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BEAUTIFUL

BEAUTIFUL

Regular price $20.95 USD
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Collector's Guide

Every collection tells a story.

Whether you're buying your first record or adding a rare pressing to your shelves, understanding editions, formats, and release details can help you make informed collecting decisions. At Vibin' Vinyl, we believe collecting is about more than just owning the music—it's about appreciating the artwork, packaging, mastering, and history behind every release.

Looking to expand your collecting knowledge?

Explore our Collector's Guide for tips, format guides, and collecting advice.

Read the Collector's Guide

Personnel: Teena Marie (keyboards, percussion, drum programming); Alia Rose, Verline Beard, Demetrice O'Neal, Tracy Hazzard, Bridgette Bryant (vocals); Doug Grigsby, Stan Davis (guitar, keyboards, percussion, drum programming); David Starks, Wali Ali, Ray Fuller, Morris O'Connor (guitar); Jeanette Harris (woodwinds, brass, horns); William Artope (horns); John Bokowski (keyboards); Brian Kilgore (percussion); James Allen (drum programming). Audio Mixer: Erik Zobler. Liner Note Author: Alia Rose. Recording information: Rosie's Room, Pasadena, CA. Arranger: Teena Marie. Several overdue reissues and the archival First Class Love were released within a couple years of Teena Marie's passing. A bigger surprise came in January 2013, when UMe issued this, the artist's 14th and final studio album. Its recording had been completed prior to Lady T's death; proud daughter Alia Rose, a singer and MC who appeared on La Do?a, Sapphire, and Congo Square, saw it through the mixing and mastering process. As Teena did on those fine 2000s albums, she weaves her exceptional songwriting skills with instrumentation that is both organic and synthetic, complementing her own playing and programming with input from several longtime instrumentalists. Likewise, she celebrates her inspirations in explicit and subtle fashions. The first song and lead single, "Luv Letter," pays tribute to her Motown roots and cleverly references her daughter's father with nods to "Please Mr. Postman" and "Signed, Sealed, Delivered I'm Yours." A Curtis Mayfield cover, "Give Me Your Love," one of two songs featuring Alia, glistens and most resembles the Barbara Mason version. Elsewhere, Teena quotes Barry White and the Stylistics, as well as herself, and even references A Tribe Called Quest. She does this while remaining utterly contemporary, as if modern R&B production moved her, as if revisiting her classic past sounds was never considered. There's a wide range of material, but the plush and yearning ballads -- "Love Starved," "The Long Play," "Carte Blanche," and the "Shadow Boxing"-alluding "Definition of Down" -- resonate the most. No other artist combined such strong streetwise attitude with disarming warmth. She did it from start to finish. ~ Andy Kellman
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