Skip to product information
1 of 1

YESSHOWS

YESSHOWS

Regular price $46.98 USD
Regular price $62.99 USD Sale price $46.98 USD
Sale Sold out
Shipping calculated at checkout.

Out of stock

Quantity

Shipping Information

We carefully package every order to help ensure your records and media arrive safely. Orders are typically processed promptly, and tracking information is provided once your shipment is on its way.

Shipping costs and delivery estimates are calculated at checkout based on your location and selected shipping method.

View Shipping Policy

Returns & Exchanges

We want you to shop with confidence. If there's an issue with your order, we're here to help.

New, unopened items may be returned in accordance with our Return Policy. For complete details, including return eligibility and timeframes, please review our full Return Policy before making your purchase.

View Return Policy

Collector's Guide

Every collection tells a story.

Whether you're buying your first record or adding a rare pressing to your shelves, understanding editions, formats, and release details can help you make informed collecting decisions. At Vibin' Vinyl, we believe collecting is about more than just owning the music—it's about appreciating the artwork, packaging, mastering, and history behind every release.

Looking to expand your collecting knowledge?

Explore our Collector's Guide for tips, format guides, and collecting advice.

Read the Collector's Guide

Yes: John Anderson (vocals); Steve Howe (guitar); Rick Wakeman, Patrick Moraz (keyboards); Chris Squire (bass); Alan White (drums). Recorded at Ahoy-Halle, Rotterdam, Netherlands on November 24, 1977; Empire Pool, Wembley, England on October 27, 1978; Festhalle, Frankfurt, Germany on November 18, 1977; Cobo Hall, Detroit, Michigan on August 17, 1976. Digitally remastered by Joe Gastwirt (Ocean View Digital). Recorded at various performances around the world between 1976 and 1978, YESSHOWS features the work of both longtime Yesman Rick Wakeman and his successor Patrick Moraz. Consequently, it's more an overview of the band's mid-period work than a document of a particular tour or performance. The lion's share of the tracks are drawn from GOING FOR THE ONE, arguably the best of Yes' late-'70s recordings, and "Wonderous (sic) Stories," "Parallels" and "Going For the One" all sparkle with the energy and invention that marked said album. The most important aspect of YESSHOWS is its display of the live interaction between the musicians. While Yes was never accused of being a "jam band," their elaborate, sophisticated arrangements require their own kind of musical telepathy between participants. That connection is apparent throughout the epic "Gates of Delirium" from RELAYER. The pleasure Squire, Anderson, Howe and company still get from playing together is especially apparent on their old chestnut "Time and a Word," a simple but very effective ballad.
View full details