• Gladys Knight BEFORE ME
1 1

BEFORE ME

BEFORE ME

$25.98 USD
$25.98 USD $25.98 USD
Sale Sold out
Shipping calculated at checkout.

Out of stock

Shipping Information

We carefully package every order to help ensure your records and media arrive safely. Orders are typically processed promptly, and tracking information is provided once your shipment is on its way.

Shipping costs and delivery estimates are calculated at checkout based on your location and selected shipping method.

View Shipping Policy

Returns & Exchanges

We want you to shop with confidence. If there's an issue with your order, we're here to help.

New, unopened items may be returned in accordance with our Return Policy. For complete details, including return eligibility and timeframes, please review our full Return Policy before making your purchase.

View Return Policy

Collector's Guide

Every collection tells a story.

Whether you're buying your first record or adding a rare pressing to your shelves, understanding editions, formats, and release details can help you make informed collecting decisions. At Vibin' Vinyl, we believe collecting is about more than just owning the music—it's about appreciating the artwork, packaging, mastering, and history behind every release.

Looking to expand your collecting knowledge?

Explore our Collector's Guide for tips, format guides, and collecting advice.

Read the Collector's Guide

Personnel: Gladys Knight (vocals); Jeff Mironov, Anthony Wilson , Russell Malone (guitar); David "Fathead" Newman (tenor saxophone); Chris Botti (trumpet); Roy Hargrove (flugelhorn); Joe Sample, Billy Childs (piano); David Finck, John Clayton, Christoph Luty (bass guitar); Jeff Hamilton , Mark McLean (drums); Joe Porcaro (percussion); Clayton-Hamilton Jazz Orchestra. To her considerable credit, Gladys Knight is forever seeking out fresh projects that push her in new stylistic directions. 2006's BEFORE ME is a case in point. The album features Knight performing a series of jazz standards as popularized by the likes of Billie Holiday, Sarah Vaughan, and Ella Fitzgerald, each of whom proved a formative influence on Knight in her early years. Longtime fans of Knight may be surprised by her vocal approach here. In place of the earthy, textured soul attack for which she is best known is a comparatively reserved, sophisticated singing style that suits both the material and the legacy of her mentors. Versions of "God Bless the Child" and "Someone To Watch Over Me" are accomplished enough to bring new life to the songs, and to place Knight firmly in the tradition of the great female vocalists.
View full details