• Paul Weller Modern Classics: The Greatest Hits [Import]
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Modern Classics: The Greatest Hits [Import]

Modern Classics: The Greatest Hits [Import]

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$19.99 USD $19.99 USD
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Collector's Guide

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Personnel: Paul Weller (vocals, guitar, piano, electric piano, Wurlitzer piano, organ, Mellotron, Moog & Mini-Moog synthesizers, novatron, bass, percussion); Chris Bangs (various instruments); Carleen Anderson (vocals); Steve Cradock, Dr. Robert (guitar, bass, background vocals); The Wired Strings (strings); Mark Nelson (sitar, bass); Jacko Peake (flute, saxophone); Brendan Lynch (accordion); Mick Talbot (Fender Rhodes); Helen Turner (organ, novatron); Max Beasley (organ); Brendan Lynch (Mellotron, Mini-Moog synthesizer, cyremin); Yolanda Charles (bass); Steve White (drums, percussion); Simon Fowler (background vocals). Producers: Brendan Lynch, Paul Weller, Chris Bangs. Personnel: Steve White (vocals, guitar, piano, organ, percussion); Chris Bangs (vocals, guitar, electric piano, bass guitar); Carleen Anderson (vocals, accordion, bass guitar); Jamie Johnson (strings); Simon Fowler (accordion); Brendan Lynch (Fender Rhodes piano, bass guitar); Max Beasley (organ); Dr. Robert, Steve Cradock, Yolanda Charles (drums). Recording information: Comfort Place East Grinstead; Manor Studios Oxford; Rockfield Studios Wales; Solid Bond Studios London; Studio Two Abbey Road London; Wool Hall Studios Bath. Photographer: Lawrence Watson. For the U.S. market, the word "classics" is perhaps employed here with a certain irony, given that the vast majority of American listeners continue to turn the proverbial deaf ear to Weller's work. (of course, back in England, where he's a god, of course, these songs really were hits.) In any case, MODERN CLASSICS collects the best cuts from Weller's four solo albums released between 1992 and '97, the period when the former Jam-meister finally forged a coherent style out of his love for late-'60s artists like Traffic, the Small Faces, the Move, et al. What's particularly impressive is how the whole thing coheres. Despite the varying recording locations, dates, and personnel, the songs here sound like they were all bashed at one marathon all-night session.
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