• SEFRONIA
1 1

SEFRONIA

SEFRONIA

$31.98 USD
$31.98 USD $31.98 USD
Sale Sold out
Shipping calculated at checkout.

Out of stock

Shipping Information

We carefully package every order to help ensure your records and media arrive safely. Orders are typically processed promptly, and tracking information is provided once your shipment is on its way.

Shipping costs and delivery estimates are calculated at checkout based on your location and selected shipping method.

View Shipping Policy

Returns & Exchanges

We want you to shop with confidence. If there's an issue with your order, we're here to help.

New, unopened items may be returned in accordance with our Return Policy. For complete details, including return eligibility and timeframes, please review our full Return Policy before making your purchase.

View Return Policy

Collector's Guide

Every collection tells a story.

Whether you're buying your first record or adding a rare pressing to your shelves, understanding editions, formats, and release details can help you make informed collecting decisions. At Vibin' Vinyl, we believe collecting is about more than just owning the music—it's about appreciating the artwork, packaging, mastering, and history behind every release.

Looking to expand your collecting knowledge?

Explore our Collector's Guide for tips, format guides, and collecting advice.

Read the Collector's Guide

Personnel includes: Tim Buckley (vocals, 12-string guitar); Joe Falsia, Lee Underwood, Bob Rafkin (guitar); Tom Scott (tenor saxophone); Fred Selden (flute); Earl Dunier (English horn); Mark Tiernan, Denny Randall (keyboards); Bernie Mysior (bass); Buddy Heim (drums); King Errison (congas, tambourine, percussion); Myrna Matthews, Sharon Beard, Lisa Roberts (background vocals). Engineers include: Kerry McNabb, Larry Hirsch, Roy Cicalo. Principally recorded at Paramount Recording Studios, Los Angeles, California. Digitally remastered by Bill Inglot & Ken Perry. SEFRONIA is an occasionally mesmerizing and very strange album, even by Tim Buckley's latter-day standards. Anybody who could open a lyric with the line "I couldn't buy you with one hundred cattle" (as Buckley does in part two of the album's title song) is harboring no illusions about his ability to sell records. The aforementioned two-part title song is a highly original, abstract mix of folk, jazz, and art song, featuring, like the rest of the album, typically spellbinding vocals. More weirdness is on display in "I'd Recognize Your Face," a duet (with the lost-to-history Marcia Waldorf on vocals) sung from the point of view of a divorced couple in which the guy isn't paying alimony and has never seen his own son. It's autobiographical, although most listeners at the time had no idea. Buckley closes the album with a version of the most ambiguous and spooky song in rock history--the Jaynettes' "Sally Go Round the Roses."
View full details