Skip to product information
1 of 1

Number 5

Number 5

Regular price $38.99 USD
Regular price $38.99 USD Sale price $38.99 USD
Sale Sold out
Shipping calculated at checkout.

Out of stock

Quantity

Shipping Information

We carefully package every order to help ensure your records and media arrive safely. Orders are typically processed promptly, and tracking information is provided once your shipment is on its way.

Shipping costs and delivery estimates are calculated at checkout based on your location and selected shipping method.

View Shipping Policy

Returns & Exchanges

We want you to shop with confidence. If there's an issue with your order, we're here to help.

New, unopened items may be returned in accordance with our Return Policy. For complete details, including return eligibility and timeframes, please review our full Return Policy before making your purchase.

View Return Policy

Collector's Guide

Every collection tells a story.

Whether you're buying your first record or adding a rare pressing to your shelves, understanding editions, formats, and release details can help you make informed collecting decisions. At Vibin' Vinyl, we believe collecting is about more than just owning the music—it's about appreciating the artwork, packaging, mastering, and history behind every release.

Looking to expand your collecting knowledge?

Explore our Collector's Guide for tips, format guides, and collecting advice.

Read the Collector's Guide

Steve Miller's first release of the 70's, NUMBER 5, saw the guitarist still bridging the adventurous psychedelic blues of his early work with the radio-pumping classic rock that he would perfect by the middle of the decade. Producer Glyn Johns (Rolling Stones, The Who) adds some interesting sonic experimentation to the album, which adds a new dimension to Miller's music and approach, especially on songs like "Industrial Military Complex Hex." The album opens on a mellow, somewhat countrified note that reflects the record's Nashville recording base and the presence of session hands like harmonica player Charlie McCoy and fiddler Buddy Spicher. These acoustically-based songs ("Good Morning," "I Love You," "Going to the Country"), segue into some of Miller's most underrated rockers --"Going to Mexico" and "Jackson-Kent Blues," for example. #5 would be one of the last strict blues-rock albums Miller would make before dedicating himself full-time to a successful career as an FM radio pop star.
View full details