• LIVE-EVIL
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LIVE-EVIL

LIVE-EVIL

$35.98 USD
$35.98 USD $35.98 USD
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Collector's Guide

Every collection tells a story.

Whether you're buying your first record or adding a rare pressing to your shelves, understanding editions, formats, and release details can help you make informed collecting decisions. At Vibin' Vinyl, we believe collecting is about more than just owning the music—it's about appreciating the artwork, packaging, mastering, and history behind every release.

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Personnel: Miles Davis (trumpet); Hermeto Pascoal (vocals, whistling, electric piano, drums); Conrad Roberts (spoken vocals); Gary Bartz (soprano & alto saxophones); Steve Grossman, Wayne Shorter (soprano saxophone); Keith Jarrett (electric piano, organ); Joe Zawinul, Herbie Hancock, Chick Corea (electric piano); John McLaughlin (guitar); Khalil Balakrishna (electric sitar); Dave Holland (acoustic & electric basses); Ron Carter (acoustic bass); Michael Henderson (electric bass); Jack DeJohnette, Billy Cobham (drums); Airto Moreia (percussion). Recorded at Columbia Studio B, New York, New York between February 6 and June 4, 1970, and live at the Cellar Door, Washington, D.C. on December 19, 1970. Includes liner notes by Gary Bartz. Digitally remastered by Tom Ruff (Sony Music Studios, New York, New York). The first in a continuing series of double-LP extravaganzas released only in Japan in the early '70s, Live-Evil mixes four studio tracks from 1970 with four live ones taken from a Washington, D.C. performance in December of that year. Amidst heavy competition, the live tracks -- including "What I Say," "Sivad" and "Gemini Double Image" -- are the highlights, featuring some of Miles' best playing of the decade, plus aggressive work on extended solo spots by John McLaughlin on guitar, Keith Jarrett on keyboards, and Jack DeJohnette on drums. Alternating chaotic deep-groove passages with a few more atmospheric, Live-Evil held up for two decades as one of the great import-only Miles Davis albums, until it was reissued in America by Columbia/Legacy in 1997. ~ John Bush
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