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Plastic Surgery Disasters

Plastic Surgery Disasters

Regular price $26.98 USD
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Collector's Guide

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Whether you're buying your first record or adding a rare pressing to your shelves, understanding editions, formats, and release details can help you make informed collecting decisions. At Vibin' Vinyl, we believe collecting is about more than just owning the music—it's about appreciating the artwork, packaging, mastering, and history behind every release.

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2 LPs on 1 CD: PLASTIC SURGERY DISASTERS (1982)/IN GOD WE TRUST, INC. (1981). The Dead Kennedys: Jello Biafra (vocals); East Bay Ray (guitar); Klaus Flouride (bass); D.H. Pelligro (drums). Digitally remastered by John Cuniberti and East Bay Ray (The Plant Mastering, Sausalito, California). PLASTIC SURGERY DISASTERS: Additional personnel includes: Melissa Webber (spoken vocals); Dave Barrett, Geoffrey Lyall, Bruce Ackely (horns); Ninotchka (background vocals). Producers: Thom Wilson, East Bay Ray, The Dead Kennedys, Geza X. Engineers: Olivier DiCicco, John Cuniberti, Mark Wallner. Recorded at Hyde Street Studios and Mobius Music, San Francisco, California. IN GOD WE TRUST, INC.: Additional personnel includes: Geoffrey Lyall, Ninotchka, Annette, HyJean, Darvon, Siobhan. Producers: Norm, East Bay Ray. Engineer: Oliver DiCicco. The epic sweep of Plastic Surgery Disasters, in both sonic texture and thematic depth, sets it apart as one of punk's most highly evolved musical and artistic statements. Vocalist Jello Biafra's rage had developed into a calmer but more strident kind of anger. Fortified by a wider variety of sounds, including horns, clarinets, and East Bay Ray's rich palette of aggressive guitar textures, the album attacked the usual DK targets. America's bloated, mentally lazy consumer culture was lambasted in the thick, intimidating "Buzzbomb" and the stingingly sarcastic "Winnebago Warrior." Several of society's more insidious archetypes were taken on as well, as in the goofy "Terminal Preppie" and the adrenaline-fueled "Well Paid Scientist." Firmly in place are Biafra's virtually trademarked paranoid, anti-government diatribes; society's false sense of security is addressed in the breakneck-speed rant of "Government Flu," the far-reaching metaphor of "Trust Your Mechanic," and the angry theatrics of "I Am the Owl." ~ Rovi Staff
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