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IMPOSSIBLE DREAM

IMPOSSIBLE DREAM

Regular price $18.98 USD
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Collector's Guide

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Whether you're buying your first record or adding a rare pressing to your shelves, understanding editions, formats, and release details can help you make informed collecting decisions. At Vibin' Vinyl, we believe collecting is about more than just owning the music—it's about appreciating the artwork, packaging, mastering, and history behind every release.

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Personnel: Patty Griffin (vocals, guitar, piano, background vocals); Patty Griffin; Craig Ross (baritone guitar, synthesizer, tambourine, percussion, background vocals); John Deaderick (organ, drums); Brian Beattie (field organ, pump organ, arco bass); Frank Swart (bass instrument); J.D. Foster (bass guitar, percussion); Jonathan Greene, Jon Greene (drums); J.A. Foster (percussion); Doug Lancio (guitar, mandolin); Lisa Germano (zither, violin); Michael Ramos (trumpet); Sumner Erickson (tuba); Ian McLagan (piano, electric piano); Rev. Brady Blade, Billy Beard (drums); Emmylou Harris, Julie Miller, Buddy Miller (background vocals). Audio Mixer: Robbie Adams. Recording information: Kingsway, New Orleans, LA (10/2003); Small Festival Balls (10/2003); Wire Recording, Austin, TX (10/2003). Photographer: Traci Goudie. Expanding on her 2002 all-acoustic outing, 1000 KISSES, Patty Griffin delivers a stellar, full-band sound on her masterful fourth album, IMPOSSIBLE DREAM. With support from producer/guitarist Craig Ross, as well as guest vocalists Buddy and Julie Miller and Emmylou Harris, Griffin serves up a hearty mix of Americana-flavored fare marinated in organic ambiance. Possessing a voice with a slight twang, reminiscent of Iris DeMent, Griffin belies her Boston roots with a wealth of Southern-flavored songs that include "Standing," a goose-bump-inducing tune with gospel overtones, and "Useless Desires," a high-lonesome tale with fiddle accompaniment by Lisa Germano. Diehard Griffin fans will be pleased to finally see the studio version of longtime concert favorite "Florida" and a handful of tracks inexplicably rejected by her prior label. Foremost among them is the seven-minute epic "Mother of God," a gorgeous, piano-laced composition that threads memories together in a manner that shifts the mood from melancholy to bright hope.
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