location and selected shipping method.

View Shipping Policy

Returns & Exchanges

We want you to shop with confidence. If there's an issue with your order, we're here to help.

New, unopened items may be returned in accordance with our Return Policy. For complete details, including return eligibility and timeframes, please review our full Return Policy before making your purchase.

View Return Policy

Collector's Guide

Every collection tells a story.

Whether you're buying your first record or adding a rare pressing to your shelves, understanding editions, formats, and release details can help you make informed collecting decisions. At Vibin' Vinyl, we believe collecting is about more than just owning the music—it's about appreciating the artwork, packaging, mastering, and history behind every release.

Looking to expand your collecting knowledge?

Explore our Collector's Guide for tips, format guides, and collecting advice.

Read the Collector's Guide

If Dave Davies did nothing more than create the slash-and-burn power chords of the Kinks' "You Really Got Me" he'd earn a place in the Rock and Roll Hall of Fame. As it is, the younger Davies brother has accomplished much more. His first studio album in over 20 years finds Ray's frequently overshadowed sibling reviving that rather charming '70s device, the concept album--the plot here revolving around extraterrestrial visitation and brain implantation. Davies brings the idea of benign aliens a little closer in a collection that recalls some of the best trends of the '60s and '70s. He uses a rock template that harkens back to post-Tommy Who ("The Lie"), Mott the Hoople ("Whose Fooling Who"), and Deep Purple ("It Ain't over 'Till It's Done"), sounding rather anachronistic as a result. The songs are engaging and show Davies to be a writer of considerable skill and wit, but they're somewhat stuck in the way-back machine.
View full details