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Awake

Awake

Regular price $40.99 USD
Regular price $40.99 USD Sale price $40.99 USD
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Collector's Guide

Every collection tells a story.

Whether you're buying your first record or adding a rare pressing to your shelves, understanding editions, formats, and release details can help you make informed collecting decisions. At Vibin' Vinyl, we believe collecting is about more than just owning the music—it's about appreciating the artwork, packaging, mastering, and history behind every release.

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Dream Theater: James LaBrie (vocals), John Petrucci (guitar), Kevin Moore (keyboards), John Myung (bass), Mike Portnoy (drums, percussion). Recorded at One On One Studios and Devonshire Studios, North Hollywood, California between May & July 1994. Dream Theater's web of metal and progressive elements comes roaring out of the speakers at full throttle like some manic coupling of Frank Zappa, Guns & Roses and Yes, a garish torrent of virtuoso chopsmanship, classical flourishes and good old fashioned nosebleed metal. With his snaking, syncopated lines, complicated rhythmic variations and crunching tone, Dream Theater's John Petrucci is a guitar hero for the '90s, and string slingers who admire the likes of Alan Holdsworth and Steve Vai will find much to admire in his unhinged extended flights on "Voices" and "Erotomania." And singer James LaBrie possesses the kind of classic tenor pipes that distinguish singers like Robert Plant, Steve Perry, Geddy Lee and Axl Rose from the rest of the pack: the kind of powerhouse squawk that can push through the guitars and keyboards--hey, you can hear him in Antarctica. The songs on AWAKE constitute a richly orchestrated suite of moods, and tend towards the kind of mystic parables and epic gestures that used to so fascinate Jimmy Page. It's a nightmare world of spiritual crisis, lost innocence, fractured identity, fatal temptation and stifling paranoia. The music reflects this tension in its grand gestures and intricate ensemble passages, to particular effect when the lyrics tend more towards personal rites of passage, as on "Scarred" and "The Silent Man."
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