• Death Angel Act III
1 1

Act III

Act III

$19.99 USD
$19.99 USD $19.99 USD
Sale Sold out
Shipping calculated at checkout.

Out of stock

Shipping Information

We carefully package every order to help ensure your records and media arrive safely. Orders are typically processed promptly, and tracking information is provided once your shipment is on its way.

Shipping costs and delivery estimates are calculated at checkout based on your location and selected shipping method.

View Shipping Policy

Returns & Exchanges

We want you to shop with confidence. If there's an issue with your order, we're here to help.

New, unopened items may be returned in accordance with our Return Policy. For complete details, including return eligibility and timeframes, please review our full Return Policy before making your purchase.

View Return Policy

Collector's Guide

Every collection tells a story.

Whether you're buying your first record or adding a rare pressing to your shelves, understanding editions, formats, and release details can help you make informed collecting decisions. At Vibin' Vinyl, we believe collecting is about more than just owning the music—it's about appreciating the artwork, packaging, mastering, and history behind every release.

Looking to expand your collecting knowledge?

Explore our Collector's Guide for tips, format guides, and collecting advice.

Read the Collector's Guide

San Francisco's precocious Death Angel finally reached musical adulthood (though some band members were still barely old enough to vote) with 1990's Act III. Their first album to benefit from major-label distribution and a truly top-notch production courtesy of Max Norman, it also witnessed the continuing development of lead guitarist Rob Cavestany, who literally dominated the album with his impressive chops and superior songwriting. Coupled with his generally well-thought out lyrics (sung by the still mediocre Mark Osegueda), songs like "A Room With a View," "The Organization," and especially first single "Seemingly Endless Time" seemed to confirm the band's destiny as apparent heirs to intellectual thrashers Anthrax, then in swift decline. Sadly, a number of external (sparse promotional support, the genre's dwindling popularity) and internal forces (bandmate squabbling) would make this the band's final album. At least it served as a fond farewell and remains the ideal starting point to the Death Angel discography. ~ Eduardo Rivadavia
View full details