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HELLO CENTRAL: THE BEST OF

HELLO CENTRAL: THE BEST OF

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Collector's Guide

Every collection tells a story.

Whether you're buying your first record or adding a rare pressing to your shelves, understanding editions, formats, and release details can help you make informed collecting decisions. At Vibin' Vinyl, we believe collecting is about more than just owning the music—it's about appreciating the artwork, packaging, mastering, and history behind every release.

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Personnel: Lightnin' Hopkins (vocals, guitar); Donald Cooks (bass instrument). Liner Note Author: Bill Dahl. Sam "Lightnin'" Hopkins (1912-1982) was a pivotal figure in the evolution of blues--along with John Lee Hooker and a few others, he was a link between acoustic country blues and electrified urban blues styles. Hopkins played electric guitar (though later in his career, during the 1960s folk boom, he'd return to the acoustic) in an improvisational manner, not restricted to the usual 12-bar structure (making it notoriously difficult for most musicians to accompany him). He had a spacious, always-midnight guitar sound that could lunge and bite like a coiled snake, and his voice was an unpolished stray-cat yowl that could be wise, ominous, and/or joyous. HELLO CENTRAL collects songs, either solo or accompanied by a bassist, recorded in Houston and New York in 1950 and '51, and previously released on the Mainstream label. These recordings capture Hopkins at a peak period, a set of rough gems that anticipates both R&B and rock & roll (the rollicking "Tap Dance Boogie") and conveys the lonesome moan of despair (the baleful "Broken Hearted Blues" and the stark, dissonant "Freight Train Blues"). A fine introduction for neophytes, HELLO CENTRAL is a must for Hopkins fans.
  • Genre: Blues
  • Format: CD
  • Released: 02/01/2008
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